Festivals
All Things Go Toronto 2025 – Day Two Recap & Photos
If day one of All Things Go Toronto was for pop lovers, day two was for country dreamers. The Budweiser Stage was buzzing early Sunday, and “Besties” (as All Things Go fans are named) were back in full force trading bracelets, stories, and theories about who Role Model’s mysterious “Sally” will be.
Kicking things off was Baby Nova, whose airy pop and unshakable sincerity instantly caught the crowd’s attention. Dressed in an ethereal white dress, she was radiant. She shared that it was her first ever festival performance, earning cheers from the early crowd. She played a few unreleased songs, including “Death Wish,” and had everyone singing “happy birthday” to her guitarist, Leo. By the time she closed with “Too Pretty for Buffalo,” it was clear Baby Nova’s name won’t stay small for long.
Alemeda took things up a notch. The crowd was still trickling in, but the early risers were ready for her. Even with some in-ear monitor issues, she powered through like a pro, switching between love songs and fiery bangers without missing a beat. Her blend of indie pop and Y2K energy hit just right under the afternoon sun. She previewed a new track off her next project and tore through “BEAT UP A B!TCH,” her upcoming collab with Doechii dropping October 10th. The crowd, many there early for Role Model, screamed every lyric anyway.
Then came Joy Oladokun, who completely changed the pace with an acoustic set after her band couldn’t make it across the border. Standing solo with her guitar, she filled the amphitheatre with warmth and grace. She mixed her own songs with covers of like the Beatles’ “Blackbird.” At one point, she paused to send love to trans folks: “you are loved,” drawing loud applause. It was the quietest set of the day but maybe the most powerful.
Toronto’s own Valley brought their usual chaos and charm right onto the stage. You’d never guess they had just taken a red-eye flight from Los Angeles as their energy was nonstop. The band traded instruments mid-set, bantered between songs, and looked genuinely thrilled to be home. As usual, Rob Laska and Alex Dimauro were a riot, and Karah James stepped out from behind her drum kit. By the time they hit “When You Know Someone,” the crowd was one big sweaty choir. One of the highlights included their MGMT cover of “Kids.”
Noah Cyrus followed with one of the day’s most visually stunning sets. Her stage looked like a mossy forest, complete with rocks, soft lighting, and her full band, including a violinist. As the sunset poured across the stage, she appeared in a beautiful chainmail-like corset, opening with “I Saw the Mountains.” Her voice, raspy and rich, carried through the warm evening air. There were moments where it was easy to mistake her tone for her sister Miley’s, but Noah’s energy felt distinctly her own. “If There’s a Heaven” landed beautifully, leaving the audience swaying in silence.
Then came Charlotte Cardin, Toronto’s queen of cool for the day. She strutted on stage after “Man! I Feel Like a Woman!” played through the speakers. Her hour-long set was packed with highlights: “Jim Carrey,” “Passive Aggressive,” and her recent single “Tant pis pour elle,” released just three weeks earlier. Her vocals were laser-sharp, her presence magnetic. She noted that it was her second to last show on the 99 Nights Tour, a tour that started in 2023! Fans sang along to “Anyone Who Loves Me” and danced to the incredible “Feel Good” as the sun was setting behind Budweiser Stage. While she mostly stuck to the english part of her catalog, she did pepper her set with some french words here and there. She closed her set with “Confetti.”
Role Model might’ve had the loudest crowd of the day. Fans in “Diva!” shirts or carrying signs with “Diva”-related puns screamed as Tucker Pillbury stepped out in his usual jeans and cowboy boots. He launched right away into “Writing’s on the Wall.” His set was equal parts heartache and humour: changing lyrics to shout out Toronto, playfully calling his band Twenty One Pilots, and egging on barking fans (“They let the dogs out tonight!”). His cover of The 1975’s “Somebody Else” had phones in the air, but the biggest moment came when “Sally, When the Wine Runs Out” hit, and Charlotte Cardin returned, two glasses of champagne in hand, to play “Sally” herself. The crowd went wild. Our highlight was the fan who wore a coffee cup costume from “Sally’s” ; while the cup did not make it until the end of the set, it had quite the effect in the pit.
Finally, Kacey Musgraves closed the weekend with grace and wit. Her stage was draped in moss, galaxies, and soft light, perfectly matching her mellow country glow. She opened with “Cardinal” and carried through a set that felt like an exhale for the last set of the festival. Her mix of Deeper Well songs with Golden Hour favourites had everyone dancing in the pit. She cracked jokes, shared stories from her Nashville beginnings, and dedicated “Follow Your Arrow” to “all the gays,” a moment that drew one of the biggest singalongs of the night. During “Lonely Weekend,” a photo of a depressed Kermit the Frog flashed onscreen, and everyone burst out laughing. She closed with “Deeper Well” under a shower of confetti, leaving the crowd glowing.
Day Two felt bigger, busier, and a touch more country than Saturday’s pop-heavy lineup, a perfect balance for All Things Go’s first Toronto run. With food trucks, bracelet stations, sponsor pop-ups, and even Boomfy the festival mascot posing for selfies, the weekend had a small-community feel despite its scale.
All Things Go may have wrapped, but its message of championing women, non-binary artists, and inclusivity, landed loud and clear. As the gates closed on Budweiser Stage for the season, Besties left under confetti skies already wishing for next year!
Check out our favourite photos of the day below or head to our Facebook page for the full gallery!
KACEY MUSGRAVES
ROLE MODEL
CHARLOTTE CARDIN
VALLEY
JOY OLADOKUN
ALEMEDA
BABY NOVA
FESTIVAL
All Photo Credit: Caroline Charruyer
Festivals
VANS Warped Tour Announces 2026 Full Line-Up!
Vans Warped Tour, one of the most iconic, successful, and longest-running music festivals in history is bringing its celebrated community-driven experience north of the border with a highly anticipated stop in Montréal, Canada. Set for August 21 + 22, the Montréal edition will take over the expansive grounds of Parc Jean-Drapeau, the city’s premiere outdoor festival destination located along the St. Lawrence River.
Just minutes from downtown and easily accessible by metro, Parc Jean-Drapeau offers sweeping skyline views and a vibrant summer atmosphere. Festivalgoers can explore nearby neighborhoods such as Old Montréal, the Plateau, and the Quartier des Spectacles, making the weekend an immersive cultural experience both on and off the festival grounds.
Keeping with tradition, the full line-up listed alphabetically, which keeps the focus on the collective experience rather than headliners, the stacked bill spans generations of alternative and punk music, from genre-defining favorites like Simple Plan and Bowling For Soup to pop-rock staples such as Taking Back Sunday, Yellowcard, and Mayday Parade, alongside rising voices including Jutes and LØLØ. Additionally, the 2026 Vans Warped Tour in Montreal features a mix of international and regional talent, including Montreal-based deathcore band Despised Icon and punk outfit The Anti-Queens.
In partnership with Insomniac, the two-day festival will feature over 100 artists spanning rock, pop punk, alternative, emo, hip-hop, ska and beyond, alongside appearances from world-class skateboarders and elite action-sports athletes. This latest iteration builds on Vans Warped Tour’s legacy while embracing a broader, more global future for one of music and skate culture’s most enduring live platforms. With its scenic waterfront setting, rich musical heritage, and reputation as one of North America’s top festival cities, Montréal provides the perfect backdrop for Vans Warped Tour’s signature blend of nostalgia, discovery, and community—uniting fans across generations for an unforgettable summer weekend.
Furthering their mission of artist discovery and fan-first ideology, last month Vans Warped Tour launched the first look at the artists performing this year with multiple artists being announced daily over the past 30-ish days exclusively on Vans Warped Tour social platforms.
In addition to Montreal, Canada, Vans Warped Tour is expanding its footprint and cultural impact after last year’s three sold-out U.S dates, as the tour will deliver five two-day festivals returning to Washington, DC, Long Beach, CA, and Orlando, FL, including the launch of two all-new international editions in both Montreal, Canada and also Mexico City, Mexico, marking a powerful global expansion.
Founded by Kevin Lyman in 1995, Vans Warped Tour built a singular legacy as the definitive summer festival for rock and alternative music fans, shaping generations of artists and audiences alike. Founded in 1995, Vans Warped Tour was never just a concert series; it was a proving ground, cultural crossroads, and community-driven platform where established acts shared stages with emerging talent, often at pivotal moments in their careers.
Throughout the years, Vans Warped Tour helped introduce and elevate artists who would go on to define modern music, with past performers including Blink-182, No Doubt, Sublime, Beck, Katy Perry, NOFX, Limp Bizkit, Black Eyed Peas, Green Day, Eminem, Yellowcard, Bad Religion, and countless others.
What set Vans Warped Tour apart was its accessibility and ethos. Affordable tickets, all-day festivals, genre-fluid lineups, and an environment where fans could discover new artists, connect directly with performers, and experience music alongside skate culture, activism, and community engagement. That spirit of openness and discovery became central to Vans Warped Tour’s identity, cementing its place as one of the most influential live music platforms in modern music history. Vans Warped Tour remains committed to accessible pricing, with weekend passes that started at an all-inclusive price of $237.00 (processing fees included) and are currently available for purchase at https://www.vanswarpedtour.com/tickets.
Festivals
Dave Matthews Band, Twenty One Pilots, Mumford & Sons To Headline Oceans Calling 2026
Dave Matthews Band, Twenty One Pilots, and Mumford & Sons will headline the 2026 edition of Oceans Calling Festival on September 25-27 at the Ocean City, Maryland Boardwalk. The festival returns to Ocean City Inlet Beach with more than 40 artists performing across 3 stages including Ludacris, O.A.R., Yellowcard, Shaggy, Liz Phair, and more on Friday along with Goo Goo Dolls, Third Eye Blind, All Time Low, 311, Dashboard Confessional, Violent Femmes, and more on Saturday, with Caamp, My Morning Jacket, The Head and The Heart, Hanson, OK Go, Susan Hoffs, Jet, and more performing Sunday. View the entire lineup by-day here.
Pre-sale Tickets will be available this Thursday, March 5, from 10 AM–11 AM ET, offering guaranteed lowest priced GA and 1-Day Tickets for one hour only.
Beyond the stages, Oceans Calling highlights the best of East Coast flavor with fan-favorite local food vendors and Boardwalk staples complemented by live culinary demos from renowned chefs Robert Irvine, Antonia Lofaso, and more celebrating the region’s vibrant food scene; all hosted by Jason Biggs.
Festival goers will also have access to the Ocean City Boardwalk and its businesses in residence as well as the iconic Jolly Roger at the Pier amusement park, both located inside the festival grounds, as admission will be included with the purchase of an Oceans Calling Festival ticket.
Oceans Calling Festival ticket types include 1-Day and 3-Day, General Admission, GA+, VIP, and Platinum tickets, and layaway payment plans start at $20 down. GA+ offers fans unlimited access to a private lounge with seating, air-conditioned restrooms, complimentary water, private bar with drinks for purchase, and a dedicated on-site hospitality team. VIP delivers an exclusive seated viewing platform at the Main Stage, as well as prime viewing areas at all stages, VIP Lounge at Main Stage with air-conditioned restrooms, private bar with drinks for purchase and complimentary water, lockers, and mobile charging units for rent, and more. Platinum includes front-of-stage viewing at all stages, complimentary all-day dining and full-service bars, access to two Platinum Lounges with relaxed seating, air-conditioned restrooms, complimentary lockers and mobile charging, dedicated festival entrance, plus all the amenities of VIP, GA+, and GA, and more.
New this year, the 3-Day Bungalow Package offers an elevated, private festival experience for up to 12 guests per day at Oceans Calling. Guests enjoy unlimited access to a dedicated shaded bungalow with sweeping views of the Sea Bright Stage and festival grounds, plus private bars with complimentary all-day beverages, grab-and-go snacks, air-conditioned restrooms, Wi-Fi, merchandise concierge service, and dedicated on-site hospitality staff, all while maintaining full access to VIP and GA amenities for the complete festival experience. For the full list of ticket amenities, and to purchase 1-Day or 3-Day Tickets, visit www.oceanscallingfestival.com/tickets.