Music News
Winners Announced for the 2024 JUNO Opening Night Awards
The 2024 Juno Awards struck a harmonious balance between honouring Canadian music history and looking ahead to its diverse future. Held on March 24 in Halifax, Nova Scotia, the CBC-televised event showcased breakthrough stars, cultural milestones, and heartfelt tributes.
Punjabi-Canadian sensation Karan Aujla claimed the TikTok Fan Choice Award, the ceremony’s sole fan-voted honour. Reflecting on his journey, he said, “Sometimes I can’t believe I’m that same kid who lost my parents when I was in India, made my way to Canada, and now I’m here! If you are dreaming, make sure you dream big.” Aujla also performed hits from Making Memories, his record-breaking Punjabi debut album.
Montreal’s Charlotte Cardin took home Album of the Year for 99 Nights, a project that reached No. 3 on the Billboard Canadian Albums chart and propelled its single “Confetti” into the Canadian Hot 100’s top 10. Cardin later performed the track amidst a dazzling confetti shower.
Toronto rockers The Beaches won Group of the Year, presented by Canadian icon Anne Murray. In their acceptance speech, the band urged young women to follow their lead: “To all the young girls watching, go start bands with your best friends!” The Beaches closed the show with their hit “Blame Brett.”
Ottawa-born TALK won Breakthrough Artist of the Year after a powerful performance of his chart-topping single “Run Away to Mars.” In his acceptance speech, he championed arts funding, coinciding with the Canadian government’s announcement of increased support for the music industry.
The evening featured performances in six languages, reflecting Canada’s multicultural artistry. Aujla’s set included Punjabi hits, while Jeremy Dutcher and Elisapie performed an Inuktitut rendition of Blondie’s “Heart of Glass.” The event also saw the highest number of Indigenous nominees in Juno history, starting with a moving land acknowledgment and performances by Wolastoqey artists.
Hosted by Nelly Furtado, the ceremony opened with a medley of her iconic hits, including “Promiscuous” and her latest track, “Eat Your Man.” Maestro Fresh Wes, dubbed “our rap Prime Minister,” was inducted into the Canadian Music Hall of Fame. In a heartfelt moment, he declared, “Now, this music we love won’t ever be underestimated,” before performing a medley of his own hits.
Tributes to late Canadian legends Gordon Lightfoot, Robbie Robertson, and Karl Tremblay provided emotional highlights. Allison Russell, William Prince, and others joined together to perform “If You Could Read My Mind” and “The Weight.”
Actor Elliot Page presented the Humanitarian Award to Tegan and Sara, praising their advocacy for queer youth. The duo remarked, “If the world were not so hostile to 2SLGBTQ+ people, we would see ourselves purely as musicians. We love being gay. So gay.”
Here is the full list of Nominees and Winners:
TikTok Juno Fan Choice
- Charlotte Cardin
- Daniel Caesar
- DVBBS
- Josh Ross
- Karan Aujla
- Shubh
- Tate McRae
- The Weeknd
- ThxSoMch
- Walk Off the Earth
Single of the year
- “Confetti,” Charlotte Cardin
- “Always,” Daniel Caesar
- “Pretty Girl Era,” Lu Kala
- “A Little Bit Happy,” Talk
- “Greedy,” Tate McRae
International album of the year
- Gettin’ Old, Luke Combs
- Heroes & Villains, Metro Boomin
- One Thing at a Time, Morgan Wallen
- SOS, SZA
- 1989 (Taylor’s Version), Taylor Swift
Album of the year
- Néo-Romance, Alexandra Stréliski
- 99 Nights, Charlotte Cardin
- Never Enough, Daniel Caesar
- Mirror, Lauren Spencer Smith
- Lord of the Flies & Birds & Bees, Talk
Artist of the year
- Charlotte Cardin
- Daniel Caesar
- Lauren Spencer Smith
- Shania Twain
- Tate McRae
Group of the year
- Arkells
- Loud Luxury
- Nickelback
- The Beaches
- Walk Off the Earth
Breakthrough artist of the year
- Connor Price
- Karan Aujla
- Lu Kala
- Shubh
- Talk
Breakthrough group of the year
- Busty and the Bass
- Crash Adams
- Good Kid
- Men I Trust
- New West
Songwriter of the year
- Allison Russell: “Eve Was Black” (co-songwriters Drew Lindsay, JT Nero); “Stay Right Here” (co-songwriters Drew Lindsay, JT Nero); “The Returner” (co-songwriters JT Nero).
- Aysanabee: “Alone”(co-songwriters Ali Willa Milner, Charlie McClean); “Here and Now”(co-songwriters Ali Willa Milner, Derek Hoffman); “Somebody Else”(co-songwriters Derek Hoffman, Sean Sroka).
- Charlotte Cardin, Jason Brando and Lubalin: “Confetti;” “Daddy’s a Psycho”(co-songwriters Aaron Paris, Harper Gordon); “Jim Carrey” (co-songwriter Mathieu Sénéchal).
- Nicholas Durocher (Talk) and Connor Riddell: “Afraid of the Dark”(co-songwriters Eric Allen Palmquist, Joshua Speers); “A Little Bit Happy” (co-songwriters Brandon Colbein, Jussi Karvinen, Justin Tranter); “Wasteland”(co-songwriters Brandon Colbein, Justin Tranter and Sam Homaee).
- William Prince: “Broken Heart of Mine;” “Easier and Harder:’ “When You Miss Someone.”
Country album of the year
- The Compass Project – South Album, Brett Kissel
- Right Round Here, Dean Brody
- Do it Anyway, Jade Eagleson
- Ahead of Our Time, James Barker Band
- Spillin’ My Truth, Tyler Joe Miller
Adult alternative album of the year
- Powder Blue, Begonia
- Multitudes, Feist
- Are We Good, Hayden
- Motewolonuwok, Jeremy Dutcher
- Revolution, Shawnee Kish
Alternative album of the year
- Here and Now, Aysanabee
- Dizzy, Dizzy
- To Learn, Leith Ross
- See You in the Dark, Softcult
- Lord of the Flies & Birds & Bees, Talk
Pop album of the year
- 99 Nights, Charlotte Cardin
- Mirror, Lauren Spencer Smith
- Saturn Return, Rêve
- Queen of Me, Shania Twain
- Lost in Translation, Valley
Rock album of the year
- Fearless, Crown Lands
- Formentera II, Metric
- Blame My Ex, the Beaches
- Pretty Monster, the Blue Stones
- Glory, the Glorious Sons
Vocal jazz album of the year
- Songwriter, Alex Bird & Ewen Farncombe
- You’re Alike, You Two, Caity Gyorgy and Mark Limacher
- Little Bit a’ Love, Denielle Bassels
- Our Roots Run Deep, Dominique Fils-Aimé
- Your Requests, Laila Biali
Jazz album of the year (solo)
- Day Moon, Christine Jensen
- Walls Made of Glass, Gentiane MG
- Sonic Bouquet, Jocelyn Gould
- Twelve, Noam Lemish
- The South Detroit Connection, Russ Macklem
Jazz album of the year (group)
- Migrations, Allison Au with the Migrations Ensemble
- Septology-The Black Forest Session, Canadian Jazz Collective
- Cry Me a River, Hilario Duran and His Latin Jazz Big Band
- Recent History, Mike Murley & Mark Eisenman Quartet
- Convergence, Nick Maclean Quartet feat. Brownman Ali
Instrumental album of the year
- Néo-Romance, Alexandra Stréliski
- When we were that what wept for the sea, Colin Stetson
- Calibrating Friction, Haralabos [Harry] Stafylakis
- Fourth Album, Markus Floats
- Tesseract, Meredith Bates
Francophone album of the year
- Zayon, FouKi
- Dans la seconde, Karkwa
- En concert avec l’Orchestre symphonique de Montréal (sous la direction du chef Simon Leclerc), Les Cowboys Fringants & l’Orchestre symphonique de Montréal
- À boire deboutte, Salebarbes
- Non conventionnel, Souldia
Children’s album of the year
- Big Words, ABC Singsong
- Going Back: Remembered and Remixed Family Folk Songs, Vol. 1, Ginalina
- Love-a-By, Splash’N Boots
- Welcome to the Flea Circus, the Swinging Belles
- Maestro Fresh Wes Presents: Young Maestro Stick to Your Vision For Young Athletes, Young Maestro
Classical album of the year (solo artist)
- Infinite Voyage, Barbara Hannigan
- Nielsen: Violin Concerto, Symphony No. 4, James Ehnes
- Fauré: Nocturnes & Barcarolles, Marc-André Hamelin
- De Hartmann: Cello Concerto, Matt Haimovitz
- Mouvance, Suzie LeBlanc
Classical album of the year (large ensemble)
- Bekah Simms: Bestiaries, Cryptid Ensemble, Ensemble Contemporain de Montreal
- Maxime Goulet: Symphonie de la tempête de verglas, Orchestre classique de Montréal, conducted by Jacques Lacombe
- Sibelius 3 & 4, Orchestre Métropolitain, conducted by Yannick Nézet-Séguin
- Mahler: Symphony No. 5,Orchestre Symphonique de Montreal, conducted by Rafael Payare
- Rachmaninoff: Symphonies Nos. 2 & 3; Isle of the Dead, the Philadelphia Orchestra, conducted by Yannick Nézet-Séguin
Classical album of the year (small ensemble)
- Mythes, Andrew Armstrong and James Ehnes
- Portrait: Alex Baranowski, Angèle Dubeau and La Pietà
- Portrait, Cheng² Duo
- Il Ponte di Leonardo, Constantinople
- Basta parlare!, Les Barocudas
Classical composition of the year
- Simulacra, Amy Brandon
- Portrait of an Imaginary Sibling, Dinuk Wijeratne
- …and the Higher Leaves of the Trees Seemed to Shimmer in the Last of the Sunlight’s Lingering Touch of Them…, Emilie Cecilia LeBel
- Shāhīn-nāmeh, for Voice and Orchestra, Iman Habibi
- Don’t Throw Your Head in Your Hands, Nicole Lizée
Rap album/EP of the year
- Bag or die, bbno$
- Spin the Globe, Connor Price
- Crying Crystals, Haviah Mighty
- Kaytraminé, Kaytraminé
- Panic, Tobi
Dance recording of the year
- “Eat Your Man,” Dom Dolla and Nelly Furtado
- “Crew Thang,” DVBBS, Jeremih and Sk8
- “Need Your Love,” Felix Cartal and Karen Harding
- “I Go Dancing,” Frank Walker feat. Ella Henderson
- “Next to You,” Loud Luxury, DVBBS feat. Kane Brown
Contemporary R&B recording of the year
- For the Better, Aqyila
- Never Enough, Daniel Caesar
- Heartbreak Hill, Jon Vinyl
- When it Blooms, Nonso Amadi
- Facets, Shay Lia
Reggae recording of the year
- “Stir This Thing,” Ammoye
- “Feel Like Home,” Exco Levi
- Roots Girl, Jah’Mila
- Dread, Kirk Diamond & Finn
- “Rush Dem,” Omega Mighty feat. 4Korners, Haviah Mighty
Contemporary Indigenous artist or group of the year
- Here and Now, Aysanabee
- Scream, Holler & Howl, Blue Moon Marquee
- Inuktitut, Elisapie
- Revolution, Shawnee Kish
- Bekka Ma’iingan, Zoon
Contemporary roots album of the year
- The Returner, Allison Russell
- We Will Never Be the Same, Good Lovelies
- Beyond the Reservoir, Julian Taylor
- A Light in the Attic, Logan Staats
- Stand in the Joy, William Prince
Traditional roots album of the year
- Paint Horse, Benjamin Dakota Rogers
- The Breath Between, David Francey
- Roses, Jackson Hollow
- Second Hand, James Keelaghan
- Resilience, Morgan Toney
Blues album of the year
- SoulFunkn’Blues, Blackburn Brothers
- Scream, Holler & Howl, Blue Moon Marquee
- One Step Closer, Brandon Isaak
- The Big Bottle of Joy, Matt Andersen
- Gettin’ Together, Michael Jerome Browne
Contemporary Christian/gospel album of the year
- Glory to God, Brooke Nicholls
- All Ye Lepers, Joshua Leventhal
- Arrow, K-Anthony
- Where I’m Meant to Be, Stirling John
- Alive, Tuzee
Global music album of the year
- Donte sann yo, Bel and Quinn
- Kizavibe, Kizaba
- SMS for Location Vol. 5, Moonshine
- Okantomi, Okan
- Soap Box, Waahli
Jack Richardson producer of the year
- Hill Kourkoutis: “Ego Death,” Aysanabee; “Whiskey Bar,” Tafari Anthony (co-producers Jordyn Woodside, Mike Tompa, Tafari Anthony).
- Jason Brando, Lubalin, Mathieu Sénéchal and Sam Avant: “Confetti,” Charlotte Cardin (co-producer Rob Grimaldi); “Jim Carrey,” Charlotte Cardin.
- Joel Stouffer: “Breaking Up With Jesus,” Reve; “Whitney,” Reve (co-producers Aaron Paris, Banx & Ranx.
- Shawn Everett: “Used to Be Young,” Miley Cyrus (co-producers Michael Pollack, Miley Cyrus); “What Now,” Brittany Howard (co-producer Brittany Howard).
- Wondagurl: “Circus Maximus,” Travis Scott (co-producers Jahaan Sweet, Mike Dean, Noah Goldstein, Travis Scott); “HYAENA” (co-producers Jahaan Sweet, Mike Dean, Noah Goldstein, Travis Scott).
Recording engineer of the year
- Denis Tougas: “Dawgcatcher,” Amanda Marshall; “Special,” Amanda Marshall
- George Seara: “Everything Belongs,” Cory Asbury; “The Promise is the Same,” Cory Asbury.
- Matty Green: “because of you,” Chris LaRocca; “Midnight Dreams,” Ellie Goulding.
- Serban Ghenea: “Anti-Hero,” Taylor Swift; “Paint The Town Red,” Doja Cat.
- Shawn Everett: “Used to Be Young,” Miley Cyrus; “What Now,” Brittany Howard.
Album artwork of the year
- Carolyne De Bellefeuille (art director), Jessica Ledoux (designer, illustrator), Mali Savaria-Ille (designer, illustrator), Veronique Lafortune (designer, illustrator), Leeor Wild (photographer: Inuktitut, Elisapie.
- Heather Goodchild (art director), Colby Richardson (designer), Colin Fletcher (illustrator), Sara Melvin (photographer): Multitudes, Feist.
- Kit King (illustrator), Vanessa Heins (photographer): The Love Still Held Me Near, City and Colour.
- Nicolas Lemieux (art director), Mykaël Nelson (designer and illustrator), Albert Zablit (photographer): Riopelle Symphonique, Orchestre Symphonique de Montréal.
- Quinton Nyce (art director), Brodie Metcalfe (designer), Davis Graham (illustrator), Kaylee Smoke (photographer): I’m Good, HBU?, Snotty Nose Rez Kids.
Music video of the year
- “Of Woods and Seas,” Andrew De Zen (Alaskan Tapes)
- “Demons,” Ethan Tobman (Allison Russell)
- “Onetwostep,” Jordan Clarke(des hume feat. juicelover)
- “Damn Right,” Sterling Larose(Snotty Nose Rez Kids)
- “Feral canadian scaredy cat,” Sterling Larose and Zachary Vague(young friend)
Electronic album of the year
- Infinity Club, Bambii
- Birds, Bees, the Clouds & the Trees, Harrison
- Creatures of the Late Afternoon, Kid Koala
- Synthetic Season 2, Rich Aucoin
- No Highs, Tim Hecker
Metal/hard music album of the year
- As Gomorrah Burns, Cryptopsy
- Electric Sounds, Danko Jones
- Goliath, Kataklysm
- Void, Ken mode
- Morgöth Tales, Voivod
Adult contemporary album of the year
- Heavy Lifting, Amanda Marshall
- I Wish I Was Flawless, I’m Not, Banners
- To Be Loved, Vol. 1, Josh Sahunta
- Run Where the Light Calls, Luca Fogale
- Wildflower, Steph La Rochelle
Comedy album of the year
- Life of Leisure, Derek Seguin
- Never Was, Graham Clark
- A Lylebility, Kyle Brownrigg
- Sexiest Fish in the Lake, Laurie Elliott
- SAP, Mae Martin
Traditional R&B/soul recording of the year
- “Hello,” Aqyila
- “Unbreakable,” Jhyve
- Where to Find Me, Katie Tupper
- “9 to 5,” Luna Elle
- Real World, RealestK
Rap single of the year
- “American Nightmare,” Belly
- “Spinnin,” Connor Price feat. Bens
- “Honey Bun,” Haviah Mighty
- “Minimum Wage,” Pressa
- “Someone I Knew,” Tobi
Underground dance single of the year
- “Call My Name,” Blond:ish
- “Mad Mess,” DJ Karaba
- “Could Be Wrong,” Lostboyjay
- “Eclipse,” Peach
- “Concorde Groove,” Smalltown DJs
Traditional Indigenous artist or group of the year
- Sing. Pray. Love., Joel Wood
- LFS5, Nimkii and the Niniis
- Mitòòdebi (For My Relatives), the Bearhead Sisters
- Reverie, the Red River Ramblers
- Drum Nation, Young Scouts
Music News
Línea Personal Takes “TODO Ø NADA” on the Road With First Headline Tour
Following recognition from Rolling Stone as one of música mexicana’s most exciting emerging acts and praise from the Los Angeles Times for their innovative blend of R&B and corridos, Línea Personal now brings that momentum to the stage with the announcement of its first U.S. headline tour. Kicking off their 16-stop run on August 7th in San Luis Obispo, CA, the run marks a major milestone for the Stockton, California quartet as they bring their acclaimed sophomore album, TODO Ø NADA, to audiences nationwide.
The Stockton, California quartet of Gustavo Raya Garcia, Aidan Raya Garcia, Jorge Ontiveros and Edgar Lozoya Verduzco has quickly emerged as one of the most exciting new voices in música mexicana. Known for blending corridos with R&B, soul and contemporary production, the band continues to push the genre forward while staying true to its roots.
Released in March 2026, TODO Ø NADA debuted in the #40 of Billboard’s Latin Albums chart and the #20 of the Regional Mexican Albums chart. The album’s standout single, “Motorola,” reached #14 on Billboard’s Hot Regional Mexican Songs and topped #30 in Billboard’s Hot Latin Songs chart and further established Línea Personal as one of the genre’s fastest rising acts.
TICKETS: Tickets will be available starting via presales beginning June 25. Additional presales will run throughout the week ahead of the general on sale beginning Friday, June 26 at 10am local time at LiveNation.com.
The tour will also offer a variety of different VIP packages and experiences for fans to take their concert experience to the next level. Packages vary but include premium tickets, individual M&G and photo with Linea Personal, specially designed VIP gift item & more. VIP package contents vary based on the offer selected. For more information, visit vipnation.com!
Todo Ø Nada Tour
- Fri, Aug 7 – San Luis Obispo, CA – Fremont Theatre*
- Sat, Aug 8 – Ventura, CA – Majestic Ventura Theatre*
- Thu, Aug 20 – Denver, CO – Summit Music Hall
- Sat, Aug 22 – Phoenix, AZ – The Van Buren
- Sun, Aug 23 – El Paso, TX – Plaza Theatre
- Thu, Aug 27 – Riverside, CA – Fox Performing Arts Center
- Fri, Aug 28 – San Diego, CA – SOMA
- Sun, Aug 30 – Anaheim, CA – House of Blues
- Fri, Sep 4 – Chicago, IL – Riviera Theatre
- Sun, Sep 6 – Brooklyn, NY – Brooklyn Paramount
- Thu, Sep 10 – Charlotte, NC – The Fillmore Charlotte
- Fri, Sep 11 – Atlanta, GA – Tabernacle
- Sun, Sep 13 – Dallas, TX – House of Blues
- Fri, Sep 25 – Fresno, CA – Warnors Theatre*
- Sat, Sep 26 – Monterey, CA – Golden State Theatre*
- Thu, Oct 15 – San Antonio, TX – The Aztec Theatre
- Sun, Oct 18 – Houston, TX – 713 Music Hall
*For tickets to these dates please see HERE
Music News
Beabadoobee Announces Powerlines Tour in North America and Europe
beabadoobee today announces her hugely anticipated new album Pylon, available to pre-order and pre-save now, and due for release on 18 September 2026 via Dirty Hit and Interscope Records.
The follow up to her UK number 1 album This Is How Tomorrow Moves, the stark and striking fourth album by beabadoobee is named for the electricity towers that dot every major artery in the world—the strong, spindly structures that reminded Beatrice Laus of her connection to friends and family at home while she was staring down extreme disconnection and isolation on tour over the past few years.
The title can also be read as an allusion to Laus’ spiky, forceful new sound—the waves of distortion that crash and shatter across this record’s 14 songs mirroring the intense crackle you hear when walking under power lines. The pylon is also a fitting symbol for an album that reckons with the repetitive anxieties of your mid-twenties: What if I’m always going to be this way? What if life is just pylon after pylon on the road?
The album’s first single is available to stream and buy from today: “Sun Has Set” introduces Pylon as, in essence, a set of songs that began as diary entries, words that Laus thought she’d never be able to say out loud. “A lot of the songs on this record are things I wish I could have said to someone,” she says. “This song has this petty tunnel vision—it’s like, I hate you. You’re gonna stay here and listen to how much I hate you. Because I never got to say that.” The single comes accompanied by a striking first person video directed by Bea’s partner and longtime visual collaborator Jake Erland.
Ever a devotee of pure rock music—both as something to be cherished and something to be played with—Laus casts these feelings in songs that touch on classic grunge, midwest emo and ‘90s radio rock, zeroing in on a sound that is both harsher and more direct than any of her previous records. She says the music she’s loved has “always been an influence” on her music, and so for B4 she went straight to the source. A fair few of Beabadoobee’s composite influences contributed to Pylon, a fact that speaks to the goodwill and respect Laus has amassed over the course of her relatively brief career.
Hayley Williams sings on “Nothing to Prove,” a deeply anthemic indie-rock song about getting your power back from fairweather friends who just want a bit of your success. The moody “Powerlines” features a verse from Turnstile singer Brendan Yates, a master of matching vocal force with emotional nuance. Elsewhere, you’ll find contributions from Pinegrove’s Evan Stephens Hall, Deftones’ Chino Moreno, and Title Fight’s Shane Moran, as well as, on “Write Me A Letter”, production work from Laus’ longtime friends and collaborators Matty Healy and George Daniel of The 1975.
Beabadoobee will debut songs from the record on the Powerlines Tour, her first ever arena shows and biggest tour to date, taking in shows across North America, the UK and Europe this autumn-winter. The Powerlines Tour kicks off 1 October and includes stops at Madison Square Garden, The Kia Forum, The O2 and more (full routing below). Support comes from Wisp in the US, Canada and UK and Violet Grohl in France, The Netherlands, Belgium and Germany.
TICKETS: Tickets will be available starting with an artist presale beginning on Monday, June 29 at 10 am local time. Additional presales will run throughout the week ahead of the general onsale beginning on Thursday, July 2 at 10 am local time at beabadoobee.com/live.
VERIZON: Verizon will offer customers an exclusive presale for beabadoobee: The Powerlines Tour in the U.S. as part of Verizon’s loyalty program, Verizon Shine. The presale for select shows runs from Monday, June 29th at 10 AM local through Wednesday July 1st at 10 PM local. Verizon Shine awards customers with once-in-a-lifetime experiences, alongside daily drops including tickets to concerts and sporting events, exclusive merchandise, dining vouchers, gift cards and more. Opt-in to Verizon Shine via the My Verizon App, and learn more about Verizon Shine here.
SPOTIFY RESERVED: Introducing Reserved, brought to you by Spotify. For the first time, eligible Spotify Premium top fans will have tickets to their favorite artist’s show set aside for them to purchase during the presale. Reserved is a Spotify Premium benefit that turns real fandom into first access. Visit Spotify.com/Reserved to learn more.Beabadoobees Reserved by Spotify tickets may be available to eligible US Spotify Premium subscribers through Ticketmaster. These fans will be notified by Spotify via email and app notification, and will have the opportunity to purchase up to two tickets during the Reserved presale.
‘The Powerlines Tour’ Dates
October 1 – Uncasville, CT – Mohegan Sun Arena*
October 2 – Philadelphia, PA – Liacouras Center*
October 3 – Boston, MA – TD Garden*
October 5 – New York, NY – Madison Square Garden*
October 7 – Toronto, Canada – Scotiabank Arena*
October 8 – Laval, Québec Canada – Place Bell*
October 10 – Columbia, MD – Merriweather Post Pavilion*
October 11 – Raleigh, NC – Lenovo Center*
October 13 – Orlando, FL – Addition Financial Arena*
October 14 – Duluth, GA – Gas South Arena*
October 16 – The Woodlands, TX – The Cynthia Woods Mitchell Pavilion*
October 17 – Austin, TX – Germania Insurance Amphitheater*
October 19 – Phoenix, AZ – Talking Stick Resort Amphitheatre*
October 21 – Los Angeles, CA – The Kia Forum*
October 24 – San Diego, CA – Viejas Arena*
October 26 – Oakland, CA – Oakland Arena*
October 28 – Vancouver, BC – Rogers Arena*
October 29 – Seattle, WA – Climate Pledge Arena*
November 14 – Glasgow, UK – OVO Hydro*
November 16 – Cardiff, UK – Utilita Arena*
November 17 – Manchester, UK – AO Arena*
November 18 – London – The O2*
November 23 – Copenhagen, DK – K.B. Hallen
November 24 – Stockholm, SE – Fryshuset Arenan
November 27 – Oslo, NO – Spektrum
November 30 – Paris, FR – Zenith^
December 2 – Amsterdam, NL – AFAS Live^
December 4 – Brussels, BE – Forest National^
December 6 – Berlin, DE – Tempodrom^
December 7 – Düsseldorf, DE – Mitsubishi Electric Halle^
Previously Announced Summer Dates
July 30 – Saint Charles, IA – Hinterland Music Festival
July 31 – Chicago, IL – The Salt Shed (Official Lolla Aftershow)
August 2 – Chicago, IL – Lollapalooza
August 4 – Indianapolis, IN – Everwise Amphitheater*
August 7 – Morrison, CO – Red Rocks Amphitheatre*
Wisp *
Violet Grohl ^
Born in the Philippines and raised in London, Beatrice Laus emerged as a British alternative music icon across three acclaimed albums and five EPs. She has garnered multiple BRIT Award and BBC Sound Of nominations, and won NME’s Radar award, whilst amassing over 10 billion streams worldwide and more than 12 million followers across her social channels.
This Is How Tomorrow Moves became her first record to reach number 1 on the UK Official Album Chart in 2024, following her Top 10 albums Fake It Flowers (which reached number 8) in 2020 and 2022’s Beatopia (#4). Earlier this year, beabadoobee released the one-off single ‘‘All I Did Was Dream Of You,” teaming up with Grammy-nominated best New Artist The Marías, the result of a longtime mutual creative admiration between María Zardoya and Bea.
Pylon Tracklist
Pylon
Sun Has Set
Estranged
Switchblade
Write Me A Letter
It’s Alright
In Motion
Memories
Nothing To Prove
Radio
Powerlines
Spark
Despite That
Satellite