Festivals
Boots & Hearts Festival 2025 – Day Four Recap & Photos
By the time Sunday rolled around at Boots & Hearts 2025, the sunburns were deep and the cowboy boots had taken a beating, but you wouldn’t know it from the crowd. If anything, the final day at Burl’s Creek felt like one big rally. With ten acts across two stages, the day stretched from rising talent to stadium-level headliners, and it ended in a way only Boots knows how: loud and unforgettable.
The afternoon kicked off with Jessie T on the Front Porch Stage, who mixed her country roots with a pop-rock punch that fit right in with the weekend’s genre-bending mood. Fresh off a string of award nominations and wins, she’s clearly on an upward swing.
Lakeview then jolted the Main Stage awake with a set that leaned heavier than most on the bill. Their mix of rock grit and country storytelling drew a roar from the crowd. It was a welcome shake-up after days of more straight-ahead country sounds.
On the Front Porch stage, Andrew Hyatt gave one of the most memorable sets of the day, bouncing between full-throttle crowd pleasers and stripped-down ballads. His raw take on “Time After Time” held the audience in absolute silence, while his rollicking cover of Chappell Roan’s “Pink Pony Club” sent them into pure chaos.
Meghan Patrick owned her main stage slot with a performance that was equal parts powerhouse and personal. She flexed her rock side with covers of Led Zeppelin and No Doubt, reminding everyone why she’s one of Canada’s sharpest country stars.
Default (Dallas Smith included) proved their reunion since 2018 was more than nostalgia. Their fiery side stage set included a blistering version of Led Zeppelin’s “Immigrant Song,” which pulled even the beer tent crowd back into the sun.
As the sun started to come down, the rock-leaning streak kept rolling. Daughtry tore through his hits before slowing things down for a heartfelt duet with his daughter on “Superman (It’s Not Easy),” easily one of the most emotional moments of the weekend.
Texas wild card Koe Wetzel kept the energy rough and rowdy, paving the way for Hardy’s headlining slot.
Then it was time for Hardy to close the festival. Playing to about 30,000 fans, his set was a heavy, unapologetic mash of country grit and rock ferocity. The crowd screamed every word to tracks like “Truck Bed.” He even treated the crowd to a surprise duet with Meghan Patrick on “Wait in the truck.” In true Hardy fashion and similar to Chase Rice the day before, he pulled out a bottle of Jack Daniels, daring the crowd to finish it before the band stopped playing. They did.
By the time the last chord rang out, the festival grounds were buzzing, even as campers started packing up for Monday’s noon cutoff. Boots & Hearts 2025 will be remembered for its mix of country tradition and rock rebellion, but more than anything, for the gathering of people who love this music enough to stand shoulder to shoulder in the August heat until the very last note.
Stay tuned for our artist portraits!
Check out our favourite photos of the day below or head to our Facebook page for the full gallery!
HARDY
KOE WETZEL
DAUGHTRY
DEFAULT
MEGHAN PATRICK
ANDREW HYATT
LAKEVIEW
JESSIE T
All Photo Credit: Kieran Delport
Festivals
FIFA Fan Festival™ Vancouver – Walk Off The Earth, Fionn, Felix Cartal, and France Fans
The FIFA Fan Festival™ at the PNE kept the World Cup excitement rolling on Saturday, July 4, as fans gathered for another full day of football, live music, and celebrations. With two Round of 16 matches on the giant screens and a lineup of Canadian artists filling the Amphitheatre Stage, the atmosphere remained lively from morning through the evening.
The day had already delivered plenty of drama before the concerts began. Morocco had stunned host nation Canada earlier in the day to book a place in the quarter-finals, ending Canada’s historic World Cup run after its first-ever appearance in the Round of 16. A few hours later, France defeated Paraguay to secure the final quarter-final spot, setting up a meeting with Morocco in one of the tournament’s most intriguing matchups. As the final whistle blew, fans quickly shifted their attention from the football to the music just a few steps away.
Vancouver-based band Fionn, consisting of twins Alanna and Brianne Finn-Morris, was first on stage, offering an engaging performance that fit the late afternoon perfectly. Their warm vocals and heartfelt indie-pop songs gave the crowd a chance to catch their breath after another emotional day of World Cup action. Many fans who had spent hours watching the matches stayed put, creating an attentive audience that truly enjoyed the show.
Right after, Walk Off The Earth took over and instantly changed the pace. The Ontario group has built its reputation on creative arrangements and infectious energy, and they delivered exactly that. Their performance blended pop, rock, folk, and plenty of crowd interaction, turning the Amphitheatre into a giant singalong. The band’s playful chemistry and multi-instrumental approach kept fans engaged from start to finish, with many dancing along and singing every word.
At the Park Stage, Vancouver-born DJ and producer Felix Cartal took over. A familiar face on festival lineups across the country, Cartal delivered a polished electronic set that kept fans dancing until the festival closed. His mix of melodic house, upbeat remixes, and crowd-pleasing drops provided the perfect soundtrack to cap off a day that had already been packed with football drama and live music.
The FIFA Fan Festival has consistently shown that it offers far more than football. Saturday’s schedule paired knockout-stage drama with live performances that gave supporters another reason to stay long after the matches had ended. Even with Canada’s elimination still fresh in many minds, the festival remained a welcoming place to celebrate the global game, discover Canadian talent, and enjoy a summer evening surrounded by thousands of fellow fans. With the quarter-finals now set, anticipation continued to build for another unforgettable week at Vancouver’s Fan Festival.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
WALK OFF THE EARTH
FIONN
FELIX CARTAL
FRANCE FANS
All Photo Credit: Caroline Charruyer
Festivals
Montréal Jazz Festival 2026 – Patrick Watson
July 3, 2026
If you thought the outdoor main stage at Jazz Fest was packed earlier in the week, it had absolutely nothing on the sea of people that squeezed into the Place des Festivals for Patrick Watson. The site was packed right to the limit. The last time he played the festival back in 2021, it was to a strictly limited, socially distanced crowd, and he actually took a moment to contrast that eerie, quiet landscape with the overwhelming wall of faces looking back at him this time around. The massive turnout made it feel like the city had just been waiting for the perfect moment to properly welcome him back.
The whole night felt like a massive, curated homecoming celebration with his favourite people on earth. By the third song, he already had the crowd cheering when he brought out Montreal’s own Martha Wainwright, who has been heavily involved in the local scene and festival circuit this year, to share the stage. Right after that, he raised the bar even higher by bringing up a string quartet for a stunning performance of “Ode to Vivian.” He took a second to tell the story behind the track, explaining how it was inspired by the street photographer Vivian Maier, who secretly kept her incredible work to herself until she passed, only to posthumously become an inspiration to thousands of photographers worldwide.
The emotional peak of the set came during “To Build a Home.” Watson talked about how deeply the experience of growing up in Montreal shaped him both as a person and a musician, noting that his music could only ever be written in a city with this exact type of creative spirit. As the song played, vintage 1960s video footage of Montreal rolled across the massive backdrops, which gave the whole performance an incredibly nostalgic, cinematic weight. He kept the collaborations rolling through the night, too, pulling the brilliant November Ultra onto the stage for “Silencio,” and later bringing out the rising indie-folk artist Solann.
The years might be passing, but Patrick Watson proves every time he steps on a stage that he remains an absolute force of nature. He doesn’t care about shifting trends; he just cares about his craft. A few people floating around the crowd might have been a little disappointed not to hear some of the older classics like “Lighthouse” or “The Great Escape,” but honestly, what better setting is there to test out your newest material than the Montreal Jazz Festival in front of your home crowd? Besides, when the performance is that stunning from start to finish, you really can’t be mad about it.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
PATRICK WATSON
All Photo Credit: Andres Amaya