Music News
The JUNO Awards Return To Vancouver In 2025

Ahead of the upcoming 2024 JUNO Awards in Halifax, the Canadian Academy of Recording Arts and Sciences (CARAS) announced today The JUNO Awards are making their way back to Vancouver in 2025, marking the fifth time the West Coast metropolis has hosted Canada’s Biggest Night in Music. The city will honour the nation’s top musical talent once again with 2025 JUNO Week being hosted in Vancouver, BC from Wednesday, March 26 to Sunday, March 30, culminating with the 54th Annual JUNO Awards broadcast, airing live on CBC and CBC Gem from Rogers Arena.
The 2025 edition of JUNO Week returns with the support of the Province of British Columbia, Destination Vancouver, City of Vancouver, Downtown Van, Creative BC, Music BC and the 2025 Host Committee. With more than 80 independent record labels and over 120 sound recording studios, the scenic city’s music arena is as diverse and vibrant as the province itself. The JUNO Awards were last in Vancouver when global icon Michael Bublé hosted the show in his hometown in 2018. For first access to JUNO Awards Broadcast ticket on-sale information and updates, sign up at junoawards.ca/vancouver.
“Vancouver and the Province of BC are internationally recognized for its stunning scenery, but also for its incredible devotion to the arts,” says Allan Reid, President & CEO, of CARAS/ The JUNO Awards. “The 2018 JUNOS were an incredible experience with some of the most memorable performances in our history. We are so excited to return to the West Coast for another spectacular JUNOS in 2025 and to shine a spotlight on Vancouver’s status as a world-class music destination.“
“B.C. is a hotbed for emerging talent. From modern South Asian sounds, a thriving electronic music scene, to a strong Hip-Hop community, the music industry across B.C. is diverse,” expressed Nate Sabine, Vancouver JUNO Host Committee Co-Chair & President of Music BC. “Our goal is to continuously create opportunity and drive support for a burgeoning music ecosystem. A great example of that work is our stewardship of Let’s Hear It, a 2018 Vancouver JUNOS legacy brand. I take great pride in the fact that to date, the program has highlighted over 75 artists, and that this work will continue well past 2025.”
“British Columbia is one of Canada’s leading centres for music. Hosting the 2025 JUNO Awards in Vancouver is an excellent opportunity to showcase our province’s remarkable music scene and the incredible talent of our artists, said Lana Popham, British Columbia’s Minister of Tourism, Arts, Culture and Sport. “We are excited to welcome fans and artists from across the country to Vancouver in 2025, offering them an unforgettable experience with our world-class hospitality and amazing tourist attractions.”
Captivating visitors from around the globe, British Columbia is a meeting place for travellers seeking to experience its unbelievable outdoor lifestyle, breathtaking views and Indigenous culture. A prized entertainment market with a thriving local music scene, the city attracts legendary artists to perform at its iconic music venues including the Queen Elizabeth Theatre, Orpheum Theatre, Commodore Ballroom, Rogers Arena and more. There is a remarkable breadth of artists who hail from Vancouver and British Columbia including award-winning producer Bob Rock and David Foster, Mother Mother, Michael Bublé, Sarah McLachlan, AP Dhillon, and Lauren Spencer Smith.
“We are excited to welcome The JUNO Awards in Vancouver! Beyond celebrating the incredible talent in the Canadian music industry, we take pride in the rich diversity and culture that makes our city truly exceptional. We are going to make the 2025 JUNOs experience the best one yet, blending unity, culture, and lasting memories for all,” expressed Ken Sim, Mayor of Vancouver.
JUNOS has been touring Canada for over 20 years, generating an average economic impact of $12 million for the host city, becoming an engine for the economy.
The JUNO Awards have ventured across Canada from coast to coast starting in St. John’s in 2002 (and again in 2010), followed by Ottawa (2003, 2012 and 2017), Edmonton (2004, 2023), Winnipeg (2005 and 2014), Halifax (2006), Saskatoon (2007), Calgary (2008 and 2016), Vancouver (2009 and 2018), Toronto (2011, 2021 and 2022), Regina (2013), and Hamilton (2015).
The 53rd Annual JUNO Awards and 2024 JUNO Week is being hosted in Halifax, NS from Wednesday, March 20 to Sunday, March 24, 2024, closing with The JUNO Awards Broadcast. Nelly Furtado returns as host with the show broadcasting and streaming from Halifax’s Scotiabank Centre, live across the country at 8 p.m. ET/9 p.m. AT on CBC TV, CBC Gem, CBC Radio One, CBC Music, CBC Listen, and globally at CBCMusic.ca/junos and CBC Music’s YouTube page. Tickets are still available through Ticketmaster.
Music News
Línea Personal Takes “TODO Ø NADA” on the Road With First Headline Tour
Following recognition from Rolling Stone as one of música mexicana’s most exciting emerging acts and praise from the Los Angeles Times for their innovative blend of R&B and corridos, Línea Personal now brings that momentum to the stage with the announcement of its first U.S. headline tour. Kicking off their 16-stop run on August 7th in San Luis Obispo, CA, the run marks a major milestone for the Stockton, California quartet as they bring their acclaimed sophomore album, TODO Ø NADA, to audiences nationwide.
The Stockton, California quartet of Gustavo Raya Garcia, Aidan Raya Garcia, Jorge Ontiveros and Edgar Lozoya Verduzco has quickly emerged as one of the most exciting new voices in música mexicana. Known for blending corridos with R&B, soul and contemporary production, the band continues to push the genre forward while staying true to its roots.
Released in March 2026, TODO Ø NADA debuted in the #40 of Billboard’s Latin Albums chart and the #20 of the Regional Mexican Albums chart. The album’s standout single, “Motorola,” reached #14 on Billboard’s Hot Regional Mexican Songs and topped #30 in Billboard’s Hot Latin Songs chart and further established Línea Personal as one of the genre’s fastest rising acts.
TICKETS: Tickets will be available starting via presales beginning June 25. Additional presales will run throughout the week ahead of the general on sale beginning Friday, June 26 at 10am local time at LiveNation.com.
The tour will also offer a variety of different VIP packages and experiences for fans to take their concert experience to the next level. Packages vary but include premium tickets, individual M&G and photo with Linea Personal, specially designed VIP gift item & more. VIP package contents vary based on the offer selected. For more information, visit vipnation.com!
Todo Ø Nada Tour
- Fri, Aug 7 – San Luis Obispo, CA – Fremont Theatre*
- Sat, Aug 8 – Ventura, CA – Majestic Ventura Theatre*
- Thu, Aug 20 – Denver, CO – Summit Music Hall
- Sat, Aug 22 – Phoenix, AZ – The Van Buren
- Sun, Aug 23 – El Paso, TX – Plaza Theatre
- Thu, Aug 27 – Riverside, CA – Fox Performing Arts Center
- Fri, Aug 28 – San Diego, CA – SOMA
- Sun, Aug 30 – Anaheim, CA – House of Blues
- Fri, Sep 4 – Chicago, IL – Riviera Theatre
- Sun, Sep 6 – Brooklyn, NY – Brooklyn Paramount
- Thu, Sep 10 – Charlotte, NC – The Fillmore Charlotte
- Fri, Sep 11 – Atlanta, GA – Tabernacle
- Sun, Sep 13 – Dallas, TX – House of Blues
- Fri, Sep 25 – Fresno, CA – Warnors Theatre*
- Sat, Sep 26 – Monterey, CA – Golden State Theatre*
- Thu, Oct 15 – San Antonio, TX – The Aztec Theatre
- Sun, Oct 18 – Houston, TX – 713 Music Hall
*For tickets to these dates please see HERE
Music News
Beabadoobee Announces Powerlines Tour in North America and Europe
beabadoobee today announces her hugely anticipated new album Pylon, available to pre-order and pre-save now, and due for release on 18 September 2026 via Dirty Hit and Interscope Records.
The follow up to her UK number 1 album This Is How Tomorrow Moves, the stark and striking fourth album by beabadoobee is named for the electricity towers that dot every major artery in the world—the strong, spindly structures that reminded Beatrice Laus of her connection to friends and family at home while she was staring down extreme disconnection and isolation on tour over the past few years.
The title can also be read as an allusion to Laus’ spiky, forceful new sound—the waves of distortion that crash and shatter across this record’s 14 songs mirroring the intense crackle you hear when walking under power lines. The pylon is also a fitting symbol for an album that reckons with the repetitive anxieties of your mid-twenties: What if I’m always going to be this way? What if life is just pylon after pylon on the road?
The album’s first single is available to stream and buy from today: “Sun Has Set” introduces Pylon as, in essence, a set of songs that began as diary entries, words that Laus thought she’d never be able to say out loud. “A lot of the songs on this record are things I wish I could have said to someone,” she says. “This song has this petty tunnel vision—it’s like, I hate you. You’re gonna stay here and listen to how much I hate you. Because I never got to say that.” The single comes accompanied by a striking first person video directed by Bea’s partner and longtime visual collaborator Jake Erland.
Ever a devotee of pure rock music—both as something to be cherished and something to be played with—Laus casts these feelings in songs that touch on classic grunge, midwest emo and ‘90s radio rock, zeroing in on a sound that is both harsher and more direct than any of her previous records. She says the music she’s loved has “always been an influence” on her music, and so for B4 she went straight to the source. A fair few of Beabadoobee’s composite influences contributed to Pylon, a fact that speaks to the goodwill and respect Laus has amassed over the course of her relatively brief career.
Hayley Williams sings on “Nothing to Prove,” a deeply anthemic indie-rock song about getting your power back from fairweather friends who just want a bit of your success. The moody “Powerlines” features a verse from Turnstile singer Brendan Yates, a master of matching vocal force with emotional nuance. Elsewhere, you’ll find contributions from Pinegrove’s Evan Stephens Hall, Deftones’ Chino Moreno, and Title Fight’s Shane Moran, as well as, on “Write Me A Letter”, production work from Laus’ longtime friends and collaborators Matty Healy and George Daniel of The 1975.
Beabadoobee will debut songs from the record on the Powerlines Tour, her first ever arena shows and biggest tour to date, taking in shows across North America, the UK and Europe this autumn-winter. The Powerlines Tour kicks off 1 October and includes stops at Madison Square Garden, The Kia Forum, The O2 and more (full routing below). Support comes from Wisp in the US, Canada and UK and Violet Grohl in France, The Netherlands, Belgium and Germany.
TICKETS: Tickets will be available starting with an artist presale beginning on Monday, June 29 at 10 am local time. Additional presales will run throughout the week ahead of the general onsale beginning on Thursday, July 2 at 10 am local time at beabadoobee.com/live.
VERIZON: Verizon will offer customers an exclusive presale for beabadoobee: The Powerlines Tour in the U.S. as part of Verizon’s loyalty program, Verizon Shine. The presale for select shows runs from Monday, June 29th at 10 AM local through Wednesday July 1st at 10 PM local. Verizon Shine awards customers with once-in-a-lifetime experiences, alongside daily drops including tickets to concerts and sporting events, exclusive merchandise, dining vouchers, gift cards and more. Opt-in to Verizon Shine via the My Verizon App, and learn more about Verizon Shine here.
SPOTIFY RESERVED: Introducing Reserved, brought to you by Spotify. For the first time, eligible Spotify Premium top fans will have tickets to their favorite artist’s show set aside for them to purchase during the presale. Reserved is a Spotify Premium benefit that turns real fandom into first access. Visit Spotify.com/Reserved to learn more.Beabadoobees Reserved by Spotify tickets may be available to eligible US Spotify Premium subscribers through Ticketmaster. These fans will be notified by Spotify via email and app notification, and will have the opportunity to purchase up to two tickets during the Reserved presale.
‘The Powerlines Tour’ Dates
October 1 – Uncasville, CT – Mohegan Sun Arena*
October 2 – Philadelphia, PA – Liacouras Center*
October 3 – Boston, MA – TD Garden*
October 5 – New York, NY – Madison Square Garden*
October 7 – Toronto, Canada – Scotiabank Arena*
October 8 – Laval, Québec Canada – Place Bell*
October 10 – Columbia, MD – Merriweather Post Pavilion*
October 11 – Raleigh, NC – Lenovo Center*
October 13 – Orlando, FL – Addition Financial Arena*
October 14 – Duluth, GA – Gas South Arena*
October 16 – The Woodlands, TX – The Cynthia Woods Mitchell Pavilion*
October 17 – Austin, TX – Germania Insurance Amphitheater*
October 19 – Phoenix, AZ – Talking Stick Resort Amphitheatre*
October 21 – Los Angeles, CA – The Kia Forum*
October 24 – San Diego, CA – Viejas Arena*
October 26 – Oakland, CA – Oakland Arena*
October 28 – Vancouver, BC – Rogers Arena*
October 29 – Seattle, WA – Climate Pledge Arena*
November 14 – Glasgow, UK – OVO Hydro*
November 16 – Cardiff, UK – Utilita Arena*
November 17 – Manchester, UK – AO Arena*
November 18 – London – The O2*
November 23 – Copenhagen, DK – K.B. Hallen
November 24 – Stockholm, SE – Fryshuset Arenan
November 27 – Oslo, NO – Spektrum
November 30 – Paris, FR – Zenith^
December 2 – Amsterdam, NL – AFAS Live^
December 4 – Brussels, BE – Forest National^
December 6 – Berlin, DE – Tempodrom^
December 7 – Düsseldorf, DE – Mitsubishi Electric Halle^
Previously Announced Summer Dates
July 30 – Saint Charles, IA – Hinterland Music Festival
July 31 – Chicago, IL – The Salt Shed (Official Lolla Aftershow)
August 2 – Chicago, IL – Lollapalooza
August 4 – Indianapolis, IN – Everwise Amphitheater*
August 7 – Morrison, CO – Red Rocks Amphitheatre*
Wisp *
Violet Grohl ^
Born in the Philippines and raised in London, Beatrice Laus emerged as a British alternative music icon across three acclaimed albums and five EPs. She has garnered multiple BRIT Award and BBC Sound Of nominations, and won NME’s Radar award, whilst amassing over 10 billion streams worldwide and more than 12 million followers across her social channels.
This Is How Tomorrow Moves became her first record to reach number 1 on the UK Official Album Chart in 2024, following her Top 10 albums Fake It Flowers (which reached number 8) in 2020 and 2022’s Beatopia (#4). Earlier this year, beabadoobee released the one-off single ‘‘All I Did Was Dream Of You,” teaming up with Grammy-nominated best New Artist The Marías, the result of a longtime mutual creative admiration between María Zardoya and Bea.
Pylon Tracklist
Pylon
Sun Has Set
Estranged
Switchblade
Write Me A Letter
It’s Alright
In Motion
Memories
Nothing To Prove
Radio
Powerlines
Spark
Despite That
Satellite
