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Joey Valence & Brae at the Vogue Theatre in Vancouver

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Joey Valence & Brae (aka JVB) turned the Vogue Theatre into pure chaos on September 25, the third stop of their HYPERYOUTH World Tour. The sold-out crowd didn’t just show up, they followed the duo’s Instagram-published “tour rules” to the letter: dance, scream, mosh, sweat, repeat. Vancouver fans obliged, packing the floor shoulder-to-shoulder and turning the venue into one giant pit.

From the second Joey and Brae hit the stage, the energy was relentless. Their chemistry was the kind you can’t fake: Joey’s rapid-fire rhymes ping-ponging off Brae’s goofy charisma in a way that kept every song unpredictable. They bounced, sprinted, and flung themselves around like cartoon characters on a sugar rush, but it never felt gimmicky. It felt like controlled chaos, fueled by breakbeats, video game samples, and throwback flows that channelled early-2000s Beastie Boys while twisting them into something distinctly modern.

The set leaned into their new album HYPERYOUTH, a record about growing up without losing your sense of play. Tracks like “LIVE RIGHT” hit anthemic highs, while older favourites sparked instant singalongs. Fans screamed every word, started spontaneous mosh pits, and made good on another JVB commandment: “bring a friend, make a friend.” By the end, nobody left clean, just covered in sweat and the sense that they’d been part of something communal.

For a duo still rising in the hip-hop world, Joey Valence & Brae already know how to command a room. Their live show is part rap battle, part house party, stitched together with humour and heart.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

Upcoming Tour Dates:
Sept 26 – Seattle, WA – The Showbox
Sept 29 – San Francisco, CA – The Regency Ballroom
Sept 30 – Santa Ana, CA – Observatory OC
Oct 2 – Denver, CO – Cervantes’ Masterpiece Ballroom
Oct 6 – Houston, TX – House of Blues Houston
Oct 8 – Fort Worth, TX – Tannahill’s Tavern & Music Hall
Oct 9 – Austin, TX – Empire Garage
Oct 15 – Minneapolis, MN – First Avenue
Oct 17 – Milwaukee, WI – The Rave / Eagles Club
Oct 18 – Columbus, OH – Newport Music Hall
Oct 19 – Detroit, MI – Majestic Theatre
Oct 21 – Toronto, ON – Danforth Music Hall
Oct 23 – Philadelphia, PA – Theatre of Living Arts
Oct 24 – New York, NY – Irving Plaza
Oct 25 – Allentown, PA – Archer Music Hall
Oct 30 – Leeds, UK – O2 Academy
Oct 31 – Bristol, UK – Bristol Electric
Nov 1 – Birmingham, UK – O2 Institute
Nov 3 – Manchester, UK – New Century Hall
Nov 4 – London, UK – O2 Shepherd’s Bush Empire
Nov 6 – Newcastle, UK – Newcastle University Student Union
w/ support from AG Club on all dates
More info on their website www.jvbsucks.com.

JOEY VALENCE & BRAE

All Photo Credit: Caroline Charruyer

Concerts Photos

Joost Klein Brings World Tour With Chaos and Heart in Vancouver

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Joost Klein

Fresh off two sets at Coachella 2026 — a historic milestone as the first Dutch-language artist to ever grace that stage — Joost Klein brought his world tour to Vancouver’s Harbour Event & Convention Centre on Monday night. If the Southern California desert crowds were a warm-up, Vancouver got the real thing.

From the opening notes of Ome Robert to a euphoric, arms-in-the-air Europapa, Klein delivered nearly 30 songs worth of controlled chaos. The Frisian artist operates in a genuinely singular space, somewhere between Dutch hardcore, punk fury, and emotionally devastating party music. And the packed room at Harbour centre felt every single frequency. Sweat was basically precipitation by the midpoint of the set.

The mosh pits were, predictably, unhinged. Klein summons that energy. Circle pits tore open during Gabberland and BOOM BOOM!!!!!, and the crowd obliged every invitation. Yet between the mayhem, there were quieter moments. A gorgeous Zonder Jou hushed the room before Klein rebuilt the roof again.

Highlights were abundant: a wild TRAFIK! (his take on Käärijä’s banger), and an abridged Friesenjung that turned into a full remix by the encore.

This is a guy who started as a teenage Dutch YouTuber, got disqualified from Eurovision 2024 for comments that some judged controversial, and somehow ended up headlining a world tour on five continents. Nobody saw it coming, Klein included. The rest of the world better be ready for this tour.

Joost Klein will be on tour in North America, Europe and Australia until December 2026. Head to his website for all the information.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

JOOST

All Photo Credit: Caroline Charruyer

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Concerts Photos

Wheatus Play their Debut Album in Full at The Pearl in Vancouver

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Wheatus

On April 13, Wheatus rolled into Vancouver and made a strong case that they’ve outgrown rooms like The Pearl. The show was sold out, shoulder-to-shoulder, and honestly felt like it could’ve filled the Commodore Ballroom across the street without breaking a sweat.

Opening support from Chief State and Brain Bent set the tone early, but once Brendan B. Brown and company hit the stage, the night turned into a loose, fan-driven ride. True to form, the band leaned into spontaneity, pulling from a deep catalogue with help from the crowd, before the show even started. “Leroy,” “Truffles,” and “Wannabe Gangstar” landed fast, while “Hump’Em N’ Dump’Em” slipped in a cheeky nod to Madonna.

Covers were a big part of the night. Their take on Erasure’s “A Little Respect” turned into a full-room singalong, complete with a “My Girl” tag, and “Basket Case” by Green Day brought a jolt of energy mid-set. A Canadian highlight came with “My Music at Work,” a respectful nod to The Tragically Hip that hit especially well with the local crowd, followed later by a heartfelt “Time Stand Still” from Rush.

The deeper cuts, “Lemonade,” “Fourteen,” and “I’d Never Write a Song About You, ”showed the band’s range, balancing humour with real vulnerability. Then came “Teenage Dirtbag.” No surprise, it turned into mass karaoke, with every fan in the room locked in from the first line.

Instead of ending big, they closed small. Brown returned alone for an off-mic acoustic “Desperate Songs,” quiet enough that you could hear the room breathe. It was a simple finish that summed up the night: warm and completely in sync with the crowd.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

WHEATUS

CHIEF STATE

All Photo Credit: Caroline Charruyer

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