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CAAMP Keeps Things Intimate at Vancouver’s Freedom Mobile Arch

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CAAMP brought its indie folk-rock sound to Vancouver’s Freedom Mobile Arch on August 12, proving that a band built on stripped-back songwriting can still make a large outdoor stage feel personal.

Formed in Ohio in 2013 by Taylor Meier and Evan Westfall, CAAMP has grown considerably from its early days playing smaller rooms. That growth can be tricky for a band whose songs depend on warmth and vulnerability, but the Vancouver show never felt disconnected from those roots.

Meier’s raspy vocals were front and centre from the opening moments, giving the songs a lived-in quality that suited the setting. The band moved comfortably between its folkier material and more upbeat rock moments, with “Peach Fuzz” standing out as one of the evening’s biggest crowd responses. The song, from 2019’s By and By, remains one of CAAMP’s defining tracks.

The group’s chemistry was just as important as the songs themselves. Rather than leaning on a huge production, CAAMP kept the focus on the musicians. Warm lighting and a relatively simple stage setup gave the performance room to breathe, fitting the band’s earthy sound far better than a wall of video screens ever could. The set showed CAAMP’s willingness to step outside its own catalog, too, with covers woven naturally into the night

CAAMP’s latest chapter comes after the release of Copper Changes Color in 2025, followed by a busy touring schedule that has included dates with Zach Bryan and Mumford & Sons. The band is giving back along the way, donating $1 from each ticket sold to its Great Heights Movement, which supports charitable programs in the Columbus, Ohio area and beyond.

By the end of the night, CAAMP had done what it does best: make a big outdoor show feel surprisingly close-up. No excessive production was needed, the songs and the band carried the night.

Upcoming Tour Dates:
August 15 – Calgary, AB – Southern Alberta Jubilee Auditorium
August 17 – Bonner, MT – KettleHouse Amphitheatre
August 18 – Bonner, MT – KettleHouse Amphitheater
August 21 – Greenwood Village, CO – Fiddler’s Green Amphitheatre
August 22 – Greenwood Village, CO – Fiddler’s Green Amphitheatre
August 24 – Kansas City, MO – Starlight Theatre
August 26 – Indianapolis, IN – Everwise Amphitheater at White River State Park
August 29 – Columbus, OH – Schottenstein Center
September 24 – Rochester Hills, MI – Meadow Brook Amphitheatre
September 25 – Pittsburgh, PA – Stage AE
September 29 – Chattanooga, TN – Soldiers and Sailors Memorial Auditorium
October 4 – Fort Lauderdale, FL – Broward Center for the Performing Arts
More information here.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

CAAMP

All Photo Credit: Caroline Charruyer

Concerts Photos

Buffalo Traffic Jam at the Danforth Music Hall in Toronto

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Buffalo Traffic Jam-Toronto-4

There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.

Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.

Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age. 

Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy. 

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

BUFFALO TRAFFIC JAM

COLIN LYNCH

LYDIA MAES

All Photo Credit: Bailey Morgan

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Concerts Photos

Sabaton Bring Fire and Fury to Vancouver on North American Tour Finale

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Sabaton

After many many years away from Vancouver, Sabaton returned to the PNE Forum on October 8 for a fiery night of heavy metal, military-themed theatrics and massive sing-alongs. The Swedish metal band chose the city to close out its North American tour, and it went out with a bang.

Opening the night was Pop Evil, whose modern hard rock offered a different sound from the headliner’s power metal. Tracks like “Trenches” brought plenty of energy, giving the crowd a reason to get moving before the main event. Their heavier riffs and commanding stage presence made for a solid start to the evening despite the low lighting.

Sabaton wasted little time making its return count. Kicking off with “Ghost Division,” the band delivered a wall of sound backed by pounding drums, sharp guitar riffs and bursts of fire that lit up the Forum. The stage, complete with military-inspired hardware, gave the performance the feel of a full-scale production rather than a standard metal concert.

Frontman Joakim Brodén led the charge with his unmistakable voice and natural sense of showmanship. Songs like “The Last Stand,” “Stormtroopers” and “Night Witches” showcased the band’s knack for turning historical stories into anthems built for thousands of voices. The crowd happily did its part, singing along throughout the night.

The spectacle never distracted from the music. Flames punctuated the band’s heaviest moments, adding extra intensity to “Bismarck,” “Fields of Verdun” and “The Attack of the Dead Men.” For the latter, the band leaned into the song’s subject matter with gas masks, adding another theatrical touch to an already explosive set.

The closing stretch was pure Sabaton. “Swedish Pagans” brought another huge audience sing-along before “Primo Victoria” and “To Hell and Back” sent the Forum into the night at full volume.

After seven years, Sabaton gave Vancouver plenty of reasons to welcome them back. Closing the North American tour with a performance this tight, loud and entertaining was a fitting end to the run. With commanding vocals, memorable choruses and enough pyro to warm the entire Forum, the band left little doubt that its next visit cannot come soon enough.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

SABATON

POP EVIL

All Photo Credit: Caroline Charruyer

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