Concerts Photos
Canada Together with Dear Rouge and Hotel Mira in Vancouver
Vancouver alt-rock standouts Dear Rouge and Hotel Mira lit up the Downtown Van Stage this Canada Day as part of the Canada Together celebrations at Canada Place.
Hosted by the Vancouver Fraser Port Authority, the free event took place on July 1 and marked the fourth annual Canada Together gathering, now one of the largest Canada Day events outside of Ottawa. It was also the 39th year of festivities at Vancouver’s iconic waterfront venue.
Dear Rouge, fresh off a string of tour dates, closed out the event with a powerful headlining set. They even invited Alex Wells, a hoop dancer from the Lil’wat Nation to perform with them on stage. Just before Dear Rouge, Hotel Mira brought their signature swagger to the stage (and the barricade!), drawing a strong local crowd. They dedicated their set to the Missing and Murdered Indigenous Women and Girls.
This year’s programming was created in collaboration with the Musqueam, Squamish, and Tsleil-Waututh Nations, and followed the theme “Weaving together the fabric of a nation.” The day emphasized gathering, sharing, and honouring the country’s diversity.
Festivities ran from 11 a.m. to 6 p.m., with activities stretching across five city blocks, including spaces at Canada Place, Jack Poole Plaza, and surrounding streets. The event featured live performances, cultural exhibitions, a variety of family-friendly activities, and a moving citizenship ceremony that welcomed 40 new Canadians.
With sunshine, strong turnout, and standout local talent, the 2025 edition of Canada Together offered Vancouver a vibrant and heartfelt way to mark the day.
Check out our favourite photos of the day or head to our Facebook page for the full gallery!
DEAR ROUGE
HOTEL MIRA
All Photo Credit: Caroline Charruyer
Concerts Photos
CAAMP Keeps Things Intimate at Vancouver’s Freedom Mobile Arch
CAAMP brought its indie folk-rock sound to Vancouver’s Freedom Mobile Arch on August 12, proving that a band built on stripped-back songwriting can still make a large outdoor stage feel personal.
Formed in Ohio in 2013 by Taylor Meier and Evan Westfall, CAAMP has grown considerably from its early days playing smaller rooms. That growth can be tricky for a band whose songs depend on warmth and vulnerability, but the Vancouver show never felt disconnected from those roots.
Meier’s raspy vocals were front and centre from the opening moments, giving the songs a lived-in quality that suited the setting. The band moved comfortably between its folkier material and more upbeat rock moments, with “Peach Fuzz” standing out as one of the evening’s biggest crowd responses. The song, from 2019’s By and By, remains one of CAAMP’s defining tracks.
The group’s chemistry was just as important as the songs themselves. Rather than leaning on a huge production, CAAMP kept the focus on the musicians. Warm lighting and a relatively simple stage setup gave the performance room to breathe, fitting the band’s earthy sound far better than a wall of video screens ever could. The set showed CAAMP’s willingness to step outside its own catalog, too, with covers woven naturally into the night
CAAMP’s latest chapter comes after the release of Copper Changes Color in 2025, followed by a busy touring schedule that has included dates with Zach Bryan and Mumford & Sons. The band is giving back along the way, donating $1 from each ticket sold to its Great Heights Movement, which supports charitable programs in the Columbus, Ohio area and beyond.
By the end of the night, CAAMP had done what it does best: make a big outdoor show feel surprisingly close-up. No excessive production was needed, the songs and the band carried the night.
Upcoming Tour Dates:
August 15 – Calgary, AB – Southern Alberta Jubilee Auditorium
August 17 – Bonner, MT – KettleHouse Amphitheatre
August 18 – Bonner, MT – KettleHouse Amphitheater
August 21 – Greenwood Village, CO – Fiddler’s Green Amphitheatre
August 22 – Greenwood Village, CO – Fiddler’s Green Amphitheatre
August 24 – Kansas City, MO – Starlight Theatre
August 26 – Indianapolis, IN – Everwise Amphitheater at White River State Park
August 29 – Columbus, OH – Schottenstein Center
September 24 – Rochester Hills, MI – Meadow Brook Amphitheatre
September 25 – Pittsburgh, PA – Stage AE
September 29 – Chattanooga, TN – Soldiers and Sailors Memorial Auditorium
October 4 – Fort Lauderdale, FL – Broward Center for the Performing Arts
More information here.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
CAAMP
All Photo Credit: Caroline Charruyer
Concerts Photos
Alabama Shakes Bring the Soul Back to Vancouver
After nearly a decade away, Alabama Shakes returned to Vancouver on June 26 for a night that was both a reunion and a revival. Performing at the new Freedom Mobile Arch, the Alabama band wasted little time reminding the crowd why their blend of blues, rock, soul, and gospel made such an impact in the first place.
The band opened shortly after 8p.m. with immediate force, locking into the familiar rhythms that have defined their sound since their 2012 debut, Boys & Girls. As the daylight decreased, “Another Life” brought a warm shift to the rainy evening, with the crowd swaying together before “Hang Loose” kept the mood loose and upbeat.
At the centre of it all was Brittany Howard, whose voice remains as commanding as ever. Her ability to move from a delicate falsetto on “Future People” to a full-throated roar gave the songs a fresh edge without losing what made them special. “I Found You” brought out the band’s gospel and blues roots, while “Hold On” turned the venue into one massive singalong.
The set’s emotional high point came with “Gimme All Your Love,” as Howard and the band leaned into every groove. “Don’t Wanna Fight” followed with equal parts tension and release before the band left the stage.
Alabama Shakes‘ return showed that, after all these years, this band can still make a crowd rise.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
ALABAMA SHAKES
All Photo Credit: Caroline Charruyer