Concerts Photos
Christone “Kingfish” Ingram at the Commodore Ballroom in Vancouver
Christone “Kingfish” Ingram turned the Commodore Ballroom into a blues church on Thursday night, bringing both fire and finesse to the Vancouver stop of his Hard Road Tour. The timing couldn’t have been better. Just a day earlier, the guitarist and vocalist announced his upcoming album Hard Road (out September 26 via his own Red Zero Records) and dropped the silky R&B-tinged single “Nothin’ But Your Love.” Fans showed up ready for both the hits and a glimpse of what’s next.
Opener Jimi (Julia Nicholson) warmed up the room with a soulful set that paired heartfelt songwriting with crisp guitar work, easing the crowd into a night rooted in groove and feeling. She was easily one of the best openers we’ve seen this year.
Releasing his Alligator Records debut at just 20, Christone “Kingfish” Ingram has already stacked up six Blues Music Awards and a GRAMMY for 662, which won Best Contemporary Blues Album in 2021. Now 26, Kingfish plays with the authority of a seasoned veteran while still pushing the genre forward. he launched into “Midnight Heat” and immediately showed why he’s one of the most respected guitarists of his generation.
Dressed simply in a white tee and silver chain, armed with his purple Fender Telecaster deluxe, and backed by his band (keyboardist Deshawn Alexander, bassist Paul Rogers, and drummer Christopher Black), the Clarksdale native launched right into it and immediately showed why he’s become one of the most respected guitarists of his generation. His tone cut through with precision, every note carrying as much weight as his rich, full vocals. At one point, Kingfish left the stage entirely, weaving his way through the crowd while soloing, to the delight of fans scrambling to capture the moment on their phones.
The encore sealed the night with an extended jam that had the whole venue moving. This was the kick-off date of the second leg of his Hard Road Tour so there is still plenty of time for you to catch in North America and Europe!
Check our our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
SEPTEMBER
4 – Charleston, SC – Charleston Music Hall
5 – Carrboro, NC – Cat’s Cradle
6 – Charlotte, NC – Neighborhood Theatre
7 – Asheville, NC – Orange Peel
9 – Knoxville, TN – Bijou Theatre
12 – Atlanta, GA – Buckhead Theater
13 – Birmingham, AL – Iron City Bham
14 – New Orleans, LA – House of Blues
16 – Kansas City, MO – Knuckleheads
17 – St. Louis, MO – The Factory
19 – Chicago, IL – Park West
20 – Detroit, MI – Saint Andrew’s Hall
21 – Pittsburgh, PA – Pittsburgh Int’l Jazz Fest
24 – Baltimore, MD – Baltimore Soundstage
25 – Philadelphia, PA – Union Transfer
27 – New York, NY – Irving Plaza
28 – Asbury Park, NJ – Stone Pony
OCTOBER
1 – Boston, MA – Paradise Rock Club
2 – Burlington, VT – Higher Ground
3 – Montreal, QC – Theatre Beanfield
4 – Toronto, ON – Danforth Music Hall
8 – Cincinnati, OH – Taft Theatre
9 – Nashville, TN – Cannery Hall (Mainstage)
10 – Memphis, TN – Overton Park Shell
16 – Los Angeles, CA – TBD changed to The Ford
18 – San Francisco, CA – The Fillmore
19 – Napa, CA – Uptown Theatre
20 – Grass Valley, CA – Center for the Arts
24 – San Diego, CA – The Observatory North Park
25-11/1 – San Diego, CA – Legendary Rhythm & Blues Cruise #43: Sea of Cortez †
NOVEMBER
7 – Berlin, Germany – Columbia Theater
9 – Munich, Germany – Technikum
10 – Zurich, Switzerland – Kaufleuten
11 – Leverkusen, Germany – Leverkusener Jazztage
13 – Hamburg, Germany – Fabrik
14 – Amsterdam, NL – Melkweg
16 – Paris, France – La Cigale
18 – London, UK – O2 Forum Kentish Town
19 – Manchester, UK – Albert Hall
20 – Wolverhampton, UK – Wulfrun Hall
21 – Glasgow, UK – The Old Fruitmarket
23 – Leeds, UK – Stylus
DECEMBER
3 – Starksville, MS – Mississippi State University (Lyceum Series)
5 – Dallas, TX – Longhorn Ballroom
6 – Austin, TX – Paramount Theater
7 – Houston, TX – White Oak Music Hall
JANUARY 2026
24-31 – Fort Lauderdale, FL – Legendary Rhythm & Blues Cruise #44: Eastern Caribbean †
FEBRUARY 2026
7-12 – Port of Miami, FL – Jam Cruise 22 †
† FESTIVAL APPEARANCE
More information on his website.
CHRISTONE “KINGFISH” INGRAM
JIMI
All Photo Credit: Caroline Charruyer
Concerts Photos
Epik High Turns Vancouver’s Orpheum Into a Hip-Hop Party
Epik High brought its 3.0 Tour 2026 to Vancouver’s Orpheum on October 20, delivering a night of sharp lyricism, ridiculous humour and plenty of crowd interaction. With BOBO.XX opening the show, the Korean hip-hop trio proved that more than two decades into their career, they still know how to make a concert feel like a party among friends.
BOBO.XX, a musician and photographer who works on Epik High’s video and content, warmed up the audience with a taste of his own sound before handing the stage over to the headliners. Anticipation grew during the break, and the theatre erupted when Tablo, Mithra Jin and DJ Tukutz appeared for “High Technology,” followed by “One.”
The group’s chemistry was clear to everyone. Their introductions quickly turned into a comedy routine, complete with DJ Tukutz’s sound effects and playful jabs at one another. Tablo might be the trio’s longtime leader, but Tukutz had recently claimed the title through a band competition, giving the three plenty of material to work with.
That humour carried through the night. Fan-submitted Post-it challenges put the members on the spot, leading to dance covers, awkwardly adorable aegyo and plenty of laughter. The challenges often involved bending the rules, with multiple notes taped together and presented as a single request. The trio’s willingness to make fools of themselves made the audience feel like part of the show rather than spectators.
The music never took a back seat. Tracks such as “ANTIHERO,” “Rosario” and “BURJ KHALIFA” kept the room moving, with the group’s tight delivery matched by DJ Tukutz’s work behind the turntables. The mood shifted for more emotional performances, including “1 Minute, 1 Second” and Mithra Jin’s solo “Will I Be Okay?,” showing a more vulnerable side to the performers.
The most meaningful moment came when Tablo spoke about the group’s long journey. His message was simple: if Epik High could keep pushing forward after 22 years, fans could overcome their own obstacles, too. It gave “Born Hater” an extra punch.
The trio closed with an encore of “EPIKISM” and “Don’t Hate Me,” sending the crowd home smiling. Epik High’s strength lies in the balance between serious musicianship and complete silliness. They can deliver an emotional message one minute and turn a fan-requested dance challenge into a comedy show the next. At the Orpheum, that combination made for a concert that felt personal, unpredictable and a whole lot of fun.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
EPIK HIGH
BOBO.XX
All Photo Credit: Chaehyun Lim
Concerts Photos
Buffalo Traffic Jam at the Danforth Music Hall in Toronto
There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.
Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.
Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age.
Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BUFFALO TRAFFIC JAM
COLIN LYNCH
LYDIA MAES
All Photo Credit: Bailey Morgan