Concerts Photos
Gallery – The Last Dinner Party at the Vogue Theatre in Vancouver, BC
On March 10th, British rock band The Last Dinner Party brought their tour to a sold-out Vogue Theatre in Vancouver, BC to support their debut album Prelude to Ecstasy.
American indie-rock artist Miss Grit opened the night with a conceptual set casting various light patterns on an otherwise dark stage. With most of her face and body obscured, it brought her beautiful vocals to the forefront.
Around 9pm, the band, consisting of Abigail Morris (vocals), Emily Roberts (lead guitar), Lizzie Mayland (rhythm guitar), Georgia Davies (bass) and Aurora Nishevci (keyboards), appeared on stage amidst the dramatic intro of “Prelude to Ecstasy.” The band launched into high gear with “Burn Alive” and “Caesar on a TV Screen.” Led by Morris, all members made an extra effort with their outfits (re-used from their press photoshoots) and their stage presence.
For “Portrait Of A Dead Girl”, Morris requested the help of the audience for background vocals creating a palpable connection with the fans and elevating everyone’s experience.
The Last Dinner Party saved the best for last as they ended their 13-song set with their worldwide hit “Nothing Matters.” As their first headlining tour, the band delivered an unforgettable performance and solidify their status as one-to-watch.
The Last Dinner Party will end the North American leg of their tour on April 16th in San Francisco but will come back for a few more dates in the summer. More info on the band’s website.
Check out the galleries below!
THE LAST DINNER PARTY
MISS GRIT
All Photo Credit: Jason Martin
Concerts Photos
Joost Klein Brings World Tour With Chaos and Heart in Vancouver
Fresh off two sets at Coachella 2026 — a historic milestone as the first Dutch-language artist to ever grace that stage — Joost Klein brought his world tour to Vancouver’s Harbour Event & Convention Centre on Monday night. If the Southern California desert crowds were a warm-up, Vancouver got the real thing.
From the opening notes of Ome Robert to a euphoric, arms-in-the-air Europapa, Klein delivered nearly 30 songs worth of controlled chaos. The Frisian artist operates in a genuinely singular space, somewhere between Dutch hardcore, punk fury, and emotionally devastating party music. And the packed room at Harbour centre felt every single frequency. Sweat was basically precipitation by the midpoint of the set.
The mosh pits were, predictably, unhinged. Klein summons that energy. Circle pits tore open during Gabberland and BOOM BOOM!!!!!, and the crowd obliged every invitation. Yet between the mayhem, there were quieter moments. A gorgeous Zonder Jou hushed the room before Klein rebuilt the roof again.
Highlights were abundant: a wild TRAFIK! (his take on Käärijä’s banger), and an abridged Friesenjung that turned into a full remix by the encore.
This is a guy who started as a teenage Dutch YouTuber, got disqualified from Eurovision 2024 for comments that some judged controversial, and somehow ended up headlining a world tour on five continents. Nobody saw it coming, Klein included. The rest of the world better be ready for this tour.
Joost Klein will be on tour in North America, Europe and Australia until December 2026. Head to his website for all the information.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
JOOST
All Photo Credit: Caroline Charruyer
Concerts Photos
Wheatus Play their Debut Album in Full at The Pearl in Vancouver
On April 13, Wheatus rolled into Vancouver and made a strong case that they’ve outgrown rooms like The Pearl. The show was sold out, shoulder-to-shoulder, and honestly felt like it could’ve filled the Commodore Ballroom across the street without breaking a sweat.
Opening support from Chief State and Brain Bent set the tone early, but once Brendan B. Brown and company hit the stage, the night turned into a loose, fan-driven ride. True to form, the band leaned into spontaneity, pulling from a deep catalogue with help from the crowd, before the show even started. “Leroy,” “Truffles,” and “Wannabe Gangstar” landed fast, while “Hump’Em N’ Dump’Em” slipped in a cheeky nod to Madonna.
Covers were a big part of the night. Their take on Erasure’s “A Little Respect” turned into a full-room singalong, complete with a “My Girl” tag, and “Basket Case” by Green Day brought a jolt of energy mid-set. A Canadian highlight came with “My Music at Work,” a respectful nod to The Tragically Hip that hit especially well with the local crowd, followed later by a heartfelt “Time Stand Still” from Rush.
The deeper cuts, “Lemonade,” “Fourteen,” and “I’d Never Write a Song About You, ”showed the band’s range, balancing humour with real vulnerability. Then came “Teenage Dirtbag.” No surprise, it turned into mass karaoke, with every fan in the room locked in from the first line.
Instead of ending big, they closed small. Brown returned alone for an off-mic acoustic “Desperate Songs,” quiet enough that you could hear the room breathe. It was a simple finish that summed up the night: warm and completely in sync with the crowd.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
WHEATUS
CHIEF STATE
All Photo Credit: Caroline Charruyer