Concerts Photos
Portugal. The Man Bring Alaska to The Wiltern on Their Denali Tour

Alaskan natives, Portugal. The Man hit the road for their twenty-show Denali 2025 tour across North America. This past Sunday, November 16th, the alt/rock group set up camp at the historic Wiltern in Los Angeles. The Wiltern was completely sold out, filled with eager fans excited to see their favorite band perform.
Ya Tseen, an indie/alternative artist from Alaska known for blending psych-pop with political themes, performed with Portugal. The Man for the evening. Ya Tseen, also known as Nicholas Galanin, is a musician of Tlingit/Unangax̂ heritage who seems to remain constantly active.
The creative visual artist Ya Tseen draws inspiration from time spent outdoors and with family, while also blurring the lines between music and art. He states that his new album, Stand On My Shoulder, “builds on connection and revolutionary love as the foundation for collective liberation that ran throughout [his previous album] Indian Yard.”
Portugal. The Man took the stage shortly after Ya Tseen’s set. As the lights began to dim, the crowd roared. A colorful visual of Alaskan nature spread across the stage as each instrument was covered in LED screens, seamlessly creating the illusion of being out in Alaska’s vast nature. The band’s tenth studio album, Shish, is an ode to Alaska, as evidenced by its artwork and song titles, such as “Denali,” “Angoon,” and “Kokhanockers.”
With heavy reference to the icy cold, John Gourley, the singer, stated that “Mush is about survival and ambition in rural life.” At the same time, the track “Tanana” acknowledges the reality of generational sadness and the never-ending search for meaning.
While Portugal. The Man has expressed their fondness for Alaska; it was only after releasing tracks like “Tanana” and “Mush” from their album that it became clear that Shish was essentially a tribute to their home state. Originally from Wasilla, the band has showcased its love for Alaska throughout its 20-year career and ten studio albums. This album is also the band’s first album under their own label imprint, KNIK. The label operates under the distribution company Thirty Tigers.
Check out our favorite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
Nov 19 – Denver, CO – The Mission Ballroom
Nov 21 – Minneapolis, MN – First Avenue
Nov 22 – Chicago, IL – The Salt Shed / Beyond Hunger Benefit
Nov 23 – Columbus, OH – Skully’s
Nov 25 – Detroit, MI – Royal Oak Music Theatre
Nov 26 – Cleveland, OH – Grog Shop
Nov 27 – Toronto, ON – HISTORY
Nov 29 – Boston, MA – Roadrunner
Nov 30 – Asbury Park, NJ – Asbury Lanes
Dec 2 – Brooklyn, NY – Music Hall of Williamsburg
Dec 3 – New York, NY – Terminal 5
Dec 4 – Philadelphia, PA – Union Transfer
Dec 5 – Washington, DC – The Anthem
Dec 7 – Pelham, TN – The Caverns
Dec 8 – Asheville, NC – The Orange Peel
Dec 9 – Atlanta, GA – The Eastern
Dec 11 – Dallas, TX – The Bomb Factory
Dec 12 – Austin, TX – ACL Live – Moody Theater
European/ UK Tour Dates
Feb 23, 2026 – Dublin, Ireland – National Stadium
Feb 24, 2026 – Glasgow, UK – SWG3 Galvanizers
Feb 25, 2026 – Manchester, UK – New Century
Feb 26, 2026 – London, UK – The Roundhouse
Feb 28, 2026 – Paris, France – Elysee Montmartre
Mar 1, 2026 – Luxembourg – den L’Atelier
Mar 2, 2026 – Antwerpen, Belgium – De Roma
Mar 3, 2026 – Tilburg, Netherlands – 013 Poppodium
Mar 5, 2026 – Hamburg, Germany – Inselpark Arena
Mar 6, 2026 – Cologne, Germany – Palladium
Mar 8, 2026 – Copenhagen, Denmark – Amager Bio
Mar 9, 2026 – Berlin, Germany – Columbiahalle
Mar 10, 2026 – Warsaw, Poland – Klub Stodola
Mar 11, 2026 – Prague, Czech Republic – ARCHA+
Mar 13, 2026 – Milan, Italy – Fabrique
Mar 14, 2026 – Lausanne, Switzerland – Les Docks
Mar 15, 2026 – Zurich, Switzerland – KOMPLEX 457
Mar 17, 2026 – Vienna, Austria – Gasometer
More information on the band’s website.
PORTUGAL. THE MAN







YA TSEEN



All Photo Credit: Taylor Blazer
Concerts Photos
Peaches Brings Performance Art and Pure Chaos to Vancouver
Despite Peaches, aka Merrill Nisker, being such an iconic figure of my millennial youth, I had somehow never seen her live. After finally catching her at the Commodore Ballroom on September 4, I’m still wondering what took me so long.
Part concert, part performance art and completely unapologetic, Peaches delivered one of the wildest shows I’ve experienced. The night started strong with Pixel Grip, one of the best opening acts I’ve seen in years. By the time Dolly Parton’s “9 to 5” came over the speakers before Peaches took the stage, the Commodore was buzzing.
Peaches opened with “Hanging Titties” dressed in an absurd, head-to-toe costume covered in dangling phallic imagery, setting the tone immediately. From there came a parade of outrageous costumes, surreal visuals and choreography that seemed purpose-built to make anyone uncomfortable. There were hairy body parts, fetish-inspired outfits and enough costume changes to give an entire season of RuPaul’s Drag Race a run for its money.
Yet beneath the shock value, there was a clear point. At 59, Peaches continues to challenge expectations around gender, sexuality, beauty and aging. Her show is deliberately confrontational, but it’s just as playful.
The biggest moment came when Peaches stepped into the crowd and was carried across the Commodore, performing as fans passed her overhead.
The encore brought the legendary “Fuck the Pain Away,” followed by “No Lube So Rude,” closing out a night that was equal parts hilarious, chaotic and completely unforgettable.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
PEACHES













All Photo Credit: Caroline Charruyer
Concerts Photos
Wave To Earth Bring ‘the pieces tour’ to Vancouver
By the time Wave to Earth took the stage at Doug Mitchell Thunderbird Arena on September 4, Vancouver was already buzzing. A lineup stretched around the block as fans waited to see the South Korean indie-rock trio kick off the first date of their the pieces tour in the city.
The band’s stage setup immediately set the tone, arranged to look like a cozy living room, complete with windows that opened onto a constantly changing view of the world outside. The clever screens showed footage filmed just outside the arena, creating the illusion that the stage was looking out onto the neighbourhood. Periodically, TransLink buses could be seen passing by, an unexpectedly Vancouver specific detail that made the arena feel intimate.
That sense of intimacy carried into the band’s entrance, with lead singer Daniel Kim stepping onto the stage wearing a UBC Arts cap, a small but memorable nod to the city and its university community.
From the opening notes, Wave to Earth leaned into the warm, laid-back atmosphere that has made their music resonate with fans around the world. The contrast between the arena’s size and the deliberately homey stage design made the show feel like being invited into the band’s living room.
As the opening night of the pieces tour, the Vancouver show set the tone for what promises to be a visually thoughtful and atmospheric run of dates.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
WAVE TO EARTH









All Photo Credit: Kelli Rothwell
