Festivals
Ottawa Bluesfest 2025 – July 10 Recap & Photos
Ottawa Bluesfest returned to LeBreton Flats Park on Thursday for the first of nine stacked nights, and the opening evening set the tone with a lively mix of country, ska, funk, and some actual blues.
First up on the RBC Stage was Rosewood Ave, a country duo from Timmins made up of high school sweethearts turned married couple. They leaned into their roots with a sweet, sincere set full of heartfelt originals and a lively cover of Shania Twain’s “(If You’re Not In It For Love) I’m Outta Here!” Their excitement about being on the big stage was clear and charming. Last summer, they said they visited Bluesfest as fans and dreamed of playing here.
Following them, The Red Clay Strays brought a rawer Southern edge to the stage. The Alabama band has picked up steam lately thanks to a viral hit and some word-of-mouth buzz around their high-energy live shows. They didn’t disappoint. Their sound is a gritty mix of blues, southern rock, and outlaw country. They also popped back up later in the night when frontman Brandon Coleman joined Lainey Wilson for a duet on Johnny Cash’s “God’s Gonna Cut You Down.”
Lainey Wilson was the day’s marquee name, and her set closed out the RBC Stage in style. She drew a massive crowd, many in cowboy hatsm and played a solid, crowd-pleasing set of radio-ready hits. Dressed in bell bottoms and her signature hat, Wilson connected with the crowd through stories and shout-outs to her small-town Louisiana roots. Highlights included “Country’s Cool Again,” and a stripped-down “Watermelon Moonshine.” She continued the tradition of crowning a young fan “Cowgirl of the Night,” handing over her cowboy hat to a young girl.
While the main stage leaned heavily country, things got groovier over on the other stages.
Ottawa-via-London singer DB Cohen kicked things off at the River Stage with a tight, funky blues set. His band (complete with a horn section!) kept the mood upbeat despite the early evening heat. Songs like “Dinner Party” and “Manchild” (no relation to the Sabrina Carpenter one, as Cohen joked) were a hit with the crowd.
Over at the LeBreton Stage, The Cat Empire delivered more horns and grooves. With a refined blend of funk, jazz, and world music, they had the tent bouncing through their evening slot. It was the kind of set that made you forget you were in Ottawa and feel like you’d wandered into a festival in another hemisphere.
The LeBreton tent also hosted the incredible Chambers DesLauriers. That’s powerhouse vocalist Annika Chambers paired with guitar virtuoso Paul DesLauriers. Their chemistry was undeniable, and the set was rooted in gospel-soaked blues, with Chambers belting out lines like she was preaching to the choir. “The Blues Got a Hold on Me” was a particular standout, with DesLauriers laying down smoky guitar lines underneath her soaring vocals.
Overall, Bluesfest’s opening day showed the fest still knows how to blend genres, big names, and local flavour. Whether you were line dancing on the lawn or skanking in the tent, there was something worth seeing at every turn. A promising start to one of Canada’s best summer festivals!
Stay tuned for more coverage of the festival in the coming days. In the meantime, head to Ottawa Bluesfest’s website for more info on the rest of the festival.
Check out our favourite photos of Day 1 below or head to our Facebook page for the full gallery!
THE RED CLAY STRAYS
CAT EMPIRE
ROSEWOOD AVE
DB COHEN
CHAMBERS DESLAURIER
All Photo Credit: Kieran Delport, unless otherwise noted
Festivals
Montréal Jazz Festival 2026 – Patrick Watson
July 3, 2026
If you thought the outdoor main stage at Jazz Fest was packed earlier in the week, it had absolutely nothing on the sea of people that squeezed into the Place des Festivals for Patrick Watson. The site was packed right to the limit. The last time he played the festival back in 2021, it was to a strictly limited, socially distanced crowd, and he actually took a moment to contrast that eerie, quiet landscape with the overwhelming wall of faces looking back at him this time around. The massive turnout made it feel like the city had just been waiting for the perfect moment to properly welcome him back.
The whole night felt like a massive, curated homecoming celebration with his favourite people on earth. By the third song, he already had the crowd cheering when he brought out Montreal’s own Martha Wainwright, who has been heavily involved in the local scene and festival circuit this year, to share the stage. Right after that, he raised the bar even higher by bringing up a string quartet for a stunning performance of “Ode to Vivian.” He took a second to tell the story behind the track, explaining how it was inspired by the street photographer Vivian Maier, who secretly kept her incredible work to herself until she passed, only to posthumously become an inspiration to thousands of photographers worldwide.
The emotional peak of the set came during “To Build a Home.” Watson talked about how deeply the experience of growing up in Montreal shaped him both as a person and a musician, noting that his music could only ever be written in a city with this exact type of creative spirit. As the song played, vintage 1960s video footage of Montreal rolled across the massive backdrops, which gave the whole performance an incredibly nostalgic, cinematic weight. He kept the collaborations rolling through the night, too, pulling the brilliant November Ultra onto the stage for “Silencio,” and later bringing out the rising indie-folk artist Solann.
The years might be passing, but Patrick Watson proves every time he steps on a stage that he remains an absolute force of nature. He doesn’t care about shifting trends; he just cares about his craft. A few people floating around the crowd might have been a little disappointed not to hear some of the older classics like “Lighthouse” or “The Great Escape,” but honestly, what better setting is there to test out your newest material than the Montreal Jazz Festival in front of your home crowd? Besides, when the performance is that stunning from start to finish, you really can’t be mad about it.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
PATRICK WATSON
All Photo Credit: Andres Amaya
Festivals
FIFA Fan Festival™ Vancouver – Simple Plan & JJ Wilde
The weather did everything it could to keep people away from the the FIFA Fan Festival™ in Vancouver on July 2, but fans had other ideas. Heavy rain lingered throughout the day, yet by the evening the amphitheatre at the PNE Grounds was packed with concertgoers ready to enjoy live music alongside the excitement of the FIFA World Cup.
The day’s schedule featured Round of 32 matches on the big screen between performances from local and international artists. Vancouver’s own JJ Wilde took the amphitheatre stage in the early evening, bringing her trademark mix of gritty rock vocals and confident stage presence. Her performance gave the crowd plenty of energy before the night’s main attraction, and showed everyone why she became the first woman in 25 years to win Canadian Rock Album Of The Year prize at Junos Awards.
Closing out the night was Montreal pop-punk veterans Simple Plan, who showed exactly why they continue to be one of Canada’s most reliable live bands more than two decades into their career. Rain-soaked fans sang along from the opening notes of “I’d Do Anything” as the band wasted no time getting the audience involved. Their set moved quickly through fan favourites including “Nothing Changes,” “Shut Up!,” “Jump,” “Jet Lag,” and “Welcome to My Life,” with nearly every chorus echoed back by the crowd.
The setlist balanced nostalgia with newer material, featuring songs like “Nothing Changes,” “Loser of the Year,” and “Million Pictures” alongside classics that have become staples of the band’s live shows. “Summer Paradise” brought a welcome reminder of sunnier days, even if the skies over Vancouver refused to cooperate.
One of the night’s most entertaining moments came during “What’s New Scooby-Doo?” Better known by fans simply as the Scooby-Doo song, the band continued its long-running concert tradition by inviting several people dressed as Scooby-Doo onto the stage.
The energy never dipped as the band powered through a party medley before closing with “Where I Belong,” “I’m Just a Kid,” and, fittingly, “Perfect.” Thousands of voices filled the amphitheatre, creating one of the loudest singalongs of the festival so far.
July 2 served as another reminder of what has made the FIFA Fan Festival such a success throughout the tournament. Football may bring people together during the day, but the nightly concerts have become just as much a reason to gather. Even under grey skies and persistent rain, Vancouver fans turned out in force, and Simple Plan rewarded that dedication with a high-energy performance that left the crowd smiling long after the final note.
Check out our favourite photos of the night below or head to our Facebook page for the full galleries of Simple Plan and JJ Wilde!
SIMPLE PLAN
JJ WILDE
All Photo Credit: Caroline Charruyer