Concerts Photos
Christone “Kingfish” Ingram at the Commodore Ballroom in Vancouver
Christone “Kingfish” Ingram turned the Commodore Ballroom into a blues church on Thursday night, bringing both fire and finesse to the Vancouver stop of his Hard Road Tour. The timing couldn’t have been better. Just a day earlier, the guitarist and vocalist announced his upcoming album Hard Road (out September 26 via his own Red Zero Records) and dropped the silky R&B-tinged single “Nothin’ But Your Love.” Fans showed up ready for both the hits and a glimpse of what’s next.
Opener Jimi (Julia Nicholson) warmed up the room with a soulful set that paired heartfelt songwriting with crisp guitar work, easing the crowd into a night rooted in groove and feeling. She was easily one of the best openers we’ve seen this year.
Releasing his Alligator Records debut at just 20, Christone “Kingfish” Ingram has already stacked up six Blues Music Awards and a GRAMMY for 662, which won Best Contemporary Blues Album in 2021. Now 26, Kingfish plays with the authority of a seasoned veteran while still pushing the genre forward. he launched into “Midnight Heat” and immediately showed why he’s one of the most respected guitarists of his generation.
Dressed simply in a white tee and silver chain, armed with his purple Fender Telecaster deluxe, and backed by his band (keyboardist Deshawn Alexander, bassist Paul Rogers, and drummer Christopher Black), the Clarksdale native launched right into it and immediately showed why he’s become one of the most respected guitarists of his generation. His tone cut through with precision, every note carrying as much weight as his rich, full vocals. At one point, Kingfish left the stage entirely, weaving his way through the crowd while soloing, to the delight of fans scrambling to capture the moment on their phones.
The encore sealed the night with an extended jam that had the whole venue moving. This was the kick-off date of the second leg of his Hard Road Tour so there is still plenty of time for you to catch in North America and Europe!
Check our our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
SEPTEMBER
4 – Charleston, SC – Charleston Music Hall
5 – Carrboro, NC – Cat’s Cradle
6 – Charlotte, NC – Neighborhood Theatre
7 – Asheville, NC – Orange Peel
9 – Knoxville, TN – Bijou Theatre
12 – Atlanta, GA – Buckhead Theater
13 – Birmingham, AL – Iron City Bham
14 – New Orleans, LA – House of Blues
16 – Kansas City, MO – Knuckleheads
17 – St. Louis, MO – The Factory
19 – Chicago, IL – Park West
20 – Detroit, MI – Saint Andrew’s Hall
21 – Pittsburgh, PA – Pittsburgh Int’l Jazz Fest
24 – Baltimore, MD – Baltimore Soundstage
25 – Philadelphia, PA – Union Transfer
27 – New York, NY – Irving Plaza
28 – Asbury Park, NJ – Stone Pony
OCTOBER
1 – Boston, MA – Paradise Rock Club
2 – Burlington, VT – Higher Ground
3 – Montreal, QC – Theatre Beanfield
4 – Toronto, ON – Danforth Music Hall
8 – Cincinnati, OH – Taft Theatre
9 – Nashville, TN – Cannery Hall (Mainstage)
10 – Memphis, TN – Overton Park Shell
16 – Los Angeles, CA – TBD changed to The Ford
18 – San Francisco, CA – The Fillmore
19 – Napa, CA – Uptown Theatre
20 – Grass Valley, CA – Center for the Arts
24 – San Diego, CA – The Observatory North Park
25-11/1 – San Diego, CA – Legendary Rhythm & Blues Cruise #43: Sea of Cortez †
NOVEMBER
7 – Berlin, Germany – Columbia Theater
9 – Munich, Germany – Technikum
10 – Zurich, Switzerland – Kaufleuten
11 – Leverkusen, Germany – Leverkusener Jazztage
13 – Hamburg, Germany – Fabrik
14 – Amsterdam, NL – Melkweg
16 – Paris, France – La Cigale
18 – London, UK – O2 Forum Kentish Town
19 – Manchester, UK – Albert Hall
20 – Wolverhampton, UK – Wulfrun Hall
21 – Glasgow, UK – The Old Fruitmarket
23 – Leeds, UK – Stylus
DECEMBER
3 – Starksville, MS – Mississippi State University (Lyceum Series)
5 – Dallas, TX – Longhorn Ballroom
6 – Austin, TX – Paramount Theater
7 – Houston, TX – White Oak Music Hall
JANUARY 2026
24-31 – Fort Lauderdale, FL – Legendary Rhythm & Blues Cruise #44: Eastern Caribbean †
FEBRUARY 2026
7-12 – Port of Miami, FL – Jam Cruise 22 †
† FESTIVAL APPEARANCE
More information on his website.
CHRISTONE “KINGFISH” INGRAM
JIMI
All Photo Credit: Caroline Charruyer
Concerts Photos
Elevate Music Project 2026 Semi-Finals
Elevate Music Project made its return to Vancouver with a stacked semi-finals night at the Biltmore Cabaret. Six acts, six very different sounds, and a room full of people ready to back local music on a cold January night.
The lineup moved briskly, starting with Carmine. The Victoria-based, female-fronted alt-rock band sounded tight and confident, leaning into sharp hooks and emotional swings. Their songs hit that sweet spot between grit and melody, and the crowd locked in fast. Knowing this band formed almost immediately after a breakup makes their chemistry even more impressive.
Tasavoor followed and flipped the vibe completely. The three-piece blended western textures, funk rhythms, blues grit, and eastern melodies into long, winding songs that felt loose in the best way. They shared that they refuse to play songs the same way twice, and gave their set an unpredictable edge.
The Canyon Riders brought the night back to roots-driven rock. Their sound leaned hard into blues and country rock, powered by a driving rhythm section and duelling guitars that nodded to Southern rock traditions. The band played like they’d been road-tested, and the crowd responded to that honest, no-frills energy.
Snowchild Edge was one of the night’s most magnetic performers. Blending alt-hip hop, R&B, and Afro-fusion, he owned the room with ease. Mid-set, he jumped into the crowd to hype people up, breaking any remaining barrier between stage and floor. His songs carried weight, touching on identity and connection. It was definitely a set that made you stop talking and just watch.
Then came Dani Black, who made it very clear why her name carries so much buzz. Her songwriting stood out immediately, sharp and emotional, delivered with a voice that cut straight through the room. She sang like someone who’s been through it and came back stronger. There was a calm confidence to her presence that felt effortless, the kind you expect from a pop artist with serious range. The audience listened closely, and the applause said it all. We can’t wait to see what she does next!
Closing the night was Summer’s Brother, who leaned fully into art-rock theatrics. With fuzzy guitars, synths, and bold visuals, their set felt like a late-night art show wrapped in indie pop and psych-rock. They weren’t afraid to get weird, and that commitment paid off. The band’s chemistry was tight, and their genre-blurring approach gave the night a fittingly unpredictable ending.
Elevate Music Project has always been about giving Vancouver artists real opportunities, and this semi-finals night proved why the format works. If this is the level heading into the finals, the competition is wide open, and Vancouver music fans are the real winners.
The Finals will be held at the Vogue Theatre on January 22, 2026. Get your tickets here.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
CARMINE
TASAVOOR
CANYON RIDERS
SNOWCHILD EDGE
DANI BLACK
SUMMER’S BROTHER
All Photo Credit: Caroline Charruyer
Concerts Photos
The Academy Is… Bring ‘Almost Here’ 20th Anniversary Tour to Los Angeles
Attention! Attention! All your eyes and ears are turned towards the Belasco Theater on a cold Friday night in Downtown Los Angeles in December, as The Academy Is… comes to Los Angeles in front of a capacity crowd at this historic 1926 venue. TIA were playing a huge set on this tour, with a lot of songs coming off the album Almost Here, which was celebrating its 20th anniversary.
The band was joined by Slow Joy, fronted by mastermind Esteban Flores. The band was energetic and really got the crowd moving and interacting. Their live set is punchy pop rock mixed in with heavy rock, emo, and bit shoegazy at times. Definitely something the crowd at this show could easily get behind. The band played with nothing to lose, making sure to remind everyone that while you came to see TAI, you would not forget Slow Joy. Not one bit.
The Academy Is… stepped onto the stage, only to be illuminated into light once “ATTENTION ATTENTION” kicked in to a much higher gear, and the crowd really started to chant and sing along with singer William Beckett making sure to ask the crowd if they were here to have fun and get involved in singing as loudly as humanly possible.
The band moved into “Seasons,” which got the crowd dancing with its sublimely fun guitar harmonic parts, and danceable drum beat that moves into a soaring chorus that you’d sing at the top of your lungs. Beckett moved onstage with such ferocity and suave, as he danced and preened his way into the crowd that was clearly having the best times of their lives, and we’ve only just started.
The band moved into “Slow Down,” with its ambient sound, absolute pristine, and heavier live. Beckett moves onstage like a pied piper, singing “kiss me like an over dramatic actor, that’s starving work”, perhaps a simple nod to the nature of the not so simple lives of Hollywood and the industry as a whole.
Check out our favorite photos of the night below or head to our Facebook page for the full gallery!
THE ACADEMY IS…
SLOW JOY
All Photo Credit: John McCrary