Concerts Photos
Passenger at the Orpheum Theatre in Vancouver, BC – Gallery
Passenger, the moniker of English singer-songwriter Mike Rosenberg, graced the Orpheum Theatre in Vancouver on September 10th, 2024 for the last date of his tour, with a heartfelt and engaging performance that captivated the audience from start to finish.
Indie pop singer-songwriter, SYML aka Brian Leseney Fennell, opened the night with his band. Under the laughs of the crowd, he recounted his afternoon when he showed at the Commodore Ballroom next door instead of the Orpheum.
Shortly after, Passenger appeared on stage with his guitar. Known for his global hit “Let Her Go” and his soulful acoustic sound, Passenger delivered an intimate solo set that proved his ability to hold an audience with nothing more than his voice and trusty guitar.
Passenger‘s show was a mix of music and storytelling, peppered with witty anecdotes and reflections on his journey as an artist. He drew a sizable crowd eager to reconnect with his music. He opened with tracks from his celebrated album All the Little Lights, which marked its tenth anniversary last year. Highlights included an emotional rendition of “Life’s for the Living” and a crowd sing-along of “Let Her Go,” which he humorously reminded everyone was not to be confused with the Frozen song of the same name. True to form, Passenger’s performance went beyond his studio recordings, showcasing a vibrant stage presence and a keen sense of humour.
Passenger‘s set showcased his talent and the power of simplicity. His dynamic guitar work and soulful voice filled the room, while the lighting enhanced the atmosphere. Passenger will continue his tour to Australia, make sure to head to his website for more info.
Check out our favourite photos of the night or head to our Facebook page for the full gallery!
PASSENGER
SYLM
All Photo Credit: Caroline Charruyer
Concerts Photos
Alabama Shakes Bring the Soul Back to Vancouver
After nearly a decade away, Alabama Shakes returned to Vancouver on June 26 for a night that was both a reunion and a revival. Performing at the new Freedom Mobile Arch, the Alabama band wasted little time reminding the crowd why their blend of blues, rock, soul, and gospel made such an impact in the first place.
The band opened shortly after 8p.m. with immediate force, locking into the familiar rhythms that have defined their sound since their 2012 debut, Boys & Girls. As the daylight decreased, “Another Life” brought a warm shift to the rainy evening, with the crowd swaying together before “Hang Loose” kept the mood loose and upbeat.
At the centre of it all was Brittany Howard, whose voice remains as commanding as ever. Her ability to move from a delicate falsetto on “Future People” to a full-throated roar gave the songs a fresh edge without losing what made them special. “I Found You” brought out the band’s gospel and blues roots, while “Hold On” turned the venue into one massive singalong.
The set’s emotional high point came with “Gimme All Your Love,” as Howard and the band leaned into every groove. “Don’t Wanna Fight” followed with equal parts tension and release before the band left the stage.
Alabama Shakes‘ return showed that, after all these years, this band can still make a crowd rise.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
ALABAMA SHAKES
All Photo Credit: Caroline Charruyer
Concerts Photos
Of Monsters and Men Bring ‘The Mouse Parade’ Tour to the Queen Elizabeth Theatre in Vancouver
Of Monsters and Men returned to Vancouver on June 25 with a packed show at the Queen Elizabeth Theatre, bringing their mix of indie folk, rock and cinematic pop to a crowd that was more than ready to welcome them back. After years away from the live stage, the Icelandic band showed no signs of rust, delivering a performance that moved easily between quiet, atmospheric moments and full-room singalongs.
The evening opened with American indie folk singer-songwriter, August Ponthier, who shared songs from their debut album Everywhere Isn’t Texas, as well as new unreleased material.
At 9p.m., the lights dropped and Of Monsters And Men emerged from the shadows, surrounded by haze and an eerie wash of light that matched the darker mood of their newer material.
The set leaned heavily on songs from their latest album, All Is Love and Pain in the Mouse Parade, giving fans a chance to hear how the band’s sound has developed since their breakthrough. Tracks like “The Actor” and “Ordinary Creature” brought a more layered, reflective side of the group, yet they fit comfortably alongside older favourites.
Of course, the biggest reactions came when the band reached back into their catalogue. Both “King and Lionheart” and “Dirty Paws” had the audience singing along. Then came “Little Talks,” still one of the band’s biggest hits and an undeniable highlight of the night. The familiar opening instantly brought the room together, with the crowd handling a lot of the vocals.
At the centre of it all were Nanna Bryndís Hilmarsdóttir and Ragnar Þórhallsson, whose voices remain the band’s greatest strength. Their harmonies, paired with the group’s dynamic musicianship, made the long-awaited return feel completely worth the wait.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
OF MONSTERS AND MEN
AUGUST PONTHIER
All Photo Credit: Caroline Charruyer