Concerts Photos
Syd Taylor at The Belasco in Los Angeles
On Tuesday, March 31st, The Belasco in Downtown LA was packed with fans from both near and far. Syd Taylor, an indie-rock artist from Michigan, supported Goldie Boutilier on her North American tour, The King of Possibilities. From February 24th to April 4th, Syd opened for Boutilier at sixteen sold-out shows.
As Syd’s bandmates stepped onto the stage, the crowd erupted with cheers and chants of “Syd, Syd, Syd!” Soon after, Syd Taylor confidently walked across the stage in her stylish outfit, smiling brightly. She kicked off her set with songs from her new album, “After the Fact,” starting with “Love of Your Life,” then “Time to Go,” and “Leave Me Out of It.”
After parting ways with Stereo Jane, a band heavily inspired by ’90s rock—formed by Syd and her twin sister Emilia, known as Mia—Syd felt a strong desire to find her own artistic and personal identity.
Inspired by bands like Fleetwood Mac and The Beatles, Syd finally broke free from external expectations—no longer told which genre to pursue, whom to share her demo with, or how to present herself on stage. As her own producer, songwriter, and guitarist, she spent three months drawing inspiration from her Los Angeles apartment and charting her own creative path. This ultimately led to her releasing her debut album “After the Fact.”
Syd once said that, during the process of making this album, she felt this was “the first time that [she had] been able to sit down and create something for [herself].” Syd had previously felt like she was prioritizing others and wanted to get as far away from that mindset as possible.
To create an album as raw and reflective as “After the Fact,” Syd needed to discover her artistic style. This led her to find confidence in this new era of her career.
Head to Syd‘s website for more information on upcoming tour dates.
Check out our favorite photos of her set below or head to our Facebook page for the full gallery!
SYD TAYLOR
All Photo Credit: Taylor Blazer
Concerts Photos
Joost Klein Brings World Tour With Chaos and Heart in Vancouver
Fresh off two sets at Coachella 2026 — a historic milestone as the first Dutch-language artist to ever grace that stage — Joost Klein brought his world tour to Vancouver’s Harbour Event & Convention Centre on Monday night. If the Southern California desert crowds were a warm-up, Vancouver got the real thing.
From the opening notes of Ome Robert to a euphoric, arms-in-the-air Europapa, Klein delivered nearly 30 songs worth of controlled chaos. The Frisian artist operates in a genuinely singular space, somewhere between Dutch hardcore, punk fury, and emotionally devastating party music. And the packed room at Harbour centre felt every single frequency. Sweat was basically precipitation by the midpoint of the set.
The mosh pits were, predictably, unhinged. Klein summons that energy. Circle pits tore open during Gabberland and BOOM BOOM!!!!!, and the crowd obliged every invitation. Yet between the mayhem, there were quieter moments. A gorgeous Zonder Jou hushed the room before Klein rebuilt the roof again.
Highlights were abundant: a wild TRAFIK! (his take on Käärijä’s banger), and an abridged Friesenjung that turned into a full remix by the encore.
This is a guy who started as a teenage Dutch YouTuber, got disqualified from Eurovision 2024 for comments that some judged controversial, and somehow ended up headlining a world tour on five continents. Nobody saw it coming, Klein included. The rest of the world better be ready for this tour.
Joost Klein will be on tour in North America, Europe and Australia until December 2026. Head to his website for all the information.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
JOOST
All Photo Credit: Caroline Charruyer
Concerts Photos
Wheatus Play their Debut Album in Full at The Pearl in Vancouver
On April 13, Wheatus rolled into Vancouver and made a strong case that they’ve outgrown rooms like The Pearl. The show was sold out, shoulder-to-shoulder, and honestly felt like it could’ve filled the Commodore Ballroom across the street without breaking a sweat.
Opening support from Chief State and Brain Bent set the tone early, but once Brendan B. Brown and company hit the stage, the night turned into a loose, fan-driven ride. True to form, the band leaned into spontaneity, pulling from a deep catalogue with help from the crowd, before the show even started. “Leroy,” “Truffles,” and “Wannabe Gangstar” landed fast, while “Hump’Em N’ Dump’Em” slipped in a cheeky nod to Madonna.
Covers were a big part of the night. Their take on Erasure’s “A Little Respect” turned into a full-room singalong, complete with a “My Girl” tag, and “Basket Case” by Green Day brought a jolt of energy mid-set. A Canadian highlight came with “My Music at Work,” a respectful nod to The Tragically Hip that hit especially well with the local crowd, followed later by a heartfelt “Time Stand Still” from Rush.
The deeper cuts, “Lemonade,” “Fourteen,” and “I’d Never Write a Song About You, ”showed the band’s range, balancing humour with real vulnerability. Then came “Teenage Dirtbag.” No surprise, it turned into mass karaoke, with every fan in the room locked in from the first line.
Instead of ending big, they closed small. Brown returned alone for an off-mic acoustic “Desperate Songs,” quiet enough that you could hear the room breathe. It was a simple finish that summed up the night: warm and completely in sync with the crowd.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
WHEATUS
CHIEF STATE
All Photo Credit: Caroline Charruyer