Concerts Photos
Iron & Wine + Band of Horses at the Wiltern in Los Angeles

One of my favorite places to listen to any genre of music has and will always be the Wiltern. Doesn’t matter if its metal, pop, or folky catchy songwriter music. Iron and Wine fits this demo perfectly, as they stopped by, along with co-headliner Band Of Horses, for a headlining date on their current tour together. This show did not disappoint, as Samuel Ervin Beam (better known affectionately as Iron & Wine), took to the mic and calmly went into “On Your Wings,” and followed it up with “Yellow Jacket.” The band is an amazing mixture of musicians, with Samuel leading the way amongst an incredibly talented backing band. The Wine to his Iron, you might say. Such effortless song writing lends to his wonderful voice, evoking childlike flashbacks you’d see in a movie somewhere, playing and running in an open field. I&W give you that feeling, watching something very special unfold live. Nothing too flashy, just exceptional raw talent in every member of Iron & Wine.
Band Of Horses singer Ben Bridwell was already sharing the stage with Iron & Wine, as both himself and Iron & Wine have collaborated on an EP of covers that redefine what their original versions sounded like. BOH blasted right into “The First Song,” literally the first song on their 2006 album Everything All The Time. Following up that indie rock energy with “NW Apt,” the band seems to be having fun, and their bassist Matt Gentling is bouncing all over the stage with that quintessential pop punkness of bands doing this with far less time then BOH. The band brought the energy down for the tear jerking pain of lost love in “No Ones Gonna Love You.” The crowd was singing along with the band, becoming a choir at times, turning the Wiltern into a cathedral of emotion wrapped in color.
The bands continue on this tour for a few more weeks. Make sure to catch them when you can, be it together, or separate. Both are exceptional live.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
9/26 Del Mar, CA @ The Sound at Del Mar
9/27 Las Vegas, NV @ Bel-Aire Backyard
9/28 Chandler, AZ @ Gila River Resorts & Casinos – Wild Horse Pass
9/30 Flagstaff, AZ @ Pepsi Amphitheater
10/2 Anaheim, CA @ House of Blues Anaheim
10/3 Santa Barbara, CA @ The Arlington Theatre
More information here.
IRON & WINE






BAND OF HORSES





All Photo Credit: John McCrary
Concerts Photos
Joost Klein Brings World Tour With Chaos and Heart in Vancouver
Fresh off two sets at Coachella 2026 — a historic milestone as the first Dutch-language artist to ever grace that stage — Joost Klein brought his world tour to Vancouver’s Harbour Event & Convention Centre on Monday night. If the Southern California desert crowds were a warm-up, Vancouver got the real thing.
From the opening notes of Ome Robert to a euphoric, arms-in-the-air Europapa, Klein delivered nearly 30 songs worth of controlled chaos. The Frisian artist operates in a genuinely singular space, somewhere between Dutch hardcore, punk fury, and emotionally devastating party music. And the packed room at Harbour centre felt every single frequency. Sweat was basically precipitation by the midpoint of the set.
The mosh pits were, predictably, unhinged. Klein summons that energy. Circle pits tore open during Gabberland and BOOM BOOM!!!!!, and the crowd obliged every invitation. Yet between the mayhem, there were quieter moments. A gorgeous Zonder Jou hushed the room before Klein rebuilt the roof again.
Highlights were abundant: a wild TRAFIK! (his take on Käärijä’s banger), and an abridged Friesenjung that turned into a full remix by the encore.
This is a guy who started as a teenage Dutch YouTuber, got disqualified from Eurovision 2024 for comments that some judged controversial, and somehow ended up headlining a world tour on five continents. Nobody saw it coming, Klein included. The rest of the world better be ready for this tour.
Joost Klein will be on tour in North America, Europe and Australia until December 2026. Head to his website for all the information.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
JOOST









All Photo Credit: Caroline Charruyer
Concerts Photos
Wheatus Play their Debut Album in Full at The Pearl in Vancouver
On April 13, Wheatus rolled into Vancouver and made a strong case that they’ve outgrown rooms like The Pearl. The show was sold out, shoulder-to-shoulder, and honestly felt like it could’ve filled the Commodore Ballroom across the street without breaking a sweat.
Opening support from Chief State and Brain Bent set the tone early, but once Brendan B. Brown and company hit the stage, the night turned into a loose, fan-driven ride. True to form, the band leaned into spontaneity, pulling from a deep catalogue with help from the crowd, before the show even started. “Leroy,” “Truffles,” and “Wannabe Gangstar” landed fast, while “Hump’Em N’ Dump’Em” slipped in a cheeky nod to Madonna.
Covers were a big part of the night. Their take on Erasure’s “A Little Respect” turned into a full-room singalong, complete with a “My Girl” tag, and “Basket Case” by Green Day brought a jolt of energy mid-set. A Canadian highlight came with “My Music at Work,” a respectful nod to The Tragically Hip that hit especially well with the local crowd, followed later by a heartfelt “Time Stand Still” from Rush.
The deeper cuts, “Lemonade,” “Fourteen,” and “I’d Never Write a Song About You, ”showed the band’s range, balancing humour with real vulnerability. Then came “Teenage Dirtbag.” No surprise, it turned into mass karaoke, with every fan in the room locked in from the first line.
Instead of ending big, they closed small. Brown returned alone for an off-mic acoustic “Desperate Songs,” quiet enough that you could hear the room breathe. It was a simple finish that summed up the night: warm and completely in sync with the crowd.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
WHEATUS






CHIEF STATE



All Photo Credit: Caroline Charruyer
