Festivals
All Things Go 2025: The Artists We’re Most Excited About In DC, NYC And Toronto
What started in DC has grown into a multi-city, genre-blurring celebration of sharp songwriting, indie grit, and boundary-pushing pop. This year, All Things Go stretches across three cities: Washington, DC; New York City; and, for the first time, Toronto; all within one week. The lineups are stacked with fan favorites, buzzy newcomers, and artists who’ve been quietly reshaping music while the mainstream wasn’t looking. Here’s who we can’t wait to see.
Noah Kahan
Where to see him: DC (Friday Sept 26)
Few artists have had a sharper rise than Noah Kahan in the past couple of years. The New England singer-songwriter has become something of a Gen Z Springsteen with his raw and reflective music; and unafraid to wrestle with mental health, identity, and small-town claustrophobia. His Stick Season album and its deluxe edition are still dominating streaming platforms, and his shows feel more like massive therapy sessions with thousands of fans screaming along to every word.
Doechii
Where to see her: DC (Sunday Sept 28), NYC (Saturday Sept 27)
Following her Best Rap Album win at the GRAMMY this year, Doechii is a star in motion. Since breaking out with “Yucky Blucky Fruitcake,” she’s kept her momentum with bold, genre-defying tracks and a style that refuses to be boxed in. Her latest album Alligator Bites Never Heal proved she’s not afraid to experiment, and her live shows are packed with charisma and controlled chaos.
With her energy, sharp flows, and a whole lot of unpredictability, her set will be a must-see. She’s fun, fierce, and on the cusp of something big. Catch her now before she levels up again.
The Last Dinner Party
Where to see them: DC (Friday Sept 26), NYC (Sunday Sept 28)
The Last Dinner Party has turned skepticism into obsession. When the British glam-rock collective burst onto the scene, some critics questioned the hype. Then the debut album Prelude to Ecstasy dropped, and it shut everyone up. With gothic flair, baroque instrumentation, and hooks that hit hard, they’ve proved they’re more than just an aesthetic.
Their live shows are full theatrical experiences, part opera, part mosh pit. Expect drama, velvet, and maybe a little chaos. Their spot on this lineup feels like a coronation.
Maude Latour
Where to see her: DC (Sunday Sept 28), NYC (Friday Sept 26)
Maude Latour is the kind of artist who turns casual listeners into loyal followers in three songs or less. Her indie-pop catalog is full of clever lyricism, glittery synths, and a sense of emotional openness that makes it all feel intimate, even in big settings. Her newest track “Miss America,” released on April 25, 2025. The song is a tribute to queer love and a reflection on the state of the country.
She’s known for giving every set 110%, chatting between songs like it’s a sleepover, and pulling fans right into her orbit. Expect screaming, crying, and dancing in equal measure.
Remi Wolf
Where to see her: NYC (Saturday Sept 27), Toronto (Saturday Oct 4)
Remi’s not interested in staying in one lane. Her latest tracks pull from funk, alt-pop, and a little punk chaos. It’s messy in a good way. Her lyrics are weird and wonderful, and her delivery feels like she’s fighting off a giggle half the time.
Live, she’s a total firecracker. No backing track safety net, just full-force vocals and a whole lot of cardio. Her shows are colorful, sweaty, and deeply fun. You won’t walk away bored.
The Marías
Where to see them: DC (Friday Sept 26), NYC (Sunday Sept 28)
Chill, dreamy, and a little seductive, The Marías bring a mood. Their 2024 release, Submarine, took their psych-pop roots and gave them a pulse. They’ve added more movement to their sound without losing the hazy magic that made them stand out in the first place.
If you’ve seen them opening for Billie Eilish on her lastest tour, you know their set will be a palette cleanser. Grab a drink, sway a little, and let frontwoman María Zardoya’s voice wash over you.
Kesha
Where to see her: DC (Sunday Sept 28)
Kesha’s latest chapter has been one of resilience and reinvention. Kesha’s sixth studio album, . (PERIOD) is an unapologetic, unfiltered declaration of artistic freedom and fearless authenticity from the pop icon.
Her festival sets will deliver the hits. You’ll get “Tik Tok.” You’ll get “Praying.” You might even get glitter. But underneath all of it is an artist who’s survived a storm and come out swinging. Watching her perform now feels like witnessing something real and really powerful.
Charlotte Cardin
Where to see her: Toronto (Sunday Oct 5)
Montreal’s Charlotte Cardin keeps rising. Her second album, 99 Nights, built on the sleek minimalism of her earlier work and gave her more room to flex both vocally and emotionally. She’s carved out a niche that fuses French chanson drama with alt-pop edge.
She’s already huge in Canada, but this spot on the All Things Go lineup puts her in front of a fresh crowd, and that’s exciting. Her live vocals are killer, and she brings a quiet storm energy that sneaks up on you in the best way.
Joy Oladokun
Where to see her: DC (Friday Sept 26), NYC (Sunday Sept 28), Toronto (Sunday Oct 5)
Joy Oladokun is playing everywhere at All Things Go this year, and honestly, that feels right. She’s one of the most emotionally resonant songwriters out there, mixing folk, soul, and pop with lyrics that feel like journal entries you weren’t supposed to read but can’t stop re-reading.
Her most recent album, Observations From A Crowded Room, feels like a warm hug. And live, her voice is even more captivating. Joy doesn’t need pyrotechnics or choreography. Just a mic and your attention.
Reneé Rapp
Where to see her: Toronto (Saturday Oct 4)
Reneé Rapp is on a rocket. After breaking out in The Sex Lives of College Girls and making a Broadway name in Mean Girls, she dropped Snow Angel, one of the strongest debut pop albums in recent memory. As of a few days ago, she released her second album Bite Me. It’s sharp. It’s angsty. It’s funny. It’s queer. It’s real.
Her shows are an explosion of emotion, think Lorde meets Olivia Rodrigo with a side of Gen Z sarcasm. Get ready for catharsis.
All Things Go has always prided itself on spotlighting artists who feel like the future. This year, the future is very much female, genre-fluid, and emotionally charged. Whether you’re in DC, NYC, or Toronto, there’s something or someone worth showing up early for.
For more information on the three 2025 editions of All Things Go, head to their website.
Festivals
PNE Summer Night Concerts – Pierce The Veil
By the time Pierce The Veil took the stage at Vancouver’s Freedom Mobile Arch on September 5, the place was packed and the anticipation was impossible to miss. As part of the PNE Summer Night Concerts, the San Diego post-hardcore veterans delivered a set that mixed nostalgia and chaos.
The show opened with “May These Noises Startle You in Your Sleep Tonight” and “Hell Above.” From there, the night barely let up. “Bulls in the Bronx” got the crowd going, followed by “Circles” and “I’m Low on Gas and You Need a Jacket.”
There was plenty for longtime fans, too. “I’d Rather Die Than Be Famous,” “Yeah Boy and Doll Face” and “Floral & Fading” reached back into the band’s catalog, while their cover of the Pixies’ “Where Is My Mind?” provided one of the evening’s fun surprises.
Visually, Pierce The Veil made the most of the outdoor stage. Tony Perry and Jaime Preciado were constantly moving, throwing themselves around the stage with guitars in hand, while drummer Loniel Robinson provided the thunder behind them. At the centre was Vic Fuentes, whose voice still carries the emotional weight that has defined the band since its early days.
The emotional high point came with “Hold On Till May,” a song that has become deeply personal for many fans as phones went into the air and voices rose across the venue. Predictably, the place lost its mind when they ended with “King for a Day.”
After nearly 20 years, Pierce The Veil still know exactly what their music means to their fans. On this night, Vancouver gave that love right back.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
PIERCE THE VEIL
All Photo Credit: Kelli Rothwell
Festivals
PNE Summer Night Concerts – Train
After almost 10 years away, Train made its highly anticipated return to Vancouver, taking the stage at the PNE as part of the Summer Nights series for an electric night of nostalgia, energy and some of the band’s biggest hits. Nearly 10,000 fans packed the venue to welcome the group back to the city.
With nearly 33 years of performing together, Train proved that its signature sound and undeniable stage presence remain as strong as ever. Currently on the Drops of Jupiter: 25 Years in the Atmosphere Tour, the band is celebrating the 25th anniversary of its iconic album with a set that served as both a celebration of its enduring catalogue and a reminder of why these songs have remained fan favourites for decades.
Opening with “Calling All Angels,” the band quickly launched into a crowd-pleasing run of classics, including “Hey, Soul Sister,” “Marry Me” and “Drive By.” Throughout the night, the set balanced humour and heart, with frontman Pat Monahan connecting with the crowd and reflecting the warmth and personality that have become synonymous with Train’s live performances.
The night ultimately came full circle with the song that started the 25th-anniversary celebration: “Drops of Jupiter.” As the familiar opening notes rang out across the PNE, nearly 10,000 voices joined in, creating a fitting finale to a night that celebrated not only one of Train’s most beloved albums, but an iconic career spanning more than three decades.
Check our our favourite photos of the night below or head to our Facebook page for the full gallery!
TRAIN
All Photo Credit : Jill Meagher