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Concerts Reviews

KARD Gets Icky in Los Angeles 

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Have you ever wanted to know what it’s like to get “dumb litty”? Maybe you need a little cake in your life? If you were able to catch Kpop / hip hop group KARD on December 10th you most likely fulfilled both. Opening their DRIFT 2025 US Tour, KARD was back in Los Angeles after two years to show Hidden KARD (fanbase) how to turn up. 

2025 has been a controversial year for KARD, with the group’s previous tour cancelled, many fans still dealing with the refund process months later and BM’s use of a racial slur earlier in the year. This controversy has left fans divided, some remain rightfully critical and have left the fandom due to his actions while others have shown support for the rapper’s remorse. Though not the group’s fault for refunds left unattended, some fans remain frustrated and hesitant to purchase tickets to their current tour as they still wait to get their money back.

KARD has continued on in hopes of regaining the trust of their fandom and delivering performances worthy of the wait. The co-ed group known for their mature lyrics and sultry style led the first stop of their US tour with tracks off their latest mini album DRIFT and some older favorites. The night was filled with highs but not without a few bumps along the way. Starting strong, KARD opened the performance with “Touch” before making everyone’s body temp rise with “Icky.” Taking it back to 2017, the group hit “Oh NaNA” and “Hola Hola,” bringing Hidden KARD back to their debut. Latest tracks “Top Down” and “Before We Go” showed off a softer side to the group.

KARD at the Orpheum Theater in Los Angeles on December 10, 2025

Sprinkled in the set were a few solo and duet numbers, BM let out his “Freak,” while he and J.Seph showed us they “Been That Boy,” before Somin and Jiwoo took over the stage with “Enemy.” 

Keeping the crowd engaged between performances, a VCR played showing the members answering trivia about one another, Jiwoo won the game, earning her the title of Team Leader, while BM ranked last, making him the intern. Though humorous, the video seemed to go on a bit longer than desired. These longer videos are often used as place fillers for newer groups with minimal releases, though KARD has a discography spanning long enough to reliably complete a well rounded production.

The four also took several moments throughout the show to chat with fans, and even play some games. Deciding between things like singing high notes 100 times or doing the same choreography 100 times, the group was split down the middle during the interactive game “This or That.” My Korean isn’t advanced but even I could tell there were some missteps as the translator struggled to keep up before BM had to take over several times throughout the night to make sure the members’ messages were being conveyed to fans correctly. 

Despite there being a real technical difficulty earlier in the night when Somin’s mic stopped working, the group ran off stage mid show citing more difficulties – however faking it this time, only to arrive in Santa inspired gear to sing “Last Christmas” to the crowd. Literally shifting energy the group transformed into DRIFT dance track “Pivot,” sweeping the floor with their NSFW dance moves.

KARD at the Orpheum Theater in Los Angeles on December 10, 2025

Making you want to skip dinner and head straight to dessert, steamy track “CAKE” rang through the venue as Hidden KARD screamed at the sound of the very first note. Everybody going stupid, dumb, fans used all their passion to jump and scream to hype track “Dumb Litty” as KARD jumped along across the stage. The two highly anticipated numbers brought their performance to a roaring climax, ending the night on a high. Bringing the show full circle the members came back for an encore, performing earlier tracks “You In Me” and “Don’t Recall” before closing out the night with an encore of “Icky.” 

Check out our favorite photos of the night below or head to our Facebook page for the full gallery!

KARD

All Photo Credit: Rebecca Rowe

Concerts Reviews

LIVE REVIEW: Goldfinger Keep the Pit Moving and the Shoes Flying in Vancouver

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On April 17th, the Commodore Ballroom in Vancouver felt like a ska-punk time warp, with California punk legends Goldfinger supporting their new album, Nine Lives.

Sullvn got things rolling with a set that didn’t waste any time. Within minutes, hats were flying into the crowd like it was a merch-based game show, and the vibe quickly turned into organized chaos. They brought to the stage Dicky Barrett, former frontman of Mighty Mighty Bosstones for their hit “Raise a Glass”.

Next up was Broadway Calls, proving once again that a three-piece can absolutely shake a room. Their brand of fast, hooky punk tore through the crowd, with songs like “Call It Off” and “Back to Oregon” landing like instant jolts of energy. By the time they wrapped, the room was fully ready for Goldfinger.

Right away, frontman John Feldmann started doing crowd math. “How many of you are under 20?” A few scattered hands. “Over 40?” A lot more hands. He laughed and proudly stated that to still be doing this 32 years later as the best feeling in the world. This wasn’t a band clinging to nostalgia… but they also weren’t about to ignore it.

From there, it turned into the kind of chaos Goldfinger shows are known for, a non-stop blur of songs, crowd surfers, and, of course, the sacred tradition of shoes flying through the air. Somewhere along the way, footwear stopped being optional and started being part of the performance. Pairs were held up like trophies, launched across the room, or lost to the pit entirely. If you managed to leave with both shoes still accounted for, honestly, that’s a personal victory. The setlist leaned into exactly what people wanted. “Here in Your Bedroom,” “Chasing Amy” “Counting the Days”, all the hits, all loud, all sung back at the band like it was a group project. The floor barely stayed still for more than a few seconds, and the security team definitely got their steps in from the steady stream of crowd surfers.

During “Mable,” they pulled fans up on stage to dance, turning the whole thing into a slightly chaotic, very wholesome party. And then… “Superman.” The reaction was instant. Like, no hesitation, full-body nostalgia. The second it started, it felt like half the room got mentally transported back to playing Tony Hawk’s Pro Skater 2 in their living rooms. Suddenly, everyone knew every word (even the ones they probably didn’t know they knew), and the energy somehow went up another level. It wasn’t just a highlight, it was the moment.

When it wrapped at the Commodore Ballroom, the place was wrecked in the best way – sweaty, shoeless, and buzzing. Still, no one seemed in any hurry to leave.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

GOLDFINGER

BROADWAY CALLS

SULLVN

All Photo Credit: Heather Horncastle

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Concerts Reviews

LIVE REVIEW: Face to Face with Sevendust in Riverside, Iowa

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For close to thirty years, Hard Rock’s Sevendust has graced hundreds of stages all over the world, playing sell-out shows to rabid fans. The band, fronted by LaJon Witherspoon, has been recognized for its soulful vocals, hard-hitting riffs from Clint Lowery and John Connolly, thumping bass from Vince Hornsby, and monstrous drum sounds and screams from Morgan Rose. Riverside, Iowa was treated to the full Sevendust experience on Friday night.

The Riverside Casino Event Center has played host to events ranging from poker tournaments to keynote speakers, but on Friday it served as the setting for an amazing night of rock. The show started off with Iowa City–local band NonGrata. NonGrata has become very well known in the Eastern Iowa music scene, having opened for bands like Alien Ant Farm, Norma Jean, Archers, and will be opening for DED this summer. Blending groovy guitars with crisp clean vocals and harsh screams, the band delivers a sound that makes you want to jump out of your seat and stage dive. Although Sevendust was the main attraction on Friday night, everyone enjoyed NonGrata. They were a great choice to open the show and get people excited before Sevendust took the stage. NonGrata will be playing shows in Eastern Iowa throughout the year, and Midwest locals should take the chance to see a new band.

After an hour pre-show delay due to the weather, fans were itching to get out of their seats as anticipation for Sevendust taking the stage rose. Riverside was the second show of the One Tour, but there was no sign of early tour woes as the band broke right into Home. The 1999 track off the album of the same name was a great opener, carrying a hint of nostalgia and a whole lot of feeling. Witherspoon made an early effort to cross from side to side, ensuring every fan had the opportunity to interact with him. Stage presence is always among the highlights of a Sevendust show. Fans know they are going to get two things when they go to a Sevendust show: amazing music and plenty of interaction. The great music kept rolling as the second track of the night was a crowd favorite, Denial. The band was joined by hundreds of backup singers who knew every word, creating an ambiance that added essential energy to the environment.

The band seemed emotional in response to how well they were received by the Riverside crowd. After spending significant time in Europe to start the year, Sevendust said it was good to be home. Because these were among the first U.S. shows of the year, American fans had not yet had the opportunity to hear songs from the band’s upcoming album, One, live. The first chance came with the third song of the night, Is This the Real You. Although the Riverside crowd had never heard the song live, that did not stop them from singing along. Sevendust also played two other new tracks from the forthcoming album, Unbreakable and Threshold. Both sounded great live, and anticipation for the new album is high. Based on the reactions to the new material, the album will likely be well received when it comes out in two weeks on May 1.

The focus on new music did not stop Sevendust from breaking into its classics. The setlist was full of songs a Sevendust show would be incomplete without; Praise, Enemy, Waffle, and Black all had their place in the night. It truly was the complete Sevendust experience. The night could not end, however, without an encore of Rumble Fish and Face to Face. Even though the crowd was treated to a 15-song main set and a two-song encore, they still yearned for more. Unfortunately, all good shows must come to an end, but with 25 dates left on the One Tour, there will be plenty of opportunities to see Sevendust again this year.

One comes out May 1.

Check out our favorite photos of the night below or head to our Facebook page for the full gallery!

Upcoming tour dates:
4/20 – Indianapolis, IN
4/21 – Lexington, KY
4/22 – Birmingham, AL
4/24 – Mobile, AL
4/25 – Destin, FL
4/26 – Atlanta, GA (supporting Alter Bridge)
4/28 – Dallas, TX
4/29 – Oklahoma City, OK
More information on the band’s website.

SEVENDUST

NONGRATA

All Photo Credit: Ryan Renger

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