Concerts Photos
Portugal. The Man Bring Alaska to The Wiltern on Their Denali Tour
Alaskan natives, Portugal. The Man hit the road for their twenty-show Denali 2025 tour across North America. This past Sunday, November 16th, the alt/rock group set up camp at the historic Wiltern in Los Angeles. The Wiltern was completely sold out, filled with eager fans excited to see their favorite band perform.
Ya Tseen, an indie/alternative artist from Alaska known for blending psych-pop with political themes, performed with Portugal. The Man for the evening. Ya Tseen, also known as Nicholas Galanin, is a musician of Tlingit/Unangax̂ heritage who seems to remain constantly active.
The creative visual artist Ya Tseen draws inspiration from time spent outdoors and with family, while also blurring the lines between music and art. He states that his new album, Stand On My Shoulder, “builds on connection and revolutionary love as the foundation for collective liberation that ran throughout [his previous album] Indian Yard.”
Portugal. The Man took the stage shortly after Ya Tseen’s set. As the lights began to dim, the crowd roared. A colorful visual of Alaskan nature spread across the stage as each instrument was covered in LED screens, seamlessly creating the illusion of being out in Alaska’s vast nature. The band’s tenth studio album, Shish, is an ode to Alaska, as evidenced by its artwork and song titles, such as “Denali,” “Angoon,” and “Kokhanockers.”
With heavy reference to the icy cold, John Gourley, the singer, stated that “Mush is about survival and ambition in rural life.” At the same time, the track “Tanana” acknowledges the reality of generational sadness and the never-ending search for meaning.
While Portugal. The Man has expressed their fondness for Alaska; it was only after releasing tracks like “Tanana” and “Mush” from their album that it became clear that Shish was essentially a tribute to their home state. Originally from Wasilla, the band has showcased its love for Alaska throughout its 20-year career and ten studio albums. This album is also the band’s first album under their own label imprint, KNIK. The label operates under the distribution company Thirty Tigers.
Check out our favorite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
Nov 19 – Denver, CO – The Mission Ballroom
Nov 21 – Minneapolis, MN – First Avenue
Nov 22 – Chicago, IL – The Salt Shed / Beyond Hunger Benefit
Nov 23 – Columbus, OH – Skully’s
Nov 25 – Detroit, MI – Royal Oak Music Theatre
Nov 26 – Cleveland, OH – Grog Shop
Nov 27 – Toronto, ON – HISTORY
Nov 29 – Boston, MA – Roadrunner
Nov 30 – Asbury Park, NJ – Asbury Lanes
Dec 2 – Brooklyn, NY – Music Hall of Williamsburg
Dec 3 – New York, NY – Terminal 5
Dec 4 – Philadelphia, PA – Union Transfer
Dec 5 – Washington, DC – The Anthem
Dec 7 – Pelham, TN – The Caverns
Dec 8 – Asheville, NC – The Orange Peel
Dec 9 – Atlanta, GA – The Eastern
Dec 11 – Dallas, TX – The Bomb Factory
Dec 12 – Austin, TX – ACL Live – Moody Theater
European/ UK Tour Dates
Feb 23, 2026 – Dublin, Ireland – National Stadium
Feb 24, 2026 – Glasgow, UK – SWG3 Galvanizers
Feb 25, 2026 – Manchester, UK – New Century
Feb 26, 2026 – London, UK – The Roundhouse
Feb 28, 2026 – Paris, France – Elysee Montmartre
Mar 1, 2026 – Luxembourg – den L’Atelier
Mar 2, 2026 – Antwerpen, Belgium – De Roma
Mar 3, 2026 – Tilburg, Netherlands – 013 Poppodium
Mar 5, 2026 – Hamburg, Germany – Inselpark Arena
Mar 6, 2026 – Cologne, Germany – Palladium
Mar 8, 2026 – Copenhagen, Denmark – Amager Bio
Mar 9, 2026 – Berlin, Germany – Columbiahalle
Mar 10, 2026 – Warsaw, Poland – Klub Stodola
Mar 11, 2026 – Prague, Czech Republic – ARCHA+
Mar 13, 2026 – Milan, Italy – Fabrique
Mar 14, 2026 – Lausanne, Switzerland – Les Docks
Mar 15, 2026 – Zurich, Switzerland – KOMPLEX 457
Mar 17, 2026 – Vienna, Austria – Gasometer
More information on the band’s website.
PORTUGAL. THE MAN
YA TSEEN
All Photo Credit: Taylor Blazer
Concerts Photos
Summer of ’99 Tour: Creed Gives Winnipeg a Night to Remember
Some nights disappear by the time you get home. This wasn’t one of them. From the first note to the final encore, Canada Life Centre never stopped singing with Creed. Beat after beat, lyric after lyric, hundreds of voices carried the night. If you weren’t there, you genuinely missed something special.
Opening the night was Mammoth. Before jumping into the set, Wolfgang Van Halen asked the crowd how many had seen the band before and how many were first-timers. The cheers landed almost perfectly down the middle.
I also found out he was Eddie Van Halen’s son, my expectations shot through the roof. That’s a heavy name to carry. Songs like “The End,” “The Spell,” “Distance,” and “I Really Wanna” showed exactly why Mammoth is building its own reputation. By the end of the set, he wasn’t just Eddie’s son, he was Wolfgang Van Halen.
Next came Big Wreck, a band that somehow gets even better live. Ian Thornley’s guitar work was effortless, floating between delicate melodies without missing a beat. “The Oaf,” “Come Again,” and “Albatross” sounded massive. Every instrument cut through cleanly, every lyric landed. Big Wreck are definitely one of Canada’s strongest live rock bands.
Then everything shifted. Long before the lights dropped, the arena had already decided who they came for.
“Creed! Creed! Creed!”
The chant rolled across the building before the band even stepped on stage. The opening blast of “Bullets” hit with fire shooting into the air, smoke pouring across the stage. They played like a band with something left to prove. Audiences were locked in just like the band.
The set moved through “Weathered,” “On My Sleeve,” “My Own Prison,” “What If,” “One,” “What’s This Life For,” and “With Arms Wide Open.” Every chorus came back twice as loud as it left the stage. Thousands of phone lights lit up the arena.
After a short pause, the encore delivered exactly what everyone had been waiting for. “One Last Breath.” The crowd barely let Stapp finish a line before taking over. Then came “My Sacrifice,” and for a few minutes, the band almost disappeared beneath the voices around them. That’s what made this show hit differently. The show was about hearing songs that still connect, still fill arenas, and still have thousands of people screaming every word like they were written yesterday.
Check our our favourite photos of the night below or head to our Facebook page for the full gallery!
CREED
BIG WRECK
MAMMOTH
All Photo Credit: Nischal Karki
Concerts Photos
Coheed and Cambria Bring “This Is Our War” to Ottawa
Hard Rock Hotel & Casino Ottawa – July 14, 2026
There’s a particular kind of chaos that follows Coheed and Cambria into a room, and Ottawa got the full dose of it on a Tuesday night that felt more like a Saturday. Twenty-plus years into their run, and still touring behind last year’s Vaxis – Act III: The Father of Make Believe, the New York prog-rock lifers proved once again that a good story and a great riff are not mutually exclusive.
The Openers: Cevilain Own Their Hometown Stage
Before the headliners even hit the stage, the local crowd already had something to cheer for. Cevilain, Ottawa’s own, got the rare hometown-opener treatment, and they didn’t waste it. Tight, loud, and relishing the size of the room, the band tore through a set that had the front rows moving well before Coheed‘s set change. There’s something different about watching a band play in their own city, and that energy was written all over the performance.
The Headliners: Hair, Harmonics, and the Keywork
By the time the house lights dropped, the room was packed shoulder to shoulder. Claudio Sanchez took the stage exactly as fans expect him to, guitar slung low and hair a wall of curls.
The production leaned hard into the band’s sci-fi mythology, with the “keywork” logo splashed across the backdrop in shifting reds, blues, and greens throughout the night. Sanchez spent as much time airborne, leaping, crouching, and prowling the lip of the stage, as he did locked into the fretboard, and the rest of the band matched the intensity beat for beat. The rhythm section anchored the heavier cuts while the guitar work carried the band’s trademark blend of melodic hooks and progressive sprawl.
Between songs, the crowd took over almost as much as the band did, fists in the air, singalongs on the choruses, and no shortage of phones raised to catch a moment.
The Takeaway
For a band this deep into a catalog built on interlocking concept albums, Coheed and Cambria‘s live show still manages to feel less like a history lesson and more like a release valve. Ottawa showed up ready to shout every word back, Cevilain proved a hometown opening slot is nothing to waste, and by the time the last chord rang out, it was clear this stop on the This Is Our War tour earned its place in the run.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
COHEED AND CAMBRIA
CEVILIAN
All Photo Credit: Kieran Delport