Concerts Photos
Calum Scott Brings His ‘Avenoir Tour’ to the Wiltern in Los Angeles
Calum Scott took the Wiltern stage in Los Angeles on April 3rd, 2026, for his Avenoir Tour.
Calum Scott is a British singer-songwriter who first gained attention on Britain’s Got Talent in 2015, where his emotional cover of “Dancing On My Own” by Robyn became a global hit. Known for his powerful vocals and deeply personal songwriting, Scott blends pop with raw, heartfelt storytelling. His music often explores themes of love, identity, and self-acceptance, earning him a dedicated global fanbase and chart success with songs like “You Are The Reason.”
The theatre filled, and by 9 o’clock everyone was ready to dance, laugh, and cry together. The sense of community was in the air as many of the fans related to the vulnerability in Scott‘s music.
He performed a variety of songs from his discography: some new songs and his hits. My favorite moment was his stripped-back set, when he sang “No Matter What,” a song about him coming to terms with who he was. Tears began to fall throughout the crowd. What a meaningful night for music in Los Angeles.
Check out our favorite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
04/06 Salt Lake City, UT – The Union
04/08 Denver, CO – Paramount Theatre
04/10 Dallas, TX House of Blues
04/11 Houston, TX – House of Blues
04/12 Austin, TX – ACL Live at The Moody Theater
04/14 Fort Lauderdale, FL – Revolution Live
04/16 Orlando, FL – The Plaza Live
04/17 Atlanta, GA – Tabernacle
04/18 Nashville, TN – Brooklyn Bowl
04/21 Washington, D.C. – The Anthem
04/22 Philadelphia, PA – The Fillmore
04/23 New York, NY – Terminal 5
04/25 Boston, MA – Orpheum Theatre
04/26 Montreal, QC – MTELUS
04/28 Montreal, QC – MTELUS
04/29 Toronto, ON – Massey Hall
05/01 Detroit, MI – The Fillmore
05/02 Chicago, IL – Riviera Theatre
05/03 Minneapolis, MN – The Fillmore
More information on Calum Scott’s website.
CALUM SCOTT
All Photo Credit: Colin Hancock
Concerts Photos
Of Monsters and Men Bring ‘The Mouse Parade’ Tour to the Queen Elizabeth Theatre in Vancouver
Of Monsters and Men returned to Vancouver on June 25 with a packed show at the Queen Elizabeth Theatre, bringing their mix of indie folk, rock and cinematic pop to a crowd that was more than ready to welcome them back. After years away from the live stage, the Icelandic band showed no signs of rust, delivering a performance that moved easily between quiet, atmospheric moments and full-room singalongs.
The evening opened with American indie folk singer-songwriter, August Ponthier, who shared songs from their debut album Everywhere Isn’t Texas, as well as new unreleased material.
At 9p.m., the lights dropped and Of Monsters And Men emerged from the shadows, surrounded by haze and an eerie wash of light that matched the darker mood of their newer material.
The set leaned heavily on songs from their latest album, All Is Love and Pain in the Mouse Parade, giving fans a chance to hear how the band’s sound has developed since their breakthrough. Tracks like “The Actor” and “Ordinary Creature” brought a more layered, reflective side of the group, yet they fit comfortably alongside older favourites.
Of course, the biggest reactions came when the band reached back into their catalogue. Both “King and Lionheart” and “Dirty Paws” had the audience singing along. Then came “Little Talks,” still one of the band’s biggest hits and an undeniable highlight of the night. The familiar opening instantly brought the room together, with the crowd handling a lot of the vocals.
At the centre of it all were Nanna Bryndís Hilmarsdóttir and Ragnar Þórhallsson, whose voices remain the band’s greatest strength. Their harmonies, paired with the group’s dynamic musicianship, made the long-awaited return feel completely worth the wait.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
OF MONSTERS AND MEN
AUGUST PONTHIER
All Photo Credit: Caroline Charruyer
Concerts Photos
Summer of ’99 Tour: Creed Gives Winnipeg a Night to Remember
Some nights disappear by the time you get home. This wasn’t one of them. From the first note to the final encore, Canada Life Centre never stopped singing with Creed. Beat after beat, lyric after lyric, hundreds of voices carried the night. If you weren’t there, you genuinely missed something special.
Opening the night was Mammoth. Before jumping into the set, Wolfgang Van Halen asked the crowd how many had seen the band before and how many were first-timers. The cheers landed almost perfectly down the middle.
I also found out he was Eddie Van Halen’s son, my expectations shot through the roof. That’s a heavy name to carry. Songs like “The End,” “The Spell,” “Distance,” and “I Really Wanna” showed exactly why Mammoth is building its own reputation. By the end of the set, he wasn’t just Eddie’s son, he was Wolfgang Van Halen.
Next came Big Wreck, a band that somehow gets even better live. Ian Thornley’s guitar work was effortless, floating between delicate melodies without missing a beat. “The Oaf,” “Come Again,” and “Albatross” sounded massive. Every instrument cut through cleanly, every lyric landed. Big Wreck are definitely one of Canada’s strongest live rock bands.
Then everything shifted. Long before the lights dropped, the arena had already decided who they came for.
“Creed! Creed! Creed!”
The chant rolled across the building before the band even stepped on stage. The opening blast of “Bullets” hit with fire shooting into the air, smoke pouring across the stage. They played like a band with something left to prove. Audiences were locked in just like the band.
The set moved through “Weathered,” “On My Sleeve,” “My Own Prison,” “What If,” “One,” “What’s This Life For,” and “With Arms Wide Open.” Every chorus came back twice as loud as it left the stage. Thousands of phone lights lit up the arena.
After a short pause, the encore delivered exactly what everyone had been waiting for. “One Last Breath.” The crowd barely let Stapp finish a line before taking over. Then came “My Sacrifice,” and for a few minutes, the band almost disappeared beneath the voices around them. That’s what made this show hit differently. The show was about hearing songs that still connect, still fill arenas, and still have thousands of people screaming every word like they were written yesterday.
Check our our favourite photos of the night below or head to our Facebook page for the full gallery!
CREED
BIG WRECK
MAMMOTH
All Photo Credit: Nischal Karki