Concerts Photos
Hannah Bahng at the Vogue Theatre in Vancouver
Hannah Bahng brought a calm, confident presence to the Vogue Theatre on November 14, delivering a focused and thoughtfully paced stop on her Misunderstood World Tour.
RealestK opened the night with a smooth set that set the tone without pulling attention from the main event.
When the lights dimmed and Hannah stepped into a soft spotlight, the crowd shifted from chatter to full attention. She opened with “what never lived,” her voice sharp and gentle at the same time, before moving into “Sweet Satin Boy” and “tonight’s the night i die to a frank ocean song,” shifting between playful and gut-punch serious like it was nothing.
Hannah was in full musician mode all night: guitar in hand, piano under her fingertips, and at one point, kicking the cymbals before sending a drumstick flying into the crowd. “Ribs” was the quiet high point, done as a soft acoustic moment with her guitarist. Phones were up, but everyone stayed still, trying not to breathe too loudly.
Then came “Fashion Show,” her chaotic mid-set bit where she pulled a fan onstage to strut around with her. The fan looked like she might actually melt on the spot. It was goofy, sweet, and fit right into tone of the night.
The set highlighted the core of her catalog, including “Abysmal,” “Oleander,” “raison d’être,” and the unreleased “Malibu.” Each track landed with a clean, cohesive arrangement that matched the polished production of the tour. Her covers added variety: Britney Spears’ “Baby One More Time” leaned fun and loose, while Billie Eilish’s “WILDFLOWER” shifted the room into a slower, more reflective mood.
She joked a few times about this being her first time in Vancouver and how Jollibee (conveniently located across the street) had her in a chokehold. The crowd loved it.
Fans responded strongest to “Misunderstood,” which drew some of the loudest crowd vocals of the night. She wrapped the night with “perfect blues,” keeping the ending simple and steady. Overall the show delivered a solid, well-executed performance that underscored her growing confidence as a live artist.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
11/15 Portland, OR – Wonder Ballroom
11/16 Seattle, WA – Showbox @ The Market
11/18 San Francisco, CA – Regency
11/20 Santa Ana, CA – Observatory
11/21 Los Angeles, CA – The Fonda
11/25 San Diego, CA – House of Blues
11/26 Phoenix, AZ – Crescent Ballroom
11/28 Mexico City, MX – ABB
12/02 Houston, TX – House of Blues
12/03 Dallas, TX – House of Blues
More information on her website.
HANNAH BAHNG
REALESTK
All Photo Credit: Caroline Charruyer
Concerts Photos
Epik High Turns Vancouver’s Orpheum Into a Hip-Hop Party
Epik High brought its 3.0 Tour 2026 to Vancouver’s Orpheum on October 20, delivering a night of sharp lyricism, ridiculous humour and plenty of crowd interaction. With BOBO.XX opening the show, the Korean hip-hop trio proved that more than two decades into their career, they still know how to make a concert feel like a party among friends.
BOBO.XX, a musician and photographer who works on Epik High’s video and content, warmed up the audience with a taste of his own sound before handing the stage over to the headliners. Anticipation grew during the break, and the theatre erupted when Tablo, Mithra Jin and DJ Tukutz appeared for “High Technology,” followed by “One.”
The group’s chemistry was clear to everyone. Their introductions quickly turned into a comedy routine, complete with DJ Tukutz’s sound effects and playful jabs at one another. Tablo might be the trio’s longtime leader, but Tukutz had recently claimed the title through a band competition, giving the three plenty of material to work with.
That humour carried through the night. Fan-submitted Post-it challenges put the members on the spot, leading to dance covers, awkwardly adorable aegyo and plenty of laughter. The challenges often involved bending the rules, with multiple notes taped together and presented as a single request. The trio’s willingness to make fools of themselves made the audience feel like part of the show rather than spectators.
The music never took a back seat. Tracks such as “ANTIHERO,” “Rosario” and “BURJ KHALIFA” kept the room moving, with the group’s tight delivery matched by DJ Tukutz’s work behind the turntables. The mood shifted for more emotional performances, including “1 Minute, 1 Second” and Mithra Jin’s solo “Will I Be Okay?,” showing a more vulnerable side to the performers.
The most meaningful moment came when Tablo spoke about the group’s long journey. His message was simple: if Epik High could keep pushing forward after 22 years, fans could overcome their own obstacles, too. It gave “Born Hater” an extra punch.
The trio closed with an encore of “EPIKISM” and “Don’t Hate Me,” sending the crowd home smiling. Epik High’s strength lies in the balance between serious musicianship and complete silliness. They can deliver an emotional message one minute and turn a fan-requested dance challenge into a comedy show the next. At the Orpheum, that combination made for a concert that felt personal, unpredictable and a whole lot of fun.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
EPIK HIGH
BOBO.XX
All Photo Credit: Chaehyun Lim
Concerts Photos
Buffalo Traffic Jam at the Danforth Music Hall in Toronto
There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.
Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.
Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age.
Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BUFFALO TRAFFIC JAM
COLIN LYNCH
LYDIA MAES
All Photo Credit: Bailey Morgan