Concerts Reviews
LIVE REVIEW: Black Veil Brides Close Out the First Leg of the Vindicatour in Dominant Fashion
One of modern rock’s most influential bands made their return to the Washington, D.C. area on May 29th, bringing a night full of nostalgia, energy, and some of the strongest material of their career. The Black Veil Brides brought the Vindicatour to The Fillmore in Silver Spring, joined by From Ashes to New, TX2, and As December Falls, for a stacked lineup that kept fans on their feet from the first note of the night until the final encore.
The evening began with a milestone performance for British rock outfit As December Falls. The tour marks the band’s first run through the United States, and they wasted no time making an impression on the Maryland crowd. Opening with “Carousel,” the band immediately brought an infectious groove to the stage. Their blend of soaring vocals, heavy guitars, and catchy hooks proved to be the perfect way to kick off the night.
Frontwoman Beth Curtis commanded the stage with confidence well beyond that of a band making its American touring debut. Songs like “Mayday” showcased the group’s ability to balance heaviness with melody, while the audience continued to grow throughout their set. By the time they closed with “Therapy,” it was clear that many fans had discovered a new band to add to their playlists. If this first American tour is any indication, As December Falls has a bright future ahead of them in the United States and beyond.
The energy continued to rise when TX2 took the stage. Known for their unapologetic approach to modern rock and alternative music, TX2 delivered a very energetic performance. Opening with “Feed,” they immediately had the crowd engaged as fans packed closer to the stage. Whether people came into the venue familiar with their music or not, it was difficult not to get caught up in the hype of the performance. Songs like “So Numb” had the crowd banging their heads while the band delivered a relentless wall of sound that kept the momentum moving forward. TX2 has developed a reputation for connecting with younger rock fans, and it was easy to see why throughout their set. Their performance concluded with “I Would Hate Me Too,” a fitting closer. By the end of the set, TX2 had successfully prepared the crowd for the heavier portion of the evening.
From Ashes to New took over next and delivered a kick-ass set that proved why they are the band to see on any tour they are a part of. Opening with “New Disease” from the band’s recently released album Reflections, the Pennsylvania rockers showcased the new sound that has propelled them to heights never before seen by some of the humblest people in rock. The energy only intensified as they rolled into fan favorites “Nightmare” and “Heartache.” Matt Brandyberry and Danny Case, joined by Mat Madiro, Lance Dowdle, and Jimmy Bennett, sounded tremendous throughout the set, effortlessly switching between soaring melodies, aggressive screams, and hard-hitting rap sections. The crowd responded by singing every word back to the band.
There was an added emotional layer to the performance as the show took place close to Brandyberry’s hometown. Throughout the night, he spoke about family members being in attendance and reflected on how meaningful the evening was for him personally. One particularly moving moment came when he acknowledged the wife and son of a close friend who had passed away. The heartfelt moment injected a sense of perspective into an otherwise high-octane performance and demonstrated the strong connection the band has with their fans and family.
One of the biggest highlights of the set came when Beth Curtis of As December Falls joined the band for “Barely Breathing.” The collaboration sounded fantastic live and earned one of the loudest reactions of the night up to that point. From Ashes to New closed their set with “Panic,” bringing their performance to an explosive finish and leaving the crowd eager for what was still to come.
Finally, the moment everyone had been waiting for arrived!
As the lights dimmed inside The Fillmore, anticipation reached a fever pitch. The Black Veil Brides have spent nearly two decades building one of the most dedicated fanbases in rock music, and judging by the reaction inside the venue, that loyalty remains stronger than ever.
The band opened with longtime fan favorite “Knives and Pens,” and the reaction was immediate. Fans erupted as Andy Biersack made his way across the stage while Jinxx, Jake Pitts, CC and Lonny Eagleton delivered the massive sound that has defined Black Veil Brides for years. From the opening notes, it was clear the crowd was there for BVB.
One of the most impressive aspects of the performance was the balance between the old and new. The band showcased several songs from its newest era, including “Bleeders,” “Vindicate,” and “Revenger.” While newer songs can sometimes struggle to match the reaction of established classics, that was not the case in Silver Spring. Fans exclaimed their cheers loudly throughout the new material, proving just how well the songs have connected with the BVB community.
As always, stage presence was one of the strongest elements of a BVB show. Biersack spent much of the evening interacting with fans, reading signs, responding to comments from the crowd, and making sure every section of the venue felt involved. In between songs, audience members shouted everything from compliments to completely random remarks, creating several entertaining exchanges that kept the atmosphere loose and personal.
The interaction between the band and the audience is something that has always separated BVB from their peers. Fans were not simply watching a concert; they felt like they were part of the show itself. The second half of the set was filled with some of the biggest songs in the band’s catalog. “Rebel Love Song” transformed the venue into one massive choir as hundreds of voices joined together. “Wake Up” brought another surge of energy, with fans refusing to let the momentum slow down.
Of course, no Black Veil Brides show would be complete without an encore. The band returned to the stage for “Lost It All” before closing the evening with a fitting metaphor for the finale of a show, “In the End.” As the closing notes rang throughout The Fillmore, the crowd erupted one final time. It was the perfect ending to an exceptional night of music.
If this tour is coming anywhere near you, do not miss the opportunity to see it. Nights like this are exactly why live music remains such a special experience.
The first part of the Vindicatour ended on Saturday night in Worcester, MA. BVB will be back in the States for Part II after their trip across the pond for the summer European festival circuit.
Tickets for the Part II, starting in late August, can be purchased on the BVB website linked below. Don’t miss out!
Follow along with the band’s many adventures at their socials:
Website // Instagram // Facebook // TikTok
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BLACK VEIL BRIDES
FROM ASHES TO NEW
TX2
All Photo Credit: Ryan Renger
Concerts Reviews
LIVE REVIEW: Bleachers Bring Big Energy to a Long-Awaited Montreal Return
On June 10th, 2026, fans packed into MTELUS for the Montreal stop of Bleachers’ Bleachers Forever tour. This is the second time the band has had in Montreal, the first being at Osheaga Music and Arts Festival back in 2022, which is the perfect place to build a Montreal fanbase.
Momo Boyd, a New York City based vocalist and songwriter, had no problem setting the tone for the night. With songs like “Cold Hands,” “Strong,” and even a cover of “Dreams” by Fleetwood Mac, her set was filled with enchanting purple lights, beautifully deep lyrics, and captivating vocals. Although her performance was more “low-key” than a typical Bleachers performance, it had its moments of picking up, and was the perfect way to ease the crowd into the night, and left many audience members as a new fan.
As Bleachers took the stage, opening their set with “My Way,” there was no doubt that this would be a night to remember. The band, consisting of lead singer Jack Antonoff, Mikey Freedom Hart, Zem Audu, Mike Riddleberger, Evan Smith and Sean Hutchinson came out to the wonderful sound of saxophone played by band member Zem Audu, and though the first half of the song was slower, the energy built up shortly after through flashing lights, jumps and a roaring crowd.
The audience erupted in cheers and laughter as lead singer, Jack Antonoff spoke out about artists always skipping Montreal during their tours, saying: “They think they can play Osheaga and that’s enough?”, and “What’s with (bands) that think they can play Osheaga, which is like an expensive ticket, and not just come play a normal show.” As me, and many others in that room have traveled to Toronto to see our favourite artists when they skip Montreal on tour, I completely agree with this!
The night continued with back-to-back hits, including “you and forever,” “Merry Christmas, Please Don’t Call,” and of course, “I Wanna Get Better,” and closing the set with “Stop Making This Hurt.” They even played a cover of Margaret by Lana Del Ray, which they’re featured on!
Bleachers set an incredible standard of engaging a crowd and keeping a consistently high-energy audience. From the first note, to the emotional highs and lows, to the closing goodbyes, fans were cheering, singing and dancing the whole time! They even had a photobooth in the venue where you could take pictures before the show! This is certainly a band that will be in people’s rotation for years to come, so the tour name speaks for itself when it says, Bleachers Forever!
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BLEACHERS
MOMO BOYD
All Photo Credit: Ashley Bellam
Concerts Reviews
LIVE REVIEW: Alex Warren Finds Family on the Road at Rogers Arena
One year ago, Alex Warren was playing Vancouver’s Vogue Theatre. On Sunday night, he walked onto the stage at Rogers Arena in front of nearly 20,000 people for the Vancouver stop of his Finding Family on the Road Tour.
That kind of jump can expose an artist’s weaknesses. Plenty of performers who thrive in clubs and theatres struggle once the rooms get bigger and the production gets larger. Their personalities get lost somewhere between the video screens and the confetti cannons, yet Warren never came close to that problem.
Before he appeared, opening act Nat & Alex Wolff warmed up the crowd with a short but engaging set. The New York brothers leaned into their easy chemistry, mixing indie-pop hooks with plenty of crowd interaction. Still, the anticipation in the arena was unmistakably for Warren.
The show opened with touching home videos from his childhood projected across the giant screens. It felt like both sentimental and a mission statement. Family, both the one Warren lost and the one he has built around himself, remains at the centre of everything he does.
He wasted little time launching into “Troubled Waters,” immediately sending excitement through the arena. From there, he rolled through early highlights including “Bloodline,” “The Outside,” and “First Time on Earth.”
What stood out wasn’t the production, though there was plenty of it. It was Warren‘s command of the room. For someone whose rise began on social media, Warren understands live performance remarkably well. He knows when to joke, when to tell a story, and when to step aside and let the audience take over. Throughout the night he read signs, spoke directly to fans, and delivered the kind of spontaneous interactions that can’t be programmed into a production schedule.
The audience responded to every moment. Many were young fans who have followed his life for years, and the relationship between artist and crowd felt unusually personal for a venue this size.
Vocally, Warren continues to silence anyone who still sees him primarily as a former content creator. Songs like “The Outside” and “Eternity” showcased the power and clarity in his voice, particularly when he pushed into his upper register. During “Eternity,” a massive sing-along broke out across Rogers Arena, with nearly every section joining in.
The emotional core of the evening arrived during the B-stage portion of the set. To get there, Warren left the main stage and made his way through the crowd, high-fiving fans, stopping for selfies, and turning the walk into an event of its own.
After reaching the smaller stage in the middle of the floor, Warren stripped away much of the arena spectacle and focused on the stories behind the songs. Before performing the unreleased “Same Stars,” he asked fans to put their phones away and experience the moment with him rather than recording it. He then spoke about losing both of his parents and the loneliness that often comes with grief. He reminded the audience that people die twice: once when they pass away and again when their stories stop being told. You could hear a pin drop as phone lights illuminated the arena.
It’s a difficult balance. Warren‘s music often deals with grief, loss, and healing, and there are moments where the emotional weight borders on overwhelming. At times, the show asks a lot from its audience, who ended up in tears several times. Yet those moments never felt manipulative. They felt genuine, even when they were uncomfortable.
“Fine Place To Die” was one of the strongest moments of the night. Sitting alone at the piano, Warren delivered the song acoustically after explaining that everything heard throughout the show was being performed live by him and his musicians. Before starting, he joked, “If I fuck up, post it on TikTok,” earning one of the night’s biggest laughs. Alongside “Heaven Without You,” the stripped-back performance highlighted Warren‘s songwriting and emotional delivery.
The final run of songs shifted the mood back toward celebration. During “Getaway Car,” Warren took a moment to introduce each member of his band, giving the musicians their own chance to shine before launching back into the set. “You Can’t Stop This” and “Burning Down” brought fresh energy into the arena before “FEVER DREAM” exploded into one of the night’s biggest singalongs, complete with confetti cannons and enough excitement to shake the building.
The final run of songs shifted the mood back toward celebration. “Getaway Car,” “You Can’t Stop This,” and “Burning Down” brought fresh energy into the arena before “FEVER DREAM” exploded into one of the night’s biggest singalongs, complete with confetti cannons and enough excitement to shake the building.
Warren explained that the confetti button is normally pushed by his wife, Kouvr, but since she wasn’t in Vancouver, the honour went to fellow musician Cameron Whitcomb, who had just finished performing at the FIFA Fan Festival earlier that day. Whitcomb’s excitement was impossible to miss as confetti filled the arena.
With the encore came the moment everyone had been waiting for. As the opening notes of “Ordinary” rang out, Rogers Arena erupted. The Billboard-topping hit has become Warren‘s defining song, and hearing nearly every person in the building scream the lyrics back at him was one of those rare concert moments where the scale of an artist’s rise becomes impossible to ignore.
A year ago, Alex Warren was proving he belonged in theatres. On Sunday night, he proved he belongs in arenas. More impressively, he managed to make Rogers Arena feel a lot smaller than it actually is.
After the final notes faded, Warren returned to the B-stage one last time to take a bow. Beside him was a young girl who had earlier asked to push the confetti button herself. He gave her something even better. It was a small gesture, but it perfectly captured the spirit of the night: a massive arena show that never lost sight of the people in the room.
Upcoming Tour Dates:
Wednesday, June 17 – Salt Lake City, UT – Utah First Credit Union Amphitheatre
Friday, June 19 – Omaha, NE – CHI Health Center
Sunday, June 21 – Kansas City, MO – T-Mobile Center
Tuesday, June 23 – Pittsburgh, PA – PPG Paints Arena
Thursday, June 25 – Atlanta GA – State Farm Arena
Friday, June 26 – Charlotte, NC – Spectrum Center
Saturday, June 27 – Cleveland, OH – Rocket Arena
Monday, June 29 – Chicago, IL – United Center
Thursday, July 2 – Minneapolis, MN – Grand Casino Arena
Friday, July 3 – Milwaukee, WI – Summerfest – American Family Insurance Amphitheater
Sunday, July 5 – Detroit, MI – Little Caesars Arena
Tuesday, July 7 – Toronto, ON – RBC Amphitheatre
Wednesday, July 8 – Montreal, QC – Bell Centre
Friday, July 10 – Philadelphia, PA – Xfinity Mobile Arena
Saturday, July 11 – Columbia, MD – Merriweather Post Pavillion
Monday, July 13 – Boston, MA – TD Garden
Wednesday, July 15 – New York, NY – Madison Square Garden
Find out more information about the tour here.