Connect with us

Concerts Reviews

LIVE REVIEW: Goldie Boutilier In Vancouver Is That Artist You Wish You Found Sooner

Published

on

There is a very good chance we are in love with Goldie Boutilier.

Are we trying to hook you into reading a concert review with a strong opening statement? Yes. Are we telling the absolute, no-nonsense truth? Also, yes.

One of the least appreciated perks of seeing a favourite band or singer live is finding a new artist that you might not have discovered on your own. Theres a lot of music out there! This is how we found Goldie Boutilier last year: casually cool, confident, and opening for Orville Peck. You can’t say she stole the show – Orville is a Big Voice with Big Feels – but she didn’t just fill out the timeslot, either. That’s why we waited for her return so patiently ever since, and honestly? Worth it.

Goldie Boutilier, now headlining her own tour in support of her most recent album Goldie Boutilier Presents… Goldie Montana, sold out Vancouver’s Hollywood Theatre this week. And we don’t mean “no more tickets” sold out. We mean “the floor was packed for the opener” sold out. People got dressed up and through the doors early sold out. It’s the most crowded I’ve seen The Hollywood Theatre as everyone cleared the upper bar and were pressed together on the floor. People wanted to get close.

We don’t think Goldie is hard to describe, exactly, but we’re having a hard time find the words to get our feelings across. If you were there, you know! Maybe photographers should stick to their medium? Deep thoughts.

The best we can do is say that Goldie, above all else, is effortlessly cool. “The Angel and the Saint” has an “Oceans 11” vibe going on, and is easily our favourite song. It will make you put sunglasses on and drive slow. You’ll lean back and feel the sun on your face. It’s just an incredible song, part rock, part pop, part jazz, maybe.

Must Hear Songs by Goldie Boutilier (In Our Humble Opinion):
– The Angel and the Saint (The Actress (EP), 2024)
– King of Possibilities (Goldie Montana, 2025)
– Pretending (Emerald Year (EP), 2023)

Her songs have a beat, and are smooth, and they hit you. On stage she becomes something… other. She leans back, strikes a pose, and flirts unabashedly with the audience. She has that Kylie Minogue allure that draws you in, begging you to see past the glasses. Then she switches it up and turns into a pop-rock variation of Carly Rae. Or maybe Lauren Mayberry, from Chvrches, as she spins and spins her way across the stage from outfit to outfit? It’s wild. Check out our photos below, and you’ll see what we mean.

Goldie has a presence when she speaks. She’s Canadian, which we appreciate, and lived in Vancouver, which we loved to hear, and everything seems to come natural to her. She engages with her fans, and every song is part of a story, more than anything else. We will always, always find a way to her shows and we hope she returns again soon – she’d kill on a larger stage, just think of what she could do at the Orpheum! To dream.

Goldie Boutilier Setlist (Probably Mostly):
At the End of the War
The Angel and the Saint
Snake Eyes
Body Heat
Terrible Things
Favorite Fear
Penthouse in the Sky
King of Possibilities
Pretending
I Am the Rich Man
The Actress
The Ways I Punish Myself
Neon Nuptials
Cowboy Gangster Politician

Check out our favourite photos of the night below, or head to our Facebook page for the full gallery! Thanks for attending the show with us, and for checking out our review!

GOLDIE BOUTILIER IN VANCOUVER

All Photo Credit: Jason Martin

Concerts Reviews

LIVE REVIEW: LP Brings ‘All Is Not Lost’ Tour to Vancouver

Published

on

LP-Vancouver-Raphael-21

On September 5, multi platinum singer-songwriter LP brought the All Is Not Lost Tour to Vancouver’s Queen Elizabeth Theatre, delivering a performance that moved effortlessly between vulnerability, power, and pure rock-and-roll energy. The night also carried a special significance: the tour celebrates the 10th anniversary of Lost on You, the record that helped transform LP from a respected songwriter into a global phenomenon.

Known professionally as LP, Laura Pergolizzi has spent years carving out a space that is uniquely their own. Before becoming internationally recognized as a recording artist, LP established themselves as a songwriter for major artists including Rihanna, Christina Aguilera, and Celine Dion. Their own breakthrough came with “Lost on You,” which went to No. 1 in 18 countries and eventually surpassed one billion Spotify streams.

Inside the Queen Elizabeth Theatre, LP’s music felt much more immediate. Their unmistakable voice moved from restrained and intimate to explosive within moments, giving songs such as “Muddy Waters,” “The One That You Love,” and “Lost on You” a sense of urgency that is difficult to recreate outside of a live setting.

The evening’s setlist reflected both sides of LP’s career. The first part moved through newer material and familiar favourites, including “Shelly,” “Tokyo Sunrise,” “Love Is All I Have,” and “Chasing & Waiting.” Later, the performance shifted toward the Lost on You celebration, bringing some of LP’s most recognizable songs into the spotlight.

It was the kind of moment that makes a concert feel bigger than the room. The song that introduced LP’s voice to millions became a shared experience between artist and audience, with the theatre singing along to every familiar line. After nearly a decade of the song living its own life around the world, hearing it performed in a packed Vancouver theatre gave it a renewed sense of intimacy.

From behind the camera, there was another layer to the experience. Photographing LP meant constantly watching for the moments between the obvious ones. The dramatic poses and powerful vocals naturally create striking frames, but some of the strongest images came from the quieter details, the concentration before a verse, a hand wrapped around the microphone, a fleeting expression beneath the stage lights.

LP is an artist who gives a photographer plenty to work with. Their movement across the stage feels instinctive rather than choreographed, and their performance style carries the same unpredictability as their voice. One moment can feel completely still; the next can explode into movement.

That contrast became one of the defining visual elements of the Vancouver show. The Queen Elizabeth Theatre also suited the performance. Rather than feeling distant or oversized, the venue allowed the audience to remain close to the emotional centre of the show. LP could command the room without having to overwhelm it.

There was also a sense of celebration throughout the night. Ten years after Lost on You, LP is still performing the songs that changed the trajectory of their career while continuing to introduce audiences to what’s next. The tour combines material from the upcoming album with a special presentation of Lost on You in its entirety, making the show feel like both a look backward and a step forward.

That balance is what made the Vancouver performance so compelling. LP isn’t simply revisiting an old record. They are showing how those songs have evolved with them and how they continue to resonate with an audience that has grown alongside their music.

By the final moments of the night, the feeling in the theatre was less like watching an artist celebrate an anniversary and more like witnessing a career still in motion.

For me, photographing LP in Vancouver was an opportunity to capture that evolution in real time: the voice, the movement, the vulnerability, and the electricity that has made LP such a distinctive live performer.

Ten years after Lost on You, the LP still has something to say and judging by the way Vancouver listened, people are still more than willing to hear it.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

LP

All Photo Credit: Raphael Arthur

Continue Reading

Concerts Reviews

LIVE REVIEW: Icons Deep Purple & Kansas Bring A Legendary Celebratory Night of Surprises To Abbotsford’s Rogers Forum

Published

on

Deep Purple-Abbotsford-Marquise-6

I don’t say this lightly, but both Deep Purple and Kansas absolutely put on a hell of a show. Since 1968, Deep Purple have basically been the godfathers of live rock performance. Don’t believe me? Go look up their Guinness World Record for “loudest concert,” which they snagged back in 1972. That same energy, that same wall of sound, made the trip across five decades and landed right here for the band’s headlining North American tour stop in Abbotsford. Original drummer Ian Paice is still holding it down, now joined by guitarist Simon McBride, bassist Roger Glover, keyboardist Don Airey, and vocalist Ian Gillan. Sure, only one original member remains, but somehow the whole group still nails the spirit of what made Deep Purple, well, Deep Purple.

They tore through 16 tracks that night. “Smoke on the Water” got the loudest reaction of the evening, no surprise there. “Diablo” and “Perfect Strangers” also landed big, and “Highway Star” kicked the whole thing off on an absolute high. And when I say the crowd was into it, I mean it. Fans who’ve followed this band for almost fifty years were pressed right up against the barrier trying to get as close as possible. That closeness paid off too, with an incredible light show and Simon McBride ripping through solo after solo. Honestly, McBride was the highlight more than once, stepping up so Gillan could catch his breath between songs. Given how much those vocals demand, that rest was more than earned.

Like I said, “Smoke on the Water” was the main event for Abbotsford. It’s one thing to describe it, but actually watching the buildup, seeing the bandmates grinning at each other because they knew exactly what was coming, that was priceless. Then those notes kicked in. You know the ones. Every Guitar Center employee’s nightmare. The whole arena became one voice, singing along to a guitar riff like it was a chorus. It was the moment of the night, the kind of thing every rock fan dreams about experiencing live. That wave of energy carried all the way through to the final song, “Hush.” If you were a millennial who spent way too much time on Guitar Hero 2, hearing this one live gave you full goosebumps. This was the band’s first big hit back in 1968, and in 2026 it still hits just as hard. The crowd treated it like more than an encore. It felt like everyone in that room knew they might not get another chance to see Deep Purple live, and they soaked in every second of it. When the house lights finally came up, Abbotsford just stood there in awe. Deep Purple‘s legendary status was on full display, and nobody in that crowd wanted the night to end.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

DEEP PURPLE

KANSAS

All Photo Credit: Marquise Monno

Continue Reading