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Lainey Wilson: A Night of Southern Charm and Rock-Infused Country in Vancouver

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Country music fans gathered at Rogers Arena on September 26 for a night of entertainment headlined by Lainey Wilson, fresh off a successful year as CMA’s Entertainer of the Year. But before the star herself hit the stage, the audience was warmed up by two openers, Jackson Dean and Zach Top, both of whom offered contrasting styles that set the tone for the evening.

Jackson Dean brought a rock-forward set that leaned more into heavy guitar riffs and reverb than traditional country music. He opened with the soaring “Big Blue Sky” and continued with tracks like “Trailer Park” and “Duct Tape Heart.” His performance of “Train” showcased his vocal range. His set peaked with the energetic “1971” and “Don’t Come Lookin’,” rounding off his time on stage with a raw, rock vibe that had the crowd energized for Wilson.

On the other hand, as the first act of the night, Zach Top stayed rooted in classic country. His traditionalist approach began with the toe-tapping “Sounds Like the Radio,” and “I Never Lie,” from his new album Cold Beer and Country Music. Top’s set highlighted his ability to navigate between upbeat tunes like “Bad Luck” and slower ballads such as “Use Me.” His set acted as a perfect homage to country’s deep roots.

Then it was time for Lainey Wilson to appear on stage. The Louisiana native kicked things off in true country style—complete with the sound of a truck horn and engine revving, as a red/orange pickup truck became a focal point of her stage design. This wasn’t just any ordinary set piece; the truck, rotating to match scenic backdrops of country roads, deserts, and sunrises, added a theatrical touch that complemented her energetic entrance and set the mood for the night.

Wilson, perched on top of the vehicle’s cab opened with “Hang Tight Honey,” launching into a set packed with both fan favourites and new songs from her latest album, Whirlwind. Her breakout hit, “Things a Man Oughta Know,” and the nostalgic “Watermelon Moonshine” were crowd pleasers, drawing singalongs from the audience and a galaxy of phone lights. Her performance was supported by the band’s rock-influenced sound, especially on “Heart Like a Truck,” where she invited a young girl on stage who nailed the lyrics! The production, paired with her denim bell-bottoms and cowboy hat, gave off a blend of country authenticity and modern flair.

Wilson also took a more personal turn during the performance, pausing before “Whirlwind” to reflect how busy her life had become, alluding to the inspiration behind her new album.

After the slower, heartfelt moments, Wilson picked up the pace with a crowd-rousing rendition of Creedence Clearwater Revival’s “Proud Mary.” She also incorporated some unexpected but entertaining moments, like singing into a voice-modulating walkie-talkie during “Ring Finger.” During the feminist anthem “Atta Girl,” she invited a young woman on the stage to crown her Cowgirl of the Night.

Lainey Wilson closed the show with “Country’s Cool Again.” Her encore featured a medley of collaborations, including “4 x 4 x U” and the uplifting “Wildflowers and Wild Horses,” sending the audience home on a high note. Throughout the night, Wilson kept the crowd engaged with her mix of heartfelt ballads, Southern rock, and nods to classic country.

While Wilson’s set was light on traditional country compared to her openers, it was a dynamic and visually impressive performance, offering a little something for every fan in the audience.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

LAINEY WILSON
JACKSON DEAN
ZACH TOP

All Photo Credit: Caroline Charruyer