Concerts Photos
Hannah Bahng at the Vogue Theatre in Vancouver
Hannah Bahng brought a calm, confident presence to the Vogue Theatre on November 14, delivering a focused and thoughtfully paced stop on her Misunderstood World Tour.
RealestK opened the night with a smooth set that set the tone without pulling attention from the main event.
When the lights dimmed and Hannah stepped into a soft spotlight, the crowd shifted from chatter to full attention. She opened with “what never lived,” her voice sharp and gentle at the same time, before moving into “Sweet Satin Boy” and “tonight’s the night i die to a frank ocean song,” shifting between playful and gut-punch serious like it was nothing.
Hannah was in full musician mode all night: guitar in hand, piano under her fingertips, and at one point, kicking the cymbals before sending a drumstick flying into the crowd. “Ribs” was the quiet high point, done as a soft acoustic moment with her guitarist. Phones were up, but everyone stayed still, trying not to breathe too loudly.
Then came “Fashion Show,” her chaotic mid-set bit where she pulled a fan onstage to strut around with her. The fan looked like she might actually melt on the spot. It was goofy, sweet, and fit right into tone of the night.
The set highlighted the core of her catalog, including “Abysmal,” “Oleander,” “raison d’être,” and the unreleased “Malibu.” Each track landed with a clean, cohesive arrangement that matched the polished production of the tour. Her covers added variety: Britney Spears’ “Baby One More Time” leaned fun and loose, while Billie Eilish’s “WILDFLOWER” shifted the room into a slower, more reflective mood.
She joked a few times about this being her first time in Vancouver and how Jollibee (conveniently located across the street) had her in a chokehold. The crowd loved it.
Fans responded strongest to “Misunderstood,” which drew some of the loudest crowd vocals of the night. She wrapped the night with “perfect blues,” keeping the ending simple and steady. Overall the show delivered a solid, well-executed performance that underscored her growing confidence as a live artist.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
11/15 Portland, OR – Wonder Ballroom
11/16 Seattle, WA – Showbox @ The Market
11/18 San Francisco, CA – Regency
11/20 Santa Ana, CA – Observatory
11/21 Los Angeles, CA – The Fonda
11/25 San Diego, CA – House of Blues
11/26 Phoenix, AZ – Crescent Ballroom
11/28 Mexico City, MX – ABB
12/02 Houston, TX – House of Blues
12/03 Dallas, TX – House of Blues
More information on her website.
HANNAH BAHNG
REALESTK
All Photo Credit: Caroline Charruyer
Concerts Photos
The Charlatans at the Commodore Ballroom in Vancouver
There is something special about watching a band that has been doing this for decades step onstage and look like they are having just as much fun as the people watching them. That was The Charlatans at the Commodore Ballroom in Vancouver on September 11.
Frontman Tim Burgess remains one of the most naturally charismatic figures in British alternative rock. From the opening moments, he was constantly connecting with the crowd, arms raised, dancing across the stage and soaking in every response. There was no sense of going through the motions. The joy looked genuine.
The set balanced the band’s latest album, We Are Love, with a deep run through their back catalogue. “We Are Love,” “Deeper and Deeper” and “For the Girls” sat comfortably beside classics like “North Country Boy,” “Weirdo,” “Tellin’ Stories,” “One to Another” and “Just When You’re Thinkin’ Things Over.”
Tony Rogers’ Hammond organ remained one of the band’s secret weapons, adding that unmistakable swirl to the songs, while Mark Collins’ guitar and Martin Blunt’s bass gave the set its groove. The chemistry between the musicians was just as enjoyable as the songs themselves. At times, it felt less like watching a tightly scripted rock show and more like being invited into a really good studio jam.
“North Country Boy” and “One to Another” produced some of the biggest reactions of the night, but “The Only One I Know” was the obvious crowd-pleaser. They closed the encore with “Sproston Green.”
More than 30 years into their career, The Charlatans are not simply selling nostalgia. They are still making new music, still taking chances onstage and, perhaps most importantly, still look like they genuinely love playing together. Vancouver got a reminder that some bands age, but the Charlatans just keep playing.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
THE CHARLATANS
All Photo Credit: Caroline Charruyer
Concerts Photos
Kaleo Brings Icelandic Fire to History Ottawa
Icelandic blues rock band Kaleo played History Ottawa on Tuesday night, headlining a bill that also introduced the city to opening act the Pernikoff Brothers in the duo’s first-ever Ottawa performance.
Pernikoff Brothers Open with Storytelling Performance
The Pernikoff Brothers took the stage first, tasked with winning over a crowd that had never seen them play live in the city. The band built its set around a strong narrative thread, framing songs with between-song storytelling.
A highlight of the night came from their drummer, whose solos punctuated the show and drew some of the loudest reactions of the opening slot.
Kaleo Headlines with Focus on Music Over Spectacle
When Kaleo walked out, there was no need for spectacle, the band let the music do essentially all of the talking. Just a tight, focused set built around the thing that’s made them a global name: those vocals.
Guitar work added a bluesy edge throughout, and the band’s dynamic range, moving between restrained verses and full-band choruses, kept the audience engaged without relying on elaborate production or extended stage talk.
The Icelandic band will finish their Canadian leg of the tour in Prince Edward Island September 11th, before continuing their international tour into 2027.
New Venue
The show also served as an early test for History, Ottawa’s newest live music venue. The room handled both acts well, supporting the Pernikoff Brothers‘ more stripped-down sound as well as Kaleo‘s fuller electric set. Based on this performance, the venue appears well-positioned to become a regular stop for touring acts.
Tuesday’s show paired a promising Ottawa debut from the Pernikoff Brothers with a focused, vocal-driven headline set from Kaleo, all inside a new venue that proved itself capable of hosting both.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
KALEO
PERNIKOFF BROTHERS
All Photo Credit: Kieran Delport