Concerts Reviews
Somewhere I Belong: Linkin Park’s Epic Show in Omaha

Simply put, this was one of the best concerts I have ever attended. I don’t usually write concert reviews in the first person, but I think this is a special case. I believe my experience seeing Linkin Park is similar to many fans. I was initially supposed to see the band eight years ago, but unfortunate circumstances prevented that. Like every other LP fan, I never thought they would return to the stage. When they took the stage almost a year ago for their return, with two new members in tow, it was one of the greatest musical moments of my life. The experience of seeing LP perform again on the TV in my college apartment was only beaten out by seeing them live in Omaha.
When the countdown started at ten minutes, the emotion and excitement in the room ramped up immediately. Every tick meant that we were one second closer to two hours of the best music in the world. With four minutes to go, “Don’t Stop Me Now” by Queen rang out over the speakers. When the final note from Brian May’s guitar was played, the lasers on the stage beamed out with a sound melody underlayed by “Castle of Glass”. I stood in the photo pit waiting for the band to come out, and one by one, Mike, Emily, Dave, Joe, Colin, and Alex, Linkin Park took the stage in Omaha.

The record scratches and samples for “Somewhere I Belong” bellowed from Mr. Hahn’s pads, and the show began. Mike’s rapping and Emily’s screams bellowed out loudly with the voices of thousands of backup singers. Generally, with my earplugs in, I can barely hear the crowd, but there was something different about that night while in the pit. I heard everything. I heard the crowd singing “Lying from You,” I heard the crowd erupt with excitement when “New Divide’s” opening hit, and I heard Emily loud and clear on “The Emptiness Machine,” even if I was halfway across the venue putting my camera gear away.
Act II of the show was filled with hits, both old and new. It started off with “Catalyst” and “Burn it Down,” and burn it down they sure did. For those that are also Fort Minor fans in addition to LP fans, you sure were happy, not only was “Where’d You Go” played, but so was “Remember The Name.” This was a personal highlight for me as I remember listening to RTN almost every day during football and track workouts in high school. This is another way in which many Linkin Park fans can relate to my experience, because I am sure that almost everyone has a similar story about an LP or LP-related song being a hype song to their life soundtrack. There was also something special about this portion of the show. Mike went down to the crowd when he saw a young fan’s sign. That fan asked him to sing “Step Up,” which Mike obliged. “Step Up” hasn’t been played officially as a part of the set for LP in over 20 years. I’m sure a verse or two has been sung in a mashup over the years, but it is extremely rare to hear it, and this Omaha crowd was really lucky.

No LP show would be complete without “One Step Closer,” and this show would be no different. Looking around from my seat, the amount of og LP fans erupting from their seats when the iconic opening riff began to be played was tremendous. This reenergized crowd would not slow down for the rest of the night. There was even the chance for more audience participation when Mike asked another young fan, this time decked out in all pink, to pick a number that would decide how Colin would play drums for “Numb.” In the end, it was the reggaeton version which, for some reason, worked a lot better than I thought it did.
As with every Linkin Park show, there was a fake-out before the encore. As the band retook the stage for a three-song encore consisting of “Papercut,” “In The End,” and “Faint,” nobody was in their chairs. It was the perfect way to end the night and cap off one of the best live performances I have ever seen. 12-year-old me never thought that I would get a chance to ever see Linkin Park again. 20-year-old me will never forget this night.

The From Zero world tour has dates scheduled across the year for at least the next year. If you were worried about this not being the same Linkin Park you grew up with, you can put those worries to rest because, just like for me, this might be one of the best shows of your life.
Upcoming From Zero World Tour Dates:
August 31, 2025 | T-Mobile Center – Kansas City, MO #
September 3, 2025 | Ball Arena – Denver, CO #
September 6, 2025 | Footprint Center – Phoenix, AZ #
September 13, 2025 | Dodger Stadium – Los Angeles, CA !&
September 15, 2025 | SAP Center – San Jose, CA &
September 17, 2025 | Golden 1 Center – Sacramento, CA &
September 19, 2025 | Moda Center – Portland, OR &
September 21, 2025 | Rogers Arena – Vancouver, BC &
September 24, 2025 | Climate Pledge Arena – Seattle, WA &
October 26, 2025 | Venue TBA – Bogota, CO
October 29, 2025 | Venue TBA – Lima, PE
November 1, 2025 | Venue TBA – Buenos Aires, AR
November 5, 2025 | Venue TBA – Santiago, CL
November 8, 2025 | Venue TBA – Rio de Janeiro, BR
November 10, 2025 | Venue TBA – São Paulo, BR
November 13, 2025 | Venue TBA – Brasilia, BR
November 15, 2025 | Venue TBA – Porto Alegre, BR
More information here.
Check our our favorite photos of the night below or head to our Facebook page for the full gallery!
LINKIN PARK







All Photo Credit: Ryan Renger
Concerts Reviews
LIVE REVIEW: Pitbull Celebrates Music, Unity, and 25 Years of Hits in Mountain View
Pitbull brought his I’m Back World Tour to the Bay Area on Sunday night, delivering a massive, high-energy celebration for a sold-out crowd at Shoreline Amphitheatre. Closing out the first leg of his tour, the 90-minute performance served as both a victory lap through 25 years of hits and a reminder of why Armando Christian Pérez remains a fixture in pop and dance music.
The crowd fully embraced the party atmosphere before the music even began. The stands were packed with fans dressed in Pitbull‘s signature uniform of white button-down shirts, black ties, and sunglasses. Bald caps, Lil Jon lookalikes, and creative outfits inspired by the night’s sponsors only added to the festive energy.
Pitbull wasted no time setting the tone, launching straight into crowd favorites “Don’t Stop the Party” and “Hey Baby.” Backed by a live band and a polished troupe of dancers, he transformed the open-air amphitheater into a massive nightclub. The energy surged even higher when “Hotel Room Service” exploded into a heavy electronic breakdown. Throughout the night, Pitbull seamlessly blended genres, weaving James Brown’s “I Got You (I Feel Good)” into his set while bringing Caribbean influences to tracks like “Echa Pa’lla.”
What makes a Pitbull concert unique is his ability to balance the roles of party host and motivational speaker. Between high-octane performances of hits like “Culo” and “I Know You Want Me (Calle Ocho),” which featured visuals honoring the legendary Celia Cruz, he paused to connect with the audience. He thanked fans for spending their hard-earned money on live music and spoke passionately about unity, reminding the crowd that music proves “there’s one race and one race only: the human race.”
One of the evening’s biggest highlights came when Lil Jon joined Pitbull on stage. Taking a moment to reflect on their long history, Pitbull thanked Lil Jon for believing in him and giving him his first major opportunity 25 years ago. Together, they tore through “JUMPIN” and “Damn I Love Miami” before Pitbull transitioned into “Timber,” complete with country-inspired line dancing choreography.
By the time he raised a celebratory toast with Voli 305 vodka and launched into a final stretch featuring “Time of Our Lives,” “Fireball,” and “Give Me Everything,” the energy had never once dipped.
Lil Jon‘s 45-minute opening set was a nostalgic trip through the 2000s. Part DJ, part hype man, the Atlanta rapper kept the bass heavy as he mixed snippets of era-defining tracks like “Crank That (Soulja Boy)” and “Party Up” alongside his own classics, including “Snap Yo Fingers” and “Shots.” The crowd’s reaction to “Get Low” was so overwhelming that he played it twice.
Amid the high-energy crunk anthems, Lil Jon also delivered one of the night’s most emotional moments. Following a video montage honoring his late son, Nathan Smith (DJ Young Slade), who passed away earlier this year, he fought back tears while thanking the Bay Area for its decades of support, describing the performance as a form of therapy.
Ultimately, the night delivered exactly what was promised: nostalgia, nonstop energy, and a reminder that nobody throws a party quite like Mr. Worldwide.
Check out our favorite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
Wed Aug 19 – Bristow, VA – Jiffy Lube Live
Fri Aug 21 – Virginia Beach, VA – Veterans United Home Loans Amphitheater
Sat Aug 22 – Hershey, PA – Hersheypark Stadium
Tue Aug 25 – Wantagh, NY – Northwell at Jones Beach Theater
Wed Aug 26 – Syracuse, NY – Empower Federal Credit Union Amphitheater
Fri Aug 28 – Hartford, CT – The Meadows Music Theatre
Sat Aug 29 – Mansfield, MA – Xfinity Center
Mon Aug 31 – Bangor, ME – Maine Savings Amphitheater
Wed Sep 2 – Saratoga Springs, NY – Saratoga Performing Arts Center
Thu Sep 3 – Holmdel, NJ – PNC Bank Arts Center
Sat Sep 5 – Toronto, ON – RBC Amphitheatre
Wed Sep 9 – Clarkston, MI – Pine Knob Music Theatre
Thu Sep 10 – Grand Rapids, MI – Acrisure Amphitheater
Sat Sep 12 – East Troy, WI – Alpine Valley Music Theatre
Sun Sep 13 – Tinley Park, IL – Credit Union 1 Amphitheatre
Tue Sep 15 – Cincinnati, OH – Riverbend Music Center
Wed Sep 16 – Cuyahoga Falls, OH – Blossom Music Center
Fri Sep 18 – St. Louis, MO – Hollywood Casino Amphitheater
Sat Sep 19 – Noblesville, IN – Ruoff Music Center
Tue Sep 22 – Rogers, AR – Walmart AMP
Fri Sep 25 – Kansas City, MO – MORTON Amphitheater
Sat Sep 26 – Shakopee, MN – Mystic Lake Amphitheater
More information here.
PITBULL







LIL JON



All Photo Credit: Starr Lee
Concerts Reviews
LIVE REVIEW: 5 Seconds of Summer Turned Fame Into a Spectacle at Montreal’s Centre Bell
Over the past decade, 5 Seconds of Summer have accomplished something that many bands struggle to achieve: they’ve successfully evolved without losing the qualities that made fans fall in love with them in the first place. From their early 2000s days as energetic teenagers playing pop-rock anthems, their rise to fame opening for the world-renowned (ex) boyband One Direction, to their current status as seasoned musicians exploring increasingly experimental but captivating new sounds, the quartet consisting of lead singer Luke Hemmings, lead guitarist Michael Clifford, drummer Ashton Irwin and bassist Calum Hood, have proven their talent of continually reinventing themselves while maintaining an unmistakable identity.
On June 3, 2026, the Australian pop-rock band brought their “Everyone’s a Star” tour to Montreal’s Centre Bell, transforming the arena into a tongue-in-cheek celebration of fame, fandom, and the absurdity of life as a globally successful band. With the theme of the performance centred around the idea of the group’s “last show”, (premise that was obviously not true, since they’re on tour!), the show functioned as both a concert and a theatrical parody of celebrity culture, complete with award ceremonies, fan participation, and enough self-aware humour to keep the concept engaging and the audience laughing throughout the night.
First off, however, was an opening performance by The Band CAMINO, a rock band from Tennessee. Known for their hits such as “See Through” and “I Think I Like You”, the band did an excellent job of setting the tone for the night through their energetic set.
From the moment 5 Seconds of Summer stepped onstage, it was evident that the show was more than just a “get up, perform, and on to the next” type of show. The production presented an alternate reality in which 5 Seconds of Summer were navigating the final chapter of an impossibly glamorous career. Every “act”, as the band called it, of the show fed into that narrative, allowing the band to poke fun at their own success while celebrating the community that helped create it. These acts were Act 1: The Peak, Act 2: The Fall, Act 3: The Yearning, Act 4: The Breakup (the band member’s solo music was played here), Act 5: The Rise, Act 6: The Beginning, and finally, Act 7: The Return. To make the gag more believable, the band recorded fake news segments, fake controversies and fake interviews to bring fans even deeper into the world and narrative they created with this tour theme.
One of the evening’s most memorable moments came during “Boyband,” when a VIP fan was invited onstage to present the band with an award. The ceremony played like a mock awards ceremony tribute, reinforcing the show’s satirical take on fame while simultaneously acknowledging the fans who have supported the band throughout their career. While “accepting” the award, the band took turns thanking different Canadian icons, with Michael Clifford thanking Celine Dion for “teaching us everything,” and lead-singer Luke Hemmings who yelled nothing but “SIMPLE PLAN!”
Another part of the show that earned a lot of laughs was when the band showed the crowd the way they “became a local” during their day in Montreal. They recounted how they visited Montreal’s Underground City, tried to find the best poutine, and even had Luke Hemmings try (badly, sorry!) to speak a few common French phrases.
The relationship between artist and audience was a recurring theme throughout the night, and another great example was during the surprise song segment, where fans voted for a surprise song out of 4 choices before the show started. The announcement of “Don’t Stop” sent the Centre Bell into a roar of cheers, and helped add a sense of uniqueness to each show when the setlist remains otherwise the same.
Another highlight came during Act 4, the section dedicated to the members’ solo work. Rather than presenting themselves solely as a collective, each member was given an opportunity to showcase material from their individual projects. These songs were “Starting Line” by Luke Hemmings, “Don’t Forget You Love Me” by Calum Hood, “Have U Found What Ur Looking For?” by Ashton Irwin, and, my personal favourite, “enough” by Michael Clifford. Although they are recognized as part of a band, it was inspiring to see how each member found their own identity, and didn’t let being part of the band solely define their music.
Musically, the band sounded confident and comfortable throughout the 27 song set. Elaborate lighting, dynamic video screens featuring 2000s graphics, and a unique stage setup featuring a car for Ashton Irwin’s drum kit elevated the show without distracting from the music itself, highlighted as well through the use of props like giant inflated balls, blow up dolls, and most notably, confetti during “Not OK,” “Bad Omens,” and their closer “Youngblood.”
Perhaps the most impressive achievement of “Everyone’s a Star” is how effectively it balances irony and sincerity. The tour openly mocks the conventions of celebrity culture, but beneath the jokes lies a genuine appreciation for the fans who have accompanied the band throughout its journey. As Michael Clifford said; “Real bands save fans, real fans save bands.”
If the goal of “Everyone’s a Star” was to make every audience member feel like part of the story, then Montreal’s June 3 performance succeeded spectacularly. From old hits like “She’s Kinda Hot” and “Youngblood,” to new songs like “Everyone’s A Star!” “Evolve” and “istillfeelthesame,” even casual fans had a song that met their taste. Equal parts concert, comedy, nostalgia trip, and love letter to the 5 Seconds of Summer fandom, it was a show that understood exactly what has kept 5 Seconds of Summer relevant for so long: not just great songs and a unique sound, but a genuine ability to make fans feel seen. Plus, nothing beats the feeling of starting your summer by screaming the lyrics to “She Looks So Perfect”!
Click here for more information on the tour and upcoming dates!
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
5 SECONDS OF SUMMER







THE BAND CAMINO



All Photo Credit: Ashley Bellam
