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Concerts Reviews

Teen Punk Power: The Linda Lindas Bring Riotous Energy to Vancouver

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On March 25th, teen punkers The Linda Lindas brought their No Obligation Tour to the Vogue Theatre in Vancouver. The young rock outfit brought the energy and had fans of all ages headbanging, dancing, and singing along.

Supporting was Nashville punk band Be Your Own Pet. After disbanding in 2008 due to burnout and negative experiences in the music industry, they recently reunited in 2021 at the request of musician Jack White. The band brought a garage rock vibe with heavy distorted guitars, raw vocals and energy from vocalist Jemina Pearl. She told the crowd their origins also started as a teenage band, and she was happy to see a lot of young faces in the audience.

The Linda Lindas are an all-female group from Los Angeles, consisting of Bela Salazar (Guitar), Eloise Wong (Bass), and sisters Lucia (Guitar) and Mila (Drums) de la Garza. Impressively, each member writes their songs and provides vocals. The band formed in 2018, seemingly growing in popularity each year. Since forming, they’ve signed with Epitaph Records, performed on Jimmy Kimmel Live, played Coachella, opened for Paramore, The Rolling Stones, and most recently, Green Day. In October 2024, they announced their 2025 North American Tour in support of their second studio album, No Obligation.

At around 9:15 pm, the band came on and opened with the heavy hitter and title track “No Obligation”. Passionate vocals from Eloise, coupled with heavy guitar tones from Bela and Lucia, set the tone for the night. It was evident off the bat sound was a little unbalanced as it was hard to hear the vocals at times, and the kick drum seemed to flood the sound. But that didn’t affect the delivery and passion of the music.

Having only two studio albums, they played a 22-song set, playing every song from No Obligation (2024) and a few from their debut, Growing Up (2022). What stood out was the two songs sung by Bela Salazar, “Yo Me Estreso” and a cover of “Tren Al Sur” by Los Prisioneros. She sported a classical guitar and sang in Spanish, which surprisingly blended very well with the heavier sound of the electric guitars. Another great showcase was 14-year-old Mila on the drums. She had a lot of tastefull fills in songs such as “Too Many Things” while also singing lead vocals, which doesn’t sound like an easy thing to do.

The band had an unpolished feel that played into their charm. Often accidentally bumping into each other, jumping around with their guitars, and at one point realize that they had different setlists from each other. They eventually got it together, laughed it off and went into the next song. It was evident that the band was having fun, often joking with the crowd between songs and even singing Happy Birthday to a few members in the audience.

Closer the the end of their main set, the band performed “Lose Yourself” and “Nino,” implementing crowd participation with a singalong portion, getting the crowd jumping up and down. As the night was coming to a close, the band came back on for an encore, paying homage to bands Green Day and Bikini Kill with “When I Come Around” and “Rebel Girl”.

The Linda Lindas have gained a diverse and passionate fanbase, from mothers bringing their young daughters to punks with leather jackets and even senior listeners in the audience. It’s great to see they have created an identity of their own, and it’s exciting to see what the future holds for this young band.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

THE LINDA LINDAS
BE YOUR OWN PET

All Photo Credit: Hunter Soo

Concerts Reviews

LIVE REVIEW: Halestorm in Buenos Aires: A Mountain of Hard Rock

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Halestorm Buenos Aires 01

Halestorm, the hard rock band hailing from Pennsylvania returned to Argentina after a decade to launch their latest studio album, titled Everest. The event took place this past March 29 at the Teatro Gran Rivadavia in Buenos Aires.

The night began calmly; the audience trickled in slowly, likely due to the numbered seating, which encouraged many to enter at the last minute. However, as always, the most die-hard fans were inside the theater early. From that same section, and in the absence of a support band, a group of fans spontaneously began singing several of the band’s choruses in unison, delivering impressive vocal performances.

Halestorm in Buenos Aires – Photo by Tute Delacroix

At 9:00 PM, with surgical precision, the first to appear on stage was Arejay Hale (drums), followed by Josh Smith (bass) and Joe Hottinger (guitar). Finally, the frontwoman, singer, guitarist, and keyboardist, Lzzy Hale, made her entrance.

They chose to open with their 2009 debut single, “I Get Off.” They followed up with two more classics, “Love Bites (So Do I)” and “I Miss The Misery.” After these three tracks, it was clear that both the band and the audience were ready to give it their all.

Halestorm continued the set with “Watch Out!” from their latest album, followed by “Black Vultures” from the Vicious LP. Once finished, Lzzy addressed the crowd to recall the band’s participation in the 2025 Black Sabbath tribute in Birmingham. She asked the audience to raise their hands with the classic “metal horns” in memory of Ozzy Osbourne, leading into a cover of “Perry Mason.”

Halestorm in Buenos Aires – Photo by Tute Delacroix

After a massive round of applause, the Americans continued presenting tracks from their new album with “Shiver.” Then—with a dedication from Lzzy to the women in the house—they played “Like a Woman Can,” closing the trio of new songs with “I Gave You Everything.”

At the midpoint of the concert, Lzzy took the mic to sing a fragment of “Familiar Taste of Poison,” showcasing her incredible range and clean high notes, before seamlessly transitioning into “Rain Your Blood On Me.” This highlighted her grittier, “broken” vocal style, proving her immense versatility as a singer.

After a brief break for the rest of the band, Arejay Hale took the spotlight for a drum solo that included his signature giant sticks. The band then returned for “Back From The Dead” and “Wicked Ways.”

Halestorm in Buenos Aires – Photo by Tute Delacroix

The set continued with “K-I-L-L-I-N-G” and “Uncomfortable.” True to the song’s title, the beginning of the latter was the only moment where Lzzy seemed slightly “uncomfortable,” possibly due to a sound issue or a brief memory lapse with the lyrics—nothing serious, and it was resolved within seconds. They closed the main set with the title track of their new album, “Everest.”

After a few minutes of the crowd chanting for more, the band returned with “Freak Like Me,” a true anthem that had the “Freaks” (as the fans are called) jumping in unison. To wind down the night, they opted for “Fallen Star” and the ballad “Here’s To Us,” during which Lzzy Hale donned the Argentine national jersey with Lionel Messi’s number 10.

Halestorm in Buenos Aires – Photo by Tute Delacroix

Thus, Halestorm concluded their third visit to Argentina, delivering a solid, polished, and high-energy show with top-tier sound. They gave their all to both long-time fans and the many new ones in attendance. Hopefully, we won’t have to wait another 10 years to see them again.

Words by Martin Cervetto
Photos by Tute Delacroix (@tutedelacroix)

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Concerts Reviews

LIVE REVIEW: Evan Honer Turns the Commodore Into a Living Room Singalong

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Evan Honer

On March 30, 2026, Commodore Ballroom felt less like a historic venue and more like someone’s packed house party with Evan Honer at the centre of it all.

The night opened with Sam Burchfield, whose warm, rootsy set eased the crowd in. His style leaned into folk and Southern textures, setting a tone that fit neatly with what was coming next.

Honer’s rise still feels a bit unreal when you line it up. A few years ago, he was balancing college life and Division I swimming. Then his cover of “Jersey Giant” by Tyler Childers exploded online, pulling in hundreds of millions of streams and flipping his life overnight. Fast forward to now, and he’s running his own label, recording out of a garage studio, and touring internationally with a catalogue that keeps growing.

That momentum showed up immediately on stage. Honer kicked off his set with a burst of energy (and yes, a backflip!) setting the tone for a night that bounced between chaos and quiet reflection. Backed by a 5-piece band, he moved easily between acoustic moments and full-band arrangements, switching guitars and moods easily.

A big part of the set leaned on his latest album, Everything I Wanted, which marks a shift in his sound. The Americana roots are still there, but there’s a stronger pull toward indie pop and mainstream country. Tracks like the title song turned into full-on crowd moments, with the audience shouting back every word.

What stood out most was how little it mattered whether a song was new or old. Fans knew everything. Tracks from West On I-10 landed just as loudly as newer material, and songs like “Foolin’ Ourselves” and “Too Far Gone” felt like staples rather than throwbacks.

Mid-set, Honer slowed things down and stripped it back. Alone on stage, he played “Brother” and “Mr. Meyers,” both heavy, personal songs. You could feel the room quiet. It’s a risky move in a high-energy set, but it paid off.

He didn’t let things stay heavy for long with “Jersey Giant.” It’s still the song that introduced him to a massive audience, and live, it feels like it belongs to both him and the crowd now.

The encore leaned unexpected, with a cover of “Sugar, We’re Goin Down” by Fall Out Boy that somehow worked perfectly. Honer closed with “IDK Shit About Cars,” sending the room out on a high.

Beyond the music, the night carried a bit more weight. Honer has partnered with PLUS1, with $1 from every ticket supporting the Schizophrenia & Psychosis Action Alliance. It’s a small detail, but it adds context to an artist who clearly thinks beyond the stage.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

Upcoming Tour Dates:
March 31 – Seattle, Wash. @ Showbox
April 1 – Portland, Ore. @ Crystal Ballroom
April 3 – San Francisco, Calif. @ The Fillmore
April 4 – Los Angeles, Calif. @ El Rey Theatre 
April 5 – San Diego, Calif. @ The Observatory North Park
April 7 – Flagstaff, Ariz. @ Orpheum Theater
April 10 – Tucson, Ariz. @ La Rosa
April 11 – Phoenix, Ariz. @ The Van Buren
April 15 – Tulsa, Okla. @ Cain’s Ballroom
April 16 – Dallas, Texas @ The Echo Lounge & Music Hall
April 18 – Georgetown, Texas @ Two Step Inn
More information on Evan Honer’s website.

EVAN HONER

SAM BURCHFIELD

All Photo Credit: Caroline Charruyer

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