Concerts Reviews
Teen Punk Power: The Linda Lindas Bring Riotous Energy to Vancouver
On March 25th, teen punkers The Linda Lindas brought their No Obligation Tour to the Vogue Theatre in Vancouver. The young rock outfit brought the energy and had fans of all ages headbanging, dancing, and singing along.
Supporting was Nashville punk band Be Your Own Pet. After disbanding in 2008 due to burnout and negative experiences in the music industry, they recently reunited in 2021 at the request of musician Jack White. The band brought a garage rock vibe with heavy distorted guitars, raw vocals and energy from vocalist Jemina Pearl. She told the crowd their origins also started as a teenage band, and she was happy to see a lot of young faces in the audience.
The Linda Lindas are an all-female group from Los Angeles, consisting of Bela Salazar (Guitar), Eloise Wong (Bass), and sisters Lucia (Guitar) and Mila (Drums) de la Garza. Impressively, each member writes their songs and provides vocals. The band formed in 2018, seemingly growing in popularity each year. Since forming, they’ve signed with Epitaph Records, performed on Jimmy Kimmel Live, played Coachella, opened for Paramore, The Rolling Stones, and most recently, Green Day. In October 2024, they announced their 2025 North American Tour in support of their second studio album, No Obligation.
At around 9:15 pm, the band came on and opened with the heavy hitter and title track “No Obligation”. Passionate vocals from Eloise, coupled with heavy guitar tones from Bela and Lucia, set the tone for the night. It was evident off the bat sound was a little unbalanced as it was hard to hear the vocals at times, and the kick drum seemed to flood the sound. But that didn’t affect the delivery and passion of the music.
Having only two studio albums, they played a 22-song set, playing every song from No Obligation (2024) and a few from their debut, Growing Up (2022). What stood out was the two songs sung by Bela Salazar, “Yo Me Estreso” and a cover of “Tren Al Sur” by Los Prisioneros. She sported a classical guitar and sang in Spanish, which surprisingly blended very well with the heavier sound of the electric guitars. Another great showcase was 14-year-old Mila on the drums. She had a lot of tastefull fills in songs such as “Too Many Things” while also singing lead vocals, which doesn’t sound like an easy thing to do.
The band had an unpolished feel that played into their charm. Often accidentally bumping into each other, jumping around with their guitars, and at one point realize that they had different setlists from each other. They eventually got it together, laughed it off and went into the next song. It was evident that the band was having fun, often joking with the crowd between songs and even singing Happy Birthday to a few members in the audience.
Closer the the end of their main set, the band performed “Lose Yourself” and “Nino,” implementing crowd participation with a singalong portion, getting the crowd jumping up and down. As the night was coming to a close, the band came back on for an encore, paying homage to bands Green Day and Bikini Kill with “When I Come Around” and “Rebel Girl”.
The Linda Lindas have gained a diverse and passionate fanbase, from mothers bringing their young daughters to punks with leather jackets and even senior listeners in the audience. It’s great to see they have created an identity of their own, and it’s exciting to see what the future holds for this young band.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
THE LINDA LINDAS
BE YOUR OWN PET
All Photo Credit: Hunter Soo
Concerts Reviews
LIVE REVIEW: AC/DC – Hell’s Still Bellin’
AC/DC. Christ. What’s left to say? Everything’s been said, screamed, tattooed on someone’s bicep already. Doesn’t matter. That’s the whole racket, they never changed, never blinked, and more than fifty years later they’re still the loudest gang in the room.
Growing up, they felt ancient already. I am a 2001 kid. Turns out the joke’s on me: they’re still out there, riffing like it’s ’79, refusing to retire into legend status.
Princess Auto Stadium was packed with about 35000 attendees. Everyone was wearing red twinkling devil’s horns. To warm up the night, The Pretty Reckless started with one of the hits “Death by Rock and Roll.” Some support acts play like they’re grateful for the slot. Taylor Momsen played like she owns the stadium. The hair falling forward, somehow the less you can see of her face the more magnetic she gets. Stage presence isn’t something you learn. She’s just got it.
The band didn’t sound like an opener. Every riff landed with the swagger “Going To Hell” and “Since You’re Gone” kept it burning, and “About You” brought it down to something rawer before the lights cut. By the time The Pretty Reckless walked off, the audience were already screaming AC/DC! AC/DC!
Winnipeggers stood stunned through AC/DC‘s whole set. Angus Young, 71 years old still in that signature blue schoolboy uniform and yellow-and-blue cap, ran wild across the stage, duck-walking like no time had passed at all, genuinely, a dream come true to watch in person.
Meanwhile, the rest of the band, rhythm guitarist Stevie Young, bassist Chris Chaney and drummer Matt Laug stayed largely in the background, keeping the engine running for Angus and Johnson to tear apart.
The production matched the legend, “Hells Bells” arrived with an actual giant bell hanging over the stage. The setlist ran deep: “Thunderstruck,” “Have a Drink on Me,” “Shot in the Dark,” “Stiff Upper Lip,” “Highway to Hell,” “Jailbreak,” “Dirty Deeds Done Dirt Cheap.” Almost every song sounded just as good as the album version. The crowd tore their vocal cords apart singing along to “You Shook Me All Night Long” and “TNT.” “For Those About to Rock (We Salute You)” closed things out with cannons blasting into the night sky.
The house lights came up and nobody moved right away. Smoke still hanging over the stage, ears ringing, horns still lit up red across the stands. Bands this old aren’t supposed to sound this dangerous. They aren’t supposed to still mean it. But AC/DC never got the memo about slowing down, and honestly, thank God for that. I walked out hoarse, deaf, and completely satisfied.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
AC/DC
THE PRETTY RECKLESS
All Photo Credit: Nischal Karki
Concerts Reviews
LIVE REVIEW: Party On, Vancouver: Dogstar Sells Out the Vogue Theatre
The Vogue Theatre was packed wall to wall on September 16 as Dogstar rolled into Vancouver, and the excitement was impossible to miss. New York rock band The Backfires kicked things off with a lively opening set, warming up the room before Bret Domrose, Robert Mailhouse and Keanu Reeves stepped onto the stage. Naturally, hundreds of phones immediately went up when Reeves appeared, because Vancouver was not about to let this extremely Keanu moment go undocumented.
Reeves held down the bass, Domrose took on guitar and vocals, and Mailhouse powered the night from behind the drums. While one member may come with a little more star power, Dogstar quickly felt like a proper three-piece instead of a celebrity side project. The chemistry between them was relaxed and natural, with plenty of smiles, glances and little interactions that made it clear they were genuinely happy to be playing together. Reeves frequently wandered across the stage to jam alongside his bandmates, occasionally making his way toward the front and sending another wave of phones into the air.
Dogstar’s story stretches back to Los Angeles in 1991, when Reeves and Mailhouse first started making music together. Domrose later joined the band, and the trio released two albums before going their separate ways in 2002. More than two decades later, they reunited, returned to the stage and released Somewhere Between the Power Lines and Palm Trees in 2023. Now, with their latest album All In Now and another tour underway, Dogstar are giving this chapter of the band far more than a quick nostalgia lap.
The set began with “Siren,” immediately setting an easygoing alt-rock tone for the night. Their cover of The Replacements’ “Can’t Hardly Wait” brought an extra burst of familiarity, while “Punch the Sky” landed with the kind of energy made for a full theatre. Rather than pausing for long speeches, the band kept things moving, letting the music and their chemistry do most of the talking. Domrose’s vocals stayed at the centre of the songs, Mailhouse gave them plenty of drive, and Reeves appeared completely locked into the groove on bass.
Yes, people cheered whenever Reeves moved closer to the edge of the stage. Yes, there was an undeniable thrill in seeing the internet’s favourite human casually rocking out a few feet away. But the attention did not stay on him alone. Domrose and Mailhouse were just as essential to the show, and together the trio delivered a performance that felt tight without becoming overly polished. There was still room for the songs to breathe, for the band to play off one another and for the night to feel a little spontaneous.
A fun surprise arrived during the encore with a roaring cover of The Beatles’ “Helter Skelter.” The band shared that they had only performed it live once before, making it a particularly unexpected way to close the night. The Vogue responded accordingly, singing, cheering and soaking up every last second before the trio left the stage.
More than 30 years after forming, and over two decades after calling it quits, Dogstar are back on the road and clearly having a great time together. That sense of fun was infectious, turning the sold-out show into something warmer and more memorable than a simple celebrity sighting. Vancouver may have arrived ready to see Keanu Reeves play bass, but by the end of the night, Dogstar had given the crowd plenty of reasons to stay invested in the whole band.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
DOGSTAR
THE BACKFIRES
All Photo Credit: Heather Horncastle