Concerts Reviews
LIVE REVIEW: David Lee Roth Brings the Party to Vancouver’s Vogue Theatre
Some artists play a concert. David Lee Roth puts on a show.
The legendary Van Halen frontman took over Vancouver’s Vogue Theatre on July 13 for nearly two and a half hours of classic rock, storytelling, and larger-than-life personality. From the moment he stepped on stage, it was obvious Vancouver still holds a special place in his heart. Throughout the night, he reminisced about recording here over the years and shared fond memories of his time at the Nelson Place Hotel, where, judging by the grin on his face, he had more than a few unforgettable nights.
If you’ve ever seen Diamond Dave, you know the music is only part of the experience.
Roth’s storytelling was in peak form, with tales between songs that seemed to wander wherever his brain felt like taking them. The longest detour of the night eventually landed on “Ice Cream Man,” with Roth picking up an acoustic guitar and easing into the Van Halen classic. Moments like that are exactly why he’s never been just a singer; he’s a showman through and through, and the crowd was loving every minute of it.
At one point, Roth referred to himself as “35 years old… times two,” and honestly, the man has enough energy to make people half his age question their cardio. He powered through almost two and a half hours with barely a pause, constantly moving across the stage with his signature Muppet-like swagger, dramatic poses and facial expression, and even a limbo under his microphone stand just because… he’s David Lee Roth. As a self-proclaimed “paper cup of whiskey,” Roth couldn’t have described himself more perfectly: a little rough around the edges, endlessly charismatic, and impossible not to enjoy.
The setlist delivered exactly what Vancouver came to hear, with Van Halen classics including “Panama,” “Jamie’s Cryin’,” “Dance the Night Away,” “Hot for Teacher,” “Ain’t Talkin’ ‘Bout Love,” “Jump,” and “Runnin’ with the Devil.” One of the evening’s standout moments came during “Unchained,” where Roth busted out a harmonica solo, adding his own twist to one of the band’s heaviest anthems.
The crowd was all in from the opening song, singing every chorus back to the stage, cheering between stories, even telling Roth to “gimme a break” when the time came (iykyk). While his voice doesn’t quite reach the same sky-high notes it did in the ’80s, that hardly mattered. Rather than chasing perfection, Roth leaned into what has always made him such a captivating performer: personality, humour, spontaneity, and an undeniable love for being on stage. You could genuinely feel how much fun he was having, and that enthusiasm spread through the theatre.
His backing band kept the iconic songs sounding tight and full of energy, while the backup vocalists were an absolute highlight of the night. They were impossible not to watch, dancing through every song, interacting with each other, and laughing along with Roth‘s antics. The moment one of the backing vocalists sauntered across the stage to jump behind another set of synth keys, you knew the crowd was about to be transported straight into synth heaven. Their chemistry with one another and with Roth added another layer of excitement to an already lively performance, making the stage feel alive from start to finish.
With plenty of videos from earlier stops on the tour circulating online, Vancouver’s performance felt like one of the strongest of the run. Roth looked relaxed, sounded confident, and seemed genuinely excited to be back in a city that’s clearly been an important part of his career. Whether it was the hometown memories, the electric crowd, or simply one of those nights where everything clicked, the show had an extra spark that carried through from start to finish
David Lee Roth may not sound exactly like he did four decades ago, and honestly, that’s okay. What hasn’t changed is his ability to command a stage, make thousands of people smile, and turn a concert into a full-blown rock ‘n’ roll party. For diehard Van Halen fans, it was a chance to relive the classics. For everyone else, it was a reminder that great songs are one thing, but a true showman knows how to make them unforgettable.
Check our our favourite photos of the night below or head to our Facebook page for the full glallery!
DAVID LEE ROTH IN VANCOUVER
All Photo Credit: Heather Horncastle
Concerts Reviews
LØLØ Brings her ‘God Forbid a Girl Goes on Tour’ to the Pearl in Vancouver
LØLØ brought her second headlining tour – aptly named “God Forbid a Girl Goes on Tour” – to Vancouver this week, a first for the Canada-born artist. We’ve been a fan since we first heard “Death Wish” back in 2021, which seems like it was yesterday, and we aren’t going to overthink that right now. That being said, we’ve been waiting a long time for this night, and what a show!
We’ve been frequenting The Pearl more and more lately, and like so many others this show was sold out and packed wall-to-wall. There was a small mob for the first opener of the night, Dawson Gamble, and the floor was packed by the time Con the Artist took the stage. When LØLØ appeared, it was all plaid miniskirts and devil horns from the stage to the merch booth.
When the lights went down, LØLØ’s voice boomed over the speakers, narrating excerpts from a journal. LØLØ is not a choreographed, over-polished pop princess. Like so many artists that grew their audience from nothing, she does her best to connect with individuals in the audience. She takes her time, holds their hands, and during one memorable song, brings them on stage to dance.
“I think that people don’t want perfection,” she told Rolling Stone earlier this year. “They just want to see a live show and a special moment.”
LØLØ was very upfront about her adventures online, finding her voice, and time spent during COVID, and from the vibe you have to assume the audience had been there with her the entire time. From “The Floor is Lava” to “Faceplant,” all the hits were covered and sung along to. Speaking of which…
Must Hear Songs by LØLØ (In Our Humble Opinion):
• “death wish” (Single, 2021)
• “Hot Girls in Hell” (falling for robots, 2023)
• “u turn me on (but you give me depression)” (falling for robots, 2023)
• “Let It Go” (A Whole New Sound (Disney), 2024)
Fun fact: LØLØ was featured on a 2024 Disney punk album alongside Simple Plan, Magnolia Park, and Yellow Card, to name a few iconic bands. Check out her version of “Let It Go” from “Frozen.” It’s unexpected and a lot of fun.
LØLØ ‘s first moment of viral fame was her cover of “Hey There Delilah,” updated and sung from Delilah’s perspective. Pulling Con the Artist back on stage for a duet gave the crowd a wonderful, heartfelt moment that was honestly quite touching. Not everyone’s favorite song, but a lovely moment for everyone in the audience.
LØLØ, with several incredible songs in her library and with a stack of “Warped Tour” appearances already in the books, seems poised to breakthrough to the next level. She’s electric on stage, and animated, and we can only dream of the day she is given more space to play. Until then, another highlight concert of 2026, and something to think about until her next visit!
LØLØ Setlist:
• the devil wears converse
• pretty little wreck
• god forbid a girl spits out her feelings!
• THE FLOOR IS LAVA!
• debbie downer
• me with no shirt on
• the punisher
• 2 of us
• u turn me on (but u give me depression)
• faceplant
• Hey There Delilah
• death wish
• delusional darling
• junkie
• DON’T!
• dumbest girl in the world
• wish i was a robot
• hot girls in hell
Check out our favourite photos of the night below or head to our Facebook page for the full gallery. Thanks for attending the show with us and for checking out our review!
LØLØ
All Photo Credit: Jason Martin
Concerts Reviews
LIVE REVIEW: Bring Me the Horizon Lights Up Ottawa
Canadian Tire Centre, Ottawa, October 2 2026
Three bands, three very different flavours of heavy, and not a dull stretch in the night. From the opening notes of the first set to the last drop of confetti, this was a show that gave fans their money’s worth.
The Plot in You
The Plot in You had the job of waking up the room, and they did it by leaning on their biggest strength: the vocalist, Landon Tewers. He has a remarkable range, and what stood out most was how smoothly he moved between two completely different modes. One moment he was unleashing deep, guttural screams that hit like a wall of sound. The next he dropped into soft, melodic passages.
That contrast gave the set its shape. Instead of staying at full volume the whole time, the band let the quiet moments breathe, which made the heavy parts land harder. It was an impressive showing from an opener, and a good reminder that this is a band with real dynamic range.
Motionless in White
Motionless in White brought a different energy: dark, theatrical, and confident. With such an extensive discography, they had plenty of material to choose from, and the set felt like a well-curated tour through their career. Longtime fans had something to sing along to, and newcomers got a clear picture of what the band is about.
The look matched the sound too with the bassist and guitarist wearing creepy makeup and masks, which gave the stage a horror-movie atmosphere. It added to the show without ever pulling focus from the music, and it made them fun to watch even from the back of the room.
Bring Me the Horizon
Then it was time for one of the biggest rock acts in the world: Bring Me the Horizon. From the start, frontman Oli Sykes controlled the room. He wasn’t just performing at the crowd; he was directing it. He demanded circle pits and crowd surfing, and the floor responded. Pits opened up, bodies went over the barricade, and the whole arena never sat still.
The production was enormous. Fire, smoke, confetti, fireworks, and lasers were all deployed throughout the night, and none of it felt like a gimmick. Each effect was timed to hit at the right moment, amplifying the biggest drops and choruses. The backdrops and visuals were just as impressive, giving the stage a cinematic, almost apocalyptic feel that changed with the mood of each song.
One of the most striking moments came during “Shadow Moses,” when Oli brought out a flare. With the red glow cutting through the smoke and the crowd roaring the song back at him, it was one of those images that sticks in your memory long after the lights come up.
A young man was brought on stage to sing “Pray for Plagues,” a tradition the band has kept up at every show on this tour. After the fire, noise, and spectacle, it reminded everyone that this massive production still has room for a fan to share the spotlight.
Through all of it, the pacing was excellent. From their well known hit “Can You Feel My Heart” to their more recent “Darkside, the band balanced intense, high-energy stretches with moments that let the crowd catch its breath, and Oli kept the connection with the audience alive the whole way through.
This was a complete night of heavy music: a strong opener with a standout vocalist, a theatrical and razor-sharp middle act, and a headliner that treated the show like a full-scale production without losing the raw energy at its core. Loud, spectacular, and a whole lot of fun.
Head here for information on the rest of the tour.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BRING ME THE HORIZON
MOTIONLESS IN WHITE
THE PLOT IN YOU
All Photo Credit: Kieran Delport