Connect with us

Concerts Photos

Elevate Music Project 2026 Semi-Finals

Published

on

Elevate Music Project made its return to Vancouver with a stacked semi-finals night at the Biltmore Cabaret. Six acts, six very different sounds, and a room full of people ready to back local music on a cold January night.

Carmine – Elevate Music Project Semi-Finals at the Biltmore Cabaret

The lineup moved briskly, starting with Carmine. The Victoria-based, female-fronted alt-rock band sounded tight and confident, leaning into sharp hooks and emotional swings. Their songs hit that sweet spot between grit and melody, and the crowd locked in fast. Knowing this band formed almost immediately after a breakup makes their chemistry even more impressive.

Tasavoor – Elevate Music Project Semi-Finals at the Biltmore Cabaret

Tasavoor followed and flipped the vibe completely. The three-piece blended western textures, funk rhythms, blues grit, and eastern melodies into long, winding songs that felt loose in the best way. They shared that they refuse to play songs the same way twice, and gave their set an unpredictable edge.

Canyon Riders – Elevate Music Project Semi-Finals at the Biltmore Cabaret

The Canyon Riders brought the night back to roots-driven rock. Their sound leaned hard into blues and country rock, powered by a driving rhythm section and duelling guitars that nodded to Southern rock traditions. The band played like they’d been road-tested, and the crowd responded to that honest, no-frills energy.

Snowchild Edge – Elevate Music Project Semi-Finals at the Biltmore Cabaret

Snowchild Edge was one of the night’s most magnetic performers. Blending alt-hip hop, R&B, and Afro-fusion, he owned the room with ease. Mid-set, he jumped into the crowd to hype people up, breaking any remaining barrier between stage and floor. His songs carried weight, touching on identity and connection. It was definitely a set that made you stop talking and just watch.

Dani Black – Elevate Music Project Semi-Finals at the Biltmore Cabaret

Then came Dani Black, who made it very clear why her name carries so much buzz. Her songwriting stood out immediately, sharp and emotional, delivered with a voice that cut straight through the room. She sang like someone who’s been through it and came back stronger. There was a calm confidence to her presence that felt effortless, the kind you expect from a pop artist with serious range. The audience listened closely, and the applause said it all. We can’t wait to see what she does next!

Summer’s Brother – Elevate Music Project Semi-Finals at the Biltmore Cabaret

Closing the night was Summer’s Brother, who leaned fully into art-rock theatrics. With fuzzy guitars, synths, and bold visuals, their set felt like a late-night art show wrapped in indie pop and psych-rock. They weren’t afraid to get weird, and that commitment paid off. The band’s chemistry was tight, and their genre-blurring approach gave the night a fittingly unpredictable ending.

Elevate Music Project has always been about giving Vancouver artists real opportunities, and this semi-finals night proved why the format works. If this is the level heading into the finals, the competition is wide open, and Vancouver music fans are the real winners.

The Finals will be held at the Vogue Theatre on January 22, 2026. Get your tickets here.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

CARMINE

TASAVOOR

CANYON RIDERS

SNOWCHILD EDGE

DANI BLACK

SUMMER’S BROTHER

All Photo Credit: Caroline Charruyer

Concerts Photos

Wave To Earth Bring ‘the pieces tour’ to Vancouver

Published

on

WaveToEarth_09-05-2026_KelliRP-17-LQ

By the time Wave to Earth took the stage at Doug Mitchell Thunderbird Arena on September 4, Vancouver was already buzzing. A lineup stretched around the block as fans waited to see the South Korean indie-rock trio kick off the first date of their the pieces tour in the city.

The band’s stage setup immediately set the tone, arranged to look like a cozy living room, complete with windows that opened onto a constantly changing view of the world outside. The clever screens showed footage filmed just outside the arena, creating the illusion that the stage was looking out onto the neighbourhood. Periodically, TransLink buses could be seen passing by, an unexpectedly Vancouver specific detail that made the arena feel intimate.

That sense of intimacy carried into the band’s entrance, with lead singer Daniel Kim stepping onto the stage wearing a UBC Arts cap, a small but memorable nod to the city and its university community.

From the opening notes, Wave to Earth leaned into the warm, laid-back atmosphere that has made their music resonate with fans around the world. The contrast between the arena’s size and the deliberately homey stage design made the show feel like being invited into the band’s living room.

As the opening night of the pieces tour, the Vancouver show set the tone for what promises to be a visually thoughtful and atmospheric run of dates.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

WAVE TO EARTH

All Photo Credit: Kelli Rothwell

Continue Reading

Concerts Photos

Goose Brings their ‘Summer Tour’ to the Commodore Ballroom in Vancouver

Published

on

Goose

Goose brought their 2026 Summer Tour to Vancouver on Tuesday night, turning the Commodore Ballroom into a sweaty, late-night dance party that stretched well past 11 p.m.

The Connecticut-based quartet — Rick Mitarotonda, Peter Anspach, Trevor Weekz and drummer Cotter Ellis — has built a reputation for letting songs breathe onstage, and Vancouver got the full treatment. The band played two sets and an encore, giving the crowd plenty of room to settle into the grooves and watch the songs take unexpected turns.

The first set opened with “Yeti” before moving through “All I Need,” “Turbulence & The Night Rays” and “Time to Flee.” “Everything Must Go” kept things moving before “Hungersite” closed the set with one of the night’s bigger stretches of improvisation.

After a break, Goose returned and launched into “Electric Avenue,” a crowd-pleasing choice that had the Commodore singing along.

There was little interest in rushing through the evening. Goose gave each section space, moving from tight grooves to loose instrumental passages without making the show feel like a collection of extended solos.

For a band coming off a European run and heading into some of its biggest U.S. shows, Vancouver felt like another strong stop on the way. The Commodore may be a much smaller room than Madison Square Garden or SPAC, but Goose seemed perfectly happy to stretch out inside it.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

GOOSE

All Photo Credit: Caroline Charruyer

Continue Reading