Festivals
Rolling Loud Announce Move To Orlando For 2026
Rolling Loud will stage its only U.S. festival of 2026 in Orlando, Florida, marking a notable shift for the long-running hip-hop event. Organizers announced that Rolling Loud Orlando will take place May 8–10 at Camping World Stadium, ending a decade-long tradition that kept the festival anchored in Miami.
The lineup has not been revealed, but the festival is promising a full week of “exclusive events and experiences” tied to the main weekend. Presale tickets go on sale Thursday, January 8, at 10 a.m. ET through Rolling Loud’s website, with prices starting at $249. A layaway option will be offered with a $9.99 deposit.
The Orlando dates come after years of Rolling Loud operating multiple U.S. festivals in cities such as Miami, Los Angeles, and New York. That approach has now been scaled back. Outside the U.S., Rolling Loud will still host events in Sydney and Melbourne on March 7 and 8, following recent global expansions that included the brand’s first festival in India last November. Organizers have already confirmed a return to India in November 2026.
Festival co-founder and co-CEO Matt Zingler said the move reflects a broader reset for the brand. In a statement shared via Billboard, Zingler explained that the goal was to bring Rolling Loud back to a summer schedule and build a single U.S. event without trade-offs. He pointed to Orlando’s accessibility and infrastructure as key reasons for the decision, adding that the festival aims to follow where hip-hop culture is headed, not where it has already been.
Rolling Loud began in Miami in 2015, founded by Florida natives Zingler and Tariq Cherif. What started as a one-day event in Wynwood quickly grew into a major destination festival, moving through larger venues before landing at Hard Rock Stadium by 2018. By the end of the decade, Rolling Loud Miami regularly drew crowds exceeding 200,000, becoming one of the city’s biggest music events and a major economic driver.
Over the years, the festival has hosted performances from artists such as Travis Scott, Future, Cardi B, Megan Thee Stallion, A$AP Rocky, 21 Savage, Latto, and Kodak Black, while building a reputation for spotlighting rising artists alongside established stars. The brand later expanded across North America and overseas, helping solidify hip-hop’s place at the center of the global festival circuit.
News of the move to Orlando has drawn mixed reactions online, particularly from South Florida fans who viewed Rolling Loud as a fixture of Miami’s cultural calendar. The change signals a clear new chapter for the festival as it enters its second decade, with organizers betting on a leaner U.S. footprint and a broader international focus.
Festivals
PNE Summer Night Concerts – Pierce The Veil
By the time Pierce The Veil took the stage at Vancouver’s Freedom Mobile Arch on September 5, the place was packed and the anticipation was impossible to miss. As part of the PNE Summer Night Concerts, the San Diego post-hardcore veterans delivered a set that mixed nostalgia and chaos.
The show opened with “May These Noises Startle You in Your Sleep Tonight” and “Hell Above.” From there, the night barely let up. “Bulls in the Bronx” got the crowd going, followed by “Circles” and “I’m Low on Gas and You Need a Jacket.”
There was plenty for longtime fans, too. “I’d Rather Die Than Be Famous,” “Yeah Boy and Doll Face” and “Floral & Fading” reached back into the band’s catalog, while their cover of the Pixies’ “Where Is My Mind?” provided one of the evening’s fun surprises.
Visually, Pierce The Veil made the most of the outdoor stage. Tony Perry and Jaime Preciado were constantly moving, throwing themselves around the stage with guitars in hand, while drummer Loniel Robinson provided the thunder behind them. At the centre was Vic Fuentes, whose voice still carries the emotional weight that has defined the band since its early days.
The emotional high point came with “Hold On Till May,” a song that has become deeply personal for many fans as phones went into the air and voices rose across the venue. Predictably, the place lost its mind when they ended with “King for a Day.”
After nearly 20 years, Pierce The Veil still know exactly what their music means to their fans. On this night, Vancouver gave that love right back.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
PIERCE THE VEIL
All Photo Credit: Kelli Rothwell
Festivals
PNE Summer Night Concerts – Train
After almost 10 years away, Train made its highly anticipated return to Vancouver, taking the stage at the PNE as part of the Summer Nights series for an electric night of nostalgia, energy and some of the band’s biggest hits. Nearly 10,000 fans packed the venue to welcome the group back to the city.
With nearly 33 years of performing together, Train proved that its signature sound and undeniable stage presence remain as strong as ever. Currently on the Drops of Jupiter: 25 Years in the Atmosphere Tour, the band is celebrating the 25th anniversary of its iconic album with a set that served as both a celebration of its enduring catalogue and a reminder of why these songs have remained fan favourites for decades.
Opening with “Calling All Angels,” the band quickly launched into a crowd-pleasing run of classics, including “Hey, Soul Sister,” “Marry Me” and “Drive By.” Throughout the night, the set balanced humour and heart, with frontman Pat Monahan connecting with the crowd and reflecting the warmth and personality that have become synonymous with Train’s live performances.
The night ultimately came full circle with the song that started the 25th-anniversary celebration: “Drops of Jupiter.” As the familiar opening notes rang out across the PNE, nearly 10,000 voices joined in, creating a fitting finale to a night that celebrated not only one of Train’s most beloved albums, but an iconic career spanning more than three decades.
Check our our favourite photos of the night below or head to our Facebook page for the full gallery!
TRAIN
All Photo Credit : Jill Meagher