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Calum Scott Brings His ‘Avenoir Tour’ to the Wiltern in Los Angeles

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Calum Scott took the Wiltern stage in Los Angeles on April 3rd, 2026, for his Avenoir Tour.

Calum Scott is a British singer-songwriter who first gained attention on Britain’s Got Talent in 2015, where his emotional cover of “Dancing On My Own” by Robyn became a global hit. Known for his powerful vocals and deeply personal songwriting, Scott blends pop with raw, heartfelt storytelling. His music often explores themes of love, identity, and self-acceptance, earning him a dedicated global fanbase and chart success with songs like “You Are The Reason.”

The theatre filled, and by 9 o’clock everyone was ready to dance, laugh, and cry together. The sense of community was in the air as many of the fans related to the vulnerability in Scott‘s music.

He performed a variety of songs from his discography: some new songs and his hits. My favorite moment was his stripped-back set, when he sang “No Matter What,” a song about him coming to terms with who he was. Tears began to fall throughout the crowd. What a meaningful night for music in Los Angeles.

Check out our favorite photos of the night below or head to our Facebook page for the full gallery!

Upcoming Tour Dates:
04/06 Salt Lake City, UT – The Union
04/08 Denver, CO – Paramount Theatre
04/10 Dallas, TX House of Blues
04/11 Houston, TX – House of Blues
04/12 Austin, TX – ACL Live at The Moody Theater
04/14 Fort Lauderdale, FL – Revolution Live
04/16 Orlando, FL – The Plaza Live
04/17 Atlanta, GA – Tabernacle
04/18 Nashville, TN – Brooklyn Bowl
04/21 Washington, D.C. – The Anthem
04/22 Philadelphia, PA – The Fillmore
04/23 New York, NY – Terminal 5
04/25 Boston, MA – Orpheum Theatre
04/26 Montreal, QC – MTELUS
04/28 Montreal, QC – MTELUS
04/29 Toronto, ON – Massey Hall
05/01 Detroit, MI – The Fillmore
05/02 Chicago, IL – Riviera Theatre
05/03 Minneapolis, MN – The Fillmore
More information on Calum Scott’s website.

CALUM SCOTT

All Photo Credit: Colin Hancock

Concerts Photos

Wave To Earth Bring ‘the pieces tour’ to Vancouver

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WaveToEarth_09-05-2026_KelliRP-17-LQ

By the time Wave to Earth took the stage at Doug Mitchell Thunderbird Arena on September 4, Vancouver was already buzzing. A lineup stretched around the block as fans waited to see the South Korean indie-rock trio kick off the first date of their the pieces tour in the city.

The band’s stage setup immediately set the tone, arranged to look like a cozy living room, complete with windows that opened onto a constantly changing view of the world outside. The clever screens showed footage filmed just outside the arena, creating the illusion that the stage was looking out onto the neighbourhood. Periodically, TransLink buses could be seen passing by, an unexpectedly Vancouver specific detail that made the arena feel intimate.

That sense of intimacy carried into the band’s entrance, with lead singer Daniel Kim stepping onto the stage wearing a UBC Arts cap, a small but memorable nod to the city and its university community.

From the opening notes, Wave to Earth leaned into the warm, laid-back atmosphere that has made their music resonate with fans around the world. The contrast between the arena’s size and the deliberately homey stage design made the show feel like being invited into the band’s living room.

As the opening night of the pieces tour, the Vancouver show set the tone for what promises to be a visually thoughtful and atmospheric run of dates.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

WAVE TO EARTH

All Photo Credit: Kelli Rothwell

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Concerts Photos

Goose Brings their ‘Summer Tour’ to the Commodore Ballroom in Vancouver

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Goose

Goose brought their 2026 Summer Tour to Vancouver on Tuesday night, turning the Commodore Ballroom into a sweaty, late-night dance party that stretched well past 11 p.m.

The Connecticut-based quartet — Rick Mitarotonda, Peter Anspach, Trevor Weekz and drummer Cotter Ellis — has built a reputation for letting songs breathe onstage, and Vancouver got the full treatment. The band played two sets and an encore, giving the crowd plenty of room to settle into the grooves and watch the songs take unexpected turns.

The first set opened with “Yeti” before moving through “All I Need,” “Turbulence & The Night Rays” and “Time to Flee.” “Everything Must Go” kept things moving before “Hungersite” closed the set with one of the night’s bigger stretches of improvisation.

After a break, Goose returned and launched into “Electric Avenue,” a crowd-pleasing choice that had the Commodore singing along.

There was little interest in rushing through the evening. Goose gave each section space, moving from tight grooves to loose instrumental passages without making the show feel like a collection of extended solos.

For a band coming off a European run and heading into some of its biggest U.S. shows, Vancouver felt like another strong stop on the way. The Commodore may be a much smaller room than Madison Square Garden or SPAC, but Goose seemed perfectly happy to stretch out inside it.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

GOOSE

All Photo Credit: Caroline Charruyer

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