Day 2 of Ottawa Bluesfest 2025 brought the literal and musical heat. With temperatures soaring into the high 30s and the sun beating down on LeBreton Flats Park, attendees showed up ready to sweat, sing, and soak it all in. The lineup leaned heavy on folk, blues, and singer-songwriter vibes. From the first strum to the final encore, it was a day of slow builds, big payoffs, and voices that could stop you in your tracks.

Local favourite Claude Munson opened the RBC Stage. His soft-spoken charm and introspective songwriting set the tone for the night: personal, poetic, and grounded in place. There was something almost nostalgic in the way he performed, especially when the crowd burst into laughter at the old-school DVD-logo-style animation bouncing across the screen behind him. Between stripped-back tunes and rich, full-band moments, Munson showed exactly why he’s such a fixture in Ottawa’s scene.

Not far away on the River Stage, Montreal singer-songwriter Vikki Gilmore gave a compelling performance that felt like stumbling onto a hidden gem. Her gentle presence and thoughtful lyrics pulled the crowd in, even as she joked about her guitar being completely warped by the heat. The vibe was like a late-night living room jam, intimate and warm.

Then came Charlotte Day Wilson, bringing her brand of soul-soaked R&B to the main stage with elegance and force. She moved effortlessly between moody minimalism and lush, slow-building grooves, delivering crowd favourites like “Work” and “Mountains.” Her low and rich voice cut through the haze as the sun finally started to dip. Despite the heat, fans pushed closer to the stage, drawn in by her magnetic presence.

Back at the LeBreton Stage, The Claudettes tore through a genre-hopping set. Equal parts cabaret, punk, and traditional blues, their sound was chaotic in the best way. Frontwoman Rachel Williams brought serious vocal fire and enough swagger for the whole tent. From bluesy breakdowns to jittery jazz freak-outs, The Claudettes kept the crowd dancing.

Amigo the Devil followed on the River Stage with a set that veered sharply into the macabre. His dark, folk-meets-metal storytelling covered everything from serial killers to substance abuse to heartbreak. He had the crowd laughing between songs and fully silent during them, which is no easy feat at an outdoor festival.

Later, Sarah Harmer brought the folk credentials full circle on the LeBreton Stage, continuing her decades-long relationship with Ottawa’s music scene. She opened with a solo acoustic number before bringing her band in, turning the performance into a full-bodied blend of protest songs, personal reflection, and rock-leaning rhythms. She’s a seasoned performer with a calming presence, but there was plenty of power under the surface, especially when she touched on environmental and political themes.

Taking the RBC Stage just after 9:20 p.m., Hozier delivered a big performance that was bold and beautifully arranged. Backed by a full band that included strings, keys, and a wall of harmonies, he moved through his catalog with the command of someone who knows exactly what he’s doing and who he’s doing it for. From the sultry pulse of “Too Sweet” to the stadium-sized swells of “Take Me to Church,” the Irish singer gave every song room to breathe, then explode. The messages behind the songs were enhanced by the giant LED screen behind him as well as three mesh screens that would at times come down in front of the stage.

The crowd (an all-ages sea of raised arms, glowing phones, and swaying bodies) hung on every note. Hozier‘s voice sounded just as flawless live as it does in the studio. But more than that, he brought a sense of weight and intention to the whole set. His acoustic rendition of “Cherry Wine” was breathtaking.

In one of the most striking moments of the night, Hozier took a political turn, calling for a ceasefire in the Middle East and connecting the call for Palestinian self-determination to the Irish experience. It was a moving monologue set against a slow jam, and the crowd responded with cheers, nods, and raised fists. He followed it with a message of unity and compassion, praising the crowd’s energy and togetherness.

By the time the final note rang out and the stage lights dimmed, Bluesfest Day 2 had become quite the emotional rollercoaster threaded with honesty and artistry. Whether it was the intimate moments, the genre-bending surprises, or the main stage magic, Friday gave the crowd something to remember (something to sweat for!).

Stay tuned for more coverage of the festival in the coming days. In the meantime, head to Ottawa Bluesfest’s website for more info on the rest of the festival.

Check out our favourite photos of Day 2 below or head to our Facebook page for the full gallery!

HOZIER

CHARLOTTE DAY WILSON

CLAUDE MUNSON

AMIGO THE DEVIL

VIKKI GILMORE

THE CLAUDETTES

SARAH HARMER

All Photo Credit: Kieran Delport