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LIVE REVIEW – The Goo Goo Dolls In Abbotsford Proved Great Songs Never Age

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For fans who came of age during The Goo Goo Dolls’ 90s ascent, and for a younger generation now discovering the band through TikTok trends and algorithm-fed nostalgia, their sold-out Abbotsford performance felt like the perfect collision of past and present. It was a night built on timeless songwriting, crowd connection, and the kind of emotional payoff only a band with a catalogue this beloved can deliver. From the moment fans began filing through the Rogers Forum doors, there was already a distinct buzz in the air. The crowd was packed with longtime devotees and newer listeners alike, all united by one lingering question that seemed to hover over the venue before the lights even dropped: When are they going to play “Iris”?

That mystery followed the room into the opening moments of the set, but it did not stay front of mind for long. Once Johnny Rzeznik, Robby Takac, and company tore into “Naked,” any lingering fixation on the inevitable closer quickly gave way to the immediate thrill of the present. Fans were on their feet almost instantly, and the night wasted no time settling into full celebration mode. There was no slow burn here. The Goo Goo Dolls came out with purpose, and with the kind of confidence only a veteran act can carry.

That confidence was on full display when “Slide” landed as just the second song of the night. For a band with this many staples, dropping one of their most iconic tracks that early felt like a statement. It jolted the sold-out crowd to life in a massive way. Arms flew up, voices rang out, and every lyric seemed to roll off tongues like second nature. It was one of those moments where the line between performer and audience completely disappeared. The venue was locked in, and from there, the momentum never really let go.

The Goo Goo Dolls in Abbotsford on March 20, 2026

The set moved with an impressive sense of balance, leaning into the band’s most enduring hits without ever making the night feel like a straightforward nostalgia run. “Big Machine,” “Stay With You,” and “Black Balloon” all hit with force, each one met with the kind of reaction that reminded everyone just how deep The Goo Goo Dolls’ catalogue really is. Song after song, they delivered with the ease of a group that understands exactly how to pace a room and keep an audience emotionally invested. Midway through the set, the energy shifted into something more intimate.

Rzeznik stripped things back for an acoustic performance of “Sympathy,” offering one of the night’s most memorable in-between-song moments before a single chord was played. Sharing a story from the previous evening in Victoria, he recalled seeing a beautiful woman casually crush a beer in one go, a moment that apparently left him completely awestruck. It was funny, unexpected, and exactly the kind of loose, off-the-cuff storytelling that makes a room feel smaller in the best way possible. The crowd loved it. And of course, the second “Sympathy” came to a close, with Rzeznik still holding the acoustic guitar, the audience made its move. “Iris!” The call came fast and loud, and it was impossible not to laugh when Rzeznik fired back, “If I play it, you’re going to leave.” It was a perfect bit of playful misdirection, and it only made the anticipation around the inevitable finale grow stronger.

By the time the band entered the back half of the set, they were fully in command of the room. “Ocean,” “Better Days,” and “Broadway” kept the pace high and the emotional stakes even higher, building toward the moment everyone knew was coming. If the first portion of the night reminded the crowd just how many hits The Goo Goo Dolls have, the closing stretch reinforced why those songs continue to resonate across generations. Then came “Iris.” Even before the first verse, the reaction said everything. There are very few songs that can genuinely claim generational status, but “Iris” has long since earned that distinction. It was a defining hit in the 90s, remained a staple through the 2000s and 2010s, and has now found a fresh wave of cultural relevance through social media, where younger audiences are once again pulling it into the spotlight. It is one of those rare songs that never really leaves. It just keeps finding new people to belong to. At Rogers Forum, that legacy was impossible to ignore.

The Goo Goo Dolls in Abbotsford on March 20, 2026

The second those opening chords rang out, the venue shifted. Phones rose into the air. Faces lit up. Some fans were smiling, others were visibly emotional, and nearly everyone seemed to be singing as if the song had lived with them for years. The performance itself was everything it needed to be, but what elevated the moment was how fully the crowd gave itself over to it. When Rzeznik turned the mic outward and let Abbotsford take over a chorus, the response was thunderous. It was loud. It was emotional. It was the kind of full-body singalong that sends a shiver through a venue and reminds you why live music still matters as much as it does.

By the end of the night, one thing was abundantly clear: this was not simply a legacy act leaning on familiar material. The Goo Goo Dolls delivered a set that felt vibrant, assured, and deeply connected to the people in the room. They bridged generations with ease, turned beloved songs into shared memories, and reminded a sold-out Abbotsford crowd that truly great music does not expire. For one night, nostalgia met the present in all the right ways, and The Goo Goo Dolls turned that meeting point into something unforgettable.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

Upcoming Tour Dates:
March 22, 2026 – Kelowna, BC – Prospera Place
March 23, 2026 – Calgary, AB – Scotiabank Saddledome
March 25, 2026 – Edmonton, AB – Rogers Place
March 26, 2026 – Saskatoon, SK – SaskTel Centre
March 28, 2026 – Winnipeg, MB – Canada Life Centre
March 30, 2026 – Sault Ste. Marie, ON – GFL Memorial Gardens
April 1, 2026 – Oshawa, ON – Tribute Communities Centre
April 2, 2026 – Hamilton, ON – TD Coliseum
April 4, 2026 – London, ON – Canada Life Place
April 6, 2026 – Ottawa, ON – Canadian Tire Centre
April 8, 2026 – Laval, QC – Place Bell
April 10, 2026 – Halifax, NS – Scotiabank Centre
April 11, 2026 – Moncton, NB – Avenir Centre
April 18, 2026 – Georgetown, TX – Two Step Inn 2026
May 15, 2026 – Las Vegas, NV – The Venetian Theatre
May 16, 2026 – Las Vegas, NV – The Venetian Theatre
May 20, 2026 – Las Vegas, NV – The Venetian Theatre
May 22, 2026 – Las Vegas, NV – The Venetian Theatre
May 23, 2026 – Las Vegas, NV – The Venetian Theatre
More information here.

GOO GOO DOLLS

All Photo Credit: Marquise Monno

Concerts Reviews

LIVE REVIEW: LP Brings ‘All Is Not Lost’ Tour to Vancouver

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On September 5, multi platinum singer-songwriter LP brought the All Is Not Lost Tour to Vancouver’s Queen Elizabeth Theatre, delivering a performance that moved effortlessly between vulnerability, power, and pure rock-and-roll energy. The night also carried a special significance: the tour celebrates the 10th anniversary of Lost on You, the record that helped transform LP from a respected songwriter into a global phenomenon.

Known professionally as LP, Laura Pergolizzi has spent years carving out a space that is uniquely their own. Before becoming internationally recognized as a recording artist, LP established themselves as a songwriter for major artists including Rihanna, Christina Aguilera, and Celine Dion. Their own breakthrough came with “Lost on You,” which went to No. 1 in 18 countries and eventually surpassed one billion Spotify streams.

Inside the Queen Elizabeth Theatre, LP’s music felt much more immediate. Their unmistakable voice moved from restrained and intimate to explosive within moments, giving songs such as “Muddy Waters,” “The One That You Love,” and “Lost on You” a sense of urgency that is difficult to recreate outside of a live setting.

The evening’s setlist reflected both sides of LP’s career. The first part moved through newer material and familiar favourites, including “Shelly,” “Tokyo Sunrise,” “Love Is All I Have,” and “Chasing & Waiting.” Later, the performance shifted toward the Lost on You celebration, bringing some of LP’s most recognizable songs into the spotlight.

It was the kind of moment that makes a concert feel bigger than the room. The song that introduced LP’s voice to millions became a shared experience between artist and audience, with the theatre singing along to every familiar line. After nearly a decade of the song living its own life around the world, hearing it performed in a packed Vancouver theatre gave it a renewed sense of intimacy.

From behind the camera, there was another layer to the experience. Photographing LP meant constantly watching for the moments between the obvious ones. The dramatic poses and powerful vocals naturally create striking frames, but some of the strongest images came from the quieter details, the concentration before a verse, a hand wrapped around the microphone, a fleeting expression beneath the stage lights.

LP is an artist who gives a photographer plenty to work with. Their movement across the stage feels instinctive rather than choreographed, and their performance style carries the same unpredictability as their voice. One moment can feel completely still; the next can explode into movement.

That contrast became one of the defining visual elements of the Vancouver show. The Queen Elizabeth Theatre also suited the performance. Rather than feeling distant or oversized, the venue allowed the audience to remain close to the emotional centre of the show. LP could command the room without having to overwhelm it.

There was also a sense of celebration throughout the night. Ten years after Lost on You, LP is still performing the songs that changed the trajectory of their career while continuing to introduce audiences to what’s next. The tour combines material from the upcoming album with a special presentation of Lost on You in its entirety, making the show feel like both a look backward and a step forward.

That balance is what made the Vancouver performance so compelling. LP isn’t simply revisiting an old record. They are showing how those songs have evolved with them and how they continue to resonate with an audience that has grown alongside their music.

By the final moments of the night, the feeling in the theatre was less like watching an artist celebrate an anniversary and more like witnessing a career still in motion.

For me, photographing LP in Vancouver was an opportunity to capture that evolution in real time: the voice, the movement, the vulnerability, and the electricity that has made LP such a distinctive live performer.

Ten years after Lost on You, the LP still has something to say and judging by the way Vancouver listened, people are still more than willing to hear it.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

LP

All Photo Credit: Raphael Arthur

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Concerts Reviews

LIVE REVIEW: Icons Deep Purple & Kansas Bring A Legendary Celebratory Night of Surprises To Abbotsford’s Rogers Forum

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I don’t say this lightly, but both Deep Purple and Kansas absolutely put on a hell of a show. Since 1968, Deep Purple have basically been the godfathers of live rock performance. Don’t believe me? Go look up their Guinness World Record for “loudest concert,” which they snagged back in 1972. That same energy, that same wall of sound, made the trip across five decades and landed right here for the band’s headlining North American tour stop in Abbotsford. Original drummer Ian Paice is still holding it down, now joined by guitarist Simon McBride, bassist Roger Glover, keyboardist Don Airey, and vocalist Ian Gillan. Sure, only one original member remains, but somehow the whole group still nails the spirit of what made Deep Purple, well, Deep Purple.

They tore through 16 tracks that night. “Smoke on the Water” got the loudest reaction of the evening, no surprise there. “Diablo” and “Perfect Strangers” also landed big, and “Highway Star” kicked the whole thing off on an absolute high. And when I say the crowd was into it, I mean it. Fans who’ve followed this band for almost fifty years were pressed right up against the barrier trying to get as close as possible. That closeness paid off too, with an incredible light show and Simon McBride ripping through solo after solo. Honestly, McBride was the highlight more than once, stepping up so Gillan could catch his breath between songs. Given how much those vocals demand, that rest was more than earned.

Like I said, “Smoke on the Water” was the main event for Abbotsford. It’s one thing to describe it, but actually watching the buildup, seeing the bandmates grinning at each other because they knew exactly what was coming, that was priceless. Then those notes kicked in. You know the ones. Every Guitar Center employee’s nightmare. The whole arena became one voice, singing along to a guitar riff like it was a chorus. It was the moment of the night, the kind of thing every rock fan dreams about experiencing live. That wave of energy carried all the way through to the final song, “Hush.” If you were a millennial who spent way too much time on Guitar Hero 2, hearing this one live gave you full goosebumps. This was the band’s first big hit back in 1968, and in 2026 it still hits just as hard. The crowd treated it like more than an encore. It felt like everyone in that room knew they might not get another chance to see Deep Purple live, and they soaked in every second of it. When the house lights finally came up, Abbotsford just stood there in awe. Deep Purple‘s legendary status was on full display, and nobody in that crowd wanted the night to end.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

DEEP PURPLE

KANSAS

All Photo Credit: Marquise Monno

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