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All Things Go Launches Benefit Compilation For The Ally Coalition

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Today, All Things Go proudly announces the first installment of its forthcoming benefit compilation, with 100% of the proceeds going to their longtime collaborators at The Ally Coalition (TAC), a leading nonprofit dedicated to supporting LGBTQ+ youth. The debut track, “Jesus and John Wayne,” a poignant collaboration between googly eyes, Joy Oladokun, and Allison Ponthier, is available now. The compilation, featuring a diverse lineup of special original songs and collaborations from artists in the All Things Go community, will be available this fall. The full tracklist, featuring an exciting collection of both marquee and emerging names from the festival’s history, will be revealed soon.

“Jesus and John Wayne” is a bold, soul-searching anthem about reclaiming faith from the grip of politics and exclusion – inspired by the NYT Bestselling novel by Kristin Kobes Du Mez. Written by googly eyes joined by Joy Oladokun and Allison Ponthier, it reimagines spirituality as a source of healing, belonging, and radical love, especially for those the church has pushed aside. The song has clearly struck a chord with listeners already, finding consistent virality on socials ahead of its hotly anticipated release.

Founded in 2013 by Jack Antonoff and fashion designer Rachel Antonoff, TAC is committed to bettering the lives of LGBTQ+ youth across the country. By working with artists on tours, campaigns, and events, TAC provides support for non-profit organizations around the world.

All Things Go is celebrating over a decade of festivals, originating in the Washington, D.C. area before expanding to New York in 2024. Known for its intentional focus on female and non-binary-led lineups, the festival reflects All Things Go’s ongoing commitment to cultivating diverse, inclusive spaces within the music community. This year’s ATG Festival editions at Columbia, MD’s Merriweather Post Pavilion and New York’s Forest Hills Stadium see female and LGBTQ+ artists at the forefront and headlining again, with Doechii, Lucy Dacus, Clairo, Kesha, MARINA, The Mariás, Lola Young, etc performing on September 26,27 and 28.

In 2023, All Things Go launched a partnership with The Ally Coalition (TAC) to further support LGBTQ+ youth through on-site programming and artist-driven engagement across its festival platforms.

googly eyes elaborates on “Jesus and John Wayne”: “There’s so much love, grief, gratitude, and deep ache wrapped into my religious journey – especially as an American who’s watched people and politics essentially hijack the faith I grew up in. Anyone who’s gone through deconstruction knows how devastating and lonely it can feel. I hope this song resonates with those people. I’m so honored to have Allison and Joy sing this with me as we support the LGBTQIA+ community, a group so often hurt by the church. I might’ve left the brick and mortar behind, but I’m grateful to carry the awe, reverence, and compassion for ALL people with me, now more than ever.”

Joy Oladokun says: “Being asked to be a part of this song has been a rich experience. my faith as queerness have always been woven into the fabric of my music and this song so eloquently reflects a struggle so many of us face. i’ve never felt like god ever asked me to choose between faith and queerness. people did that. i feel like this song will be a comfort to the people who hear it.”

Allison Ponthier adds: “”Jesus and John Wayne” is one of those features that comes with a divine backstory for me. I happened to also be reading the book that inspired the title, when I saw googly eyes had written the song. It’s one of those songs that I wish I wrote, so I’m honored she asked me to be on it with Joy Oladakun. As someone who grew up singing in church, there was something incredibly church-like and healing about singing this song with these two women. It’s a song about growing up with lessons like “love thy neighbour” and “judge not,” but being left feeling like the words of religion have been twisted and taken in bad faith for personal gain. My hope for “Jesus and John Wayne” is that it encourages us to rethink spirituality as a reason to fight for the rights of all people and religion as a form of community that can be inclusive and safe. The song asks the question: Would anyone who loves us enough to create us want us to sow hatred among ourselves?”

Festivals

PNE Summer Night Concerts – Pierce The Veil

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By the time Pierce The Veil took the stage at Vancouver’s Freedom Mobile Arch on September 5, the place was packed and the anticipation was impossible to miss. As part of the PNE Summer Night Concerts, the San Diego post-hardcore veterans delivered a set that mixed nostalgia and chaos.

The show opened with “May These Noises Startle You in Your Sleep Tonight” and “Hell Above.” From there, the night barely let up. “Bulls in the Bronx” got the crowd going, followed by “Circles” and “I’m Low on Gas and You Need a Jacket.”

There was plenty for longtime fans, too. “I’d Rather Die Than Be Famous,” “Yeah Boy and Doll Face” and “Floral & Fading” reached back into the band’s catalog, while their cover of the Pixies’ “Where Is My Mind?” provided one of the evening’s fun surprises.

Visually, Pierce The Veil made the most of the outdoor stage. Tony Perry and Jaime Preciado were constantly moving, throwing themselves around the stage with guitars in hand, while drummer Loniel Robinson provided the thunder behind them. At the centre was Vic Fuentes, whose voice still carries the emotional weight that has defined the band since its early days.

The emotional high point came with “Hold On Till May,” a song that has become deeply personal for many fans as phones went into the air and voices rose across the venue. Predictably, the place lost its mind when they ended with “King for a Day.”

After nearly 20 years, Pierce The Veil still know exactly what their music means to their fans. On this night, Vancouver gave that love right back.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

PIERCE THE VEIL

All Photo Credit: Kelli Rothwell

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Festivals

PNE Summer Night Concerts – Train

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Train

After almost 10 years away, Train made its highly anticipated return to Vancouver, taking the stage at the PNE as part of the Summer Nights series for an electric night of nostalgia, energy and some of the band’s biggest hits. Nearly 10,000 fans packed the venue to welcome the group back to the city.

With nearly 33 years of performing together, Train proved that its signature sound and undeniable stage presence remain as strong as ever. Currently on the Drops of Jupiter: 25 Years in the Atmosphere Tour, the band is celebrating the 25th anniversary of its iconic album with a set that served as both a celebration of its enduring catalogue and a reminder of why these songs have remained fan favourites for decades.

Opening with “Calling All Angels,” the band quickly launched into a crowd-pleasing run of classics, including “Hey, Soul Sister,” “Marry Me” and “Drive By.” Throughout the night, the set balanced humour and heart, with frontman Pat Monahan connecting with the crowd and reflecting the warmth and personality that have become synonymous with Train’s live performances.

The night ultimately came full circle with the song that started the 25th-anniversary celebration: “Drops of Jupiter.” As the familiar opening notes rang out across the PNE, nearly 10,000 voices joined in, creating a fitting finale to a night that celebrated not only one of Train’s most beloved albums, but an iconic career spanning more than three decades.

Check our our favourite photos of the night below or head to our Facebook page for the full gallery!

TRAIN

All Photo Credit : Jill Meagher

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