Festivals
Ottawa Bluesfest 2025 – July 10 Recap & Photos

Ottawa Bluesfest returned to LeBreton Flats Park on Thursday for the first of nine stacked nights, and the opening evening set the tone with a lively mix of country, ska, funk, and some actual blues.

First up on the RBC Stage was Rosewood Ave, a country duo from Timmins made up of high school sweethearts turned married couple. They leaned into their roots with a sweet, sincere set full of heartfelt originals and a lively cover of Shania Twain’s “(If You’re Not In It For Love) I’m Outta Here!” Their excitement about being on the big stage was clear and charming. Last summer, they said they visited Bluesfest as fans and dreamed of playing here.

Following them, The Red Clay Strays brought a rawer Southern edge to the stage. The Alabama band has picked up steam lately thanks to a viral hit and some word-of-mouth buzz around their high-energy live shows. They didn’t disappoint. Their sound is a gritty mix of blues, southern rock, and outlaw country. They also popped back up later in the night when frontman Brandon Coleman joined Lainey Wilson for a duet on Johnny Cash’s “God’s Gonna Cut You Down.”

Lainey Wilson was the day’s marquee name, and her set closed out the RBC Stage in style. She drew a massive crowd, many in cowboy hatsm and played a solid, crowd-pleasing set of radio-ready hits. Dressed in bell bottoms and her signature hat, Wilson connected with the crowd through stories and shout-outs to her small-town Louisiana roots. Highlights included “Country’s Cool Again,” and a stripped-down “Watermelon Moonshine.” She continued the tradition of crowning a young fan “Cowgirl of the Night,” handing over her cowboy hat to a young girl.
While the main stage leaned heavily country, things got groovier over on the other stages.

Ottawa-via-London singer DB Cohen kicked things off at the River Stage with a tight, funky blues set. His band (complete with a horn section!) kept the mood upbeat despite the early evening heat. Songs like “Dinner Party” and “Manchild” (no relation to the Sabrina Carpenter one, as Cohen joked) were a hit with the crowd.

Over at the LeBreton Stage, The Cat Empire delivered more horns and grooves. With a refined blend of funk, jazz, and world music, they had the tent bouncing through their evening slot. It was the kind of set that made you forget you were in Ottawa and feel like you’d wandered into a festival in another hemisphere.

The LeBreton tent also hosted the incredible Chambers DesLauriers. That’s powerhouse vocalist Annika Chambers paired with guitar virtuoso Paul DesLauriers. Their chemistry was undeniable, and the set was rooted in gospel-soaked blues, with Chambers belting out lines like she was preaching to the choir. “The Blues Got a Hold on Me” was a particular standout, with DesLauriers laying down smoky guitar lines underneath her soaring vocals.
Overall, Bluesfest’s opening day showed the fest still knows how to blend genres, big names, and local flavour. Whether you were line dancing on the lawn or skanking in the tent, there was something worth seeing at every turn. A promising start to one of Canada’s best summer festivals!
Stay tuned for more coverage of the festival in the coming days. In the meantime, head to Ottawa Bluesfest’s website for more info on the rest of the festival.
Check out our favourite photos of Day 1 below or head to our Facebook page for the full gallery!
THE RED CLAY STRAYS


CAT EMPIRE



ROSEWOOD AVE


DB COHEN


CHAMBERS DESLAURIER


All Photo Credit: Kieran Delport, unless otherwise noted
Festivals
PNE Summer Night Concerts – Pierce The Veil
By the time Pierce The Veil took the stage at Vancouver’s Freedom Mobile Arch on September 5, the place was packed and the anticipation was impossible to miss. As part of the PNE Summer Night Concerts, the San Diego post-hardcore veterans delivered a set that mixed nostalgia and chaos.
The show opened with “May These Noises Startle You in Your Sleep Tonight” and “Hell Above.” From there, the night barely let up. “Bulls in the Bronx” got the crowd going, followed by “Circles” and “I’m Low on Gas and You Need a Jacket.”
There was plenty for longtime fans, too. “I’d Rather Die Than Be Famous,” “Yeah Boy and Doll Face” and “Floral & Fading” reached back into the band’s catalog, while their cover of the Pixies’ “Where Is My Mind?” provided one of the evening’s fun surprises.
Visually, Pierce The Veil made the most of the outdoor stage. Tony Perry and Jaime Preciado were constantly moving, throwing themselves around the stage with guitars in hand, while drummer Loniel Robinson provided the thunder behind them. At the centre was Vic Fuentes, whose voice still carries the emotional weight that has defined the band since its early days.
The emotional high point came with “Hold On Till May,” a song that has become deeply personal for many fans as phones went into the air and voices rose across the venue. Predictably, the place lost its mind when they ended with “King for a Day.”
After nearly 20 years, Pierce The Veil still know exactly what their music means to their fans. On this night, Vancouver gave that love right back.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
PIERCE THE VEIL











All Photo Credit: Kelli Rothwell
Festivals
PNE Summer Night Concerts – Train
After almost 10 years away, Train made its highly anticipated return to Vancouver, taking the stage at the PNE as part of the Summer Nights series for an electric night of nostalgia, energy and some of the band’s biggest hits. Nearly 10,000 fans packed the venue to welcome the group back to the city.
With nearly 33 years of performing together, Train proved that its signature sound and undeniable stage presence remain as strong as ever. Currently on the Drops of Jupiter: 25 Years in the Atmosphere Tour, the band is celebrating the 25th anniversary of its iconic album with a set that served as both a celebration of its enduring catalogue and a reminder of why these songs have remained fan favourites for decades.
Opening with “Calling All Angels,” the band quickly launched into a crowd-pleasing run of classics, including “Hey, Soul Sister,” “Marry Me” and “Drive By.” Throughout the night, the set balanced humour and heart, with frontman Pat Monahan connecting with the crowd and reflecting the warmth and personality that have become synonymous with Train’s live performances.
The night ultimately came full circle with the song that started the 25th-anniversary celebration: “Drops of Jupiter.” As the familiar opening notes rang out across the PNE, nearly 10,000 voices joined in, creating a fitting finale to a night that celebrated not only one of Train’s most beloved albums, but an iconic career spanning more than three decades.
Check our our favourite photos of the night below or head to our Facebook page for the full gallery!
TRAIN









All Photo Credit : Jill Meagher
