Concerts Reviews
Taylor Swift’s The Eras Tour: A Night to Remember in Vancouver

Let me just start by saying this: it’s almost impossible to write a review of The Eras Tour without repeating what’s already been said. Whether you’ve seen the movie that premiered in October 2023 or seen endless TikToks and tweets raving about it, this tour has transcended just being a concert. It’s now a cultural phenomenon. But as I sat down to write about the first of Taylor Swift’s three sold-out shows at BC Place and the last Friday show of The Eras Tour ever, I realized the best way to capture what makes this experience special is not just by recapping the music (though I’ll do that too!) but by focusing on the atmosphere and the magic of the night.
The evening began with a land acknowledgment, recognizing that Vancouver is situated on the unceded traditional territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. It was a meaningful moment that set the tone for an inclusive and respectful experience.
Gracie Abrams opened the show, and wow, did she command the stage. Having last seen her perform at the Vogue Theatre in April 2023, it was incredible to witness her growth as an artist. Going from an intimate venue like the Vogue to opening at BC Place, packed with tens of thousands of people, is no small feat, but Gracie handled it with grace (pun intended!) and confidence. Her set was short but impactful, and she left the crowd buzzing for Taylor.
Vancouver Becomes Swift City
Taylor Swift’s three shows at BC Place are the grand finale of The Eras Tour, which kicked off in Glendale, Arizona, on March 17, 2023, and will end on December 8, 2024. By the time the final confetti falls, Taylor will have played an incredible 149 shows worldwide. Vancouver truly pulled out all the stops to welcome her. An inflatable friendship bracelet (shipped all the way from Toronto) was wrapped around the stadium. The Vancouver Police Department even got into the spirit, decking out their horses with friendship bracelets around their necks. Destination Vancouver joined the fun by installing 13 light signs scattered across downtown, each featuring Taylor’s lyrics. Fans who visited these signs had the chance to win tickets to the show, which only added to the frenzy leading up to the weekend.
Walking around the city before the show, you could feel the excitement in the air. Groups of friends in coordinated outfits inspired by Taylor’s eras, families with moms and daughters hand-in-hand, and fans trading bracelets everywhere. It was like the city had been taken over by a joyful, glittery army of Swifties.
The Magic of Friendship and Community
If I had to pick one thing that truly makes The Eras Tour special, it’s the sense of community. The friendship bracelet exchange, a nod to the lyrics in You’re On Your Own, Kid, was in full swing. Even for someone who can be a little shy (guilty as charged!), the bracelets are the perfect icebreaker. I traded with fans from all over the world, each bracelet carrying its own story. And it wasn’t just friends exchanging bracelets; I saw mothers and daughters bonding, entire families dressed in theme, and even groups of coworkers out for a night of fun.
That sense of connection seems to amplify the energy of the show itself. In fact, Swifties are known for dancing so hard at Taylor’s concerts that they’ve literally shaken the earth. This happened in Seattle in July 2023, where their moves registered as seismic activity, and again in Edinburgh in June 2024, when monitors were triggered by fans’ collective enthusiasm. The energy in Vancouver definitely felt like it could spark a tremor of its own.

The Setlist and Show Recap
The show itself is a masterpiece. It kicked off with the Lover era and the pastel dreaminess of “Miss Americana & The Heartbreak Prince,” setting the tone for a night that would be equal parts nostalgic and celebratory. From there, Taylor took us on a journey through her entire discography:
- Lover Era: Romantic and glowing, complete with “Cruel Summer” (cue the screams during “he looks up, grinnin’ like a devil!”).
- Fearless Era: A sweet, golden interlude with hits like “Love Story.”
- Red Era: Pure heartbreak and exhilaration during “All Too Well (10 Minute Version).”
- Speak Now Era: A short but emotional segment highlighted by “Enchanted.” The pastel tones were on point.
- Reputation Era: Dark, electric, and powerful with “…Ready For It?” and “Look What You Made Me Do.”
- Folklore/Evermore Era: Moody, enchanting, and absolutely stunning during “Willow,” where fans joined in with lit up orange balloons. “Marjorie” being my favourite Taylor Swift song, I was overjoyed that it was included on the setlist.
- 1989 Era: Glittering pop perfection, with “Shake It Off” and “Style” turning the stadium into a dance party. “Bad Blood’s” pyrotechnics kept everyone warm!
- The Torture Poets Department Era: An intense and deeply introspective part of the night, aptly dubbed Female Rage: The Musical, with “Who’s Afraid Of Little Old Me?” and “The Smallest Man Who Ever Lived.”
- Surprise songs: Taylor’s acoustic set has become one of the most anticipated parts of the tour. On guitar, she treated us to “Haunted” followed by “Wonderland,” joking that the latter was “perfect for Canada, eh?” thanks to its catchy “(Eh, eh, eh, eh, eh) in Wonderland” lyrics. Then, at the piano, she gave an emotional performance of “Never Grow Up” and “The Best Day,” leaving many of us misty-eyed.
- Midnights Era: Closing out the night with the dreamy, synthy vibes of “Anti-Hero” and “Karma.”
Each era was distinct, with Taylor’s costumes, staging, and choreography perfectly tailored to match the vibe. The transitions between eras were especially stunning, beautiful tableaux that often showcased the incredible talent of her dancers, who added depth and magic to each shift in tone, making the experience feel seamless and theatrical. The setlist was a marathon with over three hours and 40+ songs, but every moment felt deliberate and unforgettable.

Production Value Like No Other
I’ve been to a lot of concerts (already over 100 this year), but the production value of The Eras Tour is in a league of its own. The stage stretched across the stadium with a massive screen ensuring everyone had a great view. The visuals were breathtaking, from the enchanted forest of Folkmore to the lofty clouds of “Lavender Haze.” The way the lighting, pyrotechnics, and stage transformations worked in harmony was incredible. And don’t even get me started on the bracelets that lit up in sync with the music. Standing in the crowd felt like being part of a living work of art.
The sheer scale of this tour is staggering. By the end of 2024, it’s estimated that Taylor will have brought over $2 billion from ticket sales and merchandise, making it one of the most profitable tours in history.
Why It’s A Show For Everyone
Confession time: I’m not the kind of fan who knows every Taylor lyric (I’m showing my age here, but Spice Girls will always hold that title for me), but even so, this was one of the best shows I’ve ever attended. Taylor’s charisma and storytelling make her songs accessible even if you’re not a die-hard fan. The energy of the crowd, the flawless production, and the sheer joy of the night make it impossible not to have fun.
As I left the stadium with my voice hoarse and my arms full of new bracelets, I couldn’t stop smiling. And guess what? I’ll be back for Night 2 today. Bring it on, Taylor!
We would like to thank Taylor and her team for having us at their show.
Concerts Reviews
LIVE REVIEW: Isaiah Rashad – Lil Sunny’s Awful Road Trip at Infosys Theater at MSG
Top Dawg Entertainment artist Isaiah Rashad delivered a cinematic, intimate set for his Lil Sunny’s Awful Road Trip tour, with opener Alemeda in support. His third studio album, It’s Been Awful, captures the weight most people carry quietly: the depths, the despair, the need for community, the desire for higher purpose, and the pulse to push forward. He gave us soulful vibes like “SUPAFICAL,” controlled the tempo with “DO I LOOK HIGH,” and dropped vulnerable reminders through songs like “ACT NORMAL,” inviting the crowd into his reality, in a real slow-burn, confessional kind of way.
The project has achieved critical acclaim since its debut, with “BOY IN RED” featuring SZA (another TDE heavyweight) in the conversation for a Grammy nomination for Best Melodic Rap Performance, and rumblings that the project itself may be up for Best Rap Album. For longtime listeners, it felt more like an honest catch-up. He’s been making dense, emotionally rich music since Cilvia Demo, balancing trippy production with hard truths about depression, addiction, and family strain. Lil Sunny’s Awful Road Trip doesn’t just celebrate a new album, it reinforces why his voice has always mattered.

With seven of his stops now in the books, Rashad finally brought the tour to New York. He’s been hosting special meet-and-greets, allowing the faithful to come in early and catch his soundcheck, ask him questions, and build a closer connection. That sense of openness is part of what makes him so compelling.
This tour felt like a campsite sideshow in the best way. The show kicked off with him stepping out in a blood-covered white tee, and from that moment his goal was to connect with the crowd: taking pictures with his disposable camera, dapping up people as if he knew them personally, and grounding himself in the moment. Every city has its own flavor, and he embraced us from the start. Alemeda thrashed alongside her guitarist, while Rashad brought super fans on stage to sing the hook of “CAMERAS,” and Sunny’s camera rolled road memories behind him throughout. The whole production had a cinematic rhythm, balancing humor, intimacy, and autobiography without ever losing its sense of fun.
I discovered Rashad years ago through “4r Da Squaw,” and hearing it live reminded me how impactful the early material remains. I immediately identified with it— the pain, the glory, and the ups and downs that inevitably come with trying to establish yourself. At the show, he played a bunch of deep-cut favorites like “Headshots (4r Da Locals)” and “Heavenly Father.” These blended seamlessly with the new material. Fans were rapping every word, listening closely, or crashing into mosh pits. The audible uproar during his performance of “SAME SH!T” and “AIN’T GIVIN’ UP” proved that every pocket of his catalog hits.
By the end of the night, he reminded us all that he would always “Lay with us, Pray with Us, and Stay with Us,” a fitting summary of both the night and his larger mission. With just twenty-two more stops to go before a full-circle anniversary show in Inglewood, fans need to lock in before he disappears on us again. Lil Sunny’s Awful Road Trip plays like a tribute to everything he’s survived, and a confident step toward whatever comes next.
Lil Sunny’s Awful Road Trip Setlist:
THE NEW SUBLIME
M.O.M.
SCARED 2 LOOK DOWN
FREE LUNCH
WAT U SED
PARK
BOY IN RED
SUPAFICAL
WEST SAVANNAH
HEAVENLY FATHER
HAPPY HOUR
CAMERAS
GTKY
AIN’T GIVIN’ UP
WAT’S WRONG
LAY WIT YA
SAME SHIT
HEADSHOTS
4R DA SQUAWDO I LOOK HIGH?
RIP YOUNG
11 tracks from It’s Been Awful
4 tracks from The House Is Burning
4 tracks from The Sun’s Tirade
2 tracks from Cilvia Demo
Review and Photos by Anthony Grant @gallerybytm
Concerts Reviews
LIVE REVIEW: Angine de Poitrine Touches Down From Another Galaxy for Night 1 in Vancouver at The Pearl
Before the doors to The Pearl even open, downtown Vancouver is already starting to look a little different. Polka dots begin appearing in the crowd; one person here, a group there, until the black and white, circular patterned fits become almost impossible to miss. As more and more people make their way toward the venue, it becomes clear that something very strange is brewing.
That could only mean one thing: self-proclaimed space-time voyagers Klek and Khn de Poitrine are in town, and things are about to get weird.
After blowing up and going viral at an almost ridiculous rate this year, thanks in part to their KEXP appearance just down south in Seattle, Angine de Poitrine’s shows coming to town have become highly anticipated. And it’s not just prog fans showing up. Their strange, theatrical world has something for everyone: weird music lovers, fans of live visuals and performance, and anyone curious to see exactly what all the fuss is about. Seeing the alien brothers live in person, we can confirm that they do live up to the hype!
The show opened with fellow Montreal musician René Lussier, a jazz guitarist with a flair for theatrics as well. Accompanied by drummer Robbie Juster, the two performed some funky, jazzy tunes, complete with a few wonderfully weird gimmicks, including René wielding an electric toothbrush against his guitar to create some truly crazy sounds. It was a very fitting opening act for the wonderfully strange spectacle that was about to follow.
Angine De Poitrine is a band to experience up close and personal, which is why catching them at the Pearl was the perfect opportunity to see this band in their current form: strange yet intriguing, predictably unpredictable, theatrical and chaotic, and all while being completely and wonderfully bizarre in the best possible way. They know exactly who they are and what they are about.
They played a solid eight-song set over the course of about an hour and a bit, and that was all they needed to completely capture the room’s attention – not that the alien outfits didn’t do that already! What was cool to see was Khn de Poitrine’s brand new custom Godin microtonal double-neck guitar that only took 38 days to build – very impressive! From the bizarre sounds and wild instrumentation to the visual theatrics unfolding onstage, there never really was a moment to look away. The moment you did and looked back up again, they were either busting out a little hoppy dance, contacting the mothership through their glowing eyes and triangular-shaped honing mechanisms, or doing something else that made you question whether you were still at a concert or had accidentally wandered into some kind of intergalactic transmission.
Angine De Poitrine exists somewhere between experimental music, performance art, and an alien transmission that somehow learned how to groove. Thank you to Angine de Poitrine for being their truly authentic selves and for being the kind of gloriously wacky beacon of light this world could use a little more of right now!
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
ANGINE DE POITRINE












All Photo Credit: Heather Horncastle
