Concerts Photos
Benee’s Album Release Party in Los Angeles
On November 7th, the Hollywood Forever Cemetery was alive with both the living and the dead, as BENEE launched her new album: Ur an Angel, I’m Just Particles. Her highly anticipated second album features 12 tracks, including singles like ‘Sad Boiii’, ‘Cinnamon’, ‘Off the Rails’, and ‘Underwater’.
BENEE was joined by LA native Ed Axel on this special night. The hip hop/rap artist took the stage at 7:30 pm, warming up the crowd and getting everyone ready to dance the night away.
Many remember BENEE’s viral, double platinum hit ‘Supalonely’ from 2020. Whether you were listening on your phone while showering or filming a TikTok dance, ‘Supalonely’ was a beacon of light during uncertain times, making everyone want to dance. The New Zealand-born, LA based singer-songwriter skillfully blends genres such as pop, electronic, indie, and alternative.
You could feel the floors shake as BENEE encouraged the crowd to dance and jump. The energy remained constant throughout the night, even when she brought young fans on stage to help sing some of her songs.
While the album encourages dancing, it also explores deeper themes. The tracks address anxiety, existential dread, love, and identity, building on her debut album, ‘Hey u x’ (2020), which explored loneliness, anxiety, and relationships in a more personal, diary-like style.
BENEE describes the album’s title and themes as a dichotomy, combining mature, existential concerns with the whimsical, ethereal spirit of youth. She explained: “I also want to think about the fantastical side of things, this ethereal, creative world. I have this theme of childlike wonder throughout the album.”
Ur an Angel I’m Just Particles delves into existential dread, where love, identity, and meaning feel like slipping sands. Each track explores the burden of existence—feeling small in a vast world, questioning if connection is real or an illusion. The album carries a sense of urgency and longing to escape, yet with nowhere to run. It blurs the lines between self-destruction and survival, euphoria and emptiness. Songs unfold like diary entries, tracing cycles of obsession, heartbreak, and fleeting joy, while confronting inner demons and the fear of fading into noise. It’s an album for the sleepless, overthinkers, and those staring into the void, wondering if it’s looking back.
Besides her new album, BENEE closed out the night, performing some 2020 hits at the end of her set, including ‘Supalonely’, ‘Glitter’, ‘Beach Boy’, and ‘Green Honda’. It was an amazing night of celebration. ‘Ur an Angel, I am Just Particles’ is a remarkable album filled with raw, catchy, and emotionally moving lyrics and beats.
Check out our favorite photos of the night below or head to our Facebook page for the full gallery!
BENEE
ED AXEL
All Photo Credit: Taylor Blazer
Concerts Photos
Joost Klein Brings World Tour With Chaos and Heart in Vancouver
Fresh off two sets at Coachella 2026 — a historic milestone as the first Dutch-language artist to ever grace that stage — Joost Klein brought his world tour to Vancouver’s Harbour Event & Convention Centre on Monday night. If the Southern California desert crowds were a warm-up, Vancouver got the real thing.
From the opening notes of Ome Robert to a euphoric, arms-in-the-air Europapa, Klein delivered nearly 30 songs worth of controlled chaos. The Frisian artist operates in a genuinely singular space, somewhere between Dutch hardcore, punk fury, and emotionally devastating party music. And the packed room at Harbour centre felt every single frequency. Sweat was basically precipitation by the midpoint of the set.
The mosh pits were, predictably, unhinged. Klein summons that energy. Circle pits tore open during Gabberland and BOOM BOOM!!!!!, and the crowd obliged every invitation. Yet between the mayhem, there were quieter moments. A gorgeous Zonder Jou hushed the room before Klein rebuilt the roof again.
Highlights were abundant: a wild TRAFIK! (his take on Käärijä’s banger), and an abridged Friesenjung that turned into a full remix by the encore.
This is a guy who started as a teenage Dutch YouTuber, got disqualified from Eurovision 2024 for comments that some judged controversial, and somehow ended up headlining a world tour on five continents. Nobody saw it coming, Klein included. The rest of the world better be ready for this tour.
Joost Klein will be on tour in North America, Europe and Australia until December 2026. Head to his website for all the information.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
JOOST
All Photo Credit: Caroline Charruyer
Concerts Photos
Wheatus Play their Debut Album in Full at The Pearl in Vancouver
On April 13, Wheatus rolled into Vancouver and made a strong case that they’ve outgrown rooms like The Pearl. The show was sold out, shoulder-to-shoulder, and honestly felt like it could’ve filled the Commodore Ballroom across the street without breaking a sweat.
Opening support from Chief State and Brain Bent set the tone early, but once Brendan B. Brown and company hit the stage, the night turned into a loose, fan-driven ride. True to form, the band leaned into spontaneity, pulling from a deep catalogue with help from the crowd, before the show even started. “Leroy,” “Truffles,” and “Wannabe Gangstar” landed fast, while “Hump’Em N’ Dump’Em” slipped in a cheeky nod to Madonna.
Covers were a big part of the night. Their take on Erasure’s “A Little Respect” turned into a full-room singalong, complete with a “My Girl” tag, and “Basket Case” by Green Day brought a jolt of energy mid-set. A Canadian highlight came with “My Music at Work,” a respectful nod to The Tragically Hip that hit especially well with the local crowd, followed later by a heartfelt “Time Stand Still” from Rush.
The deeper cuts, “Lemonade,” “Fourteen,” and “I’d Never Write a Song About You, ”showed the band’s range, balancing humour with real vulnerability. Then came “Teenage Dirtbag.” No surprise, it turned into mass karaoke, with every fan in the room locked in from the first line.
Instead of ending big, they closed small. Brown returned alone for an off-mic acoustic “Desperate Songs,” quiet enough that you could hear the room breathe. It was a simple finish that summed up the night: warm and completely in sync with the crowd.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
WHEATUS
CHIEF STATE
All Photo Credit: Caroline Charruyer