Concerts Photos
Gallery – The Last Dinner Party at the Vogue Theatre in Vancouver, BC
On March 10th, British rock band The Last Dinner Party brought their tour to a sold-out Vogue Theatre in Vancouver, BC to support their debut album Prelude to Ecstasy.
American indie-rock artist Miss Grit opened the night with a conceptual set casting various light patterns on an otherwise dark stage. With most of her face and body obscured, it brought her beautiful vocals to the forefront.
Around 9pm, the band, consisting of Abigail Morris (vocals), Emily Roberts (lead guitar), Lizzie Mayland (rhythm guitar), Georgia Davies (bass) and Aurora Nishevci (keyboards), appeared on stage amidst the dramatic intro of “Prelude to Ecstasy.” The band launched into high gear with “Burn Alive” and “Caesar on a TV Screen.” Led by Morris, all members made an extra effort with their outfits (re-used from their press photoshoots) and their stage presence.
For “Portrait Of A Dead Girl”, Morris requested the help of the audience for background vocals creating a palpable connection with the fans and elevating everyone’s experience.
The Last Dinner Party saved the best for last as they ended their 13-song set with their worldwide hit “Nothing Matters.” As their first headlining tour, the band delivered an unforgettable performance and solidify their status as one-to-watch.
The Last Dinner Party will end the North American leg of their tour on April 16th in San Francisco but will come back for a few more dates in the summer. More info on the band’s website.
Check out the galleries below!
THE LAST DINNER PARTY
MISS GRIT
All Photo Credit: Jason Martin
Concerts Photos
Buffalo Traffic Jam at the Danforth Music Hall in Toronto
There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.
Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.
Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age.
Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BUFFALO TRAFFIC JAM
COLIN LYNCH
LYDIA MAES
All Photo Credit: Bailey Morgan
Concerts Photos
Sabaton Bring Fire and Fury to Vancouver on North American Tour Finale
After many many years away from Vancouver, Sabaton returned to the PNE Forum on October 8 for a fiery night of heavy metal, military-themed theatrics and massive sing-alongs. The Swedish metal band chose the city to close out its North American tour, and it went out with a bang.
Opening the night was Pop Evil, whose modern hard rock offered a different sound from the headliner’s power metal. Tracks like “Trenches” brought plenty of energy, giving the crowd a reason to get moving before the main event. Their heavier riffs and commanding stage presence made for a solid start to the evening despite the low lighting.
Sabaton wasted little time making its return count. Kicking off with “Ghost Division,” the band delivered a wall of sound backed by pounding drums, sharp guitar riffs and bursts of fire that lit up the Forum. The stage, complete with military-inspired hardware, gave the performance the feel of a full-scale production rather than a standard metal concert.
Frontman Joakim Brodén led the charge with his unmistakable voice and natural sense of showmanship. Songs like “The Last Stand,” “Stormtroopers” and “Night Witches” showcased the band’s knack for turning historical stories into anthems built for thousands of voices. The crowd happily did its part, singing along throughout the night.
The spectacle never distracted from the music. Flames punctuated the band’s heaviest moments, adding extra intensity to “Bismarck,” “Fields of Verdun” and “The Attack of the Dead Men.” For the latter, the band leaned into the song’s subject matter with gas masks, adding another theatrical touch to an already explosive set.
The closing stretch was pure Sabaton. “Swedish Pagans” brought another huge audience sing-along before “Primo Victoria” and “To Hell and Back” sent the Forum into the night at full volume.
After seven years, Sabaton gave Vancouver plenty of reasons to welcome them back. Closing the North American tour with a performance this tight, loud and entertaining was a fitting end to the run. With commanding vocals, memorable choruses and enough pyro to warm the entire Forum, the band left little doubt that its next visit cannot come soon enough.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
SABATON
POP EVIL
All Photo Credit: Caroline Charruyer