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Hannah Bahng at the Vogue Theatre in Vancouver

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Hannah Bahng brought a calm, confident presence to the Vogue Theatre on November 14, delivering a focused and thoughtfully paced stop on her Misunderstood World Tour.

RealestK opened the night with a smooth set that set the tone without pulling attention from the main event.

When the lights dimmed and Hannah stepped into a soft spotlight, the crowd shifted from chatter to full attention. She opened with “what never lived,” her voice sharp and gentle at the same time, before moving into “Sweet Satin Boy” and “tonight’s the night i die to a frank ocean song,” shifting between playful and gut-punch serious like it was nothing.

Hannah was in full musician mode all night: guitar in hand, piano under her fingertips, and at one point, kicking the cymbals before sending a drumstick flying into the crowd. “Ribs” was the quiet high point, done as a soft acoustic moment with her guitarist. Phones were up, but everyone stayed still, trying not to breathe too loudly.

Then came “Fashion Show,” her chaotic mid-set bit where she pulled a fan onstage to strut around with her. The fan looked like she might actually melt on the spot. It was goofy, sweet, and fit right into tone of the night.

The set highlighted the core of her catalog, including “Abysmal,” “Oleander,” “raison d’être,” and the unreleased “Malibu.” Each track landed with a clean, cohesive arrangement that matched the polished production of the tour. Her covers added variety: Britney Spears’ “Baby One More Time” leaned fun and loose, while Billie Eilish’s  “WILDFLOWER” shifted the room into a slower, more reflective mood.

She joked a few times about this being her first time in Vancouver and how Jollibee (conveniently located across the street) had her in a chokehold. The crowd loved it.

Fans responded strongest to “Misunderstood,” which drew some of the loudest crowd vocals of the night. She wrapped the night with “perfect blues,” keeping the ending simple and steady. Overall the show delivered a solid, well-executed performance that underscored her growing confidence as a live artist.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

Upcoming Tour Dates:
11/15 Portland, OR – Wonder Ballroom
11/16 Seattle, WA – Showbox @ The Market
11/18 San Francisco, CA – Regency
11/20 Santa Ana, CA – Observatory
11/21 Los Angeles, CA – The Fonda
11/25 San Diego, CA – House of Blues
11/26 Phoenix, AZ – Crescent Ballroom
11/28 Mexico City, MX – ABB
12/02 Houston, TX – House of Blues
12/03 Dallas, TX – House of Blues
More information on her website.

HANNAH BAHNG

REALESTK

All Photo Credit: Caroline Charruyer

Concerts Photos

Good Kid Bring ‘Can We Hang Out?’ Tour to the Vogue Theatre in Vancouver

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GoodKid-Vancouver-May10-14

On May 10th, Canadian indie rock band Good Kid brought their Can We Hang Out? Tour to the Vogue Theatre in Vancouver. The Toronto-born group, known for their high-energy performances and catchy melodies, kept the Vancouver crowd going all night long with their quirky personalities and interactions with the crowd.

The band is touring in support of their first full-length studio album, Can We Hang Out Sometime? — A bright, energetic indie rock record about the importance of staying connected when life feels chaotic.

Good Kid took to the stage around 9:00 pm, previewing the fresh sounds of Can We Hang Out Sometime? Opening with the catchy “Wall”. Instantly, the band had the crowd at their fingertips, singing along to every single lyric and getting the whole venue jumping up and down.

The Toronto group have built one of the strongest artist–fan relationships in modern indie rock by making their audience feel like an active part of the band’s world rather than just consumers of their music. There is an official Good Kid discord server, and they regularly engage with their fans on social media. They’ve also tapped into the gaming/streaming space, letting people use their music without aggressive copyright enforcement and have made a name for themselves in the Fortnite community.

Through the night, the band ran through their hits like “From the Start”, Mimi’s Delivery Service”, “Cicada”, “Summer” and “Bubbly.”

The show was full of antics with a wall of death, playing basketball with a giant beach ball and hula hoops, and even lead singer Nick Frosst at one point joining the moshpit. With a show of hands, it was about half of the venue’s first concert experience, and Good Kid definitely made it one to remember.

One thing is for sure — anytime Good Kid rolls into town, Vancouver is always down to hang out sometime.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

GOOD KID

All Photo Credit: Good Kid

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Concerts Photos

The Midnight Bring ‘Time Machines’ Tour to the Queen Elizabeth Theatre in Vancouver

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The Midnight

The Midnight turned the Queen Elizabeth Theatre into a glowing neon escape on May 10 as part of their Time Machines tour. Backed by sweeping synths and plenty of saxophone solos, the duo delivered a warm cinematic show.

By the time The Midnight hit the stage at 8pm, the Quennie was packed with fans spanning multiple generations. What stood out right away was how present everyone seemed. Phones stayed mostly down as the crowd soaked in every synth line, beat drop, and saxophone run.

Tyler Lyle was calm and conversational throughout the night, often encouraging singalongs that the audience happily delivered. The setlist balanced older fan favourites with newer tracks from 2025’s Syndicate. Songs like “Friction,” “Jason” performed with Harlee Case of New Constellations, and “Change Your Heart or Die” gave the show an energetic pulse, while “Los Angeles” and “Vampires” brought out the emotional core that has made the band so beloved in the synthwave world.

Visually, the show leaned into rich blues, purples, and neon pinks without going overboard. The production never distracted from the music itself. Instead, it amplified the feeling that The Midnight creates so well: nostalgia for a place that maybe never existed at all.

By the encore, the crowd was singing every word back as the band closed out a night that felt heartfelt and immersive.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

THE MIDNIGHT

All Photo Credit: Caroline Charruyer

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