Concerts Photos
Summer of ’99 Tour: Creed Gives Winnipeg a Night to Remember
Some nights disappear by the time you get home. This wasn’t one of them. From the first note to the final encore, Canada Life Centre never stopped singing with Creed. Beat after beat, lyric after lyric, hundreds of voices carried the night. If you weren’t there, you genuinely missed something special.
Opening the night was Mammoth. Before jumping into the set, Wolfgang Van Halen asked the crowd how many had seen the band before and how many were first-timers. The cheers landed almost perfectly down the middle.
I also found out he was Eddie Van Halen’s son, my expectations shot through the roof. That’s a heavy name to carry. Songs like “The End,” “The Spell,” “Distance,” and “I Really Wanna” showed exactly why Mammoth is building its own reputation. By the end of the set, he wasn’t just Eddie’s son, he was Wolfgang Van Halen.
Next came Big Wreck, a band that somehow gets even better live. Ian Thornley’s guitar work was effortless, floating between delicate melodies without missing a beat. “The Oaf,” “Come Again,” and “Albatross” sounded massive. Every instrument cut through cleanly, every lyric landed. Big Wreck are definitely one of Canada’s strongest live rock bands.
Then everything shifted. Long before the lights dropped, the arena had already decided who they came for.
“Creed! Creed! Creed!”
The chant rolled across the building before the band even stepped on stage. The opening blast of “Bullets” hit with fire shooting into the air, smoke pouring across the stage. They played like a band with something left to prove. Audiences were locked in just like the band.
The set moved through “Weathered,” “On My Sleeve,” “My Own Prison,” “What If,” “One,” “What’s This Life For,” and “With Arms Wide Open.” Every chorus came back twice as loud as it left the stage. Thousands of phone lights lit up the arena.
After a short pause, the encore delivered exactly what everyone had been waiting for. “One Last Breath.” The crowd barely let Stapp finish a line before taking over. Then came “My Sacrifice,” and for a few minutes, the band almost disappeared beneath the voices around them. That’s what made this show hit differently. The show was about hearing songs that still connect, still fill arenas, and still have thousands of people screaming every word like they were written yesterday.
Check our our favourite photos of the night below or head to our Facebook page for the full gallery!
CREED
BIG WRECK
MAMMOTH
All Photo Credit: Nischal Karki
Concerts Photos
Only The Poets Bring ‘And I’d Do It Again’ Tour to L’Alhambra in Paris
Only The Poets brought their electric energy to Paris last Wednesday, stopping at L’Alhambra as part of their And I’d Do It Again tour. Following the release of their latest album earlier this year, the show offered fans the perfect chance to sing along to the songs that had soundtracked their entire year.
The venue was packed, the atmosphere vibrant from start to finish. Between lyrics, smiles were shared across the room, and cheers rose with every chorus. The energy was electric.
Originally from Reading, England, the band delivered a sound that blends rock and indie influences with a distinct 80s inspired sound, all wrapped in a style that feels entirely their own. Their live performance translated that identity perfectly, balancing raw energy with melodic hooks that had the crowd singing every word.
The set ran just over an hour, closing on the chords of “Emotional”, a fitting end to a beautiful night shared with them.
Check out our favorite photos of the night below or head to our Facebook page for the full gallery!
ONLY THE POETS
All Photo Credit: Jessica Camil
Concerts Photos
Foster The People Bring ‘Good Mourning Sunshine’ Tour to the Freedom Mobile Arch in Vancouver
There was something fitting about Foster the People bringing their Good Mourning Sunshine tour to Vancouver on September 15. The band’s latest live show starts with the promise of a perfect 1950s-inspired world, then slowly tears that picture apart. By the end of the night at the Freedom Mobile Arch, the whole thing had become a colourful psychedelic fever dream.
Led by Mark Foster, the band moved easily between the disco and synth-funk sounds of Paradise State of Mind, the indie-pop songs that first made them stars, and sharper catalogue cuts like “Lotus Eater.” It could have felt disjointed, but the set worked as a look at just how much Foster the People have changed since “Pumped Up Kicks” first took over the radio.
The production did plenty of heavy lifting. What began as a polished, almost too-perfect visual world gradually became stranger and more distorted as the show progressed. The shift gave the newer material a strong identity live, turning the concert into something that felt like it had an actual storyline rather than simply moving from song to song.
Still, the older hits were never far from the crowd’s mind. “Sit Next to Me” had the audience singing along, setting up the inevitable closing moment. “Pumped Up Kicks” brought the night home, with thousands of voices joining in on its instantly recognizable whistle.
Forster the People have plenty of history to lean on, but Vancouver’s show made a case for looking ahead as the new material gives them somewhere else to go.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
FOSTER THE PEOPLE
All Photo Credit: Caroline Charruyer