Concerts Reviews
A Cinematic Odyssey: Hans Zimmer Live at Rogers Arena in Vancouver – Live Review
“Vancouver is THE place!” exclaimed Hans Zimmer. And he was right. On Sunday night, Vancouver was the place to be as Zimmer brought his Hans Zimmer Live tour to Rogers Arena, delivering an unforgettable evening of cinematic music magic. With a nearly sold-out crowd eagerly awaiting the legendary composer, Zimmer and his ensemble of virtuoso musicians transported the audience through some of the most iconic soundtracks in film history. From the intense depths of Dune to the rousing swells of Pirates of the Caribbean and the emotional highs of The Lion King, this was not just a concert—it was a symphonic spectacle.
Opening the night with Dune’s “House Atreides,” the piercing, haunting voice of Loire Cotler filled the arena, immediately captivating the audience. As Cotler’s soaring vocals gave way to the pulsating rhythms of Zimmer‘s ensemble, the mood was set for an evening that would oscillate between serenity and chaos, intensity and beauty. The incredible lighting and visuals on the LED screen only heightened the experience, making each moment feel cinematic in its own right.
Zimmer’s ability to blend genres was on full display. The transition from the powerful and dissonant Wonder Woman theme—driven by Tina Guo’s fierce cello performance—to the delicate, heartbreaking notes of Interstellar kept the audience on the edge of their seats. Guo, a standout performer throughout the night, played with raw emotion summoning the energy of the entire arena.
Zimmer’s humor and charisma shone in his frequent interactions with the audience, whether recounting funny stories from his time in Hollywood or lavishing praise on his bandmates, like guitarist Guthrie Govan, whose blistering solo during Man of Steel drew thunderous applause.
Zimmer also made sure to give space for each of his talented musicians to shine. Pedro Eustache’s woodwinds and Lisa Gerrard’s voice added an ethereal quality to Gladiator‘s suite, while the Ukrainian Odessa Opera Orchestra’s lush strings enriched the emotional depth of the night. The ensemble, representing a mosaic of international talent, brought an authenticity and human touch. It was clear that this concert was as much about celebrating the talents of his collaborators as it was about Zimmer himself.
One of the night’s most touching moments came during The Lion King suite, led by the iconic vocals of Lebo M. Performing “Circle of Life” alongside his daughter Refi, the duo filled the arena with the warmth of their voices, as golden light cascaded down from the stage. It was a nostalgic moment for many, transporting the audience back to childhood memories of the beloved film.
Highlights of the second act included the tense, relentless suite from The Dark Knight, where Zimmer’s three-bassist arrangement rattled the arena in a way that was felt as much as it was heard. Zimmer joked about the extravagance of having three bassists afterward. The audience laughed, but it was moments like these that made the show so unforgettable—Zimmer’s blending of virtuosity, playfulness, and power.
As the concert neared its end, the crowd was treated to Interstellar’s “Cornfield Chase,” with its shimmering piano and expansive crescendos, and Inception’s “Time” where Zimmer’s introduced Nile Marr, guitarist and son of Johnny Marr.
Hans Zimmer’s performance in Vancouver was a demonstration of how a live concert can transcend expectations. For over two-and-half hours, Zimmer and his extraordinary band created a experience that left the audience spellbound. As the final notes faded and the audience roared in approval, it was clear why Zimmer is one of the greatest composers of our time.
Check out more photos of the night below or head to our Facebook page for the full gallery!
HANS ZIMMER
All Photo Credit: Caroline Charruyer
Concerts Reviews
The Offspring Supercharge Victoria With A Night of Hits
The Offspring kicked off the Canadian leg of their Supercharged World Tour in Victoria on January 22, and from the jump, it felt like more than just another tour stop. For decades, they’ve stood tall in punk rock history, firmly planted on the genre’s Rushmore alongside Green Day, NOFX, and Bad Religion. They even helped spark the rise of one of Canada’s own legends, Sum 41. The timing of this tour couldn’t be better either, landing right after the release of Supercharged, an album that pulls together different eras of the band into one fast, loud, and familiar rush. With a fresh record to celebrate and a hit-stacked catalog that spans generations, it’s easy to see why thousands showed up to sell out the Save-On Foods Memorial Centre.
Even before stepping inside, the night already felt alive. Fans swarmed the area, and more than a few leaned fully into the fun, rocking full Pretty Fly Guy fits. Once inside, that energy expanded. What felt like hundreds instantly turned into thousands, and you could feel it was one of those passing the torch kind of nights. Fans who grew up blasting Smash, Self-Titled, and Ignition brought their kids along to experience the music that helped shape their own teenage years. It didn’t take long to realize this crowd was ready to go off. But before The Offspring hit the stage, punk royalty took over.
“We promised you we’d play here again Victoria, sorry it took us 25 years.” With that, Bad Religion had the room eating out of their hands. The Cali punk icons ripped straight into classics like “Punk Rock Song,” “Recipe For Hate,” and “American Jesus,” keeping the energy sky high from start to finish. Every song hit hard, every chorus was shouted back, and by the time they wrapped up, Victoria was fully primed for what was coming next.
Then, it was go time. The Offspring burst onto the stage and wasted no time, opening with “Come Out and Play.” The reaction was instant. Fans were on their feet in seconds, screaming every word and even belting out the guitar riff like it was second nature. There was no warm up period here, just straight chaos. Noodles made his presence felt without saying a word, flashing Abolish ICE on the back of his guitar, a quiet but powerful reminder of punk’s roots. Front and center, Dexter was unstoppable. Locked in, bursting with energy, and sounding every bit as sharp as he did in the 90s. Any doubts about whether he still had it were gone before the first song even ended.
The setlist was deep, stretching across 20 tracks and touching nearly every major chapter of the band’s career. Smash, Americana, Rise and Fall, and Supercharged all got their moment. Songs like “Bad Habit,” “Hammerhead,” and “Make It All Right” sent the crowd into full meltdown mode. Fans didn’t just sing along, they gave everything back, lyric for lyric, letting the band know exactly how much these songs have meant over the years. The Offspring also kept things unpredictable, tossing in covers that somehow fit perfectly into the madness. “Hey Jude,” “I Wanna Be Sedated,” and even “In the Hall of the Mountain King” popped up. One of the most powerful moments of the night came when Dex sat down at the piano for “Gone Away,” pulling the entire arena into a quiet, emotional pause that hit just as hard as the chaos.
As the night raced toward its finish line, things went nuclear. The final stretch was pure fan service in the best way possible. “Pretty Fly (For a White Guy),” sent the place into celebration mode, and when the encore rolled around with “You’re Gonna Go Far, Kid,” before closing it all out with “Self Esteem,” the building was shaking. During “Far Kid,” a zeppelin balloon floated across the arena flashing the iconic “Dance Fucker Dance” line and the crowd happily obeyed. Confetti erupted during the final chorus, turning the moment into total chaos in the most perfect way. Between moments like that and the relentless energy these legends brought to the stage, it’s easy to understand how they’ve stayed at the top of the genre for so long. The Offspring gave Victoria a night it won’t soon forget, and if this was just the start of the Canadian run, the rest of the country is in for a wild ride.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming The Offspring: SUPERCHARGED WORLDWIDE in ‘26 Tour Dates:
Sat Jan 24 — Vancouver, BC — Rogers Arena
Sun Jan 25 — Kelowna, BC — Prospera Place
Tue Jan 27 — Prince George, BC — CN Centre
Wed Jan 28 — Grande Prairie, AB — Bonnetts Energy Centre
Fri Jan 30 — Edmonton, AB — Rogers Place
Sun Feb 01 — Calgary, AB — Scotiabank Saddledome
Thu Feb 05 — Winnipeg, MB — Canada Life Centre
Fri Feb 06 — Fargo, ND — FARGODOME
Sat Feb 07 — Sioux City, IA — Tyson Events Center
Tue Feb 10 — Evansville, IN — Ford Center
Wed Feb 11 — Grand Rapids, MI — Van Andel Arena
Fri Feb 13 — Hamilton, ON — TD Coliseum
Sat Feb 14 — London, ON — Canada Life Place
Tue Feb 17 — Peterborough, ON — Peterborough Memorial Centre
Thu Feb 19 — Ottawa, ON — Canadian Tire Centre
Sat Feb 21 — Montreal, QC — Bell Centre
Mon Feb 23 — Moncton, NB — Avenir Centre
Tue Feb 24 — Halifax, NS — Scotiabank Centre
More information at TheOffspring.com.
THE OFFSPRING
All Photo Credit: Marquise Monno
Concerts Reviews
TWICE Kick Off the North American Leg of their THIS IS FOR World Tour With Two Hours of Joy
TWICE have spent the last decade growing from a bubbly K-pop rookie group into one of the most reliable live pop acts on the planet. Formed in 2015 through JYP Entertainment’s show Sixteen, the nine-member group (Nayeon, Jeongyeon, Momo, Sana, Jihyo, Mina, Dahyun, Chaeyoung, and Tzuyu) built their reputation on sharp choreography, sticky hooks, and a rare sense of longevity in an industry that moves fast. Their <THIS IS FOR> World Tour marks another big step, as their 10th Anniversary tour. Vancouver got the honour of opening the North American leg, with night one landing at Rogers Arena on January 9.
This show carried weight: it’s the first night of a new leg, first of two sold-out Vancouver dates, first time TWICE ever performed here. Or so they kept saying (more on that later).
Before the doors even opened, the sense of community hit hard. This was my first K-pop concert, and the concourse felt almost like a fan convention. ONCE (as TWICE fans are called) showed up early and prepared. Freebies were everywhere: fake Canadian bills printed with member faces, bracelets, banners, fake concert tickets as keepsakes. People traded gifts with strangers like it was normal, and it ruled. It reminded me of the exchange of bracelets at Taylor Swift’s shows.
Outfits ranged from full music video cosplay to subtle nods. Candy Bongs (TWICE’s lightstick) lit up the building in every direction. Someone even brought a giant inflatable Candy Bong that eventually made it onstage. Jihyo got her hands on it during “Scientist” and used it to whack her own members. No notes.
The lights dropped just after 8 p.m. “FOUR” played in the dark while Candy Bongs glowed across the arena. A massive 360-degree stage sat in the middle, with towering LED screens hanging above. The scale felt serious. TWICE rose into view and launched straight into “THIS IS FOR.” The scream from the crowd swallowed the mix.
Act I leaned heavy on confidence. “Strategy,” “MAKE ME GO,” “SET ME FREE,” and “I CAN’T STOP ME” landed clean and tight as this group moves with muscle memory built over ten years. The ments showed real excitement and a touch of nervousness. Kudos to the translator who helped both members and fans understanding each other as most members spoke mainly in Korean.
Act II raised the emotional stakes. “MARS” and “I GOT YOU” hit with warm vocals. “Gone” stood out for me, especially with the arrangement with the live band. Jihyo and Nayeon owned it. “CRY FOR ME” and “HELL IN HEAVEN” kept the intensity high. “RIGHT HAND GIRL” pulled huge cheers, proof that deep cuts still matter.
Then came the solos. This section turned the show into a full showcase. Tzuyu opened with “DIVE IN,” graceful and controlled. Mina followed with “STONE COLD.” Nayeon brought pop chaos with “MEEEEEE.” Jeongyeon surprised with “FIX A DRINK,” leaning into a country edge that somehow worked. The pink, glittery cowboy outfit was perfect for it. Dahyun played piano during “CHESS” and owned the room. Chaeyoung returned to the stage with “SHOOT (Firecracker),” and the welcome back energy was real. She had missed several dates earlier in the 1st leg of the tour, and you could feel the relief from then fans as the group back to OT9. Jihyo’s “ATM” confirmed what I already suspected. She has unreal stage presence and total command of the crowd. Sana softened the mood with “DECAFFEINATED.” Momo closed the solo run with “MOVE LIKE THAT,” pure movement and confidence.
Then it was time for the “TAKEDOWN” curveball. Jeongyeon, Jihyo, and Chaeyoung debuted it live on this tour, pulled from the Netflix hit K-Pop Demon Hunters. The arena lost its mind. I knew and loved the song going in, but I did not expect that reaction. The honmoon was clearly sealed after that performance.
Act IV was wall-to-wall hits. “FANCY,” “What Is Love?,” “YES or YES,” and “Dance the Night Away” turned the arena into a giant singalong. The fan dance cam kicked in before the encore and ONCE showed up prepared with sharp choreography.
The encore opened with “SCIENTIST,” another tour debut. Before the final song, the members talked again about Vancouver. Nine years ago, they filmed the “Likey” music video in Vancouver. That explained why they ended the show “LIKEY,” an unusual closer that was direct nod to the city. The crowd loved it and screamed the lyrics back at the members.
I walked in knowing only a handful of songs and very little about the members, and I walked out with a bias (Jihyo earned that spot without debate) and a smile on my face. More than that, I left understanding why TWICE have lasted this long. Here’s to ten more years!
Upcoming THIS IS FOR Tour Dates:
1/10 – Rogers Arena – Vancouver, BC
1/13 – Climate Pledge Arena – Seattle, WA
1/14 – Climate Pledge Arena – Seattle, WA
1/17 – Oakland Arena – Oakland, CA
1/18 – Oakland Arena – Oakland, CA
1/21 – Kia Forum – Los Angeles, CA
1/22 – Kia Forum – Los Angeles, CA
1/24 – Kia Forum – Los Angeles, CA
1/25 – Kia Forum – Los Angeles, CA
1/28 – PHX Arena – Phoenix, AZ
1/31 – American Airlines Center – Dallas, TX
2/01 – American Airlines Center – Dallas, TX
2/13 – Capital One Arena – Washington, DC
2/14 – Capital One Arena – Washington, DC
2/18 – UBS Arena – Belmont Park, NY
2/20 – UBS Arena – Belmont Park, NY
2/21 – UBS Arena – Belmont Park, NY
2/24 – Xfinity Mobile Arena – Philadelphia, PA
2/27 – State Farm Arena – Atlanta, GA
3/03 – Bell Centre – Montreal, QC
3/06 – TD Coliseum – Hamilton, ON
3/07 – TD Coliseum – Hamilton, ON
3/27 – Kia Center – Orlando, FL
3/28 – Kia Center – Orlando, FL*
3/31 – Spectrum Center – Charlotte, NC
4/03 – TD Garden – Boston, MA
4/04 – TD Garden – Boston, MA
4/06 – United Center – Chicago, IL
4/07 – United Center – Chicago, IL
4/10 – Little Caesars Arena – Detroit, MI
4/12 – Grand Casino Arena – Saint Paul, MN
4/14 – Ball Arena – Denver, CO
4/17 – Moody Center – Austin, TX
4/18 – Moody Center – Austin, TX
5/09 – MEO Arena – Lisbon, PT
5/12 – Palau Sant Jordi – Barcelona, ES
5/16 – Accor Arena – Paris, FR
5/17 – Accor Arena – Paris, FR
5/20 – Inalpi Arena – Turin, IT
5/23 – Uber Arena – Berlin, DE
5/26 – LANXESS Arena – Cologne, DE
5/30 – Ziggo Dome – Amsterdam, NL
5/31 – Ziggo Dome – Amsterdam, NL
6/03 – The O2 – London, UK
6/04 – The O2 – London, UK
More information on the tour here.