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Osheaga 2022 Inside the Platinum Experience – Day 3 Recap & Photos

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On Day 3 of Osheaga 2022, I decided to go all in and purchase a Platinum ticket. Spoiler alert: it was worth every dollar. From bottomless mimosas to watching Dua Lipa from the front pit, here’s what it was like living the Osheaga high life

The Platinum Life

Let’s start with what made this experience next-level. Early entry meant we breezed through security around 11am, and even caught a surprise: Dua Lipa doing soundcheck. Talk about a strong start.

Until about 2pm, the Garage/Platinum lounge served bottomless mimosas and handed out cute little brunch boxes. The food wasn’t Michelin-starred, but it hit the spot. I absolutely leaned into the mimosas and then hydrated like a champ afterward because that Montreal heat does not play.

Throughout the day, you could help yourself to ice cream, churros, espresso drinks, and snacks at the lounge until around 7 p.m. Add in upgraded toilets with actual plumbing and air conditioning, makeup touch-ups, RMT chair massages, lockers, and shaded lounges with comfy seating, and suddenly Osheaga felt more like a boutique resort with bangers playing in the background.

One of the most unexpected highlights of the weekend was getting to go backstage at the Scene de la Riviere. We tagged along with one of the festival directors for a quick behind-the-scenes tour, and it was fascinating to see the controlled chaos that makes an event of this scale run smoothly. From gear setups to staff buzzing around on golf carts, it was great to get a peek behind the curtain. We even snuck in a few selfies on stage (empty at the time, of course). It was definitely a bucket-list moment.

The real game-changer were the Platinum golf cart shuttle that whisked us between stages. No more crowd weaving and shuffling feet in the dirt. And when it was time to watch our faves, we had access to the front-of-stage viewing area. That meant showing up 30 minutes before a headliner and still scoring prime real estate. Not having to camp out in the sun was the highlight of our day.

The Artists

On to the music, here’s who we saw that day!

SAM FENDER

Armed with his Telecaster and North Shields swagger, Sam Fender brought British indie rock energy to the Scene de la Riviere. His vocals were powerful and raw, especially during his last song “Seventeen Going Under,” which had the crowd singing along . Fender’s set was passionate and punchy.

CHELSEA CUTLER

Chelsea’s set was the audio equivalent of your favourite coming-of-age film. She managed to keep things intimate even on a big stage. “Your Shirt” hit particularly hard and was amazing to watch live.

GRACIE ABRAMS

Gracie’s afternoon set was a perfect balance of delicate and devastating. Her lyrics drew everyone in, and you could see people swaying with their eyes closed as she played “21” and “Feels Like.” She may be soft-spoken, but her ability to command a crowd was undeniable. It felt like discovering someone mid-bloom. Keep an eye on her!

ROYAL BLOOD

Royal Blood turned the Scene de la Rivière stage into a chaos zone. For a two-piece, their sound felt huge and gritty. They engaged the crowd all the time and didn’t hesitate to make fun of us in the front-viewing pit for pretending to be VIPs. The last two tracks “Out of the Black” and “Figure It Out” almost had mini mosh pits forming in the afternoon sun. Watching them up close from the front pit was incredible.

GLASS ANIMALS

Easily one of the most fun sets of the weekend. Glass Animals brought a neon-tinted, psychedelic energy (and pineapples) that had everyone dancing. As expected, “Heat Waves” was a hit and had everyone singing in unison. Frontman Dave Bayley did not stop moving one instant and brought us along for the ride.

DUA LIPA

The queen herself. Dua closed out the festival with a flawless, high-glam set complete with synchronized dancers, laser lights, confetti, fireworks and glittery outfits. From “Levitating” to “Don’t Start Now,” she showed how she evolved into a full-blown performer. Being just 20 feet from the stage, dancing with other Platinum attendees-turned-friends was the best way to end Osheaga 2022.

This was my first Platinum-tier festival experience, and as a millennial surrounded by other like-minded folks (mostly also avoiding porta-potties and lineups), I can confidently say that it was worth it. Every perk, from the mimosas to the front-pit access, enhanced the weekend without distracting from the music.

I would absolutely go Platinum again, but next time, I’m going all-in for the full three days!

Click here our recap of Day 2 here.

All Photo Credit: Caroline Charruyer

Festivals

Governors Ball 2026 Release Daily Schedules

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The set times are in. Governors Ball Music Festival just dropped its daily schedules for June 5–7, and the usual game begins: mapping your day, picking your battles, and accepting you can’t see everything.

Friday, June 5

Day one leans indie-pop into rap by night. Lorde closes the main stage at 8:30, opposite the tail end of Baby Keem(7:30–8:30). That’s your first big call: polished pop spectacle or Keem’s high-energy set.

Earlier, things get messy in a good way. KATSEYE (6:35–7:30) overlaps with Pierce the Veil (5:30–6:30) bleed, and The Beths (6:00–7:00) sit right in between. Indie fans will feel that pinch.

Midday conflicts are lighter, but The Dare (4:00–4:45) vs. Arcy Drive (3:30–4:15) creates a small fork in the road.

If you’re pacing yourself, the cleanest run is late afternoon into Mariah the Scientist (4:45–5:30), then pick your lane.

Saturday, June 6

Saturday is the most chaotic on paper. Stray Kids headline at 8:30, directly after Kali Uchis (7:30–8:30). That transition is smooth if you stay put.

The real trouble hits earlier. Major Lazer (6:30–7:30) collides with Blood Orange (5:30–6:30) and the start of Amyl and the Sniffers (7:30–8:30). Dancehall vs. alt-R&B vs. punk. Pick a mood and commit.

Mid-card is stacked with clashes: Ravyn Lenae (4:00–4:45) overlaps with Jane Remover (3:30–4:15), and Snow Strippers (4:45–5:30) runs right into Wet Leg (4:45–5:30). That last one is a true coin flip, two buzzy acts at the exact same time.

Sunday, June 7

Sunday might be the strongest day top to bottom. A$AP Rocky closes at 8:45, opposite the end of JENNIE (7:45–8:45) and Freddie Gibbs & The Alchemist (7:45–8:45). That’s the toughest final hour of the weekend.

The lead-up is just as tight. Dominic Fike (6:45–7:45) overlaps with Clipse (5:45–6:45) and Hot Mulligan (6:15–7:15). Three different crowds, same window.
Earlier, Japanese Breakfast (4:00–4:45) and Holly Humberstone (3:15–4:00) form a nice back-to-back if you stay mobile, but Between Friends (2:30–3:15) cuts into that flow.

The takeaway

Friday is manageable. Saturday is conflict-heavy. Sunday is stacked late.
If you hate missing songs, plan short splits. If you want full sets, accept you’ll miss something big. That’s part of the deal, and honestly, half the fun.

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Festivals

PNE Summer Night Concerts Announce 2026 Lineup

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PNE Summer Night Concerts 2026

Vancouver’s summer concert calendar is locking into place. The annual Summer Night Concerts are set to return to the Pacific National Exhibition from August 22 through September 7, bringing live music back to one of the city’s biggest seasonal events.

This year carries a bit more weight than usual. The series will debut at the brand-new Freedom Mobile Arch, a 10,000-seat outdoor amphitheatre built for large-scale performances. The venue promises better sightlines, improved sound, and a more immersive setup for fans. It’s a major shift for the fair, which spent much of last year dealing with construction that limited its footprint and contributed to a drop in attendance.

Now, with the full site back in action, organizers are aiming for a reset. The 2026 lineup leans into that idea, mixing legacy acts with newer names across genres like rock, pop, hip-hop, and electronic.

Headliners include Blue Rodeo, The Guess Who, The Beaches, Nelly, and Zedd, alongside artists like Mt. Joy, Train, and Barenaked Ladies. Special performances include Cynthia Erivo backed by the Vancouver Symphony Orchestra, as well as appearances from Punjabi Virsa, Weird Al Yankovic, Earth, Wind & Fire, Pierce the Veil, Sarah McLachlan, and Boy George & Culture Club.

The full schedule runs nightly:

  • Aug. 22: Blue Rodeo
  • Aug. 23: The Guess Who
  • Aug. 25: The Beaches
  • Aug. 26: Nelly
  • Aug. 27: Zedd
  • Aug. 28: Mt. Joy
  • Aug. 29: Cynthia Erivo with VSO
  • Aug. 30: Punjabi Virsa
  • Sept. 1: Train
  • Sept. 2: Barenaked Ladies
  • Sept. 3: Weird Al Yankovic
  • Sept. 4: Earth, Wind & Fire
  • Sept. 5: Pierce the Veil
  • Sept. 6: Sarah McLachlan
  • Sept. 7: Boy George & Culture Club

Tickets start at $49 plus fees and include admission to the PNE Fair. Presale began April 19, with general on-sale launching April 20 through TicketLeader.

New venue, full fairgrounds, and a lineup that leans both nostalgic and current. After a quieter year, the PNE looks ready to feel busy again.

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