Festivals
Rolling Loud Announce Move To Orlando For 2026
Rolling Loud will stage its only U.S. festival of 2026 in Orlando, Florida, marking a notable shift for the long-running hip-hop event. Organizers announced that Rolling Loud Orlando will take place May 8–10 at Camping World Stadium, ending a decade-long tradition that kept the festival anchored in Miami.
The lineup has not been revealed, but the festival is promising a full week of “exclusive events and experiences” tied to the main weekend. Presale tickets go on sale Thursday, January 8, at 10 a.m. ET through Rolling Loud’s website, with prices starting at $249. A layaway option will be offered with a $9.99 deposit.
The Orlando dates come after years of Rolling Loud operating multiple U.S. festivals in cities such as Miami, Los Angeles, and New York. That approach has now been scaled back. Outside the U.S., Rolling Loud will still host events in Sydney and Melbourne on March 7 and 8, following recent global expansions that included the brand’s first festival in India last November. Organizers have already confirmed a return to India in November 2026.
Festival co-founder and co-CEO Matt Zingler said the move reflects a broader reset for the brand. In a statement shared via Billboard, Zingler explained that the goal was to bring Rolling Loud back to a summer schedule and build a single U.S. event without trade-offs. He pointed to Orlando’s accessibility and infrastructure as key reasons for the decision, adding that the festival aims to follow where hip-hop culture is headed, not where it has already been.
Rolling Loud began in Miami in 2015, founded by Florida natives Zingler and Tariq Cherif. What started as a one-day event in Wynwood quickly grew into a major destination festival, moving through larger venues before landing at Hard Rock Stadium by 2018. By the end of the decade, Rolling Loud Miami regularly drew crowds exceeding 200,000, becoming one of the city’s biggest music events and a major economic driver.
Over the years, the festival has hosted performances from artists such as Travis Scott, Future, Cardi B, Megan Thee Stallion, A$AP Rocky, 21 Savage, Latto, and Kodak Black, while building a reputation for spotlighting rising artists alongside established stars. The brand later expanded across North America and overseas, helping solidify hip-hop’s place at the center of the global festival circuit.
News of the move to Orlando has drawn mixed reactions online, particularly from South Florida fans who viewed Rolling Loud as a fixture of Miami’s cultural calendar. The change signals a clear new chapter for the festival as it enters its second decade, with organizers betting on a leaner U.S. footprint and a broader international focus.
Festivals
FIFA Fan Festival™ Vancouver – Walk Off The Earth, Fionn, Felix Cartal, and France Fans
The FIFA Fan Festival™ at the PNE kept the World Cup excitement rolling on Saturday, July 4, as fans gathered for another full day of football, live music, and celebrations. With two Round of 16 matches on the giant screens and a lineup of Canadian artists filling the Amphitheatre Stage, the atmosphere remained lively from morning through the evening.
The day had already delivered plenty of drama before the concerts began. Morocco had stunned host nation Canada earlier in the day to book a place in the quarter-finals, ending Canada’s historic World Cup run after its first-ever appearance in the Round of 16. A few hours later, France defeated Paraguay to secure the final quarter-final spot, setting up a meeting with Morocco in one of the tournament’s most intriguing matchups. As the final whistle blew, fans quickly shifted their attention from the football to the music just a few steps away.
Vancouver-based band Fionn, consisting of twins Alanna and Brianne Finn-Morris, was first on stage, offering an engaging performance that fit the late afternoon perfectly. Their warm vocals and heartfelt indie-pop songs gave the crowd a chance to catch their breath after another emotional day of World Cup action. Many fans who had spent hours watching the matches stayed put, creating an attentive audience that truly enjoyed the show.
Right after, Walk Off The Earth took over and instantly changed the pace. The Ontario group has built its reputation on creative arrangements and infectious energy, and they delivered exactly that. Their performance blended pop, rock, folk, and plenty of crowd interaction, turning the Amphitheatre into a giant singalong. The band’s playful chemistry and multi-instrumental approach kept fans engaged from start to finish, with many dancing along and singing every word.
At the Park Stage, Vancouver-born DJ and producer Felix Cartal took over. A familiar face on festival lineups across the country, Cartal delivered a polished electronic set that kept fans dancing until the festival closed. His mix of melodic house, upbeat remixes, and crowd-pleasing drops provided the perfect soundtrack to cap off a day that had already been packed with football drama and live music.
The FIFA Fan Festival has consistently shown that it offers far more than football. Saturday’s schedule paired knockout-stage drama with live performances that gave supporters another reason to stay long after the matches had ended. Even with Canada’s elimination still fresh in many minds, the festival remained a welcoming place to celebrate the global game, discover Canadian talent, and enjoy a summer evening surrounded by thousands of fellow fans. With the quarter-finals now set, anticipation continued to build for another unforgettable week at Vancouver’s Fan Festival.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
WALK OFF THE EARTH
FIONN
FELIX CARTAL
FRANCE FANS
All Photo Credit: Caroline Charruyer
Festivals
Montréal Jazz Festival 2026 – Patrick Watson
July 3, 2026
If you thought the outdoor main stage at Jazz Fest was packed earlier in the week, it had absolutely nothing on the sea of people that squeezed into the Place des Festivals for Patrick Watson. The site was packed right to the limit. The last time he played the festival back in 2021, it was to a strictly limited, socially distanced crowd, and he actually took a moment to contrast that eerie, quiet landscape with the overwhelming wall of faces looking back at him this time around. The massive turnout made it feel like the city had just been waiting for the perfect moment to properly welcome him back.
The whole night felt like a massive, curated homecoming celebration with his favourite people on earth. By the third song, he already had the crowd cheering when he brought out Montreal’s own Martha Wainwright, who has been heavily involved in the local scene and festival circuit this year, to share the stage. Right after that, he raised the bar even higher by bringing up a string quartet for a stunning performance of “Ode to Vivian.” He took a second to tell the story behind the track, explaining how it was inspired by the street photographer Vivian Maier, who secretly kept her incredible work to herself until she passed, only to posthumously become an inspiration to thousands of photographers worldwide.
The emotional peak of the set came during “To Build a Home.” Watson talked about how deeply the experience of growing up in Montreal shaped him both as a person and a musician, noting that his music could only ever be written in a city with this exact type of creative spirit. As the song played, vintage 1960s video footage of Montreal rolled across the massive backdrops, which gave the whole performance an incredibly nostalgic, cinematic weight. He kept the collaborations rolling through the night, too, pulling the brilliant November Ultra onto the stage for “Silencio,” and later bringing out the rising indie-folk artist Solann.
The years might be passing, but Patrick Watson proves every time he steps on a stage that he remains an absolute force of nature. He doesn’t care about shifting trends; he just cares about his craft. A few people floating around the crowd might have been a little disappointed not to hear some of the older classics like “Lighthouse” or “The Great Escape,” but honestly, what better setting is there to test out your newest material than the Montreal Jazz Festival in front of your home crowd? Besides, when the performance is that stunning from start to finish, you really can’t be mad about it.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
PATRICK WATSON
All Photo Credit: Andres Amaya