Concerts Photos
Chance The Rapper Brings ‘Coloring Book Ten Anniversary Tour’ to Vancouver
Chance The Rapper brought Coloring Book back to life in Vancouver, taking over the Freedom Mobile Arch at the PNE for a night that felt like both a celebration and a trip back in time. The Chicago born rapper is currently marking ten years of Coloring Book, the 2016 mixtape that became a defining project in his career and helped push independent music further into the mainstream. There was something special about watching Chance perform music that has been with his fans for a decade. You could see how much these songs still mean to people just by looking around the crowd. There were hands in the air, people singing along, and moments where it felt like Chance barely needed to say anything because the audience already knew exactly what was coming.
Photographing the show gave me a completely different way of experiencing that energy. Through my lens, I found myself paying attention to the smaller details , his expressions between verses, the way he moved around the stage, the lighting changing around him, and the reactions coming from the crowd. Chance is naturally expressive when he performs, and as a photographer, that gave me so many different moments to look for rather than simply trying to capture the biggest moment of each song.
What I also loved was that the performance wasn’t only about nostalgia. Chance has always mixed hip-hop with elements of gospel, soul, and jazz, and hearing that musical identity in a live setting gave the night a lot of warmth and personality. Even with a project celebrating its tenth anniversary at the centre of the show, the music didn’t feel stuck in the past.
Getting the opportunity to photograph Chance The Rapper was one of those experiences where I occasionally had to remind myself to look beyond the viewfinder and actually take in what was happening in front of me. Capturing an artist celebrating such an important chapter of his career, surrounded by a Vancouver crowd that clearly still has a lot of love for these songs, made this a memorable night to shoot. Some concerts are about getting the perfect photo; this one was just as much about capturing the feeling behind it.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
CHANCE THE RAPPER
All Photo Credit: Raphael Arthur
Concerts Photos
Buffalo Traffic Jam at the Danforth Music Hall in Toronto
There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.
Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.
Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age.
Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BUFFALO TRAFFIC JAM
COLIN LYNCH
LYDIA MAES
All Photo Credit: Bailey Morgan
Concerts Photos
Sabaton Bring Fire and Fury to Vancouver on North American Tour Finale
After many many years away from Vancouver, Sabaton returned to the PNE Forum on October 8 for a fiery night of heavy metal, military-themed theatrics and massive sing-alongs. The Swedish metal band chose the city to close out its North American tour, and it went out with a bang.
Opening the night was Pop Evil, whose modern hard rock offered a different sound from the headliner’s power metal. Tracks like “Trenches” brought plenty of energy, giving the crowd a reason to get moving before the main event. Their heavier riffs and commanding stage presence made for a solid start to the evening despite the low lighting.
Sabaton wasted little time making its return count. Kicking off with “Ghost Division,” the band delivered a wall of sound backed by pounding drums, sharp guitar riffs and bursts of fire that lit up the Forum. The stage, complete with military-inspired hardware, gave the performance the feel of a full-scale production rather than a standard metal concert.
Frontman Joakim Brodén led the charge with his unmistakable voice and natural sense of showmanship. Songs like “The Last Stand,” “Stormtroopers” and “Night Witches” showcased the band’s knack for turning historical stories into anthems built for thousands of voices. The crowd happily did its part, singing along throughout the night.
The spectacle never distracted from the music. Flames punctuated the band’s heaviest moments, adding extra intensity to “Bismarck,” “Fields of Verdun” and “The Attack of the Dead Men.” For the latter, the band leaned into the song’s subject matter with gas masks, adding another theatrical touch to an already explosive set.
The closing stretch was pure Sabaton. “Swedish Pagans” brought another huge audience sing-along before “Primo Victoria” and “To Hell and Back” sent the Forum into the night at full volume.
After seven years, Sabaton gave Vancouver plenty of reasons to welcome them back. Closing the North American tour with a performance this tight, loud and entertaining was a fitting end to the run. With commanding vocals, memorable choruses and enough pyro to warm the entire Forum, the band left little doubt that its next visit cannot come soon enough.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
SABATON
POP EVIL
All Photo Credit: Caroline Charruyer