Connect with us

Concerts Reviews

Papa Roach Open Their Canadian Run with Fire and Feeling

Published

on

Papa Roach kicked off the Canadian leg of their Rise of the Roach Tour in Vancouver on November 25, and the timing couldn’t have been better. The band has been back in the headlines this year thanks to the 25th anniversary of Infest and the excitement around their new material, including Even If It Kills Me. The tour marks their first full cross-Canada run in more than a decade, and they opened the whole thing at Rogers Arena with the confidence of a band that never really left the spotlight.

Before the headliners stormed the stage, Sleep Theory warmed up the arena with a sleek, modern rock set that had the early crowd fired up. The Used followed and pulled everyone straight into their orbit. Their fans showed up loud, many wearing The Used merch from previous shows. By the time they finished, the room was ready for whatever chaos Papa Roach had planned.

And they definitely had a plan.

Papa Roach performs at Rogers Arena on November 25, 2025 in Vancouver. Photo by Jeff Vinnick

Instead of easing into things, Papa Roach went for a full jumpscare. The house lights dropped, a massive curtain crashed down, and the band exploded into “Even If It Kills Me.” The pyro blasted, CO₂ shot into high, and the video walls behind them stitched together moody visuals that felt like a short film. It was bold and theatrical in a way that fits them now.

Early on, Jacoby Shaddix made it clear he came to meet people. He climbed off the stage and went straight into the crowd, strolling through the lower bowl seats and singing inches from fans.

The middle of the set leaned into their emotional side. During “Falling Apart,” Shaddix talked openly about his history with suicidal thoughts and why speaking about mental health matters so much to him. It wasn’t preachy ; it felt like a human being leveling with a full arena. A short video on the screens followed, highlighting the Canadian phone line for suicide prevention. When the lights dimmed and Shaddix asked the crowd to raise their phone lights for “Leave a Light On (Talk Away the Dark),” the whole floor glowed white. It looked like a vigil. This band can swing from chaos to connection in seconds, and it always hits hard.

Of course, the chaos returned fast. “Scars,” “BRAINDEAD,” and “Help” hit back-to-back, and Shaddix even ran deep into the stands again for “Help,” popping up in a section nobody expected. The crowd surfing picked up, the circle pit spun every time he yelled for one, and the band leaned into the fun.

For the encore, “Between Angels and Insects” and “Infest” took fans straight back to the early 2000s and Jacoby went back into the crowd. Then came the showstopper: the “Nu Metal Time Machine” medley. They ripped pieces of Deftones’ “My Own Summer (Shove It),” Limp Bizkit’s “Break Stuff,” and System Of A Down’s “Chop Suey,” all stitched together. The crowd turned into a single hive mind: shouting every lyric, fists up, bodies bouncing.

Papa Roach performs at Rogers Arena on November 25, 2025 in Vancouver. Photo by Jeff Vinnick

And then, obviously, “Last Resort” where the arena shook like someone kicked the floor out from under it.

Papa Roach’s reputation has shifted over the years, but seeing them live explains exactly why they’ve lasted. They’re workhorses. They care about the crowd. They don’t phone anything in, even on a Tuesday night. The show had layers of fun, nostalgia, grief, celebration, and it all felt honest.

If the rest of the Canadian dates keep this pace, the tour is going to stay loud all the way to Halifax. “Divorced dad rock” jokes aside, the night ruled. The Roach still bites.

Upcoming Tour Dates:
Dec 02 – Winnipeg, MB – Canada Life Centre  
Dec 05 – Toronto, ON – Coca-Cola Coliseum 
Dec 06 – Kitchener, ON – The Aud
Dec 08 – Laval, QC – Place Bell 
Dec 10 – Halifax, NS – Scotiabank Centre
More information on the band’s website.

Papa Roach performs at Rogers Arena on November 25, 2025 in Vancouver. Photo by Jeff Vinnick/Rogers Arena

Concerts Reviews

LIVE REVIEW: LP Brings ‘All Is Not Lost’ Tour to Vancouver

Published

on

LP-Vancouver-Raphael-21

On September 5, multi platinum singer-songwriter LP brought the All Is Not Lost Tour to Vancouver’s Queen Elizabeth Theatre, delivering a performance that moved effortlessly between vulnerability, power, and pure rock-and-roll energy. The night also carried a special significance: the tour celebrates the 10th anniversary of Lost on You, the record that helped transform LP from a respected songwriter into a global phenomenon.

Known professionally as LP, Laura Pergolizzi has spent years carving out a space that is uniquely their own. Before becoming internationally recognized as a recording artist, LP established themselves as a songwriter for major artists including Rihanna, Christina Aguilera, and Celine Dion. Their own breakthrough came with “Lost on You,” which went to No. 1 in 18 countries and eventually surpassed one billion Spotify streams.

Inside the Queen Elizabeth Theatre, LP’s music felt much more immediate. Their unmistakable voice moved from restrained and intimate to explosive within moments, giving songs such as “Muddy Waters,” “The One That You Love,” and “Lost on You” a sense of urgency that is difficult to recreate outside of a live setting.

The evening’s setlist reflected both sides of LP’s career. The first part moved through newer material and familiar favourites, including “Shelly,” “Tokyo Sunrise,” “Love Is All I Have,” and “Chasing & Waiting.” Later, the performance shifted toward the Lost on You celebration, bringing some of LP’s most recognizable songs into the spotlight.

It was the kind of moment that makes a concert feel bigger than the room. The song that introduced LP’s voice to millions became a shared experience between artist and audience, with the theatre singing along to every familiar line. After nearly a decade of the song living its own life around the world, hearing it performed in a packed Vancouver theatre gave it a renewed sense of intimacy.

From behind the camera, there was another layer to the experience. Photographing LP meant constantly watching for the moments between the obvious ones. The dramatic poses and powerful vocals naturally create striking frames, but some of the strongest images came from the quieter details, the concentration before a verse, a hand wrapped around the microphone, a fleeting expression beneath the stage lights.

LP is an artist who gives a photographer plenty to work with. Their movement across the stage feels instinctive rather than choreographed, and their performance style carries the same unpredictability as their voice. One moment can feel completely still; the next can explode into movement.

That contrast became one of the defining visual elements of the Vancouver show. The Queen Elizabeth Theatre also suited the performance. Rather than feeling distant or oversized, the venue allowed the audience to remain close to the emotional centre of the show. LP could command the room without having to overwhelm it.

There was also a sense of celebration throughout the night. Ten years after Lost on You, LP is still performing the songs that changed the trajectory of their career while continuing to introduce audiences to what’s next. The tour combines material from the upcoming album with a special presentation of Lost on You in its entirety, making the show feel like both a look backward and a step forward.

That balance is what made the Vancouver performance so compelling. LP isn’t simply revisiting an old record. They are showing how those songs have evolved with them and how they continue to resonate with an audience that has grown alongside their music.

By the final moments of the night, the feeling in the theatre was less like watching an artist celebrate an anniversary and more like witnessing a career still in motion.

For me, photographing LP in Vancouver was an opportunity to capture that evolution in real time: the voice, the movement, the vulnerability, and the electricity that has made LP such a distinctive live performer.

Ten years after Lost on You, the LP still has something to say and judging by the way Vancouver listened, people are still more than willing to hear it.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

LP

All Photo Credit: Raphael Arthur

Continue Reading

Concerts Reviews

LIVE REVIEW: Icons Deep Purple & Kansas Bring A Legendary Celebratory Night of Surprises To Abbotsford’s Rogers Forum

Published

on

Deep Purple-Abbotsford-Marquise-6

I don’t say this lightly, but both Deep Purple and Kansas absolutely put on a hell of a show. Since 1968, Deep Purple have basically been the godfathers of live rock performance. Don’t believe me? Go look up their Guinness World Record for “loudest concert,” which they snagged back in 1972. That same energy, that same wall of sound, made the trip across five decades and landed right here for the band’s headlining North American tour stop in Abbotsford. Original drummer Ian Paice is still holding it down, now joined by guitarist Simon McBride, bassist Roger Glover, keyboardist Don Airey, and vocalist Ian Gillan. Sure, only one original member remains, but somehow the whole group still nails the spirit of what made Deep Purple, well, Deep Purple.

They tore through 16 tracks that night. “Smoke on the Water” got the loudest reaction of the evening, no surprise there. “Diablo” and “Perfect Strangers” also landed big, and “Highway Star” kicked the whole thing off on an absolute high. And when I say the crowd was into it, I mean it. Fans who’ve followed this band for almost fifty years were pressed right up against the barrier trying to get as close as possible. That closeness paid off too, with an incredible light show and Simon McBride ripping through solo after solo. Honestly, McBride was the highlight more than once, stepping up so Gillan could catch his breath between songs. Given how much those vocals demand, that rest was more than earned.

Like I said, “Smoke on the Water” was the main event for Abbotsford. It’s one thing to describe it, but actually watching the buildup, seeing the bandmates grinning at each other because they knew exactly what was coming, that was priceless. Then those notes kicked in. You know the ones. Every Guitar Center employee’s nightmare. The whole arena became one voice, singing along to a guitar riff like it was a chorus. It was the moment of the night, the kind of thing every rock fan dreams about experiencing live. That wave of energy carried all the way through to the final song, “Hush.” If you were a millennial who spent way too much time on Guitar Hero 2, hearing this one live gave you full goosebumps. This was the band’s first big hit back in 1968, and in 2026 it still hits just as hard. The crowd treated it like more than an encore. It felt like everyone in that room knew they might not get another chance to see Deep Purple live, and they soaked in every second of it. When the house lights finally came up, Abbotsford just stood there in awe. Deep Purple‘s legendary status was on full display, and nobody in that crowd wanted the night to end.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

DEEP PURPLE

KANSAS

All Photo Credit: Marquise Monno

Continue Reading