Music News
Paul McCartney ‘Got Back 2025’ – The Tour Continues
Following his historic three-night stand at New York City’s Bowery Ballroom earlier this year — hailed by BILLBOARD as “a religious experience” and moving NPR to rave “Paul McCartney has so much swag it’s ridiculous” — Paul McCartney and his acclaimed Got Back Tour will make their wildly anticipated return to North America this fall.
Got Back’s 2025 run of 19 newly announced dates marks Paul’s first extensive series of shows across the US and Canada since 2022. The tour kicks off September 29th with Paul’s Greater Palm Springs area live debut at Acrisure Arena and runs through to a November 24-25th finale at the United Center in Chicago. Got Back 2025 will feature Paul’s long-awaited return to Las Vegas, Denver, Des Moines, Minneapolis, Tulsa, New Orleans, Atlanta, Nashville, Columbus, Pittsburgh, Buffalo, Montreal, and Hamilton – plus a few cities that will be hosting their first-ever Paul McCartney concerts, Albuquerque and the aforementioned Greater Palm Springs area.
General on sale for these Got Back tour dates will begin July 18th at 10am local time. For further information, pre-sales etc., check paulmccartneygotback.com.
Irrefutably one of the most successful and influential singer-songwriters and performers of all time, McCartney’s concerts bring to life the most beloved catalogue in music. With songs like “Hey Jude,” “Live and Let Die,” “Band on the Run,” “Let It Be” and so many more, the Paul McCartney live experience is everything any music lover could ever want from a rock show and more: hours of the greatest moments from the last 60 years of music – dozens of songs from Paul’s solo, Wings and of course Beatles songbooks that have formed the soundtracks of our lives.
Paul McCartney launched his Got Back tour in 2022 with16 sold out shows across the US that led up to his history-making set at Glastonbury in June 2022. In 2023 Paul performed 18 shows as Got Back rocked through Australia, Mexico and Brazil. In 2024, Paul amazed capacity crowds at more than 20 dates spanning from South America and Mexico to the UK and Europe.
Paul McCartney’s live shows have continued to wow fans and inspire new levels of acclaim from critics the world over, with recent raves from the U.S. media including:
“Seeing Paul McCartney live remains a bit of a religious experience” — BILLBOARD
“Remarkable… This is the magic trick I was talking about, something The Beatles mastered before anyone else: to be pure showbiz and shockingly new at the same time, to know your biz completely and still, somehow, not be bored… To make genius look effortless, funny and fun… he played piano, bass, guitar and ukulele; he spun out indelible riffs without fuss or fanfare, and when he rolled up his sleeves and leaned into the innuendo of ‘Let Me Roll It,’ the years fell away and his hyper-competence turned into that swag, an unfaded allure.” — NPR
“These songs appear to have a restorative effect on McCartney, as if he draws from the same well of youthful energy and happy memories that all Beatle fans do upon hearing their music… No wonder he never stops. Neither have his fans, who seem to grow younger every year.” — PEOPLE
“It was among the most touchingly normal miracles I’ve ever experienced… ‘Some of us have to get some sleep, you know,’ McCartney said, after ‘Let It Be.’ But he didn’t look like an old man in need of sleep. He looked like Paul McCartney. Forever returning for another curtain call, another formal bow before the crowd, a man soaking in the energy emitted by fans like a cat in the sun.” — PITCHFORK
“Everybody in the room was having the night of our lives — but nobody was having more fun than Paul… all boyish energy and vigor… it was devastatingly powerful to hear Paul sing ‘Now and Then’ in the city where John wrote it, bringing it all back home. It was a moment that felt intensely private — as if we were eavesdropping on the two of them — yet massive… the whole show was a joyful explosion” — ROLLING STONE
“An icon among icons… a vision of graceful nonchalance” — USA TODAY
“As always, McCartney switched between bass, guitar and piano, and he was in strong voice, hitting essential high notes with ease… a once-in-a-lifetime moment” — VARIETY
Paul and his band have performed in an unparalleled range of venues and locations worldwide: From outside the Colosseum in Rome, Moscow’s Red Square, Buckingham Palace, The White House and a free show in Mexico for over 400,000 people to the last ever show at San Francisco’s Candlestick Park where The Beatles played their final concert in 1966, a 2016 week in the California desert that included two headline sets at the historic Desert Trip festival and a jam-packed club gig for a few hundred lucky fans at Pappy & Harriet’s Pioneertown Palace, two Glastonbury Festival headline slots, rocking the Bowery in New York City for a week of spontaneous club shows, and even one performance broadcast live into Space!
Featuring Paul’s longtime band – Paul “Wix” Wickens (keyboards), Brian Ray (bass/guitar), Rusty Anderson (guitar) and Abe Laboriel Jr (drums) – and constantly upgraded state of the art audio and video technology that ensures an unforgettable experience from every seat in the house, a Paul McCartney concert is never anything short of life-changing. The Got Back Tour also features the Hot City Horns — Mike Davis (trumpet), Kenji Fenton (saxes) and Paul Burton (trombone) — who first joined Paul in 2018 to perform at Grand Central Station ahead of embarking on the Freshen Up World Tour in the same year.
PAUL McCARTNEY – GOT BACK 2025
September 29 — Palm Desert, CA — Acrisure Arena
October 4 – Las Vegas, NV — Allegiant Stadium
October 7 – Albuquerque, NM — Isleta Amphitheater
October 11 – Denver, CO — Coors Field
October 14 – Des Moines, IA — Casey’s Center
October 17 – Minneapolis, MN — U.S. Bank Stadium
October 22 – Tulsa, OK – BOK Center
October 29 – New Orleans, LA — Smoothie King Center
November 2 – Atlanta, GA — State Farm Arena
November 3 – Atlanta, GA — State Farm Arena
November 6 – Nashville, TN – The Pinnacle
November 8 – Columbus, OH — Nationwide Arena
November 11 – Pittsburgh, PA — PPG Paints Arena
November 14 – Buffalo, NY — KeyBank Center
November 17 – Montreal, QC — Bell Centre
November 18 – Montreal, QC — Bell Centre
November 21 – Hamilton, ON – TD Coliseum
November 24 – Chicago, IL — United Center
November 25 – Chicago, IL — United Center
Music News
Línea Personal Takes “TODO Ø NADA” on the Road With First Headline Tour
Following recognition from Rolling Stone as one of música mexicana’s most exciting emerging acts and praise from the Los Angeles Times for their innovative blend of R&B and corridos, Línea Personal now brings that momentum to the stage with the announcement of its first U.S. headline tour. Kicking off their 16-stop run on August 7th in San Luis Obispo, CA, the run marks a major milestone for the Stockton, California quartet as they bring their acclaimed sophomore album, TODO Ø NADA, to audiences nationwide.
The Stockton, California quartet of Gustavo Raya Garcia, Aidan Raya Garcia, Jorge Ontiveros and Edgar Lozoya Verduzco has quickly emerged as one of the most exciting new voices in música mexicana. Known for blending corridos with R&B, soul and contemporary production, the band continues to push the genre forward while staying true to its roots.
Released in March 2026, TODO Ø NADA debuted in the #40 of Billboard’s Latin Albums chart and the #20 of the Regional Mexican Albums chart. The album’s standout single, “Motorola,” reached #14 on Billboard’s Hot Regional Mexican Songs and topped #30 in Billboard’s Hot Latin Songs chart and further established Línea Personal as one of the genre’s fastest rising acts.
TICKETS: Tickets will be available starting via presales beginning June 25. Additional presales will run throughout the week ahead of the general on sale beginning Friday, June 26 at 10am local time at LiveNation.com.
The tour will also offer a variety of different VIP packages and experiences for fans to take their concert experience to the next level. Packages vary but include premium tickets, individual M&G and photo with Linea Personal, specially designed VIP gift item & more. VIP package contents vary based on the offer selected. For more information, visit vipnation.com!
Todo Ø Nada Tour
- Fri, Aug 7 – San Luis Obispo, CA – Fremont Theatre*
- Sat, Aug 8 – Ventura, CA – Majestic Ventura Theatre*
- Thu, Aug 20 – Denver, CO – Summit Music Hall
- Sat, Aug 22 – Phoenix, AZ – The Van Buren
- Sun, Aug 23 – El Paso, TX – Plaza Theatre
- Thu, Aug 27 – Riverside, CA – Fox Performing Arts Center
- Fri, Aug 28 – San Diego, CA – SOMA
- Sun, Aug 30 – Anaheim, CA – House of Blues
- Fri, Sep 4 – Chicago, IL – Riviera Theatre
- Sun, Sep 6 – Brooklyn, NY – Brooklyn Paramount
- Thu, Sep 10 – Charlotte, NC – The Fillmore Charlotte
- Fri, Sep 11 – Atlanta, GA – Tabernacle
- Sun, Sep 13 – Dallas, TX – House of Blues
- Fri, Sep 25 – Fresno, CA – Warnors Theatre*
- Sat, Sep 26 – Monterey, CA – Golden State Theatre*
- Thu, Oct 15 – San Antonio, TX – The Aztec Theatre
- Sun, Oct 18 – Houston, TX – 713 Music Hall
*For tickets to these dates please see HERE
Music News
Beabadoobee Announces Powerlines Tour in North America and Europe
beabadoobee today announces her hugely anticipated new album Pylon, available to pre-order and pre-save now, and due for release on 18 September 2026 via Dirty Hit and Interscope Records.
The follow up to her UK number 1 album This Is How Tomorrow Moves, the stark and striking fourth album by beabadoobee is named for the electricity towers that dot every major artery in the world—the strong, spindly structures that reminded Beatrice Laus of her connection to friends and family at home while she was staring down extreme disconnection and isolation on tour over the past few years.
The title can also be read as an allusion to Laus’ spiky, forceful new sound—the waves of distortion that crash and shatter across this record’s 14 songs mirroring the intense crackle you hear when walking under power lines. The pylon is also a fitting symbol for an album that reckons with the repetitive anxieties of your mid-twenties: What if I’m always going to be this way? What if life is just pylon after pylon on the road?
The album’s first single is available to stream and buy from today: “Sun Has Set” introduces Pylon as, in essence, a set of songs that began as diary entries, words that Laus thought she’d never be able to say out loud. “A lot of the songs on this record are things I wish I could have said to someone,” she says. “This song has this petty tunnel vision—it’s like, I hate you. You’re gonna stay here and listen to how much I hate you. Because I never got to say that.” The single comes accompanied by a striking first person video directed by Bea’s partner and longtime visual collaborator Jake Erland.
Ever a devotee of pure rock music—both as something to be cherished and something to be played with—Laus casts these feelings in songs that touch on classic grunge, midwest emo and ‘90s radio rock, zeroing in on a sound that is both harsher and more direct than any of her previous records. She says the music she’s loved has “always been an influence” on her music, and so for B4 she went straight to the source. A fair few of Beabadoobee’s composite influences contributed to Pylon, a fact that speaks to the goodwill and respect Laus has amassed over the course of her relatively brief career.
Hayley Williams sings on “Nothing to Prove,” a deeply anthemic indie-rock song about getting your power back from fairweather friends who just want a bit of your success. The moody “Powerlines” features a verse from Turnstile singer Brendan Yates, a master of matching vocal force with emotional nuance. Elsewhere, you’ll find contributions from Pinegrove’s Evan Stephens Hall, Deftones’ Chino Moreno, and Title Fight’s Shane Moran, as well as, on “Write Me A Letter”, production work from Laus’ longtime friends and collaborators Matty Healy and George Daniel of The 1975.
Beabadoobee will debut songs from the record on the Powerlines Tour, her first ever arena shows and biggest tour to date, taking in shows across North America, the UK and Europe this autumn-winter. The Powerlines Tour kicks off 1 October and includes stops at Madison Square Garden, The Kia Forum, The O2 and more (full routing below). Support comes from Wisp in the US, Canada and UK and Violet Grohl in France, The Netherlands, Belgium and Germany.
TICKETS: Tickets will be available starting with an artist presale beginning on Monday, June 29 at 10 am local time. Additional presales will run throughout the week ahead of the general onsale beginning on Thursday, July 2 at 10 am local time at beabadoobee.com/live.
VERIZON: Verizon will offer customers an exclusive presale for beabadoobee: The Powerlines Tour in the U.S. as part of Verizon’s loyalty program, Verizon Shine. The presale for select shows runs from Monday, June 29th at 10 AM local through Wednesday July 1st at 10 PM local. Verizon Shine awards customers with once-in-a-lifetime experiences, alongside daily drops including tickets to concerts and sporting events, exclusive merchandise, dining vouchers, gift cards and more. Opt-in to Verizon Shine via the My Verizon App, and learn more about Verizon Shine here.
SPOTIFY RESERVED: Introducing Reserved, brought to you by Spotify. For the first time, eligible Spotify Premium top fans will have tickets to their favorite artist’s show set aside for them to purchase during the presale. Reserved is a Spotify Premium benefit that turns real fandom into first access. Visit Spotify.com/Reserved to learn more.Beabadoobees Reserved by Spotify tickets may be available to eligible US Spotify Premium subscribers through Ticketmaster. These fans will be notified by Spotify via email and app notification, and will have the opportunity to purchase up to two tickets during the Reserved presale.
‘The Powerlines Tour’ Dates
October 1 – Uncasville, CT – Mohegan Sun Arena*
October 2 – Philadelphia, PA – Liacouras Center*
October 3 – Boston, MA – TD Garden*
October 5 – New York, NY – Madison Square Garden*
October 7 – Toronto, Canada – Scotiabank Arena*
October 8 – Laval, Québec Canada – Place Bell*
October 10 – Columbia, MD – Merriweather Post Pavilion*
October 11 – Raleigh, NC – Lenovo Center*
October 13 – Orlando, FL – Addition Financial Arena*
October 14 – Duluth, GA – Gas South Arena*
October 16 – The Woodlands, TX – The Cynthia Woods Mitchell Pavilion*
October 17 – Austin, TX – Germania Insurance Amphitheater*
October 19 – Phoenix, AZ – Talking Stick Resort Amphitheatre*
October 21 – Los Angeles, CA – The Kia Forum*
October 24 – San Diego, CA – Viejas Arena*
October 26 – Oakland, CA – Oakland Arena*
October 28 – Vancouver, BC – Rogers Arena*
October 29 – Seattle, WA – Climate Pledge Arena*
November 14 – Glasgow, UK – OVO Hydro*
November 16 – Cardiff, UK – Utilita Arena*
November 17 – Manchester, UK – AO Arena*
November 18 – London – The O2*
November 23 – Copenhagen, DK – K.B. Hallen
November 24 – Stockholm, SE – Fryshuset Arenan
November 27 – Oslo, NO – Spektrum
November 30 – Paris, FR – Zenith^
December 2 – Amsterdam, NL – AFAS Live^
December 4 – Brussels, BE – Forest National^
December 6 – Berlin, DE – Tempodrom^
December 7 – Düsseldorf, DE – Mitsubishi Electric Halle^
Previously Announced Summer Dates
July 30 – Saint Charles, IA – Hinterland Music Festival
July 31 – Chicago, IL – The Salt Shed (Official Lolla Aftershow)
August 2 – Chicago, IL – Lollapalooza
August 4 – Indianapolis, IN – Everwise Amphitheater*
August 7 – Morrison, CO – Red Rocks Amphitheatre*
Wisp *
Violet Grohl ^
Born in the Philippines and raised in London, Beatrice Laus emerged as a British alternative music icon across three acclaimed albums and five EPs. She has garnered multiple BRIT Award and BBC Sound Of nominations, and won NME’s Radar award, whilst amassing over 10 billion streams worldwide and more than 12 million followers across her social channels.
This Is How Tomorrow Moves became her first record to reach number 1 on the UK Official Album Chart in 2024, following her Top 10 albums Fake It Flowers (which reached number 8) in 2020 and 2022’s Beatopia (#4). Earlier this year, beabadoobee released the one-off single ‘‘All I Did Was Dream Of You,” teaming up with Grammy-nominated best New Artist The Marías, the result of a longtime mutual creative admiration between María Zardoya and Bea.
Pylon Tracklist
Pylon
Sun Has Set
Estranged
Switchblade
Write Me A Letter
It’s Alright
In Motion
Memories
Nothing To Prove
Radio
Powerlines
Spark
Despite That
Satellite