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Good Kid Bring ‘Can We Hang Out?’ Tour to MTelus in Montreal

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On May 19th, 2026, fans packed into MTELUS for the Montreal stop of Good Kid’s Can We Hang Out? tour. This is the second headline show the band has had in Montreal, the first being at Le Studio TD for their This Can’t Be The End tour.

First up was an opening performance by Glitter Party, which faced no difficulty in setting the tone for the night. A set filled with colourful lights, movement, and captivating vocals, matched well with Good Kid’s style, both in performance and music, leaving fans bouncing in anticipation for the main act.

After a charming reading of a couple pages from “The Hobbit” by lead vocalist Nick Frosst as the stage was being set up, the band began the set, opening with “Wall”. Immediately, there was no doubt that this would be a night to remember. The band came out in style, and the energy built up instantly through flashing lights, jumps and head-bangs.

Being from Toronto, the band earned laughs as they expressed they were happy to be back in
Canada after touring in the US, and had the crowd erupting in cheers as they congratulated the city on the Montreal Canadiens hockey win the night before.

The night continued with back-to-back hits, including “Cicada”, “Summer”, of course, “From The Start”, and finally closing the set with “Mimi’s Delivery Service”.

Good Kid sets an incredible standard of immersing a crowd in their world, from an elaborate stage design, beautiful merch that matches their aesthetic, to lots of crowd involvement including a wave of death and lots of crowd surfing! Although for many, Good Kid was not their first concert, it is very safe to say it was one of their favourites!

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

GOOD KID

GLITTER PARTY

All Photo Credit: Ashley Bellam

Concerts Photos

Bôa Brings ‘Whiplash’ Tour to the Commodore Ballroom in Vancouver

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British alternative rock band Bôa closed out the North American leg of their Whiplash tour with a memorable sold-out performance at Vancouver’s Commodore Ballroom on June 27. Making their long-awaited Vancouver debut, the trio was welcomed by an enthusiastic crowd that had clearly been waiting years for this moment.

Opening the evening was Vancouver-based Taiwanese-Canadian singer-songwriter Jia. Blending dream pop, indie rock, earthy Americana, and cinematic influences, her set created the perfect atmosphere before the night’s headliner. Songs from her album Technicolour showcased her haunting vocals and thoughtful songwriting, earning warm applause from an audience that quickly settled into the evening.

When Bôa took the stage, the room erupted. Frontwoman Jasmine Rodgers immediately drew the audience in with her effortlessly expressive vocals, balancing softness and strength throughout the band’s set. Her voice remains the defining element of Bôa‘s sound, carrying emotional weight that translated beautifully in a live setting.

The band moved through fan favourites including “Twilight,” “Fool,” “Drinking,” and newer material from Whiplash, proving that their recent resurgence is built on far more than nostalgia. During “Drinking,” phone lights illuminated the Commodore, creating one of the night’s most memorable moments as fans swayed together.

One of the night’s biggest surprises came when legendary classic rock singer Paul Rodgers, best known as the frontman of Free and Bad Company, made a brief appearance on stage. Joining his daughter Jasmine Rodgers for a touching father-daughter moment, the special guest appearance was met with loud cheers from the Commodore Ballroom crowd.

Despite it being the final stop of a lengthy North American tour, the band played with remarkable energy. Smiles were constant across the stage, and it was clear they were enjoying every minute of their Vancouver debut.

The encore delivered exactly what fans had hoped for. As the opening notes of “Duvet” rang out, the entire venue seemed to sing in unison. The song’s renewed popularity may have introduced a new generation to Bôa, but hearing hundreds of voices fill the Commodore proved its emotional impact has never faded.

For a first visit to Vancouver, Bôa left a lasting impression. Their final North American show was equal parts intimate and powerful, ending the tour on a high note while leaving fans hoping they won’t wait as long before returning.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

bôa

JIA

All Photo Credit: Caroline Charruyer

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Concerts Photos

Holly Humberstone Brings ‘Cruel World’ Tour to Commodore Ballroom in Vancouver

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On June 25th, English indie-pop singer-songwriter Holly Humberstone brought her Cruel World North American Tour to a sold-out Commodore Ballroom in Vancouver.

After Humberstone enthralled the Commodore with her emotional and delicate vocals and created a warm atmosphere, keeping it personal, sharing stories with the audience.

The Grantham native is touring in support of her newest album, Cruel World, of which we got a sneak peek of during her performance at All Things Go early June. While her music remains deeply introspective, the new material carries a greater sense of confidence, shifting between quiet vulnerability and soaring choruses that the audience, getting to hear it live for the first time, can’t help but sing along.

Mixing songs into the set from Cruel World, Humberstone performed the instantly catchy “White Noise,” the gothic-inspired “Die Happy,” and fan favourite “To Love Somebody,” among many other tunes.

Throughout the night, she also sprinkled in career-defining tracks like “Falling Asleep At The Wheel,” “Scarlett,” “Deep End,” and “The Walls Are Way Too Thin”.

Holly Humberstone balanced a raw, commanding vocal delivery with the tight musicianship of her band, expanding familiar tracks into a fuller live sound that made the most of the Commodore Ballroom’s rich acoustics.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

HOLLY HUMBERSTONE IN VANCOUVER

All Photo Credit: Hunter Soo

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