Concerts Photos
Jessie Murph at the Queen Elizabeth Theatre in Vancouver
On September 22, Jessie Murph brought her Worldwide Hysteria Tour to the Queen Elizabeth Theatre in Vancouver, and the night was anything but quiet. Rising from behind a giant round podium dressed in a yellow two-piece with a flowing cape, Murph set the tone instantly. With male dancers flanking her and a tight live band backing her, she launched into a fierce opening trio of “Gucci Mane,” “1965,” and “Touch Me Like a Gangster,” all from her breakout 2025 album Sex Hysteria.
The crowd did more than just sing along, they screamed every lyric back at her. The devotion on display seemed to fuel Murph, who flashed wide grins between verses and leaned into her mix of swagger and vulnerability. Her stage presence carries the same contradictions as her music: sweet on the surface, raw and unfiltered at the core.
The night also held a special surprise: it happened to be Murph’s 21st birthday. Midway through the set, her crew rolled out a cake and led the audience in a massive singalong of “Happy Birthday,” a moment that had Murph laughing and tearing up before jumping back into the performance. It was a reminder that while her songs often explore heavy emotions, she’s still at the start of a career with milestones ahead.
At only 21, Murph has already carved out a space where hip hop cadence, country twang, and bluesy grit collide. Sex Hysteria dives into messy, intoxicating love, and hearing those words echoed by hundreds of fans was striking.
Murph’s rise has been fast, from TikTok covers in 2021 to charting singles like “Always Been You,” “Pray,” and most recently “Blue Strips.” With sold-out shows and record-setting crowds already under her belt, it’s hard not to imagine her leaping from theatres to arenas on her next run. In Vancouver, she proved she’s ready for it.
Upcoming Tour Dates:
Sep 24 | Portland, OR | Theater of the Clouds
Sep 26 | Oakland, CA | Fox Theater
Sep 27 | Los Angeles, CA | The Shrine
Oct 08 | Amsterdam, Netherlands | Melkweg
Oct 10 | Brussels, Belgium | Ancienne Belgique
Oct 11 | Hamburg, Germany | Grosse Freiheit
Oct 13 | Berlin, Germany | Huxleys
Oct 14 | Copenhagen, Denmark | Vega
Oct 16 | Cologne, Germany | Carlswerk
Oct 17 | Paris, France | Trabendo
Oct 19 | Birmingham, UK | O2 Institute
Oct 21 | Glasgow, UK | Barrowland Ballroom
Oct 22 | Manchester, UK | Manchester Academy
Oct 24 | London, UK | The Roundhouse
Oct 26 | Dublin, Ireland | 3Olympia
Nov 12 | Perth, Australia | Metropolis Fremantle
Nov 15 | Sydney, Australia | Enmore Theatre
Nov 18 | Brisbane, Australia | Fortitude Music Hall
Nov 20 | Melbourne, Australia | The Forum
Nov 22 | Auckland, New Zealand | Town Hall
More information here.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
JESSIE MURPH
STELLA LEFTY
All Photo Credit: Caroline Charruyer
Concerts Photos
Turnover Brings ‘Down On Earth Tour’ to Ventura Music Hall
On July 2nd, American rock band Turnover brought the North American leg of the Down On Earth Tour to a sold out Ventura Music Hall in sunny California. The concert featured opening acts by Minneapolis indie rock band She’s Green and Dallas-based grunge/rock band Narrow Head.
As She’s Green took the stage, the crowd sang along and swayed to the music. The soft, indie music helped ease fans into what was going to be an incredible night in Ventura. When Narrow Head took the stage, the atmosphere drastically changed. The heavy rock music shook the venue. Heads began to thrash and bang as Narrow Head rocked out. A moshpit even formed in the middle of the crowd! The energy that Turnover needed was definitely there that night. After both sets from the co-openers, the crowd was warmed up and ready for Turnover.
These two openers joined Turnover for the first part of their 2026 Down On Earth Tour, which includes twenty-nine shows across North America. The tour began in Allentown, PA, and will end in Olympia, WA. The North American and Canadian segment starts again on November 3rd in Cincinnati, OH, and concludes on December 10th in Asheville, NC.
Founded by brothers Austin (lead vocals) and Casey Getz (drums), along with their childhood friend Danny Dempsey (bass), Turnover later added Nick Rayfield (lead guitar, piano) in 2022 after touring with the band since 2017.
Initially, the band was considered emo from 2011-2014, following their 2013 debut album, Magnolia, influenced by Blink-182 and Title Fight; the band shifted towards a more atmospheric indie rock style after releasing Peripheral Vision in 2015. They drew inspiration from Beach House, Interpol, The Smiths, among others, with each album showcasing new musical influences.
For their latest album, Down on Earth, Turnover experimented by stepping away from their longtime producer and relying on improvisation. Celebrating the 10th anniversary of Peripheral Vision, they revisited their earlier sound and lyricism that distinguished their early work.
The band aimed for a ‘less escape, more presence’ vibe on this record, moving away from psychedelic dream-pop towards themes inspired by natural environments, intimacy, and physical distance between people.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
TURNOVER
NARROW HEAD
SHE’S GREEN
All Photo Credit: Taylor Blazer
Concerts Photos
Bôa Brings ‘Whiplash’ Tour to the Commodore Ballroom in Vancouver
British alternative rock band Bôa closed out the North American leg of their Whiplash tour with a memorable sold-out performance at Vancouver’s Commodore Ballroom on June 27. Making their long-awaited Vancouver debut, the trio was welcomed by an enthusiastic crowd that had clearly been waiting years for this moment.
Opening the evening was Vancouver-based Taiwanese-Canadian singer-songwriter Jia. Blending dream pop, indie rock, earthy Americana, and cinematic influences, her set created the perfect atmosphere before the night’s headliner. Songs from her album Technicolour showcased her haunting vocals and thoughtful songwriting, earning warm applause from an audience that quickly settled into the evening.
When Bôa took the stage, the room erupted. Frontwoman Jasmine Rodgers immediately drew the audience in with her effortlessly expressive vocals, balancing softness and strength throughout the band’s set. Her voice remains the defining element of Bôa‘s sound, carrying emotional weight that translated beautifully in a live setting.
The band moved through fan favourites including “Twilight,” “Fool,” “Drinking,” and newer material from Whiplash, proving that their recent resurgence is built on far more than nostalgia. During “Drinking,” phone lights illuminated the Commodore, creating one of the night’s most memorable moments as fans swayed together.
One of the night’s biggest surprises came when legendary classic rock singer Paul Rodgers, best known as the frontman of Free and Bad Company, made a brief appearance on stage. Joining his daughter Jasmine Rodgers for a touching father-daughter moment, the special guest appearance was met with loud cheers from the Commodore Ballroom crowd.
Despite it being the final stop of a lengthy North American tour, the band played with remarkable energy. Smiles were constant across the stage, and it was clear they were enjoying every minute of their Vancouver debut.
The encore delivered exactly what fans had hoped for. As the opening notes of “Duvet” rang out, the entire venue seemed to sing in unison. The song’s renewed popularity may have introduced a new generation to Bôa, but hearing hundreds of voices fill the Commodore proved its emotional impact has never faded.
For a first visit to Vancouver, Bôa left a lasting impression. Their final North American show was equal parts intimate and powerful, ending the tour on a high note while leaving fans hoping they won’t wait as long before returning.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
bôa
JIA
All Photo Credit: Caroline Charruyer