Concerts Photos
Gallery – The Last Dinner Party at the Vogue Theatre in Vancouver, BC
On March 10th, British rock band The Last Dinner Party brought their tour to a sold-out Vogue Theatre in Vancouver, BC to support their debut album Prelude to Ecstasy.
American indie-rock artist Miss Grit opened the night with a conceptual set casting various light patterns on an otherwise dark stage. With most of her face and body obscured, it brought her beautiful vocals to the forefront.
Around 9pm, the band, consisting of Abigail Morris (vocals), Emily Roberts (lead guitar), Lizzie Mayland (rhythm guitar), Georgia Davies (bass) and Aurora Nishevci (keyboards), appeared on stage amidst the dramatic intro of “Prelude to Ecstasy.” The band launched into high gear with “Burn Alive” and “Caesar on a TV Screen.” Led by Morris, all members made an extra effort with their outfits (re-used from their press photoshoots) and their stage presence.
For “Portrait Of A Dead Girl”, Morris requested the help of the audience for background vocals creating a palpable connection with the fans and elevating everyone’s experience.
The Last Dinner Party saved the best for last as they ended their 13-song set with their worldwide hit “Nothing Matters.” As their first headlining tour, the band delivered an unforgettable performance and solidify their status as one-to-watch.
The Last Dinner Party will end the North American leg of their tour on April 16th in San Francisco but will come back for a few more dates in the summer. More info on the band’s website.
Check out the galleries below!
THE LAST DINNER PARTY
MISS GRIT
All Photo Credit: Jason Martin
Concerts Photos
Epik High Turns Vancouver’s Orpheum Into a Hip-Hop Party
Epik High brought its 3.0 Tour 2026 to Vancouver’s Orpheum on October 20, delivering a night of sharp lyricism, ridiculous humour and plenty of crowd interaction. With BOBO.XX opening the show, the Korean hip-hop trio proved that more than two decades into their career, they still know how to make a concert feel like a party among friends.
BOBO.XX, a musician and photographer who works on Epik High’s video and content, warmed up the audience with a taste of his own sound before handing the stage over to the headliners. Anticipation grew during the break, and the theatre erupted when Tablo, Mithra Jin and DJ Tukutz appeared for “High Technology,” followed by “One.”
The group’s chemistry was clear to everyone. Their introductions quickly turned into a comedy routine, complete with DJ Tukutz’s sound effects and playful jabs at one another. Tablo might be the trio’s longtime leader, but Tukutz had recently claimed the title through a band competition, giving the three plenty of material to work with.
That humour carried through the night. Fan-submitted Post-it challenges put the members on the spot, leading to dance covers, awkwardly adorable aegyo and plenty of laughter. The challenges often involved bending the rules, with multiple notes taped together and presented as a single request. The trio’s willingness to make fools of themselves made the audience feel like part of the show rather than spectators.
The music never took a back seat. Tracks such as “ANTIHERO,” “Rosario” and “BURJ KHALIFA” kept the room moving, with the group’s tight delivery matched by DJ Tukutz’s work behind the turntables. The mood shifted for more emotional performances, including “1 Minute, 1 Second” and Mithra Jin’s solo “Will I Be Okay?,” showing a more vulnerable side to the performers.
The most meaningful moment came when Tablo spoke about the group’s long journey. His message was simple: if Epik High could keep pushing forward after 22 years, fans could overcome their own obstacles, too. It gave “Born Hater” an extra punch.
The trio closed with an encore of “EPIKISM” and “Don’t Hate Me,” sending the crowd home smiling. Epik High’s strength lies in the balance between serious musicianship and complete silliness. They can deliver an emotional message one minute and turn a fan-requested dance challenge into a comedy show the next. At the Orpheum, that combination made for a concert that felt personal, unpredictable and a whole lot of fun.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
EPIK HIGH
BOBO.XX
All Photo Credit: Chaehyun Lim
Concerts Photos
Buffalo Traffic Jam at the Danforth Music Hall in Toronto
There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.
Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.
Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age.
Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BUFFALO TRAFFIC JAM
COLIN LYNCH
LYDIA MAES
All Photo Credit: Bailey Morgan