Concerts Photos
The Darkness at the Wiltern in Los Angeles
Do you think you’re a guitar hero? Ever wondered what it’d be like to front a band that is heavy on the rock’n roll guitar sound, with equal parts flamboyancy and all parts showmanship? Congratulations!! You may have just wandered into a show headlined by The Darkness. The band was on their Dreams On Toast 2025 tour, and stopping in Los Angeles is always a must for an rock n roll band, where glam rock started once upon a time ago.
The band kicks off into high gear immediately upon taking the stage with “Rock And Roll Party Cowboy,” the first song off their latest album Dreams On Toast. An absolute banger of an opener, the atmosphere inside of the Wiltern was electric, a buzz at how incredible this band is after 25 years rocking through its trials and tribulations, as one does in life. The band proceeded to play 2 songs off of Permission To Land, their debut LP from 2003 with “Growing On Me” and “Get Your Hands Off Of My Woman.” For a band 25 years in, you’d think they were just starting out with the energy both Justin Hawkins and Dan Hawkins were putting out and on for the audience in Los Angeles. Rounding out the band was bassist Frankie Poullain and drummer Rufus Tiger Taylor.
The band is in the midst of finishing up their Dreams On Toast tour across the US, with dates in Australia and New Zealand coming up in February / March, as well as dates opening for Iron Maiden in July 2026. Stay tuned and as always, ready to rock!
Find more information about the Dream on Toast Tour on The Darkness’ website.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
THE DARKNESS
All Photo Credit: John McCrary
Concerts Photos
Joost Klein Brings World Tour With Chaos and Heart in Vancouver
Fresh off two sets at Coachella 2026 — a historic milestone as the first Dutch-language artist to ever grace that stage — Joost Klein brought his world tour to Vancouver’s Harbour Event & Convention Centre on Monday night. If the Southern California desert crowds were a warm-up, Vancouver got the real thing.
From the opening notes of Ome Robert to a euphoric, arms-in-the-air Europapa, Klein delivered nearly 30 songs worth of controlled chaos. The Frisian artist operates in a genuinely singular space, somewhere between Dutch hardcore, punk fury, and emotionally devastating party music. And the packed room at Harbour centre felt every single frequency. Sweat was basically precipitation by the midpoint of the set.
The mosh pits were, predictably, unhinged. Klein summons that energy. Circle pits tore open during Gabberland and BOOM BOOM!!!!!, and the crowd obliged every invitation. Yet between the mayhem, there were quieter moments. A gorgeous Zonder Jou hushed the room before Klein rebuilt the roof again.
Highlights were abundant: a wild TRAFIK! (his take on Käärijä’s banger), and an abridged Friesenjung that turned into a full remix by the encore.
This is a guy who started as a teenage Dutch YouTuber, got disqualified from Eurovision 2024 for comments that some judged controversial, and somehow ended up headlining a world tour on five continents. Nobody saw it coming, Klein included. The rest of the world better be ready for this tour.
Joost Klein will be on tour in North America, Europe and Australia until December 2026. Head to his website for all the information.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
JOOST
All Photo Credit: Caroline Charruyer
Concerts Photos
Wheatus Play their Debut Album in Full at The Pearl in Vancouver
On April 13, Wheatus rolled into Vancouver and made a strong case that they’ve outgrown rooms like The Pearl. The show was sold out, shoulder-to-shoulder, and honestly felt like it could’ve filled the Commodore Ballroom across the street without breaking a sweat.
Opening support from Chief State and Brain Bent set the tone early, but once Brendan B. Brown and company hit the stage, the night turned into a loose, fan-driven ride. True to form, the band leaned into spontaneity, pulling from a deep catalogue with help from the crowd, before the show even started. “Leroy,” “Truffles,” and “Wannabe Gangstar” landed fast, while “Hump’Em N’ Dump’Em” slipped in a cheeky nod to Madonna.
Covers were a big part of the night. Their take on Erasure’s “A Little Respect” turned into a full-room singalong, complete with a “My Girl” tag, and “Basket Case” by Green Day brought a jolt of energy mid-set. A Canadian highlight came with “My Music at Work,” a respectful nod to The Tragically Hip that hit especially well with the local crowd, followed later by a heartfelt “Time Stand Still” from Rush.
The deeper cuts, “Lemonade,” “Fourteen,” and “I’d Never Write a Song About You, ”showed the band’s range, balancing humour with real vulnerability. Then came “Teenage Dirtbag.” No surprise, it turned into mass karaoke, with every fan in the room locked in from the first line.
Instead of ending big, they closed small. Brown returned alone for an off-mic acoustic “Desperate Songs,” quiet enough that you could hear the room breathe. It was a simple finish that summed up the night: warm and completely in sync with the crowd.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
WHEATUS
CHIEF STATE
All Photo Credit: Caroline Charruyer