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Osheaga 2022 Inside the Platinum Experience – Day 3 Recap & Photos

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On Day 3 of Osheaga 2022, I decided to go all in and purchase a Platinum ticket. Spoiler alert: it was worth every dollar. From bottomless mimosas to watching Dua Lipa from the front pit, here’s what it was like living the Osheaga high life

The Platinum Life

Let’s start with what made this experience next-level. Early entry meant we breezed through security around 11am, and even caught a surprise: Dua Lipa doing soundcheck. Talk about a strong start.

Until about 2pm, the Garage/Platinum lounge served bottomless mimosas and handed out cute little brunch boxes. The food wasn’t Michelin-starred, but it hit the spot. I absolutely leaned into the mimosas and then hydrated like a champ afterward because that Montreal heat does not play.

Throughout the day, you could help yourself to ice cream, churros, espresso drinks, and snacks at the lounge until around 7 p.m. Add in upgraded toilets with actual plumbing and air conditioning, makeup touch-ups, RMT chair massages, lockers, and shaded lounges with comfy seating, and suddenly Osheaga felt more like a boutique resort with bangers playing in the background.

One of the most unexpected highlights of the weekend was getting to go backstage at the Scene de la Riviere. We tagged along with one of the festival directors for a quick behind-the-scenes tour, and it was fascinating to see the controlled chaos that makes an event of this scale run smoothly. From gear setups to staff buzzing around on golf carts, it was great to get a peek behind the curtain. We even snuck in a few selfies on stage (empty at the time, of course). It was definitely a bucket-list moment.

The real game-changer were the Platinum golf cart shuttle that whisked us between stages. No more crowd weaving and shuffling feet in the dirt. And when it was time to watch our faves, we had access to the front-of-stage viewing area. That meant showing up 30 minutes before a headliner and still scoring prime real estate. Not having to camp out in the sun was the highlight of our day.

The Artists

On to the music, here’s who we saw that day!

SAM FENDER

Armed with his Telecaster and North Shields swagger, Sam Fender brought British indie rock energy to the Scene de la Riviere. His vocals were powerful and raw, especially during his last song “Seventeen Going Under,” which had the crowd singing along . Fender’s set was passionate and punchy.

CHELSEA CUTLER

Chelsea’s set was the audio equivalent of your favourite coming-of-age film. She managed to keep things intimate even on a big stage. “Your Shirt” hit particularly hard and was amazing to watch live.

GRACIE ABRAMS

Gracie’s afternoon set was a perfect balance of delicate and devastating. Her lyrics drew everyone in, and you could see people swaying with their eyes closed as she played “21” and “Feels Like.” She may be soft-spoken, but her ability to command a crowd was undeniable. It felt like discovering someone mid-bloom. Keep an eye on her!

ROYAL BLOOD

Royal Blood turned the Scene de la Rivière stage into a chaos zone. For a two-piece, their sound felt huge and gritty. They engaged the crowd all the time and didn’t hesitate to make fun of us in the front-viewing pit for pretending to be VIPs. The last two tracks “Out of the Black” and “Figure It Out” almost had mini mosh pits forming in the afternoon sun. Watching them up close from the front pit was incredible.

GLASS ANIMALS

Easily one of the most fun sets of the weekend. Glass Animals brought a neon-tinted, psychedelic energy (and pineapples) that had everyone dancing. As expected, “Heat Waves” was a hit and had everyone singing in unison. Frontman Dave Bayley did not stop moving one instant and brought us along for the ride.

DUA LIPA

The queen herself. Dua closed out the festival with a flawless, high-glam set complete with synchronized dancers, laser lights, confetti, fireworks and glittery outfits. From “Levitating” to “Don’t Start Now,” she showed how she evolved into a full-blown performer. Being just 20 feet from the stage, dancing with other Platinum attendees-turned-friends was the best way to end Osheaga 2022.

This was my first Platinum-tier festival experience, and as a millennial surrounded by other like-minded folks (mostly also avoiding porta-potties and lineups), I can confidently say that it was worth it. Every perk, from the mimosas to the front-pit access, enhanced the weekend without distracting from the music.

I would absolutely go Platinum again, but next time, I’m going all-in for the full three days!

Click here our recap of Day 2 here.

All Photo Credit: Caroline Charruyer – all photos taken with a point & shoot camera from the crowd

Festivals

PNE Summer Night Concerts – Pierce The Veil

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By the time Pierce The Veil took the stage at Vancouver’s Freedom Mobile Arch on September 5, the place was packed and the anticipation was impossible to miss. As part of the PNE Summer Night Concerts, the San Diego post-hardcore veterans delivered a set that mixed nostalgia and chaos.

The show opened with “May These Noises Startle You in Your Sleep Tonight” and “Hell Above.” From there, the night barely let up. “Bulls in the Bronx” got the crowd going, followed by “Circles” and “I’m Low on Gas and You Need a Jacket.”

There was plenty for longtime fans, too. “I’d Rather Die Than Be Famous,” “Yeah Boy and Doll Face” and “Floral & Fading” reached back into the band’s catalog, while their cover of the Pixies’ “Where Is My Mind?” provided one of the evening’s fun surprises.

Visually, Pierce The Veil made the most of the outdoor stage. Tony Perry and Jaime Preciado were constantly moving, throwing themselves around the stage with guitars in hand, while drummer Loniel Robinson provided the thunder behind them. At the centre was Vic Fuentes, whose voice still carries the emotional weight that has defined the band since its early days.

The emotional high point came with “Hold On Till May,” a song that has become deeply personal for many fans as phones went into the air and voices rose across the venue. Predictably, the place lost its mind when they ended with “King for a Day.”

After nearly 20 years, Pierce The Veil still know exactly what their music means to their fans. On this night, Vancouver gave that love right back.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

PIERCE THE VEIL

All Photo Credit: Kelli Rothwell

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Festivals

PNE Summer Night Concerts – Train

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Train

After almost 10 years away, Train made its highly anticipated return to Vancouver, taking the stage at the PNE as part of the Summer Nights series for an electric night of nostalgia, energy and some of the band’s biggest hits. Nearly 10,000 fans packed the venue to welcome the group back to the city.

With nearly 33 years of performing together, Train proved that its signature sound and undeniable stage presence remain as strong as ever. Currently on the Drops of Jupiter: 25 Years in the Atmosphere Tour, the band is celebrating the 25th anniversary of its iconic album with a set that served as both a celebration of its enduring catalogue and a reminder of why these songs have remained fan favourites for decades.

Opening with “Calling All Angels,” the band quickly launched into a crowd-pleasing run of classics, including “Hey, Soul Sister,” “Marry Me” and “Drive By.” Throughout the night, the set balanced humour and heart, with frontman Pat Monahan connecting with the crowd and reflecting the warmth and personality that have become synonymous with Train’s live performances.

The night ultimately came full circle with the song that started the 25th-anniversary celebration: “Drops of Jupiter.” As the familiar opening notes rang out across the PNE, nearly 10,000 voices joined in, creating a fitting finale to a night that celebrated not only one of Train’s most beloved albums, but an iconic career spanning more than three decades.

Check our our favourite photos of the night below or head to our Facebook page for the full gallery!

TRAIN

All Photo Credit : Jill Meagher

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