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Joey Valence & Brae at the Vogue Theatre in Vancouver

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Joey Valence & Brae (aka JVB) turned the Vogue Theatre into pure chaos on September 25, the third stop of their HYPERYOUTH World Tour. The sold-out crowd didn’t just show up, they followed the duo’s Instagram-published “tour rules” to the letter: dance, scream, mosh, sweat, repeat. Vancouver fans obliged, packing the floor shoulder-to-shoulder and turning the venue into one giant pit.

From the second Joey and Brae hit the stage, the energy was relentless. Their chemistry was the kind you can’t fake: Joey’s rapid-fire rhymes ping-ponging off Brae’s goofy charisma in a way that kept every song unpredictable. They bounced, sprinted, and flung themselves around like cartoon characters on a sugar rush, but it never felt gimmicky. It felt like controlled chaos, fueled by breakbeats, video game samples, and throwback flows that channelled early-2000s Beastie Boys while twisting them into something distinctly modern.

The set leaned into their new album HYPERYOUTH, a record about growing up without losing your sense of play. Tracks like “LIVE RIGHT” hit anthemic highs, while older favourites sparked instant singalongs. Fans screamed every word, started spontaneous mosh pits, and made good on another JVB commandment: “bring a friend, make a friend.” By the end, nobody left clean, just covered in sweat and the sense that they’d been part of something communal.

For a duo still rising in the hip-hop world, Joey Valence & Brae already know how to command a room. Their live show is part rap battle, part house party, stitched together with humour and heart.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

Upcoming Tour Dates:
Sept 26 – Seattle, WA – The Showbox
Sept 29 – San Francisco, CA – The Regency Ballroom
Sept 30 – Santa Ana, CA – Observatory OC
Oct 2 – Denver, CO – Cervantes’ Masterpiece Ballroom
Oct 6 – Houston, TX – House of Blues Houston
Oct 8 – Fort Worth, TX – Tannahill’s Tavern & Music Hall
Oct 9 – Austin, TX – Empire Garage
Oct 15 – Minneapolis, MN – First Avenue
Oct 17 – Milwaukee, WI – The Rave / Eagles Club
Oct 18 – Columbus, OH – Newport Music Hall
Oct 19 – Detroit, MI – Majestic Theatre
Oct 21 – Toronto, ON – Danforth Music Hall
Oct 23 – Philadelphia, PA – Theatre of Living Arts
Oct 24 – New York, NY – Irving Plaza
Oct 25 – Allentown, PA – Archer Music Hall
Oct 30 – Leeds, UK – O2 Academy
Oct 31 – Bristol, UK – Bristol Electric
Nov 1 – Birmingham, UK – O2 Institute
Nov 3 – Manchester, UK – New Century Hall
Nov 4 – London, UK – O2 Shepherd’s Bush Empire
Nov 6 – Newcastle, UK – Newcastle University Student Union
w/ support from AG Club on all dates
More info on their website www.jvbsucks.com.

JOEY VALENCE & BRAE

All Photo Credit: Caroline Charruyer

Concerts Photos

Turnover Brings ‘Down On Earth Tour’ to Ventura Music Hall

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Turnover-Ventura-14

On July 2nd, American rock band Turnover brought the North American leg of the Down On Earth Tour to a sold out Ventura Music Hall in sunny California. The concert featured opening acts by Minneapolis indie rock band She’s Green and Dallas-based grunge/rock band Narrow Head.

As She’s Green took the stage, the crowd sang along and swayed to the music. The soft, indie music helped ease fans into what was going to be an incredible night in Ventura. When Narrow Head took the stage, the atmosphere drastically changed. The heavy rock music shook the venue. Heads began to thrash and bang as Narrow Head rocked out. A moshpit even formed in the middle of the crowd! The energy that Turnover needed was definitely there that night. After both sets from the co-openers, the crowd was warmed up and ready for Turnover.

These two openers joined Turnover for the first part of their 2026 Down On Earth Tour, which includes twenty-nine shows across North America. The tour began in Allentown, PA, and will end in Olympia, WA. The North American and Canadian segment starts again on November 3rd in Cincinnati, OH, and concludes on December 10th in Asheville, NC.

Founded by brothers Austin (lead vocals) and Casey Getz (drums), along with their childhood friend Danny Dempsey (bass), Turnover later added Nick Rayfield (lead guitar, piano) in 2022 after touring with the band since 2017.

Initially, the band was considered emo from 2011-2014, following their 2013 debut album, Magnolia, influenced by Blink-182 and Title Fight; the band shifted towards a more atmospheric indie rock style after releasing Peripheral Vision in 2015. They drew inspiration from Beach House, Interpol, The Smiths, among others, with each album showcasing new musical influences.

For their latest album, Down on Earth, Turnover experimented by stepping away from their longtime producer and relying on improvisation. Celebrating the 10th anniversary of Peripheral Vision, they revisited their earlier sound and lyricism that distinguished their early work.

The band aimed for a ‘less escape, more presence’ vibe on this record, moving away from psychedelic dream-pop towards themes inspired by natural environments, intimacy, and physical distance between people.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

TURNOVER

NARROW HEAD

SHE’S GREEN

All Photo Credit: Taylor Blazer

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Concerts Photos

Bôa Brings ‘Whiplash’ Tour to the Commodore Ballroom in Vancouver

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Boa

British alternative rock band Bôa closed out the North American leg of their Whiplash tour with a memorable sold-out performance at Vancouver’s Commodore Ballroom on June 27. Making their long-awaited Vancouver debut, the trio was welcomed by an enthusiastic crowd that had clearly been waiting years for this moment.

Opening the evening was Vancouver-based Taiwanese-Canadian singer-songwriter Jia. Blending dream pop, indie rock, earthy Americana, and cinematic influences, her set created the perfect atmosphere before the night’s headliner. Songs from her album Technicolour showcased her haunting vocals and thoughtful songwriting, earning warm applause from an audience that quickly settled into the evening.

When Bôa took the stage, the room erupted. Frontwoman Jasmine Rodgers immediately drew the audience in with her effortlessly expressive vocals, balancing softness and strength throughout the band’s set. Her voice remains the defining element of Bôa‘s sound, carrying emotional weight that translated beautifully in a live setting.

The band moved through fan favourites including “Twilight,” “Fool,” “Drinking,” and newer material from Whiplash, proving that their recent resurgence is built on far more than nostalgia. During “Drinking,” phone lights illuminated the Commodore, creating one of the night’s most memorable moments as fans swayed together.

One of the night’s biggest surprises came when legendary classic rock singer Paul Rodgers, best known as the frontman of Free and Bad Company, made a brief appearance on stage. Joining his daughter Jasmine Rodgers for a touching father-daughter moment, the special guest appearance was met with loud cheers from the Commodore Ballroom crowd.

Despite it being the final stop of a lengthy North American tour, the band played with remarkable energy. Smiles were constant across the stage, and it was clear they were enjoying every minute of their Vancouver debut.

The encore delivered exactly what fans had hoped for. As the opening notes of “Duvet” rang out, the entire venue seemed to sing in unison. The song’s renewed popularity may have introduced a new generation to Bôa, but hearing hundreds of voices fill the Commodore proved its emotional impact has never faded.

For a first visit to Vancouver, Bôa left a lasting impression. Their final North American show was equal parts intimate and powerful, ending the tour on a high note while leaving fans hoping they won’t wait as long before returning.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

bôa

JIA

All Photo Credit: Caroline Charruyer

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