Concerts Photos
Jack’s Mannequin at the Vogue Theatre in Vancouver
Jack’s Mannequin brought a full-blown nostalgia storm to the Vogue Theatre on November 18, and the place felt wired from the second Andrew McMahon’s piano got rolled out.
This tour marks 20 years of Everything in Transit, and fans have been itching for a proper Jack’s Mannequin run. McMahon hasn’t shied away from his past the way he once did. Instead, he’s leaning into it, something that started when he reunited Something Corporate a couple years back and kept snowballing from there. You could feel that sense of full-circle pride all night.
Before the band launched into “Holiday From Real,” a short video played, touching on his leukemia diagnosis and the long road that followed. It was heavy but honest, and the crowd met it with nothing but love. Then the band ripped into the song, and the room erupted like it had been waiting two decades for that exact moment.
The set moved through all three albums: Everything in Transit, The Glass Passenger, People and Things, and every song landed. McMahon was in full chaos mode: climbing on his piano, jumping into the crowd, and eventually sailing across the floor on an inflatable llama float like it was the most normal thing in the world.
“Dark Blue” hit like a closing-night fireworks show, with the whole room screaming along. People walked out buzzing, already plotting trips to catch more dates on the tour. After all these years, Jack’s Mannequin still feels like home for a lot of fans, and McMahon played like he knew it.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
JACK’S MANNEQUIN
ILLUMINATI HOTTIES
All Photo Credit: Caroline Charruyer
Concerts Photos
Good Kid Bring ‘Can We Hang Out?’ Tour to the Vogue Theatre in Vancouver
On May 10th, Canadian indie rock band Good Kid brought their Can We Hang Out? Tour to the Vogue Theatre in Vancouver. The Toronto-born group, known for their high-energy performances and catchy melodies, kept the Vancouver crowd going all night long with their quirky personalities and interactions with the crowd.
The band is touring in support of their first full-length studio album, Can We Hang Out Sometime? — A bright, energetic indie rock record about the importance of staying connected when life feels chaotic.
Good Kid took to the stage around 9:00 pm, previewing the fresh sounds of Can We Hang Out Sometime? Opening with the catchy “Wall”. Instantly, the band had the crowd at their fingertips, singing along to every single lyric and getting the whole venue jumping up and down.
The Toronto group have built one of the strongest artist–fan relationships in modern indie rock by making their audience feel like an active part of the band’s world rather than just consumers of their music. There is an official Good Kid discord server, and they regularly engage with their fans on social media. They’ve also tapped into the gaming/streaming space, letting people use their music without aggressive copyright enforcement and have made a name for themselves in the Fortnite community.
Through the night, the band ran through their hits like “From the Start”, Mimi’s Delivery Service”, “Cicada”, “Summer” and “Bubbly.”
The show was full of antics with a wall of death, playing basketball with a giant beach ball and hula hoops, and even lead singer Nick Frosst at one point joining the moshpit. With a show of hands, it was about half of the venue’s first concert experience, and Good Kid definitely made it one to remember.
One thing is for sure — anytime Good Kid rolls into town, Vancouver is always down to hang out sometime.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
GOOD KID
All Photo Credit: Good Kid
Concerts Photos
The Midnight Bring ‘Time Machines’ Tour to the Queen Elizabeth Theatre in Vancouver
The Midnight turned the Queen Elizabeth Theatre into a glowing neon escape on May 10 as part of their Time Machines tour. Backed by sweeping synths and plenty of saxophone solos, the duo delivered a warm cinematic show.
By the time The Midnight hit the stage at 8pm, the Quennie was packed with fans spanning multiple generations. What stood out right away was how present everyone seemed. Phones stayed mostly down as the crowd soaked in every synth line, beat drop, and saxophone run.
Tyler Lyle was calm and conversational throughout the night, often encouraging singalongs that the audience happily delivered. The setlist balanced older fan favourites with newer tracks from 2025’s Syndicate. Songs like “Friction,” “Jason” performed with Harlee Case of New Constellations, and “Change Your Heart or Die” gave the show an energetic pulse, while “Los Angeles” and “Vampires” brought out the emotional core that has made the band so beloved in the synthwave world.
Visually, the show leaned into rich blues, purples, and neon pinks without going overboard. The production never distracted from the music itself. Instead, it amplified the feeling that The Midnight creates so well: nostalgia for a place that maybe never existed at all.
By the encore, the crowd was singing every word back as the band closed out a night that felt heartfelt and immersive.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
THE MIDNIGHT
All Photo Credit: Caroline Charruyer