Concerts Photos
Wheatus Play their Debut Album in Full at The Pearl in Vancouver

On April 13, Wheatus rolled into Vancouver and made a strong case that they’ve outgrown rooms like The Pearl. The show was sold out, shoulder-to-shoulder, and honestly felt like it could’ve filled the Commodore Ballroom across the street without breaking a sweat.
Opening support from Chief State and Brain Bent set the tone early, but once Brendan B. Brown and company hit the stage, the night turned into a loose, fan-driven ride. True to form, the band leaned into spontaneity, pulling from a deep catalogue with help from the crowd, before the show even started. “Leroy,” “Truffles,” and “Wannabe Gangstar” landed fast, while “Hump’Em N’ Dump’Em” slipped in a cheeky nod to Madonna.
Covers were a big part of the night. Their take on Erasure’s “A Little Respect” turned into a full-room singalong, complete with a “My Girl” tag, and “Basket Case” by Green Day brought a jolt of energy mid-set. A Canadian highlight came with “My Music at Work,” a respectful nod to The Tragically Hip that hit especially well with the local crowd, followed later by a heartfelt “Time Stand Still” from Rush.
The deeper cuts, “Lemonade,” “Fourteen,” and “I’d Never Write a Song About You, ”showed the band’s range, balancing humour with real vulnerability. Then came “Teenage Dirtbag.” No surprise, it turned into mass karaoke, with every fan in the room locked in from the first line.
Instead of ending big, they closed small. Brown returned alone for an off-mic acoustic “Desperate Songs,” quiet enough that you could hear the room breathe. It was a simple finish that summed up the night: warm and completely in sync with the crowd.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
WHEATUS






CHIEF STATE



All Photo Credit: Caroline Charruyer
Concerts Photos
The Dreggs close off “Heading Home Tour” in Perth!
Australian duo – The Dreggs – brought their Heading Home Tour to a close with a sold-out show at Metropolis Fremantle in Perth. It was a night full of good vibes, big smiles and plenty of energy, with the crowd giving the band a warm welcome from the very beginning.
The evening kicked off with two support acts, Ella Jones and Betty Taylor Band. Both delivered great sets, bringing plenty of energy to the room and getting the crowd ready for the main event.
When The Dreggs finally took the stage, the atmosphere only got better. The duo moved effortlessly between upbeat tracks like “Stay the Night” and “We Don’t Talk,” and more melancholic moments that gave the show a different, more intimate feel.
There was something special about the whole night. From the first songs to the final moments, the smiles on stage seemed to match those in the crowd. A sold-out venue, great support acts and a band clearly enjoying every second of it – a pretty perfect way for The Dreggs to wrap up their Heading Home Tour!
Check out our favorite photos of the night below or head to our Facebook page for the full gallery!
THE DREGGS










All Photo Credit: Martyna Florczuk
Concerts Photos
Olivia O’Brien Brings ‘The Pixie Tour’ to Pacific Electric in Los Angeles
While many people would likely agree with Garfield about hating Mondays, fans at Pacific Electric on Monday, November 2nd, probably disagreed. Eager fans of both Sophie Cates and Olivia O’Brien filled the room. Dressed in fairy wings and princess crowns, the night was guaranteed to be whimsical.
As the clock struck 8:00 pm, the lights began to dim. The crowd screamed as Sophie Cates took the stage. Singing songs from previous albums and from her upcoming album, this would be the first time that Sophie had been on stage in a couple of years. After releasing her debut album, Yikes! in 2019, Cates was later signed to RCA Records. Since then, she has released multiple EPs and her second studio album, “SUPERNOVA.” Sophie joined Olivia O’Brien on her North American tour for her new album, Pixie.
As we waited for Olivia to take the stage, some fans passed around little slips of purple paper. As each member of the crowd received a slip, a message was passed along: “When Icarus comes on, place this piece of paper in front of your camera light.” The sense of community among the fans felt surreal. To most, the purple cardstock creates a cool lighting effect, but to the fans, it creates an emotional atmosphere.
Soon after everyone received their slip of purple paper, Olivia was ready to take the stage. Dressed in her album’s theme, she wore a beautiful slip dress and her iconic pixie wings. O’Brien’s sophomore album, Pixie, is a 15-track record that explores projection and fantasy while confronting the manipulative patterns of past relationships. With questions about self-worth and identity, Olivia acknowledges her past relationship dynamics and struggles with letting go. Pixie also highlights the sense of betrayal and emotional abuse that come from toxic dynamics.
While Pixie may have been written about past relationship struggles and learning to navigate life as a girl in her mid-twenties, Olivia also drew inspiration from her childhood innocence. Stories like Percy Jackson sparked the fascination and curiosity that brought back a piece of childlike wonder.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
OLIVIA O’BRIEN IN LOS ANGELES







SOPHIE CATES



All Photo Credit: Taylor Blazer
