Concerts Photos
Del Water Gap at the Theatre Beanfield in Montreal
Del Water Gap’s “Chasing the Chimera” tour is a perfect example of simple story-telling in a live music setting.
On January 30th, 2026, fans gathered together in Montreal’s Theatre Beanfield for the 9th stop of Del Water Gap’s Chasing the Chimera tour.
First, the audience was enchanted with an opening performance by Hannah Jadagu that got progressively more upbeat as her show went on. She thanked the crowd, claiming it was “one of the most energetic crowds thus far,” and put that energy to the test by asking the audience to sing along with her to the chorus of “All My Time Is Wasted.”
Finally, Del Water Gap took the stage, and the audience did an excellent job at upholding Montreal’s “loudest crowd” reputation. With a stacked 20 song setlist, ranging from fan-favourites such as “High Tops” and “Better Than I Know Myself,” to hidden gems like “Please Follow,” the audience buzzed along to every word and beat.
Although the stage production wasn’t huge, the set and lighting told a simple yet compelling story. The concert featured exciting fan moments as well, such as a sewing machine where Holden (singer) made a gift for a fan, a remote control to control the stage lights that was tasked to a fan for a song, and a moment where Holden jumped into the pit with fans during “Perfume.”
One of the biggest highlights of the night was a surprise cover of “Steal My Girl” by One Direction, which had every member of the crowd singing and cheering along.
With a final song, “Ode to a Conversation Stuck in Your Throat,” Del Water Gap thanked the audience for an incredible night, leaving the stage with a lasting energy that stuck with the crowd, even as they headed home.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
DEL WATER GAP
HANNAH JADAGU
All Photo Credit: Ashley Bellam
Concerts Photos
Wave To Earth Bring ‘the pieces tour’ to Vancouver
By the time Wave to Earth took the stage at Doug Mitchell Thunderbird Arena on September 4, Vancouver was already buzzing. A lineup stretched around the block as fans waited to see the South Korean indie-rock trio kick off the first date of their the pieces tour in the city.
The band’s stage setup immediately set the tone, arranged to look like a cozy living room, complete with windows that opened onto a constantly changing view of the world outside. The clever screens showed footage filmed just outside the arena, creating the illusion that the stage was looking out onto the neighbourhood. Periodically, TransLink buses could be seen passing by, an unexpectedly Vancouver specific detail that made the arena feel intimate.
That sense of intimacy carried into the band’s entrance, with lead singer Daniel Kim stepping onto the stage wearing a UBC Arts cap, a small but memorable nod to the city and its university community.
From the opening notes, Wave to Earth leaned into the warm, laid-back atmosphere that has made their music resonate with fans around the world. The contrast between the arena’s size and the deliberately homey stage design made the show feel like being invited into the band’s living room.
As the opening night of the pieces tour, the Vancouver show set the tone for what promises to be a visually thoughtful and atmospheric run of dates.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
WAVE TO EARTH
All Photo Credit: Kelli Rothwell
Concerts Photos
Goose Brings their ‘Summer Tour’ to the Commodore Ballroom in Vancouver
Goose brought their 2026 Summer Tour to Vancouver on Tuesday night, turning the Commodore Ballroom into a sweaty, late-night dance party that stretched well past 11 p.m.
The Connecticut-based quartet — Rick Mitarotonda, Peter Anspach, Trevor Weekz and drummer Cotter Ellis — has built a reputation for letting songs breathe onstage, and Vancouver got the full treatment. The band played two sets and an encore, giving the crowd plenty of room to settle into the grooves and watch the songs take unexpected turns.
The first set opened with “Yeti” before moving through “All I Need,” “Turbulence & The Night Rays” and “Time to Flee.” “Everything Must Go” kept things moving before “Hungersite” closed the set with one of the night’s bigger stretches of improvisation.
After a break, Goose returned and launched into “Electric Avenue,” a crowd-pleasing choice that had the Commodore singing along.
There was little interest in rushing through the evening. Goose gave each section space, moving from tight grooves to loose instrumental passages without making the show feel like a collection of extended solos.
For a band coming off a European run and heading into some of its biggest U.S. shows, Vancouver felt like another strong stop on the way. The Commodore may be a much smaller room than Madison Square Garden or SPAC, but Goose seemed perfectly happy to stretch out inside it.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
GOOSE
All Photo Credit: Caroline Charruyer