Concerts Photos
CAAMP Keeps Things Intimate at Vancouver’s Freedom Mobile Arch
CAAMP brought its indie folk-rock sound to Vancouver’s Freedom Mobile Arch on August 12, proving that a band built on stripped-back songwriting can still make a large outdoor stage feel personal.
Formed in Ohio in 2013 by Taylor Meier and Evan Westfall, CAAMP has grown considerably from its early days playing smaller rooms. That growth can be tricky for a band whose songs depend on warmth and vulnerability, but the Vancouver show never felt disconnected from those roots.
Meier’s raspy vocals were front and centre from the opening moments, giving the songs a lived-in quality that suited the setting. The band moved comfortably between its folkier material and more upbeat rock moments, with “Peach Fuzz” standing out as one of the evening’s biggest crowd responses. The song, from 2019’s By and By, remains one of CAAMP’s defining tracks.
The group’s chemistry was just as important as the songs themselves. Rather than leaning on a huge production, CAAMP kept the focus on the musicians. Warm lighting and a relatively simple stage setup gave the performance room to breathe, fitting the band’s earthy sound far better than a wall of video screens ever could. The set showed CAAMP’s willingness to step outside its own catalog, too, with covers woven naturally into the night
CAAMP’s latest chapter comes after the release of Copper Changes Color in 2025, followed by a busy touring schedule that has included dates with Zach Bryan and Mumford & Sons. The band is giving back along the way, donating $1 from each ticket sold to its Great Heights Movement, which supports charitable programs in the Columbus, Ohio area and beyond.
By the end of the night, CAAMP had done what it does best: make a big outdoor show feel surprisingly close-up. No excessive production was needed, the songs and the band carried the night.
Upcoming Tour Dates:
August 15 – Calgary, AB – Southern Alberta Jubilee Auditorium
August 17 – Bonner, MT – KettleHouse Amphitheatre
August 18 – Bonner, MT – KettleHouse Amphitheater
August 21 – Greenwood Village, CO – Fiddler’s Green Amphitheatre
August 22 – Greenwood Village, CO – Fiddler’s Green Amphitheatre
August 24 – Kansas City, MO – Starlight Theatre
August 26 – Indianapolis, IN – Everwise Amphitheater at White River State Park
August 29 – Columbus, OH – Schottenstein Center
September 24 – Rochester Hills, MI – Meadow Brook Amphitheatre
September 25 – Pittsburgh, PA – Stage AE
September 29 – Chattanooga, TN – Soldiers and Sailors Memorial Auditorium
October 4 – Fort Lauderdale, FL – Broward Center for the Performing Arts
More information here.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
CAAMP
All Photo Credit: Caroline Charruyer
Concerts Photos
Peaches Brings Performance Art and Pure Chaos to Vancouver
Despite Peaches, aka Merrill Nisker, being such an iconic figure of my millennial youth, I had somehow never seen her live. After finally catching her at the Commodore Ballroom on September 4, I’m still wondering what took me so long.
Part concert, part performance art and completely unapologetic, Peaches delivered one of the wildest shows I’ve experienced. The night started strong with Pixel Grip, one of the best opening acts I’ve seen in years. By the time Dolly Parton’s “9 to 5” came over the speakers before Peaches took the stage, the Commodore was buzzing.
Peaches opened with “Hanging Titties” dressed in an absurd, head-to-toe costume covered in dangling phallic imagery, setting the tone immediately. From there came a parade of outrageous costumes, surreal visuals and choreography that seemed purpose-built to make anyone uncomfortable. There were hairy body parts, fetish-inspired outfits and enough costume changes to give an entire season of RuPaul’s Drag Race a run for its money.
Yet beneath the shock value, there was a clear point. At 59, Peaches continues to challenge expectations around gender, sexuality, beauty and aging. Her show is deliberately confrontational, but it’s just as playful.
The biggest moment came when Peaches stepped into the crowd and was carried across the Commodore, performing as fans passed her overhead.
The encore brought the legendary “Fuck the Pain Away,” followed by “No Lube So Rude,” closing out a night that was equal parts hilarious, chaotic and completely unforgettable.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
PEACHES
All Photo Credit: Caroline Charruyer
Concerts Photos
Wave To Earth Bring ‘the pieces tour’ to Vancouver
By the time Wave to Earth took the stage at Doug Mitchell Thunderbird Arena on September 4, Vancouver was already buzzing. A lineup stretched around the block as fans waited to see the South Korean indie-rock trio kick off the first date of their the pieces tour in the city.
The band’s stage setup immediately set the tone, arranged to look like a cozy living room, complete with windows that opened onto a constantly changing view of the world outside. The clever screens showed footage filmed just outside the arena, creating the illusion that the stage was looking out onto the neighbourhood. Periodically, TransLink buses could be seen passing by, an unexpectedly Vancouver specific detail that made the arena feel intimate.
That sense of intimacy carried into the band’s entrance, with lead singer Daniel Kim stepping onto the stage wearing a UBC Arts cap, a small but memorable nod to the city and its university community.
From the opening notes, Wave to Earth leaned into the warm, laid-back atmosphere that has made their music resonate with fans around the world. The contrast between the arena’s size and the deliberately homey stage design made the show feel like being invited into the band’s living room.
As the opening night of the pieces tour, the Vancouver show set the tone for what promises to be a visually thoughtful and atmospheric run of dates.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
WAVE TO EARTH
All Photo Credit: Kelli Rothwell