Concerts Photos
Jade Lemac at the Theatre Beanfield in Montreal
On January 29th, 2026, fans young and old gathered together in Montreal’s Theatre Beanfield for Jade Lemac’s It’s Always at Night tour stop.
First, the audience sang and danced to a wonderful opening performance by Chiara Savasta, whose music complimented Lemac‘s, and definitely set the tone for the night. Her performance also included a cover of “Black Sheep” by Metric, which had everyone singing along in the crowd.
At 9pm, Jade Lemac took the stage with an opening performance of “Heaven’s Sake.” While singing, she took some time to interact with the crowd, throwing a few waves and hand hearts to audience members she recognized, or who were showing a lot of energy.
Lemac has the stage presence to not rely on theatrics in order to have a lasting concert. Her voice enchanted everyone in the room, and the moody lighting demonstrated well the energy and emotion she was reflecting in her music. There was even a small fan-project, as audience members brought pink balloons to throw in the air during her song “Pink Balloon,” performed
midway in the set.
Closing with fan-favourites including “Constellations” and “Running Home,” the audience cheered loudly as Lemac thanked everyone for coming out. This was Jade Lemac’s third performance in Montreal, and fans left the venue already awaiting the next!
Check our our favourite photos of the night below or head to our Facebook page for the full gallery!
JADE LEMAC
CHIARA CAVASTA
All Photo Credit: Ashley Bellam
Concerts Photos
Ruel Brings His ‘Kicking My Feet’ Tour to Los Angeles
Ruel brought his Kicking My Feet tour to a close in Los Angeles on Wednesday, April 8th at the Hollywood Palladium. The tour covered 30 cities over the past two months.
Singer-songwriter Chelsea Jordan opened up the night with a high-energy set, performing some of her own songs to warm up the crowd for the rest of the evening.
Mercer Henderson took the stage next. She sang a handful of her songs that had a folk-pop feel to them as she jumped around the stage.
A little after 9:30, the venue went dark and cheers erupted from the audience. A spotlight flicked on, pouring light through a red door raised in the center of the stage. As the cheers grew louder, Ruel made his grand entrance, emerging through the door in a cloud of smoke while singing “Only Ever,” the first track on his latest album. Kicking My Feet is Ruel’s second studio album, released two years after his debut album back in 2023.
Throughout the night, Ruel took the crowd back to the beginning days of his music, playing some fan favorites such as “Dazed & Confused,” “Younger,” and “Painkiller.” The British-born Australian singer hyped up the audience even more by playing an unreleased song from his upcoming album, Kicking My Feet & Screaming, which is a continuation and second part of Kicking My Feet. The new album is set to release in June.
Openers Chelsea Jordan and Mercer Henderson were brought back out on stage to sing a song with Ruel in a heartwarming tribute to the past eight shows they had done together. A bit later, Ruel surprised the crowd by bringing out Arthur Hill, who had previously joined Ruel as a supporting artist for the first half of the shows on this tour leg.
The night was a lively blur of laughter and dancing, a testament to Ruel’s incredible stage presence and vocals. It was the perfect closing night to the Kicking My Feet tour, no doubt leaving fans with memories that will last a lifetime.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
RUEL
MERCER HENDERSON
CHELSEA JORDAN
All Photo Credit: Mallory Snyder
Concerts Photos
Jacob Collier Brings It Back to the Room at Vancouver’s Orpheum Theatre
Jacob Collier traded spectacle for stillness on April 10 at Orpheum Theatre, and the result felt quietly powerful.
The Grammy-winning multi-instrumentalist has built a reputation on big, layered productions and dense harmonic worlds. This tour, The Light For Days Tour: A Series Of Solo Performances In Intimate Spaces, flips that idea. Alone onstage with a five-string guitar, piano, and his signature harmonizer, Collier leaned into restraint.
The set drew heavily from his latest album The Light For Days, a project written in just four days using a single instrument. That limitation carried into the live show. Songs felt more focused, more direct. There was still plenty of harmonic colour, but it never tipped into excess. Instead, it landed with warmth.
Collier’s real instrument, though, might be the crowd. True to form, he conducted the audience like a choir, splitting the room into harmonies that echoed through the Orpheum’s ornate interior. It turned a seated theatre into something communal, almost playful.
Opener Marie Dresselhuis set the tone early with a soft, intimate set that matched the evening’s mood, under the strong cheers of the crowd.
For longtime fans who came up on the sprawling Djesse era, this show was more like a reset. For everyone else, it was a reminder that Collier’s core strength is connection.
Head to Collier‘s website for more information on his upcoming tour dates.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
JACOB COLLIER
MARIE DRESSELHUIS
All Photo Credit: Caroline Charruyer