Concerts Photos
Passenger at the Orpheum Theatre in Vancouver, BC – Gallery

Passenger, the moniker of English singer-songwriter Mike Rosenberg, graced the Orpheum Theatre in Vancouver on September 10th, 2024 for the last date of his tour, with a heartfelt and engaging performance that captivated the audience from start to finish.
Indie pop singer-songwriter, SYML aka Brian Leseney Fennell, opened the night with his band. Under the laughs of the crowd, he recounted his afternoon when he showed at the Commodore Ballroom next door instead of the Orpheum.
Shortly after, Passenger appeared on stage with his guitar. Known for his global hit “Let Her Go” and his soulful acoustic sound, Passenger delivered an intimate solo set that proved his ability to hold an audience with nothing more than his voice and trusty guitar.
Passenger‘s show was a mix of music and storytelling, peppered with witty anecdotes and reflections on his journey as an artist. He drew a sizable crowd eager to reconnect with his music. He opened with tracks from his celebrated album All the Little Lights, which marked its tenth anniversary last year. Highlights included an emotional rendition of “Life’s for the Living” and a crowd sing-along of “Let Her Go,” which he humorously reminded everyone was not to be confused with the Frozen song of the same name. True to form, Passenger’s performance went beyond his studio recordings, showcasing a vibrant stage presence and a keen sense of humour.
Passenger‘s set showcased his talent and the power of simplicity. His dynamic guitar work and soulful voice filled the room, while the lighting enhanced the atmosphere. Passenger will continue his tour to Australia, make sure to head to his website for more info.
Check out our favourite photos of the night or head to our Facebook page for the full gallery!
PASSENGER







SYLM



All Photo Credit: Caroline Charruyer
Concerts Photos
Buffalo Traffic Jam at the Danforth Music Hall in Toronto
There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.
Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.
Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age.
Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BUFFALO TRAFFIC JAM







COLIN LYNCH



LYDIA MAES



All Photo Credit: Bailey Morgan
Concerts Photos
Sabaton Bring Fire and Fury to Vancouver on North American Tour Finale
After many many years away from Vancouver, Sabaton returned to the PNE Forum on October 8 for a fiery night of heavy metal, military-themed theatrics and massive sing-alongs. The Swedish metal band chose the city to close out its North American tour, and it went out with a bang.
Opening the night was Pop Evil, whose modern hard rock offered a different sound from the headliner’s power metal. Tracks like “Trenches” brought plenty of energy, giving the crowd a reason to get moving before the main event. Their heavier riffs and commanding stage presence made for a solid start to the evening despite the low lighting.
Sabaton wasted little time making its return count. Kicking off with “Ghost Division,” the band delivered a wall of sound backed by pounding drums, sharp guitar riffs and bursts of fire that lit up the Forum. The stage, complete with military-inspired hardware, gave the performance the feel of a full-scale production rather than a standard metal concert.
Frontman Joakim Brodén led the charge with his unmistakable voice and natural sense of showmanship. Songs like “The Last Stand,” “Stormtroopers” and “Night Witches” showcased the band’s knack for turning historical stories into anthems built for thousands of voices. The crowd happily did its part, singing along throughout the night.
The spectacle never distracted from the music. Flames punctuated the band’s heaviest moments, adding extra intensity to “Bismarck,” “Fields of Verdun” and “The Attack of the Dead Men.” For the latter, the band leaned into the song’s subject matter with gas masks, adding another theatrical touch to an already explosive set.
The closing stretch was pure Sabaton. “Swedish Pagans” brought another huge audience sing-along before “Primo Victoria” and “To Hell and Back” sent the Forum into the night at full volume.
After seven years, Sabaton gave Vancouver plenty of reasons to welcome them back. Closing the North American tour with a performance this tight, loud and entertaining was a fitting end to the run. With commanding vocals, memorable choruses and enough pyro to warm the entire Forum, the band left little doubt that its next visit cannot come soon enough.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
SABATON







POP EVIL



All Photo Credit: Caroline Charruyer
