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Concerts Reviews

bb’s bonanza Charity Fest 2024 at the Malkin Bowl in Vancouver, BC – Review

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On May 26, Vancouver’s hip-hop artist bbno$ hosted a special hometown show at the Malkin Bowl with all his friends, under the banner of bb’s bonanza. All proceeds from ticket sales will be donated to the Downtown Eastside Women’s Centre.

Despite the rain and somewhat cold temperature for the end of May, everyone was in high spirit and the venue filled out quickly with a sea of fans donning their rain jackets and mud-ready Blunstones, ready to party for over 5 hours. The stage was adorned with props reminding everyone of a medieval fair. LARP games were available for folks who wanted to immerse themselves in the universe.

The lineup featured established and up-and-coming artists: Jungle Bobby, Eric Reprid, Haviah Mighty, Joost Klein, Freddie Dredd, Yung Gravy, Baby Gravy and finally bbno$.

Check out our full gallery of the night on our Facebook page!

Jungle Bobby

Vancouver artist Jungle Bobby, who had joined bbno$ on the road for many years, started the day. In Bobby‘s own words on what the audience can expect from his sets: “They can expect flair. They can expect cinematic behavior. They can expect fun, just a really good time filled with love. They can expect to feel better leaving the show compared to when they walked in. They can expect good music and they can expect to dance.” And that’s exactly what he delivered! With his bouncy energy and colourful outfit, he was the perfect act to open the fest.

Eric Reprid

Up next was Canadian rapper Eric Reprid, aka Shi Yi Lu. Reprid releases all his music copyright-free, allowing anyone to use it in mixtapes, parties, YouTube, or TikTok videos, as long as they credit him. This generous approach has saved content creators money and increased his exposure. His song “Cold World” from the album of the same name was nominated for a Juno Award in 2021, making him the only completely independent artist in the category, although he didn’t win. The song’s catchy tune and Reprid‘s smooth delivery, combined with producer Marc Wavy’s versatile beats, rival those of major label artists. His sense of humour definitely carried through his set: “If you know the words of this song, don’t sing-along. It’s my song!”

Haviah Mighty

The only woman of the line-up was Haviah Mighty, a Canadian rapper from Brampton, ON. Haviah Mighty brought her dynamic energy to the stage where she performed tracks from her Juno-nominated album Stock Exchange. She showcased her swagger, flow, stage presence, and insightful rhymes. Her performance was both entertaining and enlightening. Haviah Mighty, already noted as a rising star in Canadian hip hop since her debut 13th Floor won the Polaris Music Prize in 2019, lived up to her reputation as one-to-watch.

Joost

Joost Klein, also known simply as Joost, is a Dutch rapper, singer, and content creator renowned for his eclectic musical style and humorous persona. His tracks blend elements of hip hop, pop, and electronic music with witty, often satirical lyrics. His breakout came with the single “Scandinavian Boy,” which showcased his unique approach to music and humor. He delivered an energetic performance and showcased his distinctive style. As expected, he performed his Eurovision 2024 song “Europapa” under the cheers of the crowd, as well as a new song in Dutch. Throughout the whole set, Joost was jumping all over the stage, repeatedly screaming “Canada!” in his mic – his way of showing appreciation for being here. bbno$ even made a quick appearance running across the stage with a Dutch flag.

Freddie Dredd

Freddie Dredd, aka Ryan Mitchel Chassels, is a Canadian rapper, producer, and internet personality hailing from Oshawa, Ontario. Known for his dark, gritty style and blending of hip-hop with horrorcore elements, Dredd has carved out a unique niche in the underground rap scene. His music often features lo-fi beats, eerie samples, and lyrics that explore themes of violence and the macabre, setting him apart with a distinctive sound. Despite his unconventional style, Freddie Dredd‘s music has achieved significant success, resonating with fans who appreciate his raw and unapologetic approach. His work continues to grow in popularity, marking him as a significant figure in the evolution of modern hip-hop.

Yung Gravy

Then came Young Gravy, an American rapper, singer, and songwriter known for his humorous lyrics and catchy beats. Hailing from Rochester, Minnesota, Young Gravy gained popularity in the late 2010s with his single “Mr. Clean” – that he obviously performed that night – and unique blend of hip-hop, trap, and vintage samples, often incorporating elements of soul and old-school music into his tracks. Young Gravy‘s music often features witty, irreverent lyrics that blend modern rap with nostalgic references, making him a distinctive figure in the hip-hop scene. His discography includes popular projects like “Snow Cougar” and “Sensational,” which have helped him amass a dedicated fan base and millions of streams. His charismatic stage presence and engaging performances set him apart and solidify his place as a rising star in contemporary hip-hop.

Baby Gravy

As the second-to-last act, Yung Gravy and bbno$ joined forces as Baby Gravy. The duo, already on their 3rd album, met 8 years ago through SoundCloud. Both put on a great show and got the fans jumping, dancing and singing-along every tracks. The duo performed their most notable songs like “Welcome to Chilis” and “Whip A Tesla”. They even brought back Freddie Dredd on stage for one song.

bbno$

bbno$, aka Alexander Leon Gumuchian, closed the night, dressed a court jester. The Vancouverite rapper, singer, and songwriter is known for his catchy, upbeat music and humorous, laid-back lyrical style. He first gained recognition in the late 2010s through the viral success of his collaborative singles and innovative use of social media platforms like TikTok.
His breakthrough came with the hit single “Lalala,” a collaboration with producer Y2K, which became a global sensation and amassed hundreds of millions of streams. bbno$‘s music often blends elements of hip-hop, pop, and electronic music, characterized by playful beats and witty, self-referential lyrics. bbno$ has built a dedicated fanbase and established himself as a prominent figure in the modern music scene.
He delivered a high-energy live performance that captivated audiences with his charismatic presence and infectious beats. With his playful and humorous lyrics, he engaged the crowd with a mix of witty banter and dynamic stage antics. He even brought a sword swallower on stage! He performed his new single “lil’ freak”, as well as many fan favourites like “Edamame”.

Overall, it was an evening of great tunes for a worthy cause, with a great line-up of many indie artists. As bbno$ pointed out, they all performed for free in order to give as much of the proceeds to the Vancouver Downtown Eastside Women’s Centre. Hints were dropped during the night that this might be the 1st edition of many Bonanza. We can’t wait for next year!

All Photo Credit: Caroline Charruyer

Concerts Reviews

LIVE REVIEW: Goldfinger Keep the Pit Moving and the Shoes Flying in Vancouver

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Goldfinger-Vancouver-31

On April 17th, the Commodore Ballroom in Vancouver felt like a ska-punk time warp, with California punk legends Goldfinger supporting their new album, Nine Lives.

Sullvn got things rolling with a set that didn’t waste any time. Within minutes, hats were flying into the crowd like it was a merch-based game show, and the vibe quickly turned into organized chaos. They brought to the stage Dicky Barrett, former frontman of Mighty Mighty Bosstones for their hit “Raise a Glass”.

Next up was Broadway Calls, proving once again that a three-piece can absolutely shake a room. Their brand of fast, hooky punk tore through the crowd, with songs like “Call It Off” and “Back to Oregon” landing like instant jolts of energy. By the time they wrapped, the room was fully ready for Goldfinger.

Right away, frontman John Feldmann started doing crowd math. “How many of you are under 20?” A few scattered hands. “Over 40?” A lot more hands. He laughed and proudly stated that to still be doing this 32 years later as the best feeling in the world. This wasn’t a band clinging to nostalgia… but they also weren’t about to ignore it.

From there, it turned into the kind of chaos Goldfinger shows are known for, a non-stop blur of songs, crowd surfers, and, of course, the sacred tradition of shoes flying through the air. Somewhere along the way, footwear stopped being optional and started being part of the performance. Pairs were held up like trophies, launched across the room, or lost to the pit entirely. If you managed to leave with both shoes still accounted for, honestly, that’s a personal victory. The setlist leaned into exactly what people wanted. “Here in Your Bedroom,” “Chasing Amy” “Counting the Days”, all the hits, all loud, all sung back at the band like it was a group project. The floor barely stayed still for more than a few seconds, and the security team definitely got their steps in from the steady stream of crowd surfers.

During “Mable,” they pulled fans up on stage to dance, turning the whole thing into a slightly chaotic, very wholesome party. And then… “Superman.” The reaction was instant. Like, no hesitation, full-body nostalgia. The second it started, it felt like half the room got mentally transported back to playing Tony Hawk’s Pro Skater 2 in their living rooms. Suddenly, everyone knew every word (even the ones they probably didn’t know they knew), and the energy somehow went up another level. It wasn’t just a highlight, it was the moment.

When it wrapped at the Commodore Ballroom, the place was wrecked in the best way – sweaty, shoeless, and buzzing. Still, no one seemed in any hurry to leave.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

GOLDFINGER

BROADWAY CALLS

SULLVN

All Photo Credit: Heather Horncastle

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Concerts Reviews

LIVE REVIEW: Face to Face with Sevendust in Riverside, Iowa

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Sevendust-Ryan-Riverside-20

For close to thirty years, Hard Rock’s Sevendust has graced hundreds of stages all over the world, playing sell-out shows to rabid fans. The band, fronted by LaJon Witherspoon, has been recognized for its soulful vocals, hard-hitting riffs from Clint Lowery and John Connolly, thumping bass from Vince Hornsby, and monstrous drum sounds and screams from Morgan Rose. Riverside, Iowa was treated to the full Sevendust experience on Friday night.

The Riverside Casino Event Center has played host to events ranging from poker tournaments to keynote speakers, but on Friday it served as the setting for an amazing night of rock. The show started off with Iowa City–local band NonGrata. NonGrata has become very well known in the Eastern Iowa music scene, having opened for bands like Alien Ant Farm, Norma Jean, Archers, and will be opening for DED this summer. Blending groovy guitars with crisp clean vocals and harsh screams, the band delivers a sound that makes you want to jump out of your seat and stage dive. Although Sevendust was the main attraction on Friday night, everyone enjoyed NonGrata. They were a great choice to open the show and get people excited before Sevendust took the stage. NonGrata will be playing shows in Eastern Iowa throughout the year, and Midwest locals should take the chance to see a new band.

After an hour pre-show delay due to the weather, fans were itching to get out of their seats as anticipation for Sevendust taking the stage rose. Riverside was the second show of the One Tour, but there was no sign of early tour woes as the band broke right into Home. The 1999 track off the album of the same name was a great opener, carrying a hint of nostalgia and a whole lot of feeling. Witherspoon made an early effort to cross from side to side, ensuring every fan had the opportunity to interact with him. Stage presence is always among the highlights of a Sevendust show. Fans know they are going to get two things when they go to a Sevendust show: amazing music and plenty of interaction. The great music kept rolling as the second track of the night was a crowd favorite, Denial. The band was joined by hundreds of backup singers who knew every word, creating an ambiance that added essential energy to the environment.

The band seemed emotional in response to how well they were received by the Riverside crowd. After spending significant time in Europe to start the year, Sevendust said it was good to be home. Because these were among the first U.S. shows of the year, American fans had not yet had the opportunity to hear songs from the band’s upcoming album, One, live. The first chance came with the third song of the night, Is This the Real You. Although the Riverside crowd had never heard the song live, that did not stop them from singing along. Sevendust also played two other new tracks from the forthcoming album, Unbreakable and Threshold. Both sounded great live, and anticipation for the new album is high. Based on the reactions to the new material, the album will likely be well received when it comes out in two weeks on May 1.

The focus on new music did not stop Sevendust from breaking into its classics. The setlist was full of songs a Sevendust show would be incomplete without; Praise, Enemy, Waffle, and Black all had their place in the night. It truly was the complete Sevendust experience. The night could not end, however, without an encore of Rumble Fish and Face to Face. Even though the crowd was treated to a 15-song main set and a two-song encore, they still yearned for more. Unfortunately, all good shows must come to an end, but with 25 dates left on the One Tour, there will be plenty of opportunities to see Sevendust again this year.

One comes out May 1.

Check out our favorite photos of the night below or head to our Facebook page for the full gallery!

Upcoming tour dates:
4/20 – Indianapolis, IN
4/21 – Lexington, KY
4/22 – Birmingham, AL
4/24 – Mobile, AL
4/25 – Destin, FL
4/26 – Atlanta, GA (supporting Alter Bridge)
4/28 – Dallas, TX
4/29 – Oklahoma City, OK
More information on the band’s website.

SEVENDUST

NONGRATA

All Photo Credit: Ryan Renger

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