Festivals
Ottawa Bluesfest 2025 – July 17 Recap & Photos

Day 6 of Ottawa Bluesfest 2025 brought a full-body workout disguised as a music festival. Between the relentless grooves, chilled-out jams, and occasional downpour, Thursday night at LeBreton Flats Park was a ride. Dancehall king Sean Paul made sure it ended in a sweaty, joy-filled mess.

Sean Paul took the RBC Stage under a Jamaican flag, hypeman in tow, and made it very clear: Ottawa still knows how to party. Even as the rain returned midway through his set, the crowd didn’t flinch. Armed with decades of hits like “Get Busy,” “Temperature,” “Baby Boy,” and “Like Glue,” he spun a high-energy, nostalgia-filled set that kept the crowd bouncing. The vibe was somewhere between high school dance and full-blown Caribbean carnival.
He shouted out the “sexy ladies” at least a dozen times but also gave a nod to moms because “they bring forth life… and they sexy too.” A true gentleman. At one point, he asked if Ottawa was ready to show the world it could still party, and judging by the jumping and screaming in the pit, the answer was yes. Newer songs didn’t land quite as hard but the diehards up front held it down.

Earlier in the night, Kardinal Offishall took his warm-up duties seriously with a lively main-stage set that was added after G-Eazy pulled out. Kardinal brought the fun, dropping hits like “Dangerous” and “Numba 1” while poking fun at Americans and questioning whether Ottawans had rhythm. He brought out Karl Wolf and even premiered a new track “SOAK, which had a sultry, summer-night energy that might’ve hit harder if the weather hadn’t cooled off so much. Still, it was a big win for the festival to have a Canadian hip-hop legend fill in.

Opening the RBC Stage was local duo DYSTOH, who set the tone early with a blast of rhythm, horns, and Afro-Latin fusion. Ray Tabana on baritone sax and Phil Motion on percussion were locked in from the first beat, blending soulful grooves and electronic textures into something that felt both deeply rooted and totally fresh. They even dropped a few SoulJazz Orchestra tracks, a nod to their shared musical past, but DYSTOH is very much its own thing.

Across the grounds, there was plenty more to catch. Over on the River Stage, Toronto’s LILYISHTHATYOU brought punchy alt-pop and Gen Z energy to her early set. She broke out with “FMRN” on TikTok back in 2021, but her newer songs like “No Favors” showed off a more confident, layered sound that’s built for big stages.

Alicia Moffet followed with something more reflective. The Quebec singer and former reality TV star leaned into the emotional material off her new album No, I’m Not Crying. Her smooth vocals and synthy ballads were a nice cooldown before the storm.

Peach Pit closed the River Stage with a jangly, lowkey set that pulled a massive crowd, including, apparently, Prime Minister Mark Carney, who tweeted that he was there. The Vancouver band mixed fan favourites like “Tommy’s Party” and “Alrighty Aphrodite” with newer material from Magpie. They’ve always walked the line between indie slacker charm and big-stage confidence, and on Thursday, they leaned into both. A few technical hiccups didn’t throw them off. They laughed them off, cracked a couple of dry jokes, and kept going.

At the LeBreton Stage, things took a more atmospheric turn. Harry Manx returned to the festival 20 years after his first Bluesfest appearance, and his set was just as hypnotic as ever. Blending Indian ragas, blues, and a bit of gospel, his performance was meditative. He was joined by singer and keyboardist Geneviève Jodoin, whose vocals added an ethereal texture. Between songs, Manx cracked jokes with deadpan delivery.

Moontricks followed with a much different kind of fusion: folk instrumentation paired with electronic beats. They’ve been refining this sound for years, and their set on Thursday showed how far they’ve come. Fans swayed, some danced, others just stood there soaking it all in. It was a vibe.
After nearly a week of sweltering heat, the cooler breeze and occasional drizzle felt like a gift. And despite the rain, Thursday might’ve been one of the most energetic days yet. From DYSTOH’s opening grooves to Sean Paul’s full-blown dance party, Day 6 of Bluesfest thrived in the weather.
Head to Ottawa Bluesfest’s website for more info on the rest of the festival.
Check out our favourite photos of Day 6 below or head to our Facebook page for the full gallery!
SEAN PAUL


KARDINAL OFFISHALL


DYSTOH


LILYISHTHATYOU


ALICIA MOFFET


PEACH PIT


HARRY MANX


MOONTRICKS


All Photo Credit: Kieran Delport
Festivals
All Things Go NYC Announce 2026 Lineup with Zara Larsson, Brandi Carlile, MUNA, Lola Young, Carly Rae Jepsen, and More
All Things Go Festival is heading back to Forest Hills Stadium this fall with one of its biggest New York lineups yet.
The festival announced the full roster for its third New York edition today, with headliners including Zara Larsson, Brandi Carlile, MUNA, Lola Young, and Carly Rae Jepsen. Larsson’s appearance marks her first-ever headline festival set.
Set across three days on Sept. 25, 26, and 27, the festival continues its tradition of mixing major pop acts with rising artists and internet favorites. The 2026 lineup features names like The Beaches, Rebecca Black, Cara Delevingne, CMAT, Jensen McRae, Hemlocke Springs, and Sienna Spiro. Comedian and musician Meg Stalter joins the lineup as one of the festival’s more unexpected additions.
Returning artist Lola Young teased her comeback in a statement, saying, “All Things Go, we have unfinished business. I feel blessed and ready to take it to the next level. Thank you for having me back.”
MUNA, longtime festival favorites, shared their excitement about returning to New York for a headlining slot, calling All Things Go “one of our favorite festivals to play” and joking, “let’s go, lesbians!”
Over the last few years, All Things Go has built a reputation for its fan-focused atmosphere and strong sense of inclusivity. Fans online have affectionately nicknamed the festival “Gay-chella,” “All Things Gay,” and “Lesbopalooza,” reflecting the event’s large LGBTQ+ fanbase and welcoming community vibe.
Tickets go on sale with a fan presale beginning Wednesday, May 20 at 10 a.m. ET, followed by the public onsale Thursday, May 21. Single-day tickets start at $99, with three-day passes starting at $225. More information here.
The New York announcement follows a busy stretch for the festival brand. Earlier this month, All Things Go unveiled the 2026 Washington, D.C. lineup at Merriweather Post Pavilion featuring artists like Hayley Williams, Mitski, and Brandi Carlile. Meanwhile, the Toronto edition is set for June 6 and 7 at RBC Amphitheatre with headliners including Lorde, Kesha, Wet Leg, and The Beaches.
Friday September 25
Zara Larsson
Lola Young
Rebecca Black
Cara Delevingne
Blue DeTiger
Chloe Qisha
Gates 2PM
Saturday September 26
Brandi Carlile
Sienna Spiro
CMAT
Jensen McRae
Meg Stalter
Natali Jinju
Gates 2PM
Sunday September 27
MUNA
Carly Rae Jepsen
The Beaches
Hemlocke Springs
Grace Ives
Cherry Bomb
Gates 2PM
Festivals
All Things Go Toronto 2026 Reveals Daily Schedule Ahead of June Festival Weekend
All Things Go Toronto 2026 has officially shared the daily schedule for its 2026 edition, giving fans a closer look at how the weekend at RBC Amphitheatre will unfold on June 6 and 7.
The festival, which expanded into Toronto in 2025 after building a strong following in the United States, is bringing a lineup packed with indie pop, alternative, and rising Canadian talent. Doors for both days open at 2:00 p.m.
Saturday’s lineup is headlined by Kesha, who closes out the night with a set running from 9:30 p.m. to 11:00 p.m. Before that, hometown favourites The Beaches will take over the stage from 7:30 p.m. to 8:45 p.m. The day will also feature performances from Rachel Chinouriri, Holly Humberstone, Sofia Camara, and Bella Kay.
Sunday shifts into a more indie-rock-heavy close with Lorde headlining from 9:30 p.m. to 11:00 p.m. The lead-up includes a stacked evening featuring Wet Leg and Del Water Gap. Earlier in the day, fans can catch sets from Jade LeMac, MOMMA, and Flower Face.
The schedule reveal arrives after months of anticipation surrounding the festival’s Toronto return. Lorde’s appearance comes during a major stretch for the singer following renewed live activity and growing excitement around her next era, while Kesha continues her recent comeback run that has leaned into a more independent and celebratory direction onstage.
With set times now locked in, fans can officially start planning their festival weekend, whether that means camping out for barricade spots, bouncing between artists, or preparing for what could easily become one of Toronto’s biggest music weekends of the summer.
Find more information on the All Things Go Toronto website.
