Festivals
All Things Go Toronto 2025 – Day One Recap & Photos
It might be October, but All Things Go 2025 brought full summer energy to Toronto. The Budweiser Stage felt like it had been teleported to July with warm sun, endless smiles, and a crowd that felt more like a community than a festival audience. Everywhere you looked, people were making friendship bracelets at the Kandies World tent, dancing to DJ Levi’s remixes, and having a good time. Toronto showed up for the festival’s Canadian debut, and the all-female Day 1 lineup delivered exactly the kind of vibe All Things Go is known for.
EMEI opened the day, bouncing onto the stage with a kind of energy that made you forget it was barely noon. She was clearly having fun, dancing across the stage and winning over a still-filling crowd. Even though it was early, those who showed up were rewarded. She threw in a new song, “What’s the Point?”, and even covered Carly Rae Jepsen’s “Call Me Maybe,” which hit perfectly for a Toronto crowd. EMEI’s enthusiasm was contagious, and she proved she’s one to watch live.
ELIO followed, bringing a hometown glow to the stage. With her guitar in hand, she mixed synthy bedroom pop with emotional grit. Her set felt personal, like she was letting the crowd in on her mind. She performed her hit song “Charger,” a track that features her mentor Charli XCX. The audience responded with steady cheers, proud to see one of their own shining.
Julia Wolf amped things up next, trading pop for something louder and bolder. She tore through her set with sharp confidence. Her rock-leaning sound catching everyone bobbing their heads. Between songs, she thanked the crowd for showing up early to her set. Gratitude was her theme, but power was her presence.
Blondshell continued the shift to a rawer sound. Dressed in a vintage Miley Cyrus “Wonder World Tour 2009” tee, she looked as cool as she sounded. Her songs hit like diary entries read through a distortion pedal, intimate but unapologetic.
Then came Chelsea Cutler, and the festival hit peak singalong mode. A quick mic hiccup at the start didn’t faze her. She laughed it off and earned a cheer once her voice came through clear. She mentioned performing at another All Things Go the week before, joking, “If I wasn’t gay before seeing The Marías…” which got the loudest laugh of the afternoon. Chelsea’s set mixed fan favourites like “Your Shirt” and “Crazier Things” with two great covers: Olivia Dean’s “Man I Need,” a song that brings her peace, and The Killers’ “Mr. Brightside.” Between songs, she opened up about nerves and gratitude, making her already emotional songs hit even harder.
Ravyn Lenae arrived right on time for sunset. Bathed in soft orange light, she looked like she was born for the stage: elegant and locked into every note. Her voice floated over the crowd like silk, especially during “I Wish,” a song she called the hardest she’s ever written, dedicated to her father. She thanked old fans and new ones alike, radiating the calm confidence of an artist stepping into her moment.
In between sets, the festival kept things light with “Kiss Cam” moments on the big screen. Each one was met with massive cheers from the crowd.
Then came the chaos. Remi Wolf turned Budweiser Stage into a full-on carnival. Her stage was covered in flowers, she wore a tutu, and she immediately declared, “Our job is to keep the party fucking going!” before leading the crowd through a “warm-up” routine that included fanning yourself and “slapping your vagina.” It was pure Remi, wild and hilarious. She even hopped on the drums mid-set and surprised fans by bringing Julia Wolf back on stage for a “Wolf Squared” moment. “Disco Man” was the true crowd explosion. She wrapped things up leaving everyone buzzing and ready for the headliner.
Reneé Rapp closed the night like a star who knows exactly who she is. Before she appeared, screens lit up with a message encouraging donations Save The Children, a charity partnered with her tour. Then a short video introducing her playing herself and other characters pressuring her to release a new single. It ended with her screaming “I need everyone to fucking leave me alone!” When she finally emerged, rising from behind a three-tiered star platform, the place erupted. Fans, many who had camped out since the night before, lost it.
Her set swung between rock-driven anthems and stripped piano ballads. “Leave Me Alone” set the tone, confident and biting. For “Isn’t It Funny” and “Sometimes,” she sat at the piano, showing off the kind of raw power that doesn’t need a light show. She talked openly about heartbreak and friendship breakups, calling “poison poison” her revenge era song and “lessons learned” her reflection era. “Good Girl” ended with a searing guitar solo that brought the house down.
Then came the night’s big surprise: Role Model stepped out during “At Least I’m Hot.” The crowd went absolutely feral. It was a perfect tease for Day 2, leaving everyone wondering who would be Role Model’s Sally tomorrow?
As the crowd spilled out of the gates, Day 1 had felt like a statement. Every act was a woman, every fan was respected, and every moment felt like joy. Call it what you want, but “Lesbopalooza” fits just fine.
Stay tuned for our recap of Day 2!
Check out our favourite photos of the day below or head to our Facebook page for the full gallery!
RENEÉ RAPP
REMI WOLF
RAVYN LENAE
CHELSEA CUTLER
BLONDSHELL
JULIA WOLF
ELIO
EMEI
FESTIVAL
All Photo Credit: Caroline Charruyer
Festivals
WATERBOMB Festival Is Coming to Toronto in 2027
Toronto is getting a taste of one of South Korea’s biggest summer music festivals. WATERBOMB, the popular event known for its mix of K-pop performances, hip-hop, EDM and massive water fights, has announced plans to make its Canadian debut in 2027.
Organizers revealed the news through a newly launched Toronto Instagram account, sharing the message: “TORONTO, IT’S TIME.” The announcement has already generated plenty of excitement among Canadian K-pop fans, with the account attracting thousands of followers before any performers or event details have been confirmed.
Interested fans are being encouraged to sign up for the festival’s newsletter to receive early updates and information about tickets. The Toronto website is already live, featuring photos and promotional footage from previous editions of the festival.
For anyone unfamiliar with WATERBOMB, this is far from a traditional music festival. First launched in Seoul in 2015, the event combines live performances with large-scale water battles, giving audiences water guns to use while powerful cannons spray the crowd. Its programming spans K-pop, hip-hop and electronic dance music, making the festival as much about the atmosphere and audience participation as the performers on stage.
WATERBOMB has grown into an international event, with previous editions taking place in cities including Busan, Tokyo, Hong Kong, Singapore and Bangkok. Its Korean lineups have featured major names such as TWICE’s Nayeon & Jihyo, aespa’s Karina, Jeon Somi, J.Y. Park and 2NE1. None of these artists have been announced for Toronto, but fans are already making their wish lists.
Names appearing in the Toronto announcement’s comments include ATEEZ, MONSTA X and Wonho. Whether organizers will let fans vote on their preferred performers remains to be seen. The Seoul edition has introduced an artist wishlist that allows attendees to vote for acts they would like to see, and its 2027 edition is scheduled for July 24 and 25.
There are a few details prospective attendees should know before making summer plans. WATERBOMB has confirmed Toronto as a 2027 destination, but the exact dates, venue, lineup and ticket prices have yet to be revealed. The festival’s Toronto website indicates that the event will be 19+, with government-issued photo identification required for entry.
The organizers are advising attendees to dress comfortably and prepare to get soaked. Personal water guns will be permitted if they meet festival safety guidelines, and planned amenities include changing areas, lockers, food vendors and alcoholic and non-alcoholic drinks. The event is expected to proceed rain or shine, though severe weather could affect programming.
There is some reason for fans to approach the announcement with cautious optimism. WATERBOMB had previously outlined plans to expand into North America with events in Los Angeles and Las Vegas. Those dates were postponed due to operational difficulties. Las Vegas, originally scheduled for September 2026, has since been moved to June 2027, while a new date for Los Angeles has not been announced.
Toronto is now part of the festival’s North American plans, though the success of the expansion will depend on organizers delivering the promised events.
For now, Canadian fans will have to wait for more information. If the Toronto edition brings the same combination of major K-pop acts, summer weather and water-filled chaos that made the festival popular in South Korea, it could be a very different kind of festival experience for the city.
WATERBOMB Toronto 2027: What We Know
- When: 2027, exact dates to be announced
- Where: Toronto, venue to be announced
- Age requirement: 19+
- Music: K-pop, hip-hop and EDM
- Lineup: Not yet announced
- Tickets: Prices and sale dates to be announced
- More information: Head to WATERBOMB Toronto website or sign up for the official newsletter.
Festivals
Coachella 2027 Announces Lineup With Dua Lipa, Tame Impala and SZA Headlining
Coachella has revealed its 2027 lineup, with Dua Lipa, Tame Impala and SZA set to headline the festival across two weekends next April. The announcement brings together a mix of pop heavyweights, electronic music favourites, indie acts and returning festival regulars for the annual event at Empire Polo Club in Indio, California.
Each headliner will close out a different night. Dua Lipa will take the main stage Friday, April 9, marking her first full performance at Coachella. Her only previous appearance at the festival was as a guest during Martin Garrix’s set in 2017, before the release of her debut album.
Saturday belongs to Tame Impala, who will return for their second Coachella headlining appearance after topping the bill in 2019. The Australian project, led by Kevin Parker, previously performed at the festival in 2011, 2013 and 2015.
SZA will close out Sunday night, rounding out a headline trio that brings three very different sounds to the top of the poster.
The lineup has plenty of other big names competing for attention. Madonna is among the festival’s most prominent bookings, appearing in the dance tent rather than as a headliner. Phoebe Bridgers, Weezer, Robyn, Zara Larsson, Steve Lacy, Peggy Gou, Kehlani, Tiësto, Kygo, Don Toliver, Dom Dolla, Four Tet and The Neighbourhood are among the other notable acts.
There are plenty of additional names worth checking out, including Måneskin, Jisoo, Caroline Polachek, Remi Wolf, Tove Lo, MUNA, Underworld, Chase & Status, Victoria Monét, Leon Bridges, Magdalena Bay, Freddie Gibbs, The Avalanches, Social Distortion, American Football and The Damned. Pinegrove will make an appearance after spending much of the past few years on hiatus.
One of the more unexpected bookings comes from Daddy Yankee, who has been given a special “In the Desert” billing. The festival will have another attraction away from the main stages, too. Following last year’s Radiohead installation, the bunker will feature a Justice exhibit titled Blinded By The Lights.
Coachella 2027 will run April 9-11 and April 16-18, with the same lineup performing across both weekends. The festival will once again partner with YouTube for its livestream, marking the 15th year of the partnership. Viewers will be able to watch selected performances from both weekends online.
Tickets go on sale Friday, November 13, at 12 p.m. PT. General admission passes for both weekends are listed at Tier 2 pricing, starting at $779, with a three-day shuttle pass included. VIP passes start at $1,399 for Weekend 1 and $1,349 for Weekend 2.
For tickets, camping options, hotel packages and additional festival information, visit the official Coachella website.