Concerts Reviews
A Cinematic Odyssey: Hans Zimmer Live at Rogers Arena in Vancouver – Live Review
“Vancouver is THE place!” exclaimed Hans Zimmer. And he was right. On Sunday night, Vancouver was the place to be as Zimmer brought his Hans Zimmer Live tour to Rogers Arena, delivering an unforgettable evening of cinematic music magic. With a nearly sold-out crowd eagerly awaiting the legendary composer, Zimmer and his ensemble of virtuoso musicians transported the audience through some of the most iconic soundtracks in film history. From the intense depths of Dune to the rousing swells of Pirates of the Caribbean and the emotional highs of The Lion King, this was not just a concert—it was a symphonic spectacle.
Opening the night with Dune’s “House Atreides,” the piercing, haunting voice of Loire Cotler filled the arena, immediately captivating the audience. As Cotler’s soaring vocals gave way to the pulsating rhythms of Zimmer‘s ensemble, the mood was set for an evening that would oscillate between serenity and chaos, intensity and beauty. The incredible lighting and visuals on the LED screen only heightened the experience, making each moment feel cinematic in its own right.
Zimmer’s ability to blend genres was on full display. The transition from the powerful and dissonant Wonder Woman theme—driven by Tina Guo’s fierce cello performance—to the delicate, heartbreaking notes of Interstellar kept the audience on the edge of their seats. Guo, a standout performer throughout the night, played with raw emotion summoning the energy of the entire arena.
Zimmer’s humor and charisma shone in his frequent interactions with the audience, whether recounting funny stories from his time in Hollywood or lavishing praise on his bandmates, like guitarist Guthrie Govan, whose blistering solo during Man of Steel drew thunderous applause.
Zimmer also made sure to give space for each of his talented musicians to shine. Pedro Eustache’s woodwinds and Lisa Gerrard’s voice added an ethereal quality to Gladiator‘s suite, while the Ukrainian Odessa Opera Orchestra’s lush strings enriched the emotional depth of the night. The ensemble, representing a mosaic of international talent, brought an authenticity and human touch. It was clear that this concert was as much about celebrating the talents of his collaborators as it was about Zimmer himself.
One of the night’s most touching moments came during The Lion King suite, led by the iconic vocals of Lebo M. Performing “Circle of Life” alongside his daughter Refi, the duo filled the arena with the warmth of their voices, as golden light cascaded down from the stage. It was a nostalgic moment for many, transporting the audience back to childhood memories of the beloved film.
Highlights of the second act included the tense, relentless suite from The Dark Knight, where Zimmer’s three-bassist arrangement rattled the arena in a way that was felt as much as it was heard. Zimmer joked about the extravagance of having three bassists afterward. The audience laughed, but it was moments like these that made the show so unforgettable—Zimmer’s blending of virtuosity, playfulness, and power.
As the concert neared its end, the crowd was treated to Interstellar’s “Cornfield Chase,” with its shimmering piano and expansive crescendos, and Inception’s “Time” where Zimmer’s introduced Nile Marr, guitarist and son of Johnny Marr.
Hans Zimmer’s performance in Vancouver was a demonstration of how a live concert can transcend expectations. For over two-and-half hours, Zimmer and his extraordinary band created a experience that left the audience spellbound. As the final notes faded and the audience roared in approval, it was clear why Zimmer is one of the greatest composers of our time.
Check out more photos of the night below or head to our Facebook page for the full gallery!
HANS ZIMMER
All Photo Credit: Caroline Charruyer
Concerts Reviews
LIVE REVIEW: Halestorm in Buenos Aires: A Mountain of Hard Rock
Halestorm, the hard rock band hailing from Pennsylvania returned to Argentina after a decade to launch their latest studio album, titled Everest. The event took place this past March 29 at the Teatro Gran Rivadavia in Buenos Aires.
The night began calmly; the audience trickled in slowly, likely due to the numbered seating, which encouraged many to enter at the last minute. However, as always, the most die-hard fans were inside the theater early. From that same section, and in the absence of a support band, a group of fans spontaneously began singing several of the band’s choruses in unison, delivering impressive vocal performances.
At 9:00 PM, with surgical precision, the first to appear on stage was Arejay Hale (drums), followed by Josh Smith (bass) and Joe Hottinger (guitar). Finally, the frontwoman, singer, guitarist, and keyboardist, Lzzy Hale, made her entrance.
They chose to open with their 2009 debut single, “I Get Off.” They followed up with two more classics, “Love Bites (So Do I)” and “I Miss The Misery.” After these three tracks, it was clear that both the band and the audience were ready to give it their all.
Halestorm continued the set with “Watch Out!” from their latest album, followed by “Black Vultures” from the Vicious LP. Once finished, Lzzy addressed the crowd to recall the band’s participation in the 2025 Black Sabbath tribute in Birmingham. She asked the audience to raise their hands with the classic “metal horns” in memory of Ozzy Osbourne, leading into a cover of “Perry Mason.”
After a massive round of applause, the Americans continued presenting tracks from their new album with “Shiver.” Then—with a dedication from Lzzy to the women in the house—they played “Like a Woman Can,” closing the trio of new songs with “I Gave You Everything.”
At the midpoint of the concert, Lzzy took the mic to sing a fragment of “Familiar Taste of Poison,” showcasing her incredible range and clean high notes, before seamlessly transitioning into “Rain Your Blood On Me.” This highlighted her grittier, “broken” vocal style, proving her immense versatility as a singer.
After a brief break for the rest of the band, Arejay Hale took the spotlight for a drum solo that included his signature giant sticks. The band then returned for “Back From The Dead” and “Wicked Ways.”
The set continued with “K-I-L-L-I-N-G” and “Uncomfortable.” True to the song’s title, the beginning of the latter was the only moment where Lzzy seemed slightly “uncomfortable,” possibly due to a sound issue or a brief memory lapse with the lyrics—nothing serious, and it was resolved within seconds. They closed the main set with the title track of their new album, “Everest.”
After a few minutes of the crowd chanting for more, the band returned with “Freak Like Me,” a true anthem that had the “Freaks” (as the fans are called) jumping in unison. To wind down the night, they opted for “Fallen Star” and the ballad “Here’s To Us,” during which Lzzy Hale donned the Argentine national jersey with Lionel Messi’s number 10.
Thus, Halestorm concluded their third visit to Argentina, delivering a solid, polished, and high-energy show with top-tier sound. They gave their all to both long-time fans and the many new ones in attendance. Hopefully, we won’t have to wait another 10 years to see them again.
Words by Martin Cervetto
Photos by Tute Delacroix (@tutedelacroix)
Concerts Reviews
LIVE REVIEW: Evan Honer Turns the Commodore Into a Living Room Singalong
On March 30, 2026, Commodore Ballroom felt less like a historic venue and more like someone’s packed house party with Evan Honer at the centre of it all.
The night opened with Sam Burchfield, whose warm, rootsy set eased the crowd in. His style leaned into folk and Southern textures, setting a tone that fit neatly with what was coming next.
Honer’s rise still feels a bit unreal when you line it up. A few years ago, he was balancing college life and Division I swimming. Then his cover of “Jersey Giant” by Tyler Childers exploded online, pulling in hundreds of millions of streams and flipping his life overnight. Fast forward to now, and he’s running his own label, recording out of a garage studio, and touring internationally with a catalogue that keeps growing.
That momentum showed up immediately on stage. Honer kicked off his set with a burst of energy (and yes, a backflip!) setting the tone for a night that bounced between chaos and quiet reflection. Backed by a 5-piece band, he moved easily between acoustic moments and full-band arrangements, switching guitars and moods easily.
A big part of the set leaned on his latest album, Everything I Wanted, which marks a shift in his sound. The Americana roots are still there, but there’s a stronger pull toward indie pop and mainstream country. Tracks like the title song turned into full-on crowd moments, with the audience shouting back every word.
What stood out most was how little it mattered whether a song was new or old. Fans knew everything. Tracks from West On I-10 landed just as loudly as newer material, and songs like “Foolin’ Ourselves” and “Too Far Gone” felt like staples rather than throwbacks.
Mid-set, Honer slowed things down and stripped it back. Alone on stage, he played “Brother” and “Mr. Meyers,” both heavy, personal songs. You could feel the room quiet. It’s a risky move in a high-energy set, but it paid off.
He didn’t let things stay heavy for long with “Jersey Giant.” It’s still the song that introduced him to a massive audience, and live, it feels like it belongs to both him and the crowd now.
The encore leaned unexpected, with a cover of “Sugar, We’re Goin Down” by Fall Out Boy that somehow worked perfectly. Honer closed with “IDK Shit About Cars,” sending the room out on a high.
Beyond the music, the night carried a bit more weight. Honer has partnered with PLUS1, with $1 from every ticket supporting the Schizophrenia & Psychosis Action Alliance. It’s a small detail, but it adds context to an artist who clearly thinks beyond the stage.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
March 31 – Seattle, Wash. @ Showbox
April 1 – Portland, Ore. @ Crystal Ballroom
April 3 – San Francisco, Calif. @ The Fillmore
April 4 – Los Angeles, Calif. @ El Rey Theatre
April 5 – San Diego, Calif. @ The Observatory North Park
April 7 – Flagstaff, Ariz. @ Orpheum Theater
April 10 – Tucson, Ariz. @ La Rosa
April 11 – Phoenix, Ariz. @ The Van Buren
April 15 – Tulsa, Okla. @ Cain’s Ballroom
April 16 – Dallas, Texas @ The Echo Lounge & Music Hall
April 18 – Georgetown, Texas @ Two Step Inn
More information on Evan Honer’s website.
EVAN HONER
SAM BURCHFIELD
All Photo Credit: Caroline Charruyer