Concerts Reviews
LIVE REVIEW: Evan Honer Turns the Commodore Into a Living Room Singalong

On March 30, 2026, Commodore Ballroom felt less like a historic venue and more like someone’s packed house party with Evan Honer at the centre of it all.
The night opened with Sam Burchfield, whose warm, rootsy set eased the crowd in. His style leaned into folk and Southern textures, setting a tone that fit neatly with what was coming next.
Honer’s rise still feels a bit unreal when you line it up. A few years ago, he was balancing college life and Division I swimming. Then his cover of “Jersey Giant” by Tyler Childers exploded online, pulling in hundreds of millions of streams and flipping his life overnight. Fast forward to now, and he’s running his own label, recording out of a garage studio, and touring internationally with a catalogue that keeps growing.
That momentum showed up immediately on stage. Honer kicked off his set with a burst of energy (and yes, a backflip!) setting the tone for a night that bounced between chaos and quiet reflection. Backed by a 5-piece band, he moved easily between acoustic moments and full-band arrangements, switching guitars and moods easily.
A big part of the set leaned on his latest album, Everything I Wanted, which marks a shift in his sound. The Americana roots are still there, but there’s a stronger pull toward indie pop and mainstream country. Tracks like the title song turned into full-on crowd moments, with the audience shouting back every word.
What stood out most was how little it mattered whether a song was new or old. Fans knew everything. Tracks from West On I-10 landed just as loudly as newer material, and songs like “Foolin’ Ourselves” and “Too Far Gone” felt like staples rather than throwbacks.
Mid-set, Honer slowed things down and stripped it back. Alone on stage, he played “Brother” and “Mr. Meyers,” both heavy, personal songs. You could feel the room quiet. It’s a risky move in a high-energy set, but it paid off.
He didn’t let things stay heavy for long with “Jersey Giant.” It’s still the song that introduced him to a massive audience, and live, it feels like it belongs to both him and the crowd now.
The encore leaned unexpected, with a cover of “Sugar, We’re Goin Down” by Fall Out Boy that somehow worked perfectly. Honer closed with “IDK Shit About Cars,” sending the room out on a high.
Beyond the music, the night carried a bit more weight. Honer has partnered with PLUS1, with $1 from every ticket supporting the Schizophrenia & Psychosis Action Alliance. It’s a small detail, but it adds context to an artist who clearly thinks beyond the stage.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
March 31 – Seattle, Wash. @ Showbox
April 1 – Portland, Ore. @ Crystal Ballroom
April 3 – San Francisco, Calif. @ The Fillmore
April 4 – Los Angeles, Calif. @ El Rey Theatre
April 5 – San Diego, Calif. @ The Observatory North Park
April 7 – Flagstaff, Ariz. @ Orpheum Theater
April 10 – Tucson, Ariz. @ La Rosa
April 11 – Phoenix, Ariz. @ The Van Buren
April 15 – Tulsa, Okla. @ Cain’s Ballroom
April 16 – Dallas, Texas @ The Echo Lounge & Music Hall
April 18 – Georgetown, Texas @ Two Step Inn
More information on Evan Honer’s website.
EVAN HONER








SAM BURCHFIELD



All Photo Credit: Caroline Charruyer
Concerts Reviews
LIVE REVIEW: LP Brings ‘All Is Not Lost’ Tour to Vancouver
On September 5, multi platinum singer-songwriter LP brought the All Is Not Lost Tour to Vancouver’s Queen Elizabeth Theatre, delivering a performance that moved effortlessly between vulnerability, power, and pure rock-and-roll energy. The night also carried a special significance: the tour celebrates the 10th anniversary of Lost on You, the record that helped transform LP from a respected songwriter into a global phenomenon.
Known professionally as LP, Laura Pergolizzi has spent years carving out a space that is uniquely their own. Before becoming internationally recognized as a recording artist, LP established themselves as a songwriter for major artists including Rihanna, Christina Aguilera, and Celine Dion. Their own breakthrough came with “Lost on You,” which went to No. 1 in 18 countries and eventually surpassed one billion Spotify streams.
Inside the Queen Elizabeth Theatre, LP’s music felt much more immediate. Their unmistakable voice moved from restrained and intimate to explosive within moments, giving songs such as “Muddy Waters,” “The One That You Love,” and “Lost on You” a sense of urgency that is difficult to recreate outside of a live setting.
The evening’s setlist reflected both sides of LP’s career. The first part moved through newer material and familiar favourites, including “Shelly,” “Tokyo Sunrise,” “Love Is All I Have,” and “Chasing & Waiting.” Later, the performance shifted toward the Lost on You celebration, bringing some of LP’s most recognizable songs into the spotlight.
It was the kind of moment that makes a concert feel bigger than the room. The song that introduced LP’s voice to millions became a shared experience between artist and audience, with the theatre singing along to every familiar line. After nearly a decade of the song living its own life around the world, hearing it performed in a packed Vancouver theatre gave it a renewed sense of intimacy.
From behind the camera, there was another layer to the experience. Photographing LP meant constantly watching for the moments between the obvious ones. The dramatic poses and powerful vocals naturally create striking frames, but some of the strongest images came from the quieter details, the concentration before a verse, a hand wrapped around the microphone, a fleeting expression beneath the stage lights.
LP is an artist who gives a photographer plenty to work with. Their movement across the stage feels instinctive rather than choreographed, and their performance style carries the same unpredictability as their voice. One moment can feel completely still; the next can explode into movement.
That contrast became one of the defining visual elements of the Vancouver show. The Queen Elizabeth Theatre also suited the performance. Rather than feeling distant or oversized, the venue allowed the audience to remain close to the emotional centre of the show. LP could command the room without having to overwhelm it.
There was also a sense of celebration throughout the night. Ten years after Lost on You, LP is still performing the songs that changed the trajectory of their career while continuing to introduce audiences to what’s next. The tour combines material from the upcoming album with a special presentation of Lost on You in its entirety, making the show feel like both a look backward and a step forward.
That balance is what made the Vancouver performance so compelling. LP isn’t simply revisiting an old record. They are showing how those songs have evolved with them and how they continue to resonate with an audience that has grown alongside their music.
By the final moments of the night, the feeling in the theatre was less like watching an artist celebrate an anniversary and more like witnessing a career still in motion.
For me, photographing LP in Vancouver was an opportunity to capture that evolution in real time: the voice, the movement, the vulnerability, and the electricity that has made LP such a distinctive live performer.
Ten years after Lost on You, the LP still has something to say and judging by the way Vancouver listened, people are still more than willing to hear it.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
LP










All Photo Credit: Raphael Arthur
Concerts Reviews
LIVE REVIEW: Icons Deep Purple & Kansas Bring A Legendary Celebratory Night of Surprises To Abbotsford’s Rogers Forum
I don’t say this lightly, but both Deep Purple and Kansas absolutely put on a hell of a show. Since 1968, Deep Purple have basically been the godfathers of live rock performance. Don’t believe me? Go look up their Guinness World Record for “loudest concert,” which they snagged back in 1972. That same energy, that same wall of sound, made the trip across five decades and landed right here for the band’s headlining North American tour stop in Abbotsford. Original drummer Ian Paice is still holding it down, now joined by guitarist Simon McBride, bassist Roger Glover, keyboardist Don Airey, and vocalist Ian Gillan. Sure, only one original member remains, but somehow the whole group still nails the spirit of what made Deep Purple, well, Deep Purple.
They tore through 16 tracks that night. “Smoke on the Water” got the loudest reaction of the evening, no surprise there. “Diablo” and “Perfect Strangers” also landed big, and “Highway Star” kicked the whole thing off on an absolute high. And when I say the crowd was into it, I mean it. Fans who’ve followed this band for almost fifty years were pressed right up against the barrier trying to get as close as possible. That closeness paid off too, with an incredible light show and Simon McBride ripping through solo after solo. Honestly, McBride was the highlight more than once, stepping up so Gillan could catch his breath between songs. Given how much those vocals demand, that rest was more than earned.
Like I said, “Smoke on the Water” was the main event for Abbotsford. It’s one thing to describe it, but actually watching the buildup, seeing the bandmates grinning at each other because they knew exactly what was coming, that was priceless. Then those notes kicked in. You know the ones. Every Guitar Center employee’s nightmare. The whole arena became one voice, singing along to a guitar riff like it was a chorus. It was the moment of the night, the kind of thing every rock fan dreams about experiencing live. That wave of energy carried all the way through to the final song, “Hush.” If you were a millennial who spent way too much time on Guitar Hero 2, hearing this one live gave you full goosebumps. This was the band’s first big hit back in 1968, and in 2026 it still hits just as hard. The crowd treated it like more than an encore. It felt like everyone in that room knew they might not get another chance to see Deep Purple live, and they soaked in every second of it. When the house lights finally came up, Abbotsford just stood there in awe. Deep Purple‘s legendary status was on full display, and nobody in that crowd wanted the night to end.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
DEEP PURPLE








KANSAS





All Photo Credit: Marquise Monno
