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Orla Gartland Brings Chaos and Big Feels to Vancouver

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Orla Gartland turned the Commodore Ballroom into a full-on emotional rollercoaster on Thursday night on the second-to-last date of The Hero Tour. The Dublin-born singer-songwriter had the Vancouver crowd laughing and dancing during what could be described as a delightful chaotic concert therapy session.

Kicking things off was FIGHTMASTER, aka “The Coolest Person Alive.” Their opening set was tender and witty. It was the kind of vibe that made you want to call your ex and start a band. We last caught as a guest on Shannon Beveridge’s Exes and O’s Hard Launch Tour so it was nice to see them in another element.

Then came Orla, bouncing on stage with her signature red hair, giant guitar energy, and zero chill in the best way possible. She tore through fan faves like “Zombie!” and “More Like You,” but also made room for quieter moments like “Mine.” Special shoutout to her cover of Chappell Roan’s “Red Wine Supernova”, this song is always a hit with the crowd. Between songs, she bantered like someone who’s had just enough sugar and not enough sleep.  

By the end of the night, we were all sweaty, smiling, and emotionally wrecked in the best way possible.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

ORLA GARTLAND

FIGHTMASTER

All Photo Credit: Bailey Morgan

Concerts Photos

Alabama Shakes Bring the Soul Back to Vancouver

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Alabama Shakes

After nearly a decade away, Alabama Shakes returned to Vancouver on June 26 for a night that was both a reunion and a revival. Performing at the new Freedom Mobile Arch, the Alabama band wasted little time reminding the crowd why their blend of blues, rock, soul, and gospel made such an impact in the first place.

The band opened shortly after 8p.m. with immediate force, locking into the familiar rhythms that have defined their sound since their 2012 debut, Boys & Girls. As the daylight decreased, “Another Life” brought a warm shift to the rainy evening, with the crowd swaying together before “Hang Loose” kept the mood loose and upbeat.

At the centre of it all was Brittany Howard, whose voice remains as commanding as ever. Her ability to move from a delicate falsetto on “Future People” to a full-throated roar gave the songs a fresh edge without losing what made them special. “I Found You” brought out the band’s gospel and blues roots, while “Hold On” turned the venue into one massive singalong.

The set’s emotional high point came with “Gimme All Your Love,” as Howard and the band leaned into every groove. “Don’t Wanna Fight” followed with equal parts tension and release before the band left the stage.

Alabama Shakes‘ return showed that, after all these years, this band can still make a crowd rise.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

ALABAMA SHAKES

All Photo Credit: Caroline Charruyer

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Concerts Photos

Of Monsters and Men Bring ‘The Mouse Parade’ Tour to the Queen Elizabeth Theatre in Vancouver

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Of Monsters And Men

Of Monsters and Men returned to Vancouver on June 25 with a packed show at the Queen Elizabeth Theatre, bringing their mix of indie folk, rock and cinematic pop to a crowd that was more than ready to welcome them back. After years away from the live stage, the Icelandic band showed no signs of rust, delivering a performance that moved easily between quiet, atmospheric moments and full-room singalongs.

The evening opened with American indie folk singer-songwriter, August Ponthier, who shared songs from their debut album Everywhere Isn’t Texas, as well as new unreleased material.

At 9p.m., the lights dropped and Of Monsters And Men emerged from the shadows, surrounded by haze and an eerie wash of light that matched the darker mood of their newer material.

The set leaned heavily on songs from their latest album, All Is Love and Pain in the Mouse Parade, giving fans a chance to hear how the band’s sound has developed since their breakthrough. Tracks like “The Actor” and “Ordinary Creature” brought a more layered, reflective side of the group, yet they fit comfortably alongside older favourites.

Of course, the biggest reactions came when the band reached back into their catalogue. Both “King and Lionheart” and “Dirty Paws” had the audience singing along. Then came “Little Talks,” still one of the band’s biggest hits and an undeniable highlight of the night. The familiar opening instantly brought the room together, with the crowd handling a lot of the vocals.

At the centre of it all were Nanna Bryndís Hilmarsdóttir and Ragnar Þórhallsson, whose voices remain the band’s greatest strength. Their harmonies, paired with the group’s dynamic musicianship, made the long-awaited return feel completely worth the wait.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

OF MONSTERS AND MEN

AUGUST PONTHIER

All Photo Credit: Caroline Charruyer

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